Practical handbook to literacy training, with exercises that include using lines from GP to inspire literacy, from a chapter titled "Exploring Geoffrey Chaucer: A Start" (pp. 181-84).
Roy, Kari Anne.
David Shields and Matthew Vollmer, eds. Fakes: An Anthology of Pseudo-Interviews, Faux-Lectures, Quasi-Letters, "Found" Texts, and Other Fraudulent Artifacts (New York: Norton, 2012), pp. 213-14.
Offers a satire of "hipster pilgrims" at a modern music festival, rendered in faux Middle English.
Öğütcü, Murat.
In Evrim Doğan Adanur, ed. IDEA: Studies in English (Newcastle upon Tyne: Cambridge Scholars, 2011), pp. 289-99.
Assesses the "multilayered constitution" of TC "as a polysemous text" that celebrates "the flesh and the divine simultaneously," reading the poem as the recreation of the "suppressed sexual experience" of Chaucer's youth in his old age, an…
Küçükboyaci, Uğur E.
Evrim Doğan Adanur, ed. IDEA: Studies in English (Newcastle upon Tyne: Cambridge Scholars, 2011), pp. 272-83.
Surveys commentary on Chaucer's uses of postmodern techniques in CT, focusing on his experimentation and evasiveness, and his concern with meaning and with the possibilities whereby literature may or may not be considered literal. Discusses…
Reis, Huriye.
Evrim Doğan Adanur, ed. IDEA: Studies in English (Newcastle upon Tyne: Cambridge Scholars, 2011), pp. 261-71.
Examines the "construction of parenthood" in medieval literature and criticism, focusing on Chaucer's role as "father" of English literature, which lacks a parallel "mother" figure.
Adanur, Evrim Doğan, ed.
Newcastle upon Tyne: Cambridge Scholars, 2011.
Includes forty-six papers presented at the fifth international IDEA conference, held at Atilim University, Ankara, Turkey in 2010. For three essays that pertain to Chaucer, search for IDEA: Studies in English under Alternative Title.
Pugh, Tison.
Journal of Popular Culture 42.2 (2013): 411-32.
Considers the status and functions of mystery novels as a form of popular culture, employing distinctions posed by Pierre Bourdieu and exploring the use of allusion in the genre. Then investigates three mystery novels by Philippa Morgan that feature…
Peverley, Sarah L.
Juliana Dresvina and Nicholas Sparks, eds. The Medieval Chronicle VII (Amsterdam: Rodopi, 2011), pp. 167-203.
Describes how in the first version of his "Chronicle" John Hardyng was influenced by Lydgate in his descriptions of royal power and social harmony--moments of "great joy and triumph"--while depending upon Chaucer and Walton for his concern with…
Pastoor, Jennifer.
Dissertation Abstracts International A78.05 (2016): n.p.
Considers the use of women and their bodies as metaphorical vehicles for the consideration of Christian life, with particular attention to MLT and SNT.
Murphy, Russell E.
Yeats Eliot Review 28.1–2 (2011): 3-29.
Reconsiders CT as the source of the opening line of T. S. Eliot's "The Waste Land," exploring intertextual relations with the opening of Dante's "Divine Comedy" as well. Also clarifies the importance of Chaucer's role in the English tradition of…
A novel of suspense mystery in which historian Lizzie Manning follows the steps of the Wife of Bath and learns that Alisoun and her descendants had impact on English art and on the location of the bones of Thomas Becket.
Lerer, Seth, and Deanne Williams.
Shakespeare 08 (2012): 398-410.
Argues that Shakespeare's reading of Thomas Speght's edition of Chaucer's "Works" (1598) provoked his creative imagination as well as providing source material, looking closely at how Chaucer's depiction of Julius Caesar's death in MkT affected…
Leighton, H. Vernon.
Notes on Contemporary Literature 42.1 (2012): 11-12.
Provides evidence that much of John Kennedy Toole's knowledge of Boethius, important to his novel "A Confederacy of Dunces," came through the Chaucer class that he took from Robert Lumiansky.
Demonstrates that Chaucer "occupies a more prominent place" in Samuel Johnson's "Dictionary" than has been acknowledged. Corrects some misconceptions of previous scholars and adds new data about attention to Chaucer in the "Dictionary"--quotations of…
Larson, Eric.
Dissertation Abstracts International A77.09 (2016): n.p.
Investigates eighteenth-century modernizations of Chaucer's work (especially CT), with an eye toward the period's political issues and a consideration of those modernizers' contributions to later scholarly apparatus.
Knox, Philip, Mark Griffith, and William Poole.
Medium Aevum 85.1 (2016): 33-58.
Proposes that prefatory verses published in Kynaston's Latin translation of TC demonstrate a high degree of academic interest in Chaucer in seventeenth-century Oxford. Several verses praise Kynaston by criticizing Chaucer's "rudeness," but others…
Kim, Jaecheol.
Journal of English Language and Literature (Korea) 58 (2012): 143-61.
Argues that a "pre-modern nationalist discourse" inspired Chaucer to "spawn his own 'nationalist discourse,'" and that Chaucer's reception as the "father" of English poetry "mediates thirteenth century post-colonialism and nineteenth-century…
Hannam, James.
Carl Kears and James Paz, eds. Medieval Science Fiction London: King's College London Centre for Late Antique and Medieval Studies, 2016(), pp. xv-xxv.
Defines medieval science fiction and provides a survey of types of science appearing in medieval literature, including natural philosophy (in NPT and PF), alchemy (in CYT), herb lore (in GP), and astronomy.
Kears, Carl, and James Paz.
Carl Kears and James Paz, eds. Medieval Science Fiction (London: King's College London Centre for Late Antique and Medieval Studies, 2016), pp. 3-38.
Argues for a consideration of texts as "science fiction," even if they were produced before the Enlightenment, and further defines the genre to include any text that combines interests in science and fiction. Includes comparison of CYT to Shelley's…
Kang, Minsoo.
Carl Kears and James Paz, eds. Medieval Science Fiction (London: King's College London Centre for Late Antique and Medieval Studies, 2016.), pp. 245-61.
Explores the different attitudes toward the Middle Ages presented in science fiction and fantasy literature, while also arguing for a new subgenre called "catapunk" that depicts the Middle Ages in fuller ways. Mentions the false alchemy in CYT,…
Kears, Carl, and James Paz, eds.
London: King's College London Centre for Late Antique and Medieval Studies, 2016.
Includes essays that seek to redefine science fiction as literature that combines interests in both science and literature. Also examines the use of the medieval in modern fantasy texts. For three essays that pertain to Chaucer, search for Medieval…
Describes and assesses the influence of Chaucer's works on twentieth-century writer Jack Spicer, discussing Spicer's life, his poetics, and his uses of source materials, exemplified in his adaption of TC.
Green, Richard Firth.
Philadelphia: University of Pennsylvania Press, 2016.
Presents (in a postscript) how Chaucer's attitudes and "amused skepticism" toward fairies influenced later writers, including Spenser and Shakespeare. Analyzes connections between historiography of early modern witch-hunts and popular superstitions…
Gillespie, Alexandra.
Andrew King and Matthew Woodcock, eds. Medieval into Renaissance: Essays for Helen Cooper (Cambridge: D. S. Brewer, 2016), pp. 15-30.
Poses questions about the "realities and complexities of authorship and literary tradition" in Gower, the "pseudo-Chaucerian" "Plowman's Tale," Spenser's "Shepheardes Calender,: and Milton's poetry. Addresses Chaucer's reception in the sixteenth…
