<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277744">
    <dcterms:title><![CDATA[An Eighteenth Century Theft of Chaucer&#039;s &quot;Purse.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Quotes a seven-line, unsigned poem from &quot;The Universal Magazine of Knowledge and Pleasure&quot; (June 1747) that alludes to Chaucer&#039;s &quot;Purse,&quot; without acknowledgement.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277539">
    <dcterms:title><![CDATA[Dancing Descriptions: Choreographing Middle English Romance.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores &quot;how late-fourteenth and fifteenth-century [English] poets use dance to experiment and play with descriptions of motion.&quot; Includes discussion of Anel as well as Osbern Bokenham&#039;s &quot;Legend of Holy Women,&quot; Thomas Chestre&#039;s &quot;Sir Launfal,&quot; John Lydgate&#039;s &quot;Troy Book&quot; and &quot;Siege of Thebes,&quot; and &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277480">
    <dcterms:title><![CDATA[New Directions in Medieval Mystical and Devotional Literature: Essays in Honor of Denise N. Baker.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects ten essays by various authors on topics in mystical and devotional texts in Middle English, with an introduction by Amy N. Vines, a list of publications by Denise N. Baker, and a comprehensive index. For three essays that pertain to Chaucer, search for New Directions in Medieval Mystical and Devotional Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277456">
    <dcterms:title><![CDATA[Literature and the Senses.]]></dcterms:title>
    <dcterms:description><![CDATA[Contains twenty-six essays by various authors on topics relating to the &quot;wonder and mystery&quot; of the five senses (and &quot;Multisensoriality&quot;) in English literature, medieval to the present. The introduction by the editors describe the field of study, the arrangement of the volume, and the places of the individual essays in that arrangement. The volume includes a comprehensive index. For three essays that pertain to Chaucer, search for Literature and the Senses under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277450">
    <dcterms:title><![CDATA[Gender, Poetry, and the Form of Thought in Later Medieval Literature: Essays in Honor of Elizabeth A. Robertson.]]></dcterms:title>
    <dcterms:description><![CDATA[Ten essays by various authors on topics in Middle English and Anglo-Norman studies, with an introduction by the editors and a comprehensive index. For three essays that pertain to Chaucer, search for Gender, Poetry, and the Form of Thought in Later Medieval Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277398">
    <dcterms:title><![CDATA[Lavinia Greenlaw&#039;s Response to Chaucer and the Poetics of Memory.]]></dcterms:title>
    <dcterms:description><![CDATA[Compares the models of memory presented by the narrators of Chaucer&#039;s TC and Lavinia Greenlaw&#039;s &quot;A Double Sorrow,&quot; her poetic adaptation of TC published in 2014. Argues that while Chaucer&#039;s narrator uses classical models of memory that involve the process of retrieving and presenting a sequence of images to tell his story, Greenlaw&#039;s text represents memory as more personal and autobiographical. Despite their different approaches to memory and history, Chaucer and Greenlaw share a focus on investigating the relationship between memory and emotion, particularly love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277396">
    <dcterms:title><![CDATA[Travelling Texts--Texts Travelling: A &quot;Gedenkschrift&quot; in Memory of Hans Sauer.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects twenty-three essays by various authors in linguistic, philological, and/or medieval studies. For two essays pertaining to Chaucer, search for Travelling Texts--Texts Travelling under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277362">
    <dcterms:title><![CDATA[Asutororabe ni kansuru ronbun. [A Treatise on the Astrolabe].]]></dcterms:title>
    <dcterms:description><![CDATA[Japanese translation of Astr based on the Riverside Chaucer, 3rd edition. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277356">
    <dcterms:title><![CDATA[Middle English.]]></dcterms:title>
    <dcterms:description><![CDATA[Discursive bibliography, divided into twelve subsections: Early Middle English; Theory; Manuscript and Technical Studies; Religious Prose and Verse; Secular Prose; Secular Verse; &quot;Piers Plowman&quot;; Gower; Old Scots; Drama; The &quot;Gawain&quot; Poet; Romance: Metrical, Alliterative, Malory; and Hoccleve and Lydgate. Multiple references augment the bibliography dedicated to Chaucer in this volume of YWES, &quot;Chaucer&quot; 102 (2023): 264-94.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276887">
