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Chaucer and the Medieval Statius,
Clogan, Paul Maurice
Dissertation Abstracts International 22.10 (1962): 3641.
Studies the "form in which Chaucer may have known Statius' poetry," focusing on "medieval glossed manuscripts" in order to identify correspondences between the poetry of Statius, commentaries on it, and Chaucer's works. Assesses the status of Statius…
Chaucer and the Middle Ages
Ross, Stewart.
Hove, East Sussex: Wayland, 1985.
Social history of late-medieval England, designed for adolescents, including discussion of Chaucer as "royal servant," poet, and "father of the English language" (pp. 1-9). Recurrent mention of Chaucer in subsequent discussions of historical topics.…
Chaucer and the Middle Scots Poets
Scheps, Walter.
Studies in Scottish Literature 22 (1987): 44-59.
All major poets of the fifteenth century in England and Scotland considered themselves disciples of Chaucer. The extent to which they actually emulated Chaucer in their works, however, is questionable. Additional studies involving the Chaucer…
Chaucer and the Middle Scots Poets: Studies in Fifteenth-Century Reception
Fradenburg, Louise Olga.
Dissertation Abstracts International 43 (1983): 3313A.
Scottish Chaucerians emphasize the different aspects of Chaucer's work--love fiction: "The Kingis Quair;" retribution: Henryson's "Testament of Cresseid;" and diction: Dunbar's "Thrissill and the Rose."
Chaucer and the Modern Reader: A Question of Approach
Pearsall, Derek.
Dutch Quarterly Review of Anglo-American Letters 11 (1981): 258-66.
Modern readers must resist the limitations of twentieth-century literary-critical approach and interpret Chaucer in the traditional critical context: studies of manuscript tradition, text, and lexical context.
Chaucer and the Moon's Speed
Olson, Donald W.,and Laurie E. Jasinski.
Sky and Telescope 77 (1989): 376-77.
Chaucer is assumed to have had a high level of astronomical knowledge, unusual for medieval times. Olson and Jasinski used an Apple IIe microcomputer to investigate certain celestial constellations and to prove that Chaucer was correct in his…
Chaucer and the Moving Image in Pre-World War II America.
Arner, Lynn.
Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 69-87
Describes the limited presence of Chaucer in the early American films, commenting on a Motion Picture Academy educational promotion and a "distorted" version of PardT, "On Borrowed Time" (1939). Offers five reasons for this scarcity:…
Chaucer and the Muse of History: A Presumption of Objectivity in 'Troilus and Criseyde'
Sommer, George J.
Cithara 23 (1983): 38-47.
Discusses poet-narrator ambiguity in four TC prologues and the Epilogue and in the narrator's guise as historian. The narrator is detached and didactic but also compassionate and helpless.
Chaucer and the Mystical Marriage in Medieval Political Thought.
Wilks, Michael.
Bulletin of the John Rylands University Library of Manchester 44 (1962): 489-530.
Traces in biblical, classical, and political sources the development of the idea that the Pope and other rulers gain sovereignty through "mystical marriage" to their respective institutions, arguing that WBT "bears a striking similarity to [this]…
Chaucer and the Mystics: "The Canterbury Tales" and the Genre of Devotional Prose
Boenig, Robert.
Lewisburg, Penn.: Bucknell University Press, 1995.
Similarities between Chaucer and the Middle English mystics do not imply a conscious intention on his part either to imitate the mystics or to parody them ironically.
Chaucer and the Nature of Chivalric Ideas
Palmer, David Andrew.
Dissertation Abstracts International 37 (1977): 6507A-08A.
There is a tradition which views the knight's pursuit of love as an inversion of responsibility to God and to society. In CT, the Knight embodies spiritual and social duty whereas the Squire represents a subversion of proper knightly functions.
Chaucer and the Nineteenth-Century City
Phillips, Helen.
Ardis Butterfield, ed. Chaucer and the City (Cambridge: D. S. Brewer, 2006), pp. 193-210.
The warm acclaim the Victorians gave to Chaucer reflects the nineteenth century's anxious and conflicted responses to rapid urbanization.
Chaucer and the Noise of the People
Ganim, John M.
Exemplaria 2 (1990): 71-88.
Chaucer represents popular discourse as analogous to social, historical, and even apocalyptic disruption. He thus variously attempts to contain and to release its power: In TC, disruption can be temporarily contained by heroic action; in KnT, it…
Chaucer and the Nominalist Questions
Peck, Russell A.
Speculum 53 (1978): 745-60.
