<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/272896">
    <dcterms:title><![CDATA[Understanding Chaucer and The Canterbury Tales: A Lecture Read by Raymond S. Burns]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. The WorldCat records indicate that this lecture is read by the author; also released as an audio cassette in 1973.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/271105">
    <dcterms:title><![CDATA[Urban Birds: A Collection of Cuts]]></dcterms:title>
    <dcterms:description><![CDATA[Twenty-one original woodcuts of birds and related scenes, each accompanied by a single poem of &quot;suitable verse,&quot; by various authors. The first selection is from ManT (9.163-74). Printed in a limited edition of 180 copies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/271379">
    <dcterms:title><![CDATA[Prose and Poetry of the Age of Chaucer, s.XIV]]></dcterms:title>
    <dcterms:description><![CDATA[This anthology of Middle English writing includes MilT and PardT(edited from the Ellesmere manuacript), with facing-page glosses and a brief introduction.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/275861">
    <dcterms:title><![CDATA[&quot;Welcome somer&quot;: For Soprano or Tenor and Piano.]]></dcterms:title>
    <dcterms:description><![CDATA[Musical setting for the song at the end of PF (ll. 680-90; 691 is omitted), in modernized Middle English; printed from the original in British Library, Additional MS 54779 as edited by Graham Parlett.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/273808">
    <dcterms:title><![CDATA[Ovid and the Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Ovid inspired the structure, narrative complexities, and thematic focus of CT--its tales-within-a-tale structure, its multiple narrators characterized by their tales, and its concern with two kinds of love, higher and lower--and shows that a large number of specific echoes of &quot;Amores,&quot; &quot;Ars Amatoria,&quot; &quot;Fasti,&quot; &quot;Heroides,&quot; and, especially &quot;Metamorphoses&quot; are manifest in GP, KnT, MilT, MLPT, WBPT, SumT, MerT, SqT, FranT, PhyT, Mel, MkT (Hercules), and ManT, demonstrating these specific influences by providing parallel passages from Chaucer&#039;s texts, Ovid&#039;s texts, and medieval analogues and commentaries.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/266631">
    <dcterms:title><![CDATA[Chaucer, 1340-1400]]></dcterms:title>
    <dcterms:description><![CDATA[Produced by Cromwell Productions.]]></dcterms:description>
    <dcterms:description><![CDATA[An introduction to Chaucer, with a reading of GP in Middle English (with modern subtitles) and a dramatization of PardT in the modern translation of Nevill Coghill. Narrators include John Gielgud, Gary Watson, Brian Coburn, Nicholas Gecks, Gerrard McArthur, and Ian Richardson.]]></dcterms:description>
    <dcterms:description><![CDATA[Originally produced in 1984 by Thames Television. Also released on DVD as part of the three-disk collection, entitled Six Centuries of Verse (Silver Spring, Maryland: Acorn, 2010).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/267956">
    <dcterms:title><![CDATA[Chaucer: The House of Fame]]></dcterms:title>
    <dcterms:description><![CDATA[Complete Middle English audio recording of HF, read by Ros Allen, Tom Burton, Nicholas Havely, Derek Pearsall, Felicity Riddy, and Paul Thomas. Includes three interpolated songs.]]></dcterms:description>
    <dcterms:description><![CDATA[Available with a reprint of Havely&#039;s edition of HF (Durham: Durham Medieval Texts, Department of English, 1994).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/267953">
    <dcterms:title><![CDATA[The Monk&#039;s Tale]]></dcterms:title>
    <dcterms:description><![CDATA[Middle English audio recording of MkP, MkT, and NPP (through line 2807), read by Alan T. Gaylord. Recorded at the 36th International Congress of Medieval Studies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/267180">
    <dcterms:title><![CDATA[The Poetics of Alliteration : Readings of Medieval English Alliterative Verse]]></dcterms:title>
    <dcterms:description><![CDATA[An aural history of alliterative verse in English, from Caedmon&#039;s Hymn to &quot;traces&quot; and imitations in modern poetry, with emphasis on medieval tradition. First delivered as a plenary address at the 1998 meeting of the Southeastern Medieval Association, the text describes and exemplifies features of alliterative verse and assesses aesthetic and formal features of passages from a range of lyric, narrative, and drama. Chaucer is mentioned throughout, although no passage from his work is discussed. The CD includes Gaylord&#039;s readings of the poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/271650">
