Browse Items (16320 total)

Donaldson, E. T.   Speculum 40 (1965): 626-33.
Argues for choosing "wrighte" over "wight" among the manuscript variants of WBP 3.117, justifying the choice on the grounds of source material and consideration of scribal choices and practices.

Bourne, Florence   Paris: Publications de l'Association des Medievistes Anglicistes l'Enseignement Superieur, vol. 14 (1990)
Philological translation into French of TC 5. Based on John Warrington's editions, revised by Maldwyn Ellis (Dent: Everyman Classics 1992, 1974)

Thwaite, Anthony,and Richard Mervyn,writer,   [Princeton, N.J.]: Films for the Humanities, [1988].
Produced by Cromwell Productions.

West, Richard.   New York : Carroll and Graf; London: Constable, 2000.
A non-academic biography of Chaucer focusing on his responses to the sociohistorical concerns of the "Black Death, war, class, race, religion and social justice" (p. 256). It reprises a view of Chaucer held in the early twentieth century: genial,…

Brewer, D[erek]. S.   London: Longman, 1973.
An introduction to Chaucer's "life, times, and works" (originally published in 1953; 2nd ed. 1965) which attempts "to suggest (rather than to describe) something of the general quality of Chaucer's age, and to note the chief events of Chaucer's early…

Braddy, Haldeen.   Speculum 52 (1977): 906-11.
Chaucer had the opportunity, if not any singularly discernible motive, for actually raping Cecily Chaumpaigne, stepdaughter of Alice Perrers. Alice may have been the prototype of Alice of Bath and may even have been the mother of the illegitimate…

Roberts, Ruth Marshall.   Publications of the Mississippi Philological Association (1988): 137-42.
Chaucer's ability to draw female characters--in particular, Criseyde and the Wife of Bath--sets him apart from contemporaries in a male-dominated society. The subjectively described Criseyde, with her "slydynge" heart, and the objectively described…

Curtz, Thaddeus Bankson,Jr.   Dissertation Abstracts International 39 (1978): 893A.
The manners in which the Miller, Summoner, and Manciple tell their tales are evidence of Chaucer's interest in the psychology of class conflict. The social events of medieval England and Chaucer's own situation reflect class issues.

Quinn, William A.   English Studies 102 (2021): 395-414.
Explores Chaucer's attitude toward the Boethian notion that "right reasoning alone should guarantee rhetorical success." Mirrored in Chaucer criticism and inflected by issues of gender and point of view, "objectivity," effective persuasion, and…

Tagaya, Yuko, ed.   Koshigaya: Hon-no-Shiro, 2018.
Includes essays exploring connections among Chaucer's works, courtly life, and Arthuriana. For two essays that pertain to Chaucer, search for Chaucer, Arthur, and Medieval Roman III under Alternative Title. In Japanese, except for Chapters 1-3.

Milowicki, Edward J.   Keith Busby and Christopher Kleinhenz, eds. Courtly Arts and the Art of Courtliness: Selected Papers from the Eleventh Triennial Congress of the International Courtly Literature Society. University of Wisconsin-Madison, 29 July-4 August 2004 (Cambridge, D. S. Brewer, 2006), pp. 477-88.
Milowicki advances several "speculations" about Chaucer's "French connections," particularly his possible introduction at the French court to the "study of the stars" and to the controversy of the relationship between astronomy and astrology…

Hanks, D. Thomas, Jr.   T. L. Burton and John F. Plummer, eds. "Seyd in Forme and Reverence": Essays on Chaucer and Chaucerians in Memory of Emerson Brown, Jr. (Provo, Utah: Chaucer Studio Press, 2005), pp. 219-36.
Surveys Chaucer's concern with the coexistence of a beneficent God and the suffering of humans in KnT, MLT, ClT, and FranT. Chaucer often poses this issue by alluding to Job.

