Browse Items (16012 total)

Pratt, Robert A.   Modern Language Notes 74 (1959): 293-94.
Suggests that several details of the Wife of Bath's chiding of her elder husbands (WBP 3.257-62) derive, ultimately, from Isidore of Saville's "Etymologiarum."

Fulton, Helen, ed.   Cardiff: University of Wales Press, 2021.
Collection of essays focusing on Chaucer's engagement with "Italian tradition" and his use and interpretation of Italian sources. For eight individual essays, search for Chaucer and Italian Culture under Alternative Title.

Clarke, K. P.   Oxford; Oxford University Press, 2011.
Studies how Chaucer's ClT may have been affected by the Italian textual tradition. The first part of the book concentrates on the Italian texts, particularly the Manelli codex of Boccaccio, "Decameron" X.10. The second part considers how the Hengwrt…

Delasanta, Rodney K.   Italian Journal 5 (1992): 39-42.
Surveys Chaucer's familiarity with Italian and his debt to Dante, Petrarch, and Boccaccio.

Clarke, K. P.   Literature Compass 8.8 (2011): 526-33.
Surveys studies of Chaucer's uses of Dante and Boccaccio as sources, focusing on work done since 1980 and "highlighting new and forthcoming work."

Knopp, Sherron.   Comitatus 4 (1973): 25-39.
Argues that in LGWP Chaucer derives his tone from Jean de Meun's self-conscious narratation in the "Roman de la Rose," as well as many "particularities . . . of himself as love and writer." Chaucer's narrator is a caricature of Jean's Amant, an…

Oizumi, Akio.   Eigo Seinen 131 (1985): 294-96.
Compares Bo with Jean de Meun's and other versions and discusses Chaucer's translation technique and style. Scholars need more information on Chaucer's use of Jean de Meun and on medieval French translations of "De consolatione philosophae."

Phillips, Helen.   Archiv 232 (1995): 23-36.
Argues that LGW was inspired by Jean Le Fevre's "Lamentations de Matheolus" (1371-72?) and "Livre de Leesce" (1373 or 1380-87).

Buckmaster, Elizabeth.   Medieval Perspectives 1 (1986): 31-40.
The levels of style of the first three Canterbury tales correspond to John of Garland's columnar figure, which is itself a memory locus derived from classical rhetoric.

McCall, John P.   Speculum 40 (1965): 484-89.
Explicates Chaucer's reference to John of Legnano ("Lynyan" at ClT 4.34), clarifying the international reputation of the canon lawyer and his role in justifying the papal schism, suggesting how Chaucer may have learned of him during his 1378 mission…

Cooper, Helen.   Chaucer Review 21 (1986): 142-54.
A comparison, not a source study, which discovers parallel attitudes toward style, character, and tradition, especially on the role of humor in "Ulysess" and CT.

Economou, George D.   Robert M. Stein and Sandra Pierson Prior, eds. Reading Medieval Culture: Essays in Honor of Robert W. Hanning (Notre Dame: University of Notre Dame Press, 2005), pp. 290-301.
Economou considers a range of possibilities--that Chaucer and Langland knew each other, knew each other's works, or shared the same literary context. Focuses on GP and Ret of CT.

Lassahn, Nicole.   Essays in Medieval Studies 17: 49-64, 2001.
Compares Chaucer's use of history in BD with that of Langland in "Piers Plowman," suggesting that focus on contemporary events is common to the poets and perhaps indicative of their common audience. Such commonalities and the habits of mind they…

Davlin, Mary Clemente, O.P.   Kathleen M. Hewett-Smith, ed. William Langland's Piers Plowman: A Book of Essays (New York and London: Routledge, 2001), pp. 119-41.
Chaucer and Langland are both "great religious writers," although Langland is more deeply engaged in "who and what God is." Both writers are poets of religious experience: Chaucer explores pathos, and Langland confronts the "central beliefs of…

Kane, George.   Berkeley: University of California Press, 1989.
Occasional essays previously published on Chaucer and Langland.

Bowers, John M.   Notre Dame, Ind. : University of Notre Dame Press , 2007.
Chaucer's preeminence over Langland is an effect of historical and social forces and must be revised, because tradition is a conflicted notion that helps construct understanding of past, present, and future. Chaucer was a medium of this process, "the…

Myles, Robert., and David Williams, eds.   Montreal and Kingston : McGill-Queen's University Press, 2001.
Ten essays that pertain to Chaucer, plus a commemorative preface (by M. I. Cameron), an introduction (by David Williams) that summarizes the essays, a bibliography of Wurtele's publications, and a subject index. For individual essays that pertain to…

Horobin, Simon.   Literature Compass 8 (2011): 258-65.
"Reviews work on Chaucer's language and its importance for the development of English literary language." Also suggests directions for future language studies.

Wass, Rosemary Thérèse Ann.   DAI 35.08 (1974): 5124A.
Counters "Robertsonian" or exegetical criticism of Chaucer's works, particularly its neglect of "later scholastic philosophy," focusing on views of individuality and experience found in writers such as Roger Bacon, Duns Scotus, and William of Ockham.…

Clogan, Paul (M.)   Medievalia et Humanistica 9 (1979): 163-74.
Like most of the early nineteenth-century critics, Leigh Hunt strove to bring about a popular revival of Chaucer. But more important, he was among the first to attempt a technical analysis of Chaucer's poetry and to link his poetry with the idea of…

Boitani, Piero.   Reading Medieval Studies 2 (1976): 28-44.
A detailed, tabulated comparison of tree-lists in Chaucer (Rom 1379-86, PF 176-82, KnT 2063-65) with those in his sources shows Chaucer becoming more familiar with a technical vocabulary, and more willing to adapt and augment his immediate sources…

Vermeer, Peter M.   Dutch Quarterly Review of Anglo-American Letters 4 (1974): 97-110.
Reviews Ian Robinson's book, "Chaucer and the English Tradition" (1972), with commentary on various critical works published between 1950 and 1972.

Panzarella, Patrick Joseph.   Dissertation Abstracts International 38 (1977): 1375A.
Chaucer does not attempt to work within the framework of such established literary forms as romance and fabliau. The flaws in the genre approach become evident when the tales are judged from the broader perspective of medieval rhetoric and poetic.

Sugito, Hisashi.   Research Bulletin: Liberal Arts (Nihon University College of Economics) 84 (2017): 73-81.
Points out that Chaucer develops the idea of interpretation through his works (especially CT), and demonstrates how Lydgate's "The Siege of Thebes," drawing on Chaucer, revolves around the ideas of truth and interpretation.

Spolsky, Ellen.   Hebrew University Studies in Literature and the Arts 16 (1988): 51-67.
Argues that for most Chaucerian scholars historical criticism,which necessarily recognizes generic and cultural differences between our own time and the Middle Ages, is outweighed by aesthetic criticism, which is viewer-centered and oriented toward…
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