Rush, Rebecca.
Princeton: Princeton University Press, 2021.
Considers briefly Chaucer's influence on the revival of poetic couplets in early modern English verse, especially as mediated by George Puttenham's "The Arte of English Poesie."
With the Host as a master of revels who cannot coerce the lower orders, CT develops wide audience appeal through the pilgrims as players in a medieval festival atmosphere, where both "gentils" and "churls" participate, often with role reversals and…
Hansen, Elaine Tuttle.
Sheila Fisher and Janet E. Halley, eds. Seeking the Woman in Late Medieval and Renaissance Writings, (Knoxville: University of Tennessee Press, 1989), pp. 51-70.
LGW is a "poem for and about men and their anxieties about sex and gender." Courtly love is incompatible with the patriarchal drive to dominate. The subject of LGW is "male homosocial desire."
Sinnreich-Levi, Deborah M.
Deborah M. Sinnreich-Levi, ed. Eustache Deschamps, French Courtier-Poet: His Work and His World. (New York: AMS Press, 1998), pp. 123-30.
The misogynist female voices in a number of Deschamps's poems seem to share common sources with WBPT and MerT.
Ames, Ruth M.
Julian N. Wasserman and Robert J. Blanch, eds. Chaucer in the Eighties (Syracuse, N.Y.: Syracuse University Press, 1986), pp. 57-74.
Chaucer responds to the God of Love's charges against TC and the translation of Rom by avoiding confrontation. This response is not noncommittal but carries the message that one should be evenhanded, not extremist, when dealing with feminism.
Brooks, Freya Elizabeth Paintin.
Open access Ph.D. dissertation. University of Leicester, 2018. Available at EThOS: E-Theses Online Service (registration required). Accessed February 5, 2021.
"[R]evisits" the manuscripts of CT "in order to piece together the evidence of women's involvement in the consumption and circulation of this work," using "visualisations to map the social networks of women connected to the manuscripts and explore…
Focuses on the theological and comical elements of CT and its "beatific vision." Claims that Chaucer "provides a lyrical vision of the possibilities of poetry and pilgrimage" in GP.
By subtle allusions and a skillful balance of opposites, Chaucer reveals that the Wife of Bath conspired with Jankyn to kill her fourth husband, caused Jankyn's death by betraying him to her friends, and became a garish, cynical old woman incapable…
Frakes, J. C.
Leiden and New York: E. J. Brill, 1988.
Examines Fortune in the Roman tradition, in Boethius, in Latin commentaries on the "Consolatione," in King Alfred's adaptation, and in Notker's exegesis.
A survey of fantasy literature in England, arranged topically in six categories: secondary world, metaphysical, emotive, comic, subversive, and children's. Includes commentary on various works by Chaucer in an opening chapter called "The Origins of…
Butterfield, Ardis.
New York: Oxford University Press, 2009.
Explores the political, linguistic, and cultural relations between "France" and "England" before the stabilization of the areas' geographical boundaries. Interdependence between the two areas challenges modern notions of nationality, linguistic…
Spurr, Barry.
Sydney Studies in English 37 (2011): 1-18.
Spurr cites A. E. Housman's lecture "The Name and Nature of Poetry" and calls upon the makers of the Australian National Curriculum not to excise CT and other canonical texts from the program.
Schmitz, Gotz.
Cambridge: Cambridge University Press, 1990.
English translation, with a new preface, of Die Frauenklage: Studies zur englischen Verserzahlung in der englischen Literature des Spatmittelalter und der Renaissance (Tubingen: Niemeyer, 1984). Investigates the relations between subject matter and…
Andrew, Malcolm.
Piero Boitani, ed. The European Tragedy of Troilus (Oxford: Clarendon Press, 1989), pp. 75-93.
Although critics have generally dismissed "Sir Gawain's" Troy frame as insignificant, it may offer a retrospective, ironic context for predicting the fall of Arthurian civilization. Chaucer's TC also uses "retrospective irony" to create "a rich and…
Owen, Charles A., Jr.
Susanna Greer Fein, David Raybin, and Peter C. Braeger, eds. Rebels and Rivals: The Contestive Spirit in The Canterbury Tales. Studies in Medieval Culture, no. 29 (Kalamazoo, Mich.: Medieval Institute Publications, 1991), pp. 173-88.
Unlike its two closest analogues--Mars and Anel--the falcon's lament exceeds its own generic and linguistic constraints and functions as both narrative and complaint.
The carpenter's comments on his knave's report of Nicholas's condition must be seen in terms of the vigorous promotion of the connection between the working class and a severely circumscribed knowledge of the rudiments of faith.
Pask, Kevin.
Baltimore, MD: Johns Hopkins University Press, 2013
Explores developments in the writing of fantasy literature, describing WBT along the way as an indication of an early stage in the diminishing status of romance, migrating from "elite to popular culture."
Baylor, Jeffrey.
English Language Notes 28:1 (1990): 17-19.
RvT is a denunciation of the university system and its participants. The two clerks abandon their learning and stoop to the anti-intellectual level of the miller.
Edwards, Robert R.
Robert R. Edwards. Ratio and Invention: A Study of Medieval Lyric and Narrative (Nashville, Tenn.: Vanderbilt University Press, 1989), pp. 131-45.
According to literary theorists, writers were able either to rework sources or more easily, to invent new matter. In the former method, the poet had to work the original idea anew, avoiding too close imitation, errors, and confusion. In SqT, the…
Introduces the 2002 Kathleen Williams Lecture on the sexual politics of FQ with an anecdote about a Smith College professor's delicacy with language in MilT and RvT; connects RvT with acquaintance rape.
An encyclopedia of authors, works, genres, trends, terminology, and sources of British poetry from the beginnings to 1600, with entries composed by the editor and many contributors, with cross listings and suggestions for further reading. Includes an…
Bassil, Veronica.
Texas Studies in Literature and Language 26 (1984): 157-82.
ClT influenced "The Not-Browne Mayd" in narrative action, diction, and organization. The latter was the model for Matthew Prior's "Henry and Emma," which was in turn the model for Richardson's "Clarissa."
Argues that "imagery and narrative detail" in ShT subtly undercut the Tale's "relish for quick-witted deception" and its "philosophy of money," typical of the fabliau genre. Several image clusters and their points of occurrence in the Tale evoke "the…
Fyler, John M.
Modern Language Quarterly 41 (1980): 115-30.
Just as TC is "distanced" from the reader by its setting during the Trojan War, so too does Pandarus blur the lines between reality and fiction. The "real" world is an illusion; the little world of the lovers is all that is real. Ironically,…
