Discusses the concerns with suffering and pity in BD as aspects of universal nature that binds together everything and thereby makes possible the consolation in the poem for the Black Knight (John of Gaunt), the Dreamer (Chaucer), and the audience.…
Knedlik, Will Roger.
Dissertation Abstracts International 38 (1978): 1538A-39A.
The body of this dissertation consists of a chronological compendium made up of an individual abstract-like annotation for each significant piece of scholarship (published before 31 December, 1969) which has treated BD during the first 600 years…
Dean, James.
Modern Language Quarterly 46 (1985): 235-49.
Probably written before Chaucer knew Boethius well, BD is a courtly poem offering the consolation of art, the solace that one can achieve through "makyng" or listening to poetry. The alleged Boethian aspects of BD reflect the French…
Aers, David.
Durham University Journal 38 (1977): 201-05.
BD is about art as well as consolation--the art that engages real attention with its game and objectifies grief only to escape into its own fixity and so shatter finally on the existentiality of loss.
Broughton, Bradford B.
Bradford B. Broughton, ed. Twenty-Seven to One: A Potpourri of Humanistic Material Presented to Dr. Donald Gale Stillman on the Occasion of His Retirement from Clarkson College of Technology ([Potsdam, N. Y.], 1970), pp. 71-84.
Assesses various historical documents that pertain to the marital life and legacy of John of Gaunt and Blanche of Lancaster, arguing that the evidence indicates John was dedicated to Blanche, even after her death.
Merrill, Rodney
Eric Rothstein, ed. Literary Monographs, Volume 5 (Madison: University of Wisconsin Press, 1973), pp. 1-62.
Challenges traditional perceptions of Mars and Ven as separate poems, arguing that they are better recognized as a single work, "The Broche of Thebes." Traces the history of scribal, editorial, and critical receptions of the complaints, analyzing…
Merlo, Carolyn.
College Language Association Journal 25 (1981): 225-26.
The symbolic meaning of the color brown in Chaucer's works depends on the context in which the word is used. Examples can be noted in TC, BD, Rom, HF, and CT.
Examines GP 369-84 in light of the guild feud in London in the 1370s and 1380s, reviewing opinions of Kuhl and Fullerton, and Skeat. "In his attitudes toward the guildsmen...the pilgrim Chaucer shows himself as more petty-bourgeois than bourgeois."
The yeoman's discourse on alchemy is carefully crafted by Chaucer: each "occupatio" is followed by a catalogue ("descripcio") and "poynt" ("sententia"). The technique enables Chaucer to establish the rambling character of the yeoman.
The Summoner's "bokeleer" of cake is a hypocritical parody of the eucharistic Host ritual. A magic object, consecrated bread was used in "bread cures"--the Summoner hopes to use his "Host-bread shield" to cure his "sawcefleem."
Dalby, Richard.
Book and Magazine Collector 199: 46-59, 2000.
Surveys the sales performance of various editions of Chaucerian texts, concentrating on recent sales and auctions and on market values. Includes a brief survey of Chaucer's works and editions and responds to the auction of Caxton's first edition for…
Frye, Northrop.
Robert D. Denham, ed. Northrop Frye on Literature and Society, 1936-1989: Unpublished Papers, Volume 10 (Buffalo, N.Y.: University of Toronto Press, 2002), pp. 131-43.
Critiques the inconsistencies and overall lack of unity in CT, contrasting it with the structural and thematic wholeness of HF and TC, and castigating the sententiousness of Mel, ParsT, and Ret. Attributes the lack of unity and the inconclusiveness…
Frese, Dolores Warwick.
Charles Foulon, et al., eds. Actes du 14e Congres International Arthurien (Rennes: Presses Universitaires, 1985), pp. 184-207.
In contrast to the prevailing critical view that Chaucer eschewed the use of Arthurian romance material, two Arthurian themes--the quest and amorous fatality--become transposed as pilgrimage and marriage in CT. The Tale of Arveragus, told by the…
Describes five medieval ways of looking at time (computistical, philosophical, mechanical, astrolabic, kalendric) and examines three Chaucerian passages that appear to indicate exact dates and time of day. Concludes that each passage presents an…
Chaucer's translations of key phrases in the Griselda story reveal his use of the Boccaccio source material as a way to underscore the "complexity" of the story and the varied authorial voices involved in translation.
The two modes of ClT must not be confused. The allegorical mode culminates in the Clerk's moral of Griselda as an example for all Christians, male or female; the literal mode culminates in the Clerk's implicit criticism of Walter's imperiousness as…
Grudin, Michaela Paasche.
Studies in the Age of Chaucer 11 (1989): 63-92.
Dante's advocacy of absolute rule as necessary for a peaceful state ("De monarchia") was opposed by other fourteenth-century Italian political theorists who saw such a state as tyrannical. Boccaccio's treatment of Griselda in "Decameron" implicitly…
Examines the tension in ClT between human pathos and clerkly training and intelligence, reading the combination as a depiction of late-medieval "clerkishness." Additions to his sources and the use of "specialized vocabulary" make Chaucer's tale…
Nicholson, Lewis E.
English Language Notes 19 (1981): 98-102.
Despite recent scholarship of MilT that equates Alison's "pa" (line 3709) with the Wife of Bath's "ba" (WBT, line 433), the two words should be distinguished. "Pa" seems to be a shortening of "pax," the liturgical embrace of Christian love. In…
Putter, Ad.
Christopher Cannon and Maura Nolan, eds. Medieval Latin and Middle English Literature: Essays in Honour of Jill Mann (Cambridge: Brewer, 2011), pp. 166-81.
Pity's "double life" as person and quality "calls attention to the mechanics" of allegory and to one's "ordinary" experience of pity; through word play, pity is both dead to the frustrated lover and alive to others.