    <dcterms:title><![CDATA[Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Pedagogical website that focuses on CT but includes internal links to descriptions of Chaucer&#039;s other works and to background information. Individual webpages provide descriptions of the Tales that comment on themes and critical issues, accompanied by questions to stimulate thought and discussion.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/266131">
    <dcterms:title><![CDATA[The Incubus in English Literature: Provenance and Progeny]]></dcterms:title>
    <dcterms:description><![CDATA[Includes passim references to Chaucer&#039;s works and reprints as &quot;Monks and Incubi in Chaucer&quot; (pp. 51-55) a slightly revised version of &quot;The Wife of Bath&#039;s Tale, D 878-81,&quot; (Chaucer Review 7 (1972): 113-17).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/270539">
    <dcterms:title><![CDATA[Literary Laughter: Being a Treasury of Comic Writings by Chaucer, Shakespeare, Twain, and Dickens]]></dcterms:title>
    <dcterms:description><![CDATA[An anthology of comic selections, including (pp. 9-17) the Nevill Coghill translation the GP description of the Wife of Bath and selections from WBP, with a brief introduction. The volume includes a commentary on literary humor, illustrations by Quinn Hawkesworth, and culinary recipes from the &quot;literary time period&quot; of each of the four authors, including &quot;Chaucer&#039;s Madrigal Dinner&quot; (pp. 59-66).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/270490">
    <dcterms:title><![CDATA[The Canterbury Tales, Geoffrey Chaucer: Curriculum Unit]]></dcterms:title>
    <dcterms:description><![CDATA[Pedagogical materials for high school teachers, including ten lessons on CT, topics for assignments, handouts, report forms, and instructions on how to use these materials.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/272636">
    <dcterms:title><![CDATA[Canterbury Tales: A Participation Play for Children 9 and Up]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. The WorldCat record states that this drama for children was &quot;Created through improvisation by the Looking Glass Theatre, Providence, R.I.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/271660">
    <dcterms:title><![CDATA[YouTube]]></dcterms:title>
    <dcterms:description><![CDATA[Website of eclectic user-generated audio-visual materials, with internal search engine. A search for &quot;Chaucer&quot; produces thousands of results, including links to lectures on the poet&#039;s life, language, works, and historical contexts, as well as student projects, video clips and images, movie trailers, related music, parodies, and reviews.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/272137">
    <dcterms:title><![CDATA[Chaucer and the Medieval Book]]></dcterms:title>
    <dcterms:description><![CDATA[An introduction to &quot;those aspects of Chaucer studies which involve manuscripts and incunabula,&quot; designed for classroom use, including discussion of binding, manuscript production and materials, decoration and illumination, paleography, book trade and collecting, printing and other modes of production, etc., with examples drawn from copies of Chaucer&#039;s works. Includes an appendix on medieval money and wages, with comments on the development of English sterling.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/275468">
    <dcterms:title><![CDATA[Mythodologies: Methods in Medieval Studies, Chaucer, and Book History.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes a series of essays in medieval studies and book history that are concerned &quot;with the tenuous connection between what we define as evidence and what we construct as the narrative, scholarly or historical, that makes sense of that evidence.&quot; For five essays that pertain to Chaucer, search for Mythodologies: Methods in Medieval Studies, Chaucer, and Book History under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/269810">
    <dcterms:title><![CDATA[Femmes et pèlerinages / Women and Pilgrimages]]></dcterms:title>
    <dcterms:description><![CDATA[Collection of essays in French and English that examine factual and fictive female pilgrims, focusing on their representation in spiritual and courtly literature. For two essays that pertain to Chaucer, search for Femmes et pèlerinages under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/271361">
    <dcterms:title><![CDATA[Le Parlement Volatil [The Parliament of Fowls]]]></dcterms:title>
