Browse Items (16012 total)

Boswell, Jackson Campbell, and Sylvia Wallace Holton.   New York : Modern Language Association of America, 2004.
Tallies 1,378 "references to, allusions to, and echoes of Chaucer and his works in printed books published between 1475 and 1640," updating and correcting a portion of Caroline Spurgeon's landmark bibliography. Entries are arranged chronologically by…

Quinn, William A.   Susan Yager and Elise E. Morse-Gagné, eds. Interpretation and Performance: Essays for Alan Gaylord (Provo, UT: Chaucer Studio Press, 2013), pp. 185-98.
The Squire's digressive, complex tale may be understood as a reenactment of the creative process. Critics may be mistaken in trying to explain the significance of the four gifts, the falcon's distress, and other details, if the center of the tale is…

Irvin, Matthew W.   Chaucer Review 55, no. 4 (2020): 379-96.
Examines pity and the construction of pity in KnT in particular to show how Chaucer's use of and changes to the "Teseida "produce a desire for female autonomy that doesn’t threaten male patriarchy.

Bentley, Joseph.   South Atlantic Quarterly 64 (1965): 247-53.
Maintains that the details and description of astrology in MilT along with its foreshadowing imagery establish a theme of Boethian determinism in the Tale. Accordingly, the character of each of the three male actors determines his unforeseen fate and…

Saraceni, Madeleine L.   Chaucer Review 51.4 (2016): 403-35.
Explores what Chaucer's use of genres strongly associated with female readers--such as vernacular devotional writing, conduct literature, and hagiography--suggests about his attitudes toward women. Examines the significance of the catalogue of…

Pitcher, John A.   New York: Palgrave Macmillan, 2012.
Analyzes how Chaucer's rhetorical constructions decenter self-disclosure and resist simplistic notions of gender in WBPT, ClT, FranT, and PhyT. Figurative or allusive speech cannot adequately represent subjectivity and desire. Chaucer's treatments of…

Reiss, Edmund.   Leigh A. Arrathoon, ed. Chaucer and the Craft of Fiction (Rochester, Mich.: Solaris Press, 1986), pp. 97-119.
Chaucer's ludic use of language reflects the contemporary attitude toward "translatio" (the transformation of meaning and content and the creation of ambiguity) and the emphasis in logic and grammar on the limitations and inadequacy of language and…

Strohm, Paul.   Studies in the Age of Chaucer 4 (1982): 3-32.
Few of Chaucer's primary audience (men like Sturry, Clifford, Clanover, Montagu, Vache, Scogan, Bukton, Gower, Strode, and Usk) survived him or were still active after his death. His fifteenth-century audience was more broadly dispersed but more…

Eliason, Norman E.   In O. B. Hardison, Jr., ed. Medieval and Renaissance Studies: Proceedings of the Southeastern Institute of Medieval and Renaissance Studies, Summer, 1969 (Chapel Hill: University of North Caroline Press, 1971), pp. 103-21
Explores the emphases and nuances of early critical praise and imitation of Chaucer's poetry among writers such as John Lydgate, Stephen Hawes, the author of "The Book of Curtysye," and others. Focuses on their assessments of the "craftsmanship" of…

Richardson, Peter.   Chaucer Review 28 (1993): 83-93.
Like the "Gawain" poet, Chaucer manipulates tense for narrative purposes, often using the historical present to accentuate "key events, characters, and descriptions." Some of Chaucer's endings may have been added by scribes, making his exact…

Hanning, Robert W.   Leigh A. Arrathoon, ed. Chaucer and the Craft of Fiction (Rochester, Mich.: Solaris Press, 1986), pp. 121-63.
In BD, the "Metamorphoses" provides a positive paradigm for exploring the relationships of grief and poetry, whereas Ovid's work yields a negative paradigm for the representation of Fame in HF. Deals with the creative process in dream visions; and…

McCann, Garth A.   Bulletin of the Rocky Mountain Modern Language Association 27 (1973): 10-16.
Reads the first three tales in CT as a gradated and "symmetrical" treatment of love that moves from the non-physical idealism of KnT to the mixture of emotion and action in MilT and on to the revenge and "physical realism" of RvT.

