Browse Items (16087 total)

Bahr, Arthur William.   Dissertation Abstracts International A68.02 (2007): n.p.
Bahr explores parallels between manuscripts as compilations and groups of people as affinities in late medieval London. Chaucer in CT and Gower in Confessio Amantis differ in how they conceive of literary and social organization.

Schauber, Ellen,and Ellen Spolsky.   Language and Style 16 (1983): 249-61.
In his shameless self-revelation the Pardoner confuses and angers his audience by mixing boasting and confiding with their contrary expectations of approval and mitigated disapproval.

Alias, Simona.   Studies in the History of the English Language, 2006-2009 (Osaka: Osaka Books, 2010), pp. 107-19.
Examines the influence of the frame narrative tradition on CT, particularly on Chaucer's use of the "narratio brevis" genre. Also published in Bulletin of the Japanese Association of the History of the English Language n.v. (2009): 31-43.

Arista, J. Martin, et al., eds.   Newcastle upon Tyne: Cambridge Scholars, 2012.
Collection of essays presented at the 22nd International Conference of the Spanish Society for Mediaeval English Language and Literature (SELIM), seeking new perspectives on medieval language study. For two essays pertaining to Chaucer, search for…

Holloway, Julia Bolton.   Julia Bolton Holloway, Constance S. Wright, and Joan Bechtold, eds. Equally in God's Image: Women in the Middle Ages (New York: Peter Lang, 1990), pp. 198-215.
Discusses Chaucer's women and their relations with pilgrimage and learning. The Wife of Bath rebels against her husband's book of wicked wives. The Prioress tells of a boy's eschewing his primer in order to sing a hymn he does not understand from…

Grossman, Judith S.   DAI 29.08 (1969): 2709A.
Treats KnT as a traditional, conservative work, elevated in tone and style and dependent on "French and Italian traditions of eloquence." Conversely GP is the "most original of Chaucer's poems," innovative in its "mingling" of "praise and blame"…

Stillwell, Gardiner.   Philological Quarterly 35 (1956): 69-89.
Compares Mars with the "Ovide moralisé" and examines its adaptations of the "aubade, the complaint, the Valentine-tradition (Gower and Graunson), and the conventions of courtly love"--as inflected by Chaucer's own concerns and "personality," and…

Wetherbee, Winthrop.   Donald M. Rose, ed. New Perspectives in Chaucer Criticism (Norman Okla.: Pilgrim Books, 1981), pp. 71-81.
Modern critical theory demonstrates the radically traditional closed systems of medieval poetry. In his negative examples and examples of abuse and falsification, especially in TC, Chaucer is also aware of what the classical tradition "is not."

Freedman, Morris, ed.
Davis, Paul B. ed.  
New York: Scribner, 1968.
An introduction to the study of literature for classroom use, arranged by literary mode and focused thematically on social, religious, and literary controversies. Includes a section titled "Medieval and Modern Chaucer" (pp. 457-81) that raises…

Bowers, John M.   Chaucer Yearbook 5 (1998): 91-115.
Treats "Thebes" and the Prologue to "Beryn" (here called "The Canterbury Interlude") as "efforts to write what Chaucer had left unwritten" and to confront contemporary controversies. Lydgate's work rebukes those who would critique monasticism and…

Gaffney, Paul.   S. Elizabeth Passmore and Susan Carter, eds. The English "Loathly Lady" Tales: Boundaries, Traditions, Motifs (Kalamazoo, Mich.: Medieval Institute Publications, 2007), pp. 146-62.
As an example of popular folk narrative, "The Wedding of Sir Gawain and Dame Ragnelle" is flexibly open to multiple interpretations. Addressed to an elite audience, Gower's "Tale of Florent" and WBT lay claim to authority and function as exempla.