    <dcterms:description><![CDATA[Facing-page translation of PF into modern French poetry. Includes as an appendix Marteau&#039;s poetic tribute to Chaucer, &quot;Hommage au Noble Geffroy Chaucier, Grant Translateur.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/271244">
    <dcterms:title><![CDATA[The Adventure of English: The Life Story of a Remarkable Language]]></dcterms:title>
    <dcterms:description><![CDATA[An abridged and adapted version of Bragg&#039;s book-length study &quot;The Adventure of English, 500AD to 2000: The Biography of a Language&quot; (London: Hodder &amp; Stoughton, 2003; New York: Arcade, 2004), augmented for audio-visual recording with music, maps, on-site visuals, and various illustration. Narrated by Bragg. Volume 1, Episode 2, includes discussion of Chaucer and the variety of linguistic registers in his CT. Originally produced for British television by LWT Productions.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/271110">
    <dcterms:title><![CDATA[Voices on the Past: Studies in Old and Middle English Language and Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Eighteen essays by various authors on language, literature, and scientific manuscripts in Old and Middle English.  For two essays that pertain to Chaucer, search for Voices on the Past under Alternative Title. ]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/272797">
    <dcterms:title><![CDATA[Australasian Universities Language and Literature Association 1969. Proceedings and Papers of the Twelfth Congress Held at the University of Western Australia, 5-11 February 1969]]></dcterms:title>
    <dcterms:description><![CDATA[Includes three essays that pertain to Chaucer and brief synopses of three additional ones that are not included in the volume:  Stephen Knight, &quot;Rhetoric and Poetry in &#039;The Franklin&#039;s Tale&#039;&#039;&#039;; H. E. Hallam, &quot;The Throne of Chaunticleer&quot;; and Brian Parker, &quot;Bar Salibi&#039;s Mystical Commentary on the Erotic Imagery of the Song of Songs&quot; (including comments on MerT). For the three complete essays, search for Australasian Universities Language and Literature Association 1969 under Alternative Title..]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276410">
    <dcterms:title><![CDATA[Design in Chaucer&#039;s Troilus.]]></dcterms:title>
    <dcterms:description><![CDATA[A close reading of the structure, themes, and rich characterizations of TC, examined in comparison with its primary source, Boccaccio&#039;s &quot;Filostrato,&quot; and with sustained attention to ancillary sources and Chaucer&#039;s particular emphases, especially the role of determinism. Argues that Chaucer&#039;s emphasis on time, settings, and inevitability universalizes his presentation of love beyond Boccaccio&#039;s personalized concern, while increased attention to courtliness deepens its ironies. Explores imagery and juxtaposition for the ways they also contribute to the ironic parallels between human and divine love in the poem.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/268957">
    <dcterms:title><![CDATA[Studies in the Middle English Didactic Tail-Rhyme Romances]]></dcterms:title>
    <dcterms:description><![CDATA[Examines several aspects of Middle English tail-rhyme romances, contrasting them with couplet romances, comparing them with Japanese &quot;sekkyo,&quot; and exploring their relations with the &quot;cult of the Virgin,&quot; the Holy Family, and contemporary visual art. Includes a survey of previous criticism and gives sustained attention to &quot;the hero on the beach&quot; motif, women in the Breton lays, and individual romances such as &quot;Le Bone Florence of Rome,&quot; &quot;Sir Gowther,&quot; and &quot;Sir Orfeo.&quot; Recurrent comments on Th and MLT, plus discussion of FranT as a Breton lay in couplets that show &quot;some orientation to Celtic tradition.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276794">
    <dcterms:title><![CDATA[Troilus and Criseyde: Studies in Interpretation.]]></dcterms:title>
    <dcterms:description><![CDATA[Praises the art and skill of Chaucer&#039;s adaptations of sources and literary conventions in creating TC, comparing and contrasting the plot and characterizations of the work with those of a full range of its &quot;literary progenitors&quot; and exploring Chaucer&#039;s innovative transformations of the style and rhetoric of interpolated songs and letters, his dexterity with atmosphere and character psychology, and his uses of courtly conventions. Pays particular attention to Criseyde&#039;s laughter and Chaucer&#039;s admiration of her, the literary history of Diomedes, and Troilus&#039;s subjugation to the paradoxes of love. Reads much of the poem as expressing Chaucer&#039;s own views.]]></dcterms:description>
</rdf:Description></rdf:RDF>