    <dcterms:title><![CDATA[Scribal Cultures in Late Medieval England: Essays in Honour of Linne R. Mooney.]]></dcterms:title>
    <dcterms:description><![CDATA[Thirteen essays on paleography, codicology, and manuscript studies in late medieval England, with emphasis on location and scribal identity, accompanied by an introduction (by Connolly), a personal tribute (by Pearsall), a list of Mooney&#039;s publications (by Daryl Green), and a comprehensive index. For two essays that pertain to Chaucer, search for Scribal Cultures in Late Medieval England under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276802">
    <dcterms:title><![CDATA[Benoit&#039;s Portraits and Chaucer&#039;s General Prologue.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that the &quot;portraits&quot; of Trojan war heroes and heroines in Benoit de Ste Maure&#039;s &quot;Roman de Troie&quot; are carefully individuated and arranged, and that Chaucer&#039;s &quot;literary techniques&quot; in the &quot;sketches&quot; of GP are similar to Benoit&#039;s in several ways: combination of &quot;physical and temperamental traits,&quot; purposeful arrangement into groups, preparation for future speech or action, &quot;conversational&quot; framework, and the likeness of the Knight/Squire juxtaposition to that of Hector/Troilus.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276596">
    <dcterms:title><![CDATA[John Gower&#039;s Alchemical Afterlife in Elias Ashmole&#039;s &quot;Theatrum Chemicum Britannicum&quot; (1652).]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the reception of John Gower as an alchemist in the sixteenth century, including description of Elias Ashmole&#039;s notion that Gower was Chaucer&#039;s &quot;master&quot; and &quot;mentor&quot; in alchemical science.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276413">
    <dcterms:title><![CDATA[Pronouns of Address in the &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Tabulates and assesses the uses of singular &quot;ye&quot; and &quot;thou&quot; in CT, considering usage norms, rhyme patterns, and scribal variants, and identifying patterns of high incidence of &quot;incorrect&quot; usage in CYPT, KnT, WBP, and Mel, while ParsT is also highly incorrect even when subjected to a special &quot;homiletic&quot; standard of usage. Suggests that the data may indicate intentional characterization in CYPT and WBP while, in the other cases, it may be attributable to an early date of composition or, perhaps, non-Chaucerian authorship.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276052">
    <dcterms:title><![CDATA[The Transmission of Medieval Romance: Metres, Manuscripts and Early PrintsTransmission of Medieval Romance]]></dcterms:title>
    <dcterms:description><![CDATA[Eleven essays by various authors and an introduction by the editors focus on the codicology and metrical forms of Middle English romances; the volume includes an index. For three essays that pertain to Chaucer, search for Transmission of Medieval Romance under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/275905">
    <dcterms:title><![CDATA[Margaret Atwood and Chaucer: Truth and Lies.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies parallels between CT and Margaret Atwood&#039;s &quot;The Handmaid&#039;s Tale,&quot; found particularly in the fictional &quot;Historical Notes&quot; that follow the main text of the novel. Notes the echo of Chaucer in Atwood&#039;s title and a single reference to Chaucer in her work, but focuses on textual complexity and &quot;the problem of language as a vehicle for meaning&quot; in both texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/275833">
    <dcterms:title><![CDATA[Geoffrey Chaucer: Figura Clave en la Transición de la Época Medieval al Renacimiento.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. Publisher&#039;s information indicates that the volume includes discussions of two sections of HF, comparison of Chaucer&#039;s (LGW) and Shakespeare&#039;s accounts of the rape of Lucrece, and suggestions for university teaching of Chaucer and Shakespeare.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/275555">
    <dcterms:title><![CDATA[Anti-Maternal Rewriting in Ryder: Djuna Barnes&#039;s Feminist Twist on Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that in her experimental novel &quot;Ryder,&quot; Djuna Barnes wrote &quot;under the influence of Chaucer by employing a similar style,&quot; that her &quot;use of glosses&quot; in Chapter 10 &quot;demonstrates an intertextuality&quot; with CT, and that in Chapter 22 she &quot;rewrites a portion&quot; of PrT, adding a &quot;feminist twist.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/275274">
