Browse Items (16012 total)

Kordecki, Lesley.   Carolynn Van Dyke, ed. Rethinking Chaucerian Beasts (New York: Palgrave Macmillan, 2012), pp. 249-60.
Argues that the cuckoo-merlin dialogue in PF deconstructs the traditional human-animal binary by presenting a "fleeting realization of anthropomorphism gone awry." The cuckoo's "brood parasitism . . . resolves itself into a mode of communal profit"…

Lynch, Kathryn, ed.   New York and London: Routledge, 2002.
Twelve essays by various authors who assess Chaucer's uses of and attitudes toward the familiar and the foreign, especially the Mid-East, in SqT (four essays), FranT, CT, CYT, PrT, KnT, LGW, and MLT. Includes ten essays published between 1983 and…

Dutton, Marsha L.   Chaucer Review 53.1 (2018): 36-59.
Examines the word "cunning," omission of its sexual connotations in the MED, and the ways in which Chaucer puns on the word in previously unconsidered sexual contexts.

Scattergood, V. J.   Hermathena 133 (1982): 29-45.
"Balade de bon Conseyl," or Truth, the most popular of Chaucer's short poems, is generally thought to be derived from the Bible and Boethius's "Consolation of Philosophy." Out of the twenty-four copies, only in one version does the envoy to "Vache"…

Jones, Claude E.   Neuphilologische Mitteilungen 64 (1963): 175-80.
Describes various motifs in MLT, observing that it "includes features common to the early form of the 'märchen' combined with relatively late developments," and claiming that Chaucer's "most important addition to his source," Trevet's "Cronicle," is…

Gaylord, Alan T.   Studies in the Age of Chaucer 1 (1979): 83-104.
Most critics agree Th parodies Middle English tail-rhyme romances. A regularity of stress, external rhyme, internal alliterations, stanza pattern, and a "bobbing" meter reflect Chaucer's polished craft. While offering an ample measure of "sentence"…

Rowland, Beryl.   Notes and Queries 208 (1963): 210.
Surveys historical comments on the odor of daisies and suggests that Chaucer's praise of its odor in LGWP may be due to botanical accuracy, unusual because he usually follows literary conventions.

Rowland, Beryl.   Neuphilologische Mitteilungen 73 (1972): 381-95.
Challenges characterizations of the Wife of Bath that treat her as an icon or as a representative figure. Reads WBP for the ways that it may be regarded as a "modern case history" that reflects a complex personality rife with desires and regrets.

Murphy, Russell E.   Yeats Eliot Review 28.1–2 (2011): 3-29.
Reconsiders CT as the source of the opening line of T. S. Eliot's "The Waste Land," exploring intertextual relations with the opening of Dante's "Divine Comedy" as well. Also clarifies the importance of Chaucer's role in the English tradition of…

Neuse, Richard.   Berkeley. Los Angeles, and Oxford: University of California Press, 1991.
CT responds to Dante's Commedia in a "conscious attempt " to continue its "poetic tradition" of pilgrimage narrative. Chaucer's pilgrims "comment or focus on one or more aspects of the Dantean pilgrimage," and both works define the human image and…

Osborn, Marijane.   Vistas in Astronomy 39: 605-14, 1996.
When read "astrolabically" rather than astrologically, the "chronographia" of ParsP is accurate and ripe with spiritual meaning. It was inspired by Dante's presentation of the stars in the "Divine Comedy" and indicates the imminence of Easter.…

Holloway, Julia (Bolton)   Bloomsbury Review 3:2 (1983): 7.
Review article on Christine de Pizan's "The Book of the City of Ladies," Amazonian version of Augustine's "City of God."

White, Robert B. Jr.   Journal of English and Germanic Philology 70 (1971): 13-30.
Characterizes the Monk as the "satiric consummation of all possible monastic faults," analyzing him in light of the "seven points of disciple" of the Rule of St. Benedict (obedience, poverty, celibacy, propertylessness, labor, claustration, and…

Brown, Joella Owens.   Criticism 6 (1964): 44-52.
Maintains that the characterizations of the Monk in GP and in MkPT are consistent, and attributes their differing tones to the Monk's decision to "change his image" in the eyes of his fellow pilgrims while requiting the Host's derision with the…

Prendergast, Thomas A.   New York and London : Routledge, 2004.
Invoking a medieval association of book and body, Prendergast examines the cultural history of Chaucer's remains. The study assesses fifteenth-century attempts to mourn Chaucer's death, traces early modern ambivalence toward the poet's body-as-relic,…

Kean, P. M.   Medium Aevum 33.1 (1964): 36-46.
Close comparison of passages in TC and their sources in Boccaccio's "Filostrato" discloses how Chaucer "sets in motion" early in his poem "a train of events whose implications go far beyond the immediate moment, perhaps beyond the love story itself,"…

Whearty, Bridget.   Studies in the Age of Chaucer 40 (2018): 331-73.
Identifies a "pray for Chaucer" trope in fifteenth-century commentary on the poet, observing a "metaphor of literary history" that is based in "guild-like community," underpinned by notions of purgatory, intercession, and friendship. Rooted in Thomad…

Wilcockson, Colin.   Review 9 (1987): 277-81.
Review article.

Lynn, Karen.   Chaucer Review 13 (1978): 116-27.
Morris Halle and Samuel J. Keyser, through careful computer analysis, seem to have put down the myth of the hundred-year-hibernation of Chaucer's decasyllabic line. By studying the stresses and their positions in the line, Halle and Keyser have…

Boyd, Beverly.   Florilegium 10 (1991, for 1988): 99-105.
Chaucer is more attentive to the noises produced by people and their actions than to those of natural phenomena. He often suggests noises rather than describing them directly. His noisiest passages involve tournaments, chases, and music.

Andreas, James R.   Postscript 9 (1992): 19-30.
Especially in the Eagle's speech on sound in HF, Chaucer's verse reflects his concern not with the monological, authoritative, written aspects of speech but with speech as an exploratory, vital, interactive process, recently explored by such…

Sanders, Barry.   Studies in Medieval Culture 4 (1974): 437-45.
WBP/WBT are best read as one woman's satire of both preachers and their anti-feminist propaganda. Attacking antifeminism in medieval preaching, she uses the structure of the medieval sermon.

Jimura, Akiyuki.   The Ohtani Studies (July 30, 1980): 1-20.
The admirable and delicate precision with which each character works depends on the poet's skillful use of adjectives and similes. The writer illustrates this fact with particular reference to the descriptions of Troilus and Criseyde.

Jimura, Akiyuki.   Philologia 19 (1987): 1-26.
Study of adjectives to depict courtly manners.

Dor, Juliette De Caluwe.   Andre Crepin, ed. Linguistic and Stylistic Studies in Medieval English. Publications de l'Association des Medievistes de l'Ensignement Superieur 10. (Paris, 1984): pp. 63-79.
Reconsiders Fisiak's survey of Chaucer's derivational affixes in function of her corpus of French loan words in the conversational sections of CT. Distinguishes between wholesale borrowings and French words onto which morphemes had been attached,…
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