Browse Items (15542 total)

Knapp, Peggy Ann.   Philological Quarterly 56 (1977): 413-17.
Chaucer's treatment of Cassandra in TC illustrates his changes in the tone and import of Boccaccio's "Filostrato." Whereas Boccaccio's portrayal provides interesting psychological study, Chaucer's Cassandra introduces a philosophical context by…

Candido, Igor.   DAI A73.01 (2012): n.p.
Argues for the influence of the Eros and Psyche myth on Boccaccio's Griselda tale, and thereby on ClT.

Wright, Herbert G.   London: University of London, Athlone, 1957.
Surveys the influence of Boccaccio's Italian and Latin works on English writers and literary tradition through the nineteenth century, with extensive analyses of Chaucer's uses of the "Teseida" in KnT, "Filostrato" in TC, and "Decameron" in ClT.…

Pisanti, Tommaso.   Gilbert Tournoy, ed. Boccaccio in Europe: Proceedings of the Boccaccio Conference, Louvain, December 1975 (Leuvan: Leuvan University Press, 1977), pp. 196-208.
Surveys the nature and directness of Boccaccio's influence on English literature from Chaucer to the 1611 Authorized Version of the Bible, with emphasis on style.

Henríquez Ureña, Camila.   Camila Henríquez Ureña, Obras y apuntes, tomo VIII (Santa Domingo, Dominican Republic: BanReservas, 2006), pp. 150-60.
Part of a nine-volume compilation of Henriquez Ureña's writings, describing CT and Boccaccio's Decameron; reissued as an e-book in 2011.

Mitchell, John D., in collaboration with Donald Berwick and George Drew.   John D. Mitchell and others. Men Stand on Shoulders (Key West, Fla.: Published by Institute for Advanced Studies in the Theatre Arts Press in association with Florida Keys Community College, 1996), pp. 1-71.
A film script which combines "key lines and phrases" from Boccaccio's "Filostrato," TC, and Shakespeare's "Troilus and Cressida," interspersed with appearances of the three writers in moments of fictional biography. Re-tells the broad outlines of the…

Hanly, Michael G.   Norman, Okla. : Pilgrim Books, 1990.
Investigates "topics relevant to the central question: Did Chaucer use the 'Roman de Troyle' of Beauvau, Seneschal of Anjou," in the composition of TC? Hanly reviews a number of candidates for authorship of the "Roman" and concludes that Chaucer…

Utley, Francis Lee.   Western Folklore 33 (1974): 181-201.
Comments on the roles and methods of folklore study in literary criticism, arguing that international folktales are as important as elite narratives for understanding and appreciating medieval literature. Discusses plots shared by Boccaccio and…

Kellogg, Laura Dowell.   Dissertation Abstracts International 52 (1991): 909A.
The narrators of Filostrato and TC, both selfishly motivated, create irony through their misconceptions of Cressida's traditional image. Although Boccaccio's narrator distorts Boethius and Dante, Chaucer's narrator represents Criseyde's flaw as…

Scaglione, Aldo.   David Daiches and Anthony Thorlby, eds. Literature and Western Civilization, II: The Medieval World (London: Aldus, 1973), pp. 579-600.
Sketches the rise of mercantilism in medieval Europe, and details the presence of the "bourgeois spirit" in Boccaccio's "Decameron" and Chaucer's CT, evident in realism, economic motivation, and challenges to aristocratic privilege. Similar in their…

Morgan, Gerald.   Chaucer Review 20 (1986): 285-306.
If we recall the Thomistic distinctions among vows, oaths, and promises and if we focus on action rather than on character, the long complaints in FranT can be seen as essential to the structure rather than as excrescences.

Kellogg, Laura D.   New York: Peter Lang, 1996.
Assesses Boccaccio's and Chaucer's attitudes toward their sources by examining the relations of their narrators with Cressida in "Filostrato" and TC. Cressida's legendary status as dishonest and inconstant had been established before Boccaccio and…

Abshear-Seals, Lisa.   Spectrum 27 (1985): 25-32.
A comparison of Criseida and Criseyde.