As a nominalist, Ockham is aware of the limitation of human perception and the weakness of language to convey ideas without distortion. In a different way, Chaucer, too, is concerned with these problems, though as a poet he tends to emphasize (not…
Chaucer and the Norse and Celtic Worlds
McTurk, Rory.
Aldershot, Hampshire; and Burlington, Ver. : Ashgate, 2005.
Revives the idea that Chaucer visited Ireland between 1361 and 1366, placing new emphasis on the date of the Statute of Kilkenny. Identifies sources for Chaucer's works in Irish and Norse literatures. Observes parallels for HF in the "Topographia…
Chaucer and the Nouvelle
Kendrick, Laura.
Bulletin des Anglicistes Médiévistes 66 (2004): 79-94.
Examines the origins of the "nouvelle: in "news" and Chaucer's interest in tydynges.
Chaucer and the Oxford Renaissance of Anglo-Latin Rhetoric
Camargo, Martin.
SAC 34 (2012): 173-207.
Surveys rhetorical approaches to Chaucer and documents the "renaissance in rhetoric" in late fourteenth-century England by surveying manuscripts that contain rhetorical treatises. The impact of this renaissance is evident in Chaucer's poetry: while…
Chaucer and the Pagan Gods
Whitlark, James S.
Annuale Mediaevale 18 (1977): 65-75.
Pagan gods represent planetary influences, alchemic symbolism,psychological allegory of emotional states, and historical examples of virtues or vices. They also dramatize the worldliness of Chaucer's characters and relate it to the condition of…
Chaucer and the Pillars of Hercules.
Pratt, Robert A.
Lillian B. Lawler, Dorothy M. Robathan, and William C. Korfmacher, eds. Studies in Honor of Ullman: Presented to Him on the Occasion of His Seventy-Fifth Birthday (St. Louis: The Classical Bulletin, St. Louis University, 1960), pp. 18-25.
Considers "some unnoticed passages" that shed light on Chaucer's references to "Trophee" and the Pillars of Hercules (MkT 7.2117-18), identifying no specific source but showing that parallel information was available in medieval accounts such as the…
Chaucer and the Poems of "Ch"
Wimsatt, James I.
Kalamazoo: Medieval Institute Publications,
Revised, reformatted version of 1982 edition (see SAC 8 [1984], no. 14) of the poems signed "Ch" in University of Pennsylvania Manuscript 15. Includes an updated, expanded introduction; revised commentary on the poems and Chaucer's relations with his…
Chaucer and the Poems of "Ch" in University of Pennsylvania MS French 15
Wimsatt, James I.
Woodbridge, Suffolk:
This fourteenth-century MS carries the notation "Ch," perhaps for "Chaucer," before fifteen of its 310 French lyrics. Wimsatt edits the "Ch" poems and ten others from the collection to illustrate the kind of French poetry that Chaucer might have…
Chaucer and the Poetics of Gold.
Allen, Valerie.
Beatrice Fannon, ed. Medieval English Literature (Basingstoke: Palgrave Macmillan, 2016), pp. 144-60.
Draws on connections between "Chaucerian poetics and the properties . . . of gold," and maintains that "gold is a deep metaphor for poetry." Examines Chaucer's poetic references to gold and "sumptuous description" in CT, particularly in KnT.
Chaucer and the Poetics of Utterance
Edwards, A. S. G.
Piero Boitani and Anna Torti, eds. Poetics: Theory and Practice in Medieval English Literature (Bury St. Edmunds, Suffolk: D. S. Brewer, 1991), pp. 57-67.
The characters of individual pilgrims are revealed through their speech, which often serves to underline their philosophical viewpoints. Chaucer's awareness of language and its creative powers reflects a general skepticism regarding the…
Chaucer and the Poets of the Pieno Tricento
Wallace, David.
Comparison 13 (1982): 98-119 : 98-119, 1982.
The tension between sensual love and orthodox truth in TC can be seen in nascent form in Boccaccio's "Filocolo," even though Chaucer depends for his plot on "Filostrato." The tension is rooted in Dante's "Comedy" and in the "Roman de la Rose," but…
Chaucer and the Poets: An Essay on "Troilus and Criseyde"
Wetherbee, Winthrop.
Ithaca, N.Y.: Cornell University Press, 1984.
A study of literary allusion in the "Troilus," with specific reference to the "Roman de la Rose," Virgil, Ovid, Statius, and Dante. Suggests that the poet-narrator of the poem evolves from a writer in the tradition of courtly romance to a poet in…