Browse Items (15542 total)

Matsuda, Takami.   Yuichiro Azuma, Kotaro Kawasaki, and Koichi Kano, eds. Chaucer and English and American Literature: Essays Commemorating the Retirement of Professor Masatoshi Kawasaki (Tokyo: Kinseido, 2015), pp. 44–59.
Argues that the medieval notion of wonder helps to explain the Franklin's interruption of SqT.The Squire presents the marvels in his tale as explainable in scientific terms, in accord with the philosophical notion of wonder. The Franklin similarly…

Sheridan, Christian Charles.   DAI 62: 2756A, 2002.
Sheridan explores ways that language is like money in acts of interpretation, examining the role of the Host in CT, readers' valuations of various tales, patronage and interpretive control, and the "mercantile" strategies of May (MerT) and the Wife…

Nakao, Yoshiyuki.   Michiko Ogura, ed. Textual and Contextual Studies in Medieval English: Towards the Reunion of Linguistics and Philology (Frankfurt am Main, 2006), pp. 51-73.
Nakao assesses Criseyde's comment on trusting Pandarus (TC 3.587) as ambiguous, considering "phonological, morphological, lexical/collocational, syntactic and pragmatic" aspects of Chaucer's use of "moste" as an auxiliary and an adverb.

Ganim, John M.   William A. Quinn, ed. Chaucer's Dream Visions and Shorter Poems (New York and London: Garland, 1999), pp. 463-76.
Assesses criticism of Chaucer's dream visions and lyrics for how it has "predicted" the present state of Chaucer scholarship and as a "test case" for various critical approaches. Issues include the subject and subjectivity; resistance to new critical…

Martin, Ellen E.   Chaucer Review 18 (1983): 18-22.
Exegetical criticism of Alcyone in BD misleads since it neglects the traditional significance of Alcyone (as in Petrarch and Boccaccio).

Hammond, Paul.   Seventeenth Century 23 (2008): 142-59.
Hammond compares and contrasts Dryden's "Palamon and Arcite" from his "Fables Ancient and Modern" with its source, Chaucer's KnT, finding that Dryden reworked religious and political concerns to create a "macaronic fabric" that combines classical, …

Watts, William H.   Dissertation Abstracts International 51 (1990): 1224A-1225A.
Though read as tragedy, comedy or satire, TC can be understood as "compilatio" or Bakhtinian "polyglossa." With Boccaccio's plot of tragic love, Chaucer incorporates a subtext of Boethian philosophy (as treated by Jean de Meun) and allusions to…

Olson, Clair C.   Beryl Rowland, ed. Chaucer and Middle English Studies in honour of Rossell Hope Robbins (London: George Allen & Unwin, 1974), pp. 164-72.
Describes the structure of the so-called marriage group, focusing on how the pairings of FrT and SumT and MerT and SqT contribute to the sense of dramatic climax fulfilled in FranT.

Martin, Ellen E.   John M. Hill and Deborah M. Sinnreich-Levi, eds. The Rhetorical Poetics of the Middle Ages: Reconstructive Polyphony. Essays in Honor of Robert O. Payne (Madison, N.J., and London: Fairleigh Dickinson University Press and Associated University Presses, 2000), pp. 106-29.
Examines the relationships between (mis)reading and (mis)writing, exegesis, and the unconscious in HF.

Fisher, John H.   J. B. Bessinger and R. Raymo, eds. Medieval Studies in Honor of Lillian Herlands Hornstein (New York: New York University Press, 1976), pp. 111-21.
The spaces left for illustrations in this ms, when correlated with the text immediately surrounding them, can rather easily be mentally completed with illustrations of the action of TC or with portrayals of court scenes of the readings of the poem…

Chaucer's Women   DLSIJ Press, 2003.
Item not seen; described in an online review by Joy Calderwood (http://www.reviewers-choice.com/the_insomniac_tales.htm) as thirteen "Chick Lit" short stories by various women writers in imitation of CT.

Bourgne, Florence.   Etudes Anglaises 66 (2013): 277-80.
Reflects on the term "object" in relation to whether it means a manuscript, circulating text, or real object; includes recurrent references to Chaucer and Chaucer scholarship.