Heffernan, Carol Falvo.   Florilegium 22 (2005): 105-20.
Cipolla's tale concludes a set of stories focusing on wit, and PardT ends a fragment that precedes one centered on poetic language. The tales of both speakers coincide in "genre, character, theme, and placement," even though Cipolla improvises his…

Beric, Boris.   REAL 23.2: 77-90, 1998.
Assesses the Proem to Boccaccio's Il Filostrato as a source for TC: the artist's "dual-self of helpless lover and ingenious artist" is split between Troilus and Pandarus, and Boccaccio's two ladies, Filomena and Criseis, "are first merged and later…

Ginsberg, Warren.   Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 303-24.
Treats Boccaccio's romances, concentrating on "Filostrato" and "Teseida," "as if they were intralingual translations,' by analyzing the collusion and contravention of the narratives' aims by their own prologues. These prologues, apparently unknown or…

Schöpflin, Karin.   Romanistisches Jahrbuch 42 (1991): 136-49.
A detailed comparison of the Job story and Boccaccio's Decameron 10.10. Boccaccio's novella is seen as a variation of the biblical Job story that lacks the justification of God's divine attributes. Schöpflin argues that Boccaccio and subsequent…

Lomperis, Linda.   Romanic Review 86 (1995): 243-64.
In MilT, identity is a matter of theatrical impersonation, encouraging the audience to recognize that Alisoun is depicted as a man playing a woman.

Edwards, A. S. G.   Stephen G. Nichols and Siegfried Wenzel, eds. The Whole Book: Cultural Perspectives on the Medieval Miscellany (Ann Arbor: University of Michigan Press, 1996), pp. 53-67.
Examines various aspects of late-medieval manuscript compilation in light of Selden B.24, a "transitional collection" that extends the Chaucerian canon and connects with the emerging print culture.

Norton-Smith, John, intro.   London: Scolar Press, 1979.
The fifteenth-century MS Fairfax 16, considered the finest of the Oxford Group of Chaucer manuscripts, contains BD, HF, Anel, Mars, and PF. Regarding the frontispiece, a mythological illumination for Mars, Norton-Smith advances a new theory of…

Boffey, Julia,and A. S. G. Edwards.   Thomas A. Prendergast and Barbara Kline, eds. Rewriting Chaucer: Culture, Authority, and the Idea of the Authentic Text, 1400-1602 (Columbus: Ohio State University Press, 1999), pp. 3-13.
Assesses orthographic and lexical "Scottishisms" and their effects on meter in the poems of Bodleian MS Arch Selden B. 24, including TC, PF, LGW, CT, Truth, and poems by Hoccleve, Lydgate, and others. The density of such Scottishisms is generally…

Costomiris, Robert.   The Library, 6th ser., 20 (1998): 99-117.
Uses correspondences between the Tanner texts of Clanvowe's poem and that printed in Thynne's 1532 edition of Chaucer to argue that Thynne's dependence on this manuscript was greater than scholars have avowed.

Štrmelj, Lidija.   In Gert Hofmann and Snježana Zorić, eds. Presence of the Body: Awareness in and beyond Experience (Boston, Mass.: Brill Rodopi, 2017), pp. 77-91.
Characterizes the Wife of Bath as "full of life and energy," with a "material" rather than a "romantic" view of marriage, based in her "sexual instincts." Summarizes the GP description of the Wife as well as that in WBP, offers a Freudian analysis…

Choi, Yejung.   Feminist Studies in English Literature 10 (2002): 223-44
Choi explores the relationship between body and text in medieval hermeneutics. arguing that MLT represents the uncontrollable signification of the text and reveals how textual transmission becomes a process of textual transgression.

Blum, Martin Albert.   Dissertation Abstracts International 59 (1998): 163A.
Examines various ways gender, ethnicity, and disease interact with social class in selected texts. In MLT, race is less important than place in salvation history. The tale of Lucrece (LGW) seeks to keep women virginal for marital traffic. Erotic…
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