Browse Items (15542 total)

Edwards, A. S. G.   English Manuscript Studies, 1100-1700 4 (1993): 268-71.
Argues that the portrait of Chaucer in Rosenbach MS 1083/30 was most likely copied from Harley MS 4866 in the early eighteenth century for John Murray. Both manuscripts are of Hoccleve's "Regement of Princes."

Berger, Rainer,and William Matthews.   PACT: Revue du Groupe Europâeen d'Âetudes pour les Techniques Physiques, Chimiques, et Mathâematiques Appliquâees à l'Archâeologie 49: 99-106, 1995.
Report of radiocarbon dating and dendrochronological analysis of the oak panel of the UCLA Chaucer portrait, indicating a date of about 1400. This makes it likely that the portrait "represents a close likeness of the poet" at the end of his life.

Woods, William F.   SMART 10.2 : 51-85, 2003.
Describes a freshman writing course that focuses on late-medieval social history, structured by means of GP and eight of the tales in CT. Includes a complete syllabus, writing exercise, and supplemental information.

Raymo, Robert R., and Judith Glazer-Raymo, compilers.
Perkins, Shari, and Jared Camins-Esakov, eds.  
New York: Ascensius Press, 2015.
Catalogues the Chaucer collection of Raymo and Glazer-Raymo, which includes editions of the complete works of Chaucer, critical and literary histories, recordings of readings, and collections of Chaucer ephemera.

Whitaker, Muriel A.   Chaucer Review 34: 174-89, 1999.
Did Chaucer commission the chest in the London Museum with scenes from PardT? The poet could have supervised its adherence to the literary source and added the hunting fox as a symbol for the Pardoner. He might have chosen the cheaper elm rather than…

Blake, N. F.   Neuphilologische Mitteilungen 90 (1989): 295-310.
Closer attention to external and internal evidence should make scholars more cautious about accepting as canonical such passages as NPE, BD 31-96, Ret, and the lists of Chaucerian works in MLT and LGWP.

Van Arsdale, Ruth.   American Notes and Queries 13 (1975): 146-48.
George Williams is wrong to claim homosexual implication for Th, in the light of a re-examination of the knight himself, the forest through which he rode, and Chuacer's use of "prike" in the tale. To find sexual connotations in the tale is to read…

Jimura, Akiyuki.   Phoenix 15 (1979): 101-22. Department of English, Hiroshima University.
A discussion of the characterizations of Troilus and Criseyde by investigating the meanings of adjectives attached to each noun illustrating their natures. Troilus, who languishes for love, is represented as a strong, faithful, idealistic knight and…

Rudat, Wolfgang E. H.   Northern New England Review 8 (1983): 32-41.
The narrator in TC ridicules and condemns courtly love. The difference between TC and "Il Filostrato" is that Chaucer's narrator is unmasked at the end and earthly love must be rejected in favor of love of Christ whereas in IF the young narrator…

Maybury, James F.   Northern New England Review 8 (1983): 32-41.
Compares the narrator of Boccaccio's "Il Filostrato" with the narrator of TC.

Morris, Rosemary.   Cambridge: D. S. Brewer;
Reconstructs the "biography of Arthur" from major legends, chronicles, and romances.

Park, B. A.   English Language Notes 1.3 (1964): 167-75.
Absolves the Merchant of the illegal practices, usurious dealings, and insolvency previously inferred by critics, providing historical information and examples that indicate that the GP description portrays a skilled practitioner who "gives a public…

Kawasaki, Masatoshi.   Literature and Man--the Papers for the Late Professor Kanji Nakajima (Tokyo: Kinseido, 1981), pp. 21-40.
Discusses the character and meaning of Pardoner in relation to a submerged irony expressed in his bodily or spiritual realism.

Gillespie, David Southard.   Ph.D. Dissertation. Michigan State University, 1971. Dissertation Abstracts International 32 (1971): 3188-89A. Fully accessible at https://d.lib.msu.edu/etd/40345; accessed April 22, 2023.
Historical analysis of the changes in the English world view preceding and following the Black Death of 1349, with particular attention to the art and literature up to 1385 and its "pessimism and macabre realism." Includes recurrent references to…

Adams, Alison,Armel H. Diverres, Karen Stern, and Kenneth Varty,eds.   Woodbridge and Suffolk: Boydell and Brewer, 1986.
These essays, which relate to the development of Arthurian prose romance from the early thirteenth century to the end of the medieval period, are arranged chronologically and grouped by theme or text.

Dunn, Charles W., reader.   New York: Folkways, 1959.
Includes various readings by Dunn that illustrate changes in the English language and English literary style, among them, a reading of Book III.m9 of Bo (Side 1, band 9; 41 sec.). Text from F. N. Robinson's edition of Chaucer complete works (1957).

Ciccone, Nancy.   Chaucer Review 44 (2009): 205-23.
In its evocations of a "locus amoenus," "fin' amors," and Aeneas, the dream chamber in BD serves as a "structural analogue" to the Man in Black's autobiography, which narrates an idyllic youth, describes falling in love, and refers to the duties of…

Jackson, W. T. H.   New York: Columbia University Press, 1985.
Fifteen essays by Jackson on classical and medieval subjects, focusing on courtly love, lyric, epic and drama, allegory and romance and covering literary works from Continental Europe. Edited by Joan M. Ferrante and Robert W. Hanning.

Besserman, Lawrence [L.]   New York: Garland, 1996.
Thirteen essays originally presented as lectures at the Center for Literary Studies at the Hebrew University of Jerusalem between September 1991 and January 1993. Each essay re-examines the relation of a major author, genre, or theme to traditional…

Hollis, Stephanie.   Parergon 19 (1977): 3-9.
The dreamer's experience in BD is an amplification of the Ceyx and Alceone story. The Black Knight and the dreamer may be seen as the same person, the dream providing a means of facing the fact of death.

Taylor, Robert A.;James F. Burke; Patricia J. Eberle; Ian Lancashire; and Brian S. Merrilees,eds.   Kalamazoo: Medieval Institute Publications, Western Michigan University, 1993.
For five essays that pertain to Chaucer, search for Centre and Its Compass under Alternative Title.

Terkla, Daniel Paul.   Dissertation Abstracts International 53 (1993): 3206A.
Explores "narrative space" as represented in the Bayeux Tapestry, a world map of 1300, two French romances, Dante's "Commedia," and CT to show that the modern anxiety generated by them can be dispelled by understanding built-in signs.

apRoberts, Robert P.   PMLA 77 (1962): 373-85.
Rejects claims that Criseyde expected to surrender herself to Troilus when she went to Pandarus's house in Book 3 of TC. Examines questions of plot, detail, and emphasis, and argues that her actions were neither fated nor dependent upon prior…

Hanson, Thomas B.   Chaucer Review 9 (1975): 297-302.
To emphasize the theme of Troilus' misconception of the nature of love and to make his poem reflect the stages of "gradus amoris," Chaucer placed the consummation scene at the numerical center of the "beta" version of TC.

Obermeier, Anita.   Stephen B. Partridge and Erik Kwakkel, eds. Author, Reader, Book: Medieval Authorship in Theory and Practice (Toronton: University of Toronto Press, 2012), pp. 80-105.
Describes Gower's and Chaucer's "metaphorical and historical connections to Richard II," as reflected in ManT.
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