    <dcterms:title><![CDATA[The Narrator of the Troilus and Criseyde: A Study of the Prohemia and Epilogue.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the point of view of the &quot;Narrator&quot; of TC, particularly the ironic combination of detachment and involvement established in the openings of the five books and in the epilogue of the poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/275182">
    <dcterms:title><![CDATA[Remember.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Anel &quot;proffers lessons about memory and progress&quot; that can help survivors of modern cancer victims to achieve &quot;intergenerational&quot; memory, an ethical and therapeutic notion that derives from Paul Davies&#039;s contested theory that cancer cells carry memory. Includes attention to memory, &quot;thirling,&quot; and cycles of history in Anel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/274695">
    <dcterms:title><![CDATA[Old Words in Chaucer Dictionaries as the Linguistic Heritage of Great Britain.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys the tradition of English &quot;old word&quot; and &quot;hard word&quot; dictionary- and glossary-making, locating Chaucerian compilations (e.g., Greaves, Speght, Urry, etc.) at the beginning of the tradition and tracing developments in practice into the twentieth century. Calls for a more comprehensive reference work that documents and exemplifies the history of linguistic and encyclopedic information pertaining to difficult words in Chaucer&#039;s lexicon.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/273641">
    <dcterms:title><![CDATA[A Question of Order in the &quot;Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Challenges arguments which assert that the MLE should be followed by ShT in the order of the CT, and argues that, in &quot;light of both external and internal evidence,&quot; the Ellesmere order is the best order, with WBPT after MLT, and an emended version of MLE included between them. This arrangement, Cox suggests, best accommodates available manuscript evidence and scribal practice, Chaucer&#039;s reassignment of the ShT from Wife of Bath to Shipman, thematic interaction between MLT and WBPT, and the drama of the CT, especially considering the characterization of the Wife of Bath.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/273542">
    <dcterms:title><![CDATA[&quot;Goddes Pryvetee&quot; and a &quot;Wyf&quot;: &quot;Curiositas&quot; and the Triadic Sins in the Miller&#039;s and Reeve&#039;s Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Explains that the medieval notion of &quot;curiositas&quot; (illicit pursuit of knowledge) entails concupiscence of the eyes, concupiscence of the flesh, and worldly pride, showing that these vices are a theme that links MilT and RvT, particularly evident in a series of puns &quot;pryvetee,&quot; &quot;queynte,&quot; etc.). By offering a variety of characters that are guilty of &quot;curiositas,&quot; Chaucer deflates the intellectual pretentiousness of the vice.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/273400">
    <dcterms:title><![CDATA[Kenterboarger teltsjes: Oanrin ta it teltsje fan de Priorinne (The Prioress&#039; Prologue) and It teltsje fan de Priorinne (The Prioress&#039;s Tale).]]></dcterms:title>
    <dcterms:description><![CDATA[Frisian verse translation of PrPT. A WorldCat record indicates that this was first published in De strikel: Moannebled foar Fryslan (1970), an item not seen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/271777">
    <dcterms:title><![CDATA[Retelling Medieval Stories for Children in Franco&#039;s Spain]]></dcterms:title>
    <dcterms:description><![CDATA[Analysis of Chaucer&#039;s tales (and Arthurian stories) as retold for Spanish children during the Francoist period. Focuses on the first translation of Chaucer (and its subsequent editions) by Manuel Vallvé, who translated J. Kelman&#039;s 1914 &quot;Stories from Chaucer Told to the Children.&quot; Comments on FranT, KnT, ClT, and MLT as depictions of pious behavior, virtue, and submission of women.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/271654">
    <dcterms:title><![CDATA[Poetry in Translation]]></dcterms:title>
    <dcterms:description><![CDATA[Includes links to verse modernizations of CT (Mel and ParsT excerpted in prose) TC, the Dream Poems, and various lyrics, imitating Chaucer&#039;s meter and rhyme schemes; translated and uploaded 2007-2008.]]></dcterms:description>
</rdf:Description></rdf:RDF>