Cochran, Leonard.   Verbatim 10 (1984): 8.
The Cook's reheated "Jakke of Dovere" (CT A 4347) may refer to a fish dish.

McKinley, Kathryn L.   English Language Notes 30:2 (1992): 1-4.
Criseyde's niece Flexippe is named after Plexippus in Ovid's story of Meleager. The reference to Flexippe in TC 2 is clarified in TC 5 by Cassandra's relating this very story and giving it an allegorical interpretation.

Howes, Laura L.   ChauR 49.01 (2014): 125-33.
Rather than consider the forests and woods in Chaucer's work symbolically, offers an eco-materialist reading of Chaucer's work as Clerk of the King and as forester of North Petherton. Argues that these positions inform Chaucer's settings and…

Gaston, Kara.   DAI A75.01 (2014): n.p.
Considers vernacular change and development in Chaucer's work through the lens of a suggested parallel to fourteenth-century Italian poetry that "inspired scribes and translators to develop sophisticated methods of using form to reflect historical,…

Boffey, Julia.   Anne Marie D'Arcy and Alan J. Fletcher, eds. Studies in Late Medieval and Early Renaissance Texts in Honour of John Scattergood (Dublin: Four Courts, 2005), pp. 53-64.
Discusses William Calverley's "Dyalogue Bitwene the Playntife and the Defendaunt" (ca. 1530-35?) in light of the "Boethian motif of the prisoner of fortune," discussing Chaucer's influence, especially among printers interested in religious or…

Fichte, Joerg O., ed.   Cambridge: D. S. Brewer, 1987.
Essays by various hands. For six essays that pertain to Chaucer, search for Chaucer's Frame Tales under Alternative Title.

Storm, Melvin.   Chaucer Review 19 (1984): 162-68.
Distraint, established in the thirteenth century, required that landholders whose lands produced 20 pounds a year must become knights, the rank involving both military and civil service. The remark that he would rather have a son with the Squire's…

Robertson, D. W., Jr.   Costerus 1 (1974): 1-26.
Characterizes the Franklin in light of his social status, administrative and judicial offices, his "Epicurean concern for externals," and his association with the Sergeant at Law. Then reads FranT as an ironic indictment of the narrator's foolish…

Eckhardt, Caroline D.   Modern Philology 87 (1990): 239-48.
Chaucer's descripiton of the Franklin as a "vavasour" (GP 360) reflects his acquaintance with the Vavasour family. Like Chaucer, Sir William Vavasour testified in the Scrope-Grosvenor controversy; other Vavasours held offices similar to the…

Pearcy Roy J.   Chaucer Review 8.1 (1973): 33-59.
Surveys the literary tradition of the term "vavasour" and explores the implications of its use to describe the Franklin in GP. Focuses on encounters between vavasours and knights in French Arthurian romances, the juxtaposition of FranT and SqT, and…

Wurtele, Douglas J.   English Studies in Canada 13 (1987): 359-74.
Arveragus's choice between allowing himself to be cuckolded or making Dorigen break her promise to Aurelius is a false dichotomy: he could have found a "tertium quid" in leaving the choice to her and thereby acting as lover rather than husband, as…

Specht, Henrik.   Copenhagen: Akademisk Forlag, 1981.
Discusses the Franklin "class" of late-medieval England: etymology, legal status, land tenure, wealth, rank, and social position. Adducing contemporary evidence, some of which is here discussed for the first time, the author explores the clues…

Lucas, Peter J.   Notes and Queries 235 (1990):398-400.
Comments on the name "Dorigen." which is not a Breton woman's name, and speculates on why the Franklin presents it as a woman's name at all.
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