Engle, Lars.   Exemplaria 1 (1989): 429-57.
Chaucer exemplifies one of Mikhail Bakhtin's important claims that laughter can engage and comment on human systems and can function as a form of social and intellectual critique. Engle briefly surveys Bakhtinian theory, suggests its power in…

Giaccherini, Enrico.   Italianistica: Rivista di letteratura italiana 18:2-3 (1989): 347-56.
Examines "the different use to which Chaucer and Boccaccio have put certain raw narrative material belonging to the tradition of popular comic literature" of their cultural heritage--i.e., Chaucer's use of sources in RvT as opposed to Boccaccio's in…

Rossiter, William T.   Alison Yarrington and Stefano Villani, eds. Travels and Translations: Anglo-Italian Cultural Transactions (Amsterdam: Rodopi, 2013), pp. 231-50.
Expands upon Harold Bloom's concept of the "anxiety of influence" to explore agonistic revisionism through translation in medieval literature, focusing on transmission from Italy to England and illustrating in detail how "verbal, phrasal,…

Ganim, John M.   Assays 4 (1986): 51-66.
Popular understanding of their works is a central issue in both Boccaccio and Chaucer. Boccaccio's urbanity and sophistication reflect the qualities of his cultured, mercantile audience. Chaucer (e.g., PardT) is only apparently more naive, working…

Thompson, N. S.   Oxford: Clarendon, 1996.
"The Decameron" should be seen as a source of CT despite the lack of verbal parallels. Each work forms "an itinerary for the reader, if a highly indirect one, towards the good." "The Decameron" leads to Griselda, while CT leads to the Parson's…

Havely, Nicholas (R.)   Chaucer and the Italian Trecento (Cambridge: Cambridge University Press, 1983), pp. 249-68.
Discusses the friar, comparing Chaucer's anticlericalism to Boccaccio's in the "Decameron."

Ganim, John M.   Leonard Michael Koff and Brenda Deen Schildgen, eds. The Decameron and the Canterbury Tales: New Essays on an Old Question (Madison, N.J.: Fairleigh Dickinson University Press, 2000), pp. 128-47.
Explores several of Chaucer's and Boccaccio's characters and how their autobiographical self-invention is both modern and tied to the past. The importance of confession in developing the sense of the individual is played out in the prologues and…

Smith, James.   Essays in Criticism 22 (1972): 4-32.
Focuses on close analysis of words and details in GP description of the Knight ("worthy") and in KnT ("erthely," 1.1166) to argue that Arcite is a morally flawed lover, Theseus is an "anti-hero," and the Knight pompous--especially when read in light…

Kupfer, David C.   Library Philosophy and Practice [429] (2010): 1-24. Available at http://digitalcommons.unl.edu/libphilprac/429. Accessed January 14, 2021.
Assesses "bibliophilism" in Chaucer's works as indicators of his own access to and attitudes towards books, learning, and learning spaces or libraries. Focuses on the uses of "librarye" (Bo 1.pr.4.41 and 1.pr.5.41) as early instances in English and…

Palomo, Dolores.   Mosaic 8.4 (1975): 61-72.
Chaucer's contributions to the novel merit further study. Like Cervantes, Chaucer shows concern for problems which become increasingly important in the development of the novel, notably the author's freeing himself from historical sources and the…

King, Pamela M.   Julia Boffey and Janet Cowen, eds. Chaucer and Fifteenth-Century Poetry. King's College London Medieval Studies, no. 5 (London: King's College Centre for Late Antique and Medieval Studies, 1991), pp. 1-14.
Surveys the metafictional aspects of TC, HF, and NPT, defining narrative and stylistic self-consciousness as recurrent themes. Henryson, Dunbar, Skelton, and James I of Scotland accomplish similar ends through self-reflexive and intertextual…

Ellis, Roger.   Catherine Batt, ed. Essays on Thomas Hoccleve ([Turnhout, Belgium]: Brepols, 1996), pp. 29-54.
Questions how well Thomas Hoccleve's translation of Christine de Pizan's "Epistre au dieu d'amours" captures the "wit of the original," arguing that the translation was influenced by LGW and by other Chaucerian works and suggesting that Christine's…

Laird, Edgar (S.)   Chaucer Review 44 (2010): 344-50.
By taking into account the increasing degree of willful irrationality attributed to Cupid in Chaucer's PF, KnT, and LGW and in Clanvowe's "Boke of Cupid," it becomes possible to view the writers' "god of Love [as] to some extent a collaborative…
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