Arduini, Roberto.   Roberto Arduini, Giampaolo Canzonieri, and Claudio A. Testi, eds. Tolkien and the Classics (Zurich: Walking Tree, 2019), pp. 105-20.
Surveys evidence for the influence of Chaucer on Tolkien and adds comments on his impact on Tolkien's "“scenes of common life in the inns and in the figures of the innkeeper and the miller."

Jonassen, Frederick B.   Susanna Freer Fein, David Raybin, and Peter C. Braeger, eds. Rebels and Rivals: The Contestive Spirit in The Canterbury Tales. Studies in Medieval Culture, no. 29 (Kalamazoo, Mich.: Medieval Institute Publications, 1991), pp. 1-35.
Mikhail Bakhtin's distinction between "carnivalesque abandon and lenten mortification" and Victor Turner's distinction between liminality and "communitas" illuminate the dual nature of the pilgrimage--or of the material and the spiritual, the…

Trigg, Stephanie.   La Trobe Journal 81 (2008): 106-17.
Interrogates features of the reception of Chaucer from Thomas Speght's editions of 1598 and 1602 to twentieth-first century criticism, focusing on the poet's reference to Wade and his boat in MerT 4.1423-26. Discloses the critical legacy of the…

Birney, Earle.   Neophilologus 44 (1960): 333-38.
Explores the diction and imagery of MilT, focusing on oral and olfactory instances for the ways that they ironically anticipate details of the plot, particularly the misdirected kiss received by Absolon and colter-burn he directs at Nicholas.

Chapman, Anthony U.   Dissertation Abstracts International 36 (1975-76): 1520A.
Explores problems in "Troilus and Cressida" in light of Shakespeare's uses of his sources, including TC.

Gleason, Mark J.   Dissertation Abstracts International 45 (1985): 2096A.
In his most Boethian poem, Chaucer relies heavily on Nicholas Trevet's "Commentary" on the Consolation of Philosophy, even versifying one of Trevet's glosses and adopting his Aristotelian interpretation.

Paull, Michael R.   Chaucer Review 5.3 (1971): 179-94.
Shows how Chaucer's changes to Nicholas Trevet's version of the Constance narrative are influenced by the conventions of hagiography, including a tendency to allegory and heightened rhetoric. Assesses MLT as melodrama.

Hoffman, Richard L.   Beryl Rowland, ed. Companion to Chaucer Studies (New York: Oxford University Press, 1979), pp. 185-201.
Chaucer's favorite Latin author was Ovid, followed by Virgil and Statius, as well as several prose writers. The central problem in evaluating the Latin influence on Chaucer is to determine what sorts of manuscripts he used--not just texts,but…

Bickford, Charles Gray.   DAI 34.08 (1974): 5091A.
Describes the models of verbal portraiture in the "Rhetorica ad Herennium" and works by Geoffrey of Vinsauf and Matthew of Vendôme and their impact on Chaucer, arguing that the portraits of Fortune and Blanche in BD reflect the Black Knight's state…

Costomiris, Robert.   Thomas A. Prendergast and Barbara Kline, eds. Rewriting Chaucer: Culture, Authority, and the Idea of the Authentic Text, 1400-1602 (Columbus: Ohio State University Press, 1999), pp. 237-57.
Assessing tale order, various links, and the treatment of spurious works in William Thynne's 1532 edition of Chaucer's Works, Costomiris argues that Thynne depended on William Caxton's first edition of CT and on one or another d-class manuscript.…

Bishop, Kathleen A.   Chaucer Review 35: 294-317, 2001.
Classical and medieval Latin influences on the fabliaux are as important to analyze as are the analogues Chaucer draws upon for his tales. Specifically, a close consideration of Plautus and Latin elegiac comedy can lead to a fuller understanding of…

Tamaki, Atsuko,and Tadahiro Ikegami.   Seijo Bungei 152 (1995): 21-40.
Examines the source of ParsT and concludes that the Tale was strongly influenced by Frere Laurent's "Summe le Roy" (1279).

Hirabayashi, Mikio.   Daito Bunka Daigaku Kiyo, Jinbun Kagaku 42 (2004): 221-58.
Argues that, despite the influence of French on the idioms, spelling, and pronunciation of Chaucer's English, the "basic structure of English as a Germanic language . . . remained intact." In Japanese, with English abstract.
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