Jasper, Margaret Rose.   ShakS 29 : 93-108, 2001.
Jasper examines Petruchio's use of clothing as a form of gender control in Shakespeare's The Taming of the Shrew, comparing it with similar uses of clothing in versions of the Griselda story-Boccaccio's, Petrarch's, ClT, and John Phillips's "The…

Bailey, Susan E.   Chaucer Review 20 (1985): 83-89.
William Empson writes of the concentrated imagery and controlled partial confusion in TC. In book 5, Chaucer manipulates the imagery of the voyage, star-steer, sun-son, etc., to bring the poem to its climax, wherein the narrator cannot indict…

Brewer, Derek S.   Michio Kawai, ed. Language and Style in English Literature: Essays in Honour of Michio Masui. The English Association of Hiroshima (Tokyo: Eihosha, 1991), pp. 27-52.
A word list from TC 4 shows that Chaucer invented new meanings by combining previously unconnected root words; however, someone else may have introduced those roots into the language.

Beidler, Peter G.   Peter G. Beidler, ed. Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde (Cambridge; and Rochester, N.Y.: D. S. Brewer, 1998), pp. 131-42.
Compares ShT with "Decameron" 8.1 to assess the negative and positive characteristics of masculinity portrayed in the monk and merchant of the Tale. The wife is given traits identified with men in the Middle Ages, perhaps because of the Tale's…

Ingham, Patricia Clare.   Patricia Clare Ingham and Michelle R. Warren, eds. Postcolonial Moves: Medieval Through Modern. New York: Palgrave Macmillan, 2003, pp. 47-ı70.
Ingham urges a "contrapuntal" postcolonial approach to premodern texts - i.e., an approach that observes differences and distinctions that are oppositional without overdetermining them. She explores how Chaucer's MLT and Conrad's "Heart of Darkness"…

Kennedy, Beverly.   Norman Blake and Peter Robinson, eds. The Canterbury Tales Project Occasional Papers, Volume II (London: King's College, Office for Humanities Communications, 1997), pp. 23-39.
Argues that two distinct scribal attitudes toward the Wife of Bath can be perceived: a misogynous scholarly response typical of one manuscript family, and a more sympathetic popular response typical of another. Considers evidence from WBP,…

Benson, Larry D.   Aldershot, Hants :
Includes thirteen essays by Benson, all but one reprinted from earlier publications. For three essays that pertain to Chaucer, search for Contradictions: From "Beowulf" to Chaucer under Alternative Title.

Pelen, Marc M.   Florilegium 10 (1991, for 1988): 107-25.
Can one reconcile in a "single poetic focus" the contradictory voices of MerT? Plato, Claudian, Boethius, and especially Ovid distinguish between true and false fictions on the basis of whether legend is used to recognize cosmological order or to…

Harding, Wendy.   Colette Stévanovitch, ed. L'Articulation langue-littérature dans les textes médiévaux anglais (Nancy: Association des Médiévistes Anglicistes de l'Enseignement Supérieur, 2005), pp. 177-89.
Contradictions inherent in medieval social order are evident in the sources of Mel, but Chaucer reconciles these contradictions through his treatment of pity.

Lipton, Emma.   Chaucer Review 54.3 (2019): 335-51.
Argues that WBT presents a different vision of law, informed by female agency, where the focus is on reeducation. The rapist-knight is rewarded rather than punished, but this failure of justice functions as a call to activism, as the law so depicted…

Heffernan, Carol Falvo.   Journal of English and Germanic Philology 94 (1995): 31-41.
Medieval contraceptive information includes mention of pears in discussion of techniques for preventing conception, so May's desire for a pear in MerT may indicate that she wants to deny January's foolish desire for offspring.

Botelho, José Francisco, trans.   São Paulo: Penguin, 2013.
Translation of CT into Portuguese verse. Item not seen; not listed in WorldCat.

Lee, Brian S.   Susan Yager and Elise E. Morse-Gagné, eds. Interpretation and Performance: Essays for Alan Gaylord (Provo, UT: Chaucer Studio Press, 2013), pp. 199-210.
A comic completion, in mock Middle English, of CkT as a version of both Little Red Riding Hood and the parable of the Prodigal Son, with allusions to TC, GP and several stories from CT.

Buchanan, Peter.   Ph.D. Dissertation. University of Oxford, 2021.
Dissertation Abstracts International C83.10(E) (2021).
Argues that Chaucer is a "philosophical poet" who "innovated a radical, anti-teleological poetics of contingency," showing how in CYT, ClT, TC, and HF he "reworks his sources to articulate his vision of contingency, and contest humanist narratives of…
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