Browse Items (16048 total)

Argues that Pope's copy of Chaucer--the Hartleby copy of Speght's 1598 edition of Chaucer's "Works"--gives evidence of Pope's plan for reworking HF into his "Temple of Fame." Elsewhere in the volume, Pope's reader's marks are light.

Pope's copy of Chaucer, with his own youthful annotations, still survives. And though his marking of the text shows careful perusal of it (especially Rom), these early annotations are ultimately not very revealing of Pope's maturer feelings about…

Shows that the steady growth in understanding of the historical context of Chaucer's poetry has coexisted with a tendency, on the part of scholars as well as popularizers, to view Chaucer as the jovial poet of "merrie England."

Forni lauds the BBC's modernized television adaptation of CT (2003) for its appeal to a wide audience while retaining fidelity to the original texts; for its intertextuality; and for its highlighting of aspects of Chaucer that appeal to contemporary…

Reprints Clouston's two-volume work (1887), with its original Introduction and Index, commentary on the brass steed of SqT, and chapter entitled "Chaucer's 'Pardoner's Tale'" (pp. 490-511) that traces the sources and analogues of the Tale. Adds an…

Charles Cowden Clarke, Charles Knight, and John Saunders were the most effective popularizers of Chaucer for the common reader in nineteenth-century England. These individuals translated Chaucer into modern English and bowdlerized his language in…

Argues that Chaucer's portrait of Blaunche in BD is not a mere rhetorical exercise in the tradition of Vinsauf's prescriptions but "a serious attempt" to reform the "descriptio feminae," exploring identity by examining the relation between mind and…

Similarities between Thomas Hoccleve's portrait of Chaucer in "Regement of Princes" and the Ellesmere portrait do not confirm speculations that the artists were drawing from life.

Describes the problems and rewards of teaching Chaucer to Orthodox Jewish women.

Because Jews were expelled from England in 1290, their presence in English art and literature is "virtual." Tomasch surveys virtual Jews in the Holkham Bible Picture Book, the Luttrell Psalter, and Chaucer's CT (PrT, the Old Man of PardT, ParsT, and…

Examines Old and Middle English language and literature in light of postcolonial conditions and theories, particularly those of Caribbean studies, considering issues of cultural contact, vernacularity, competing discourses, power, transgression, and…

Includes eight essays by various authors, an Introduction by the editor, and a comprehensive Index. For three essays that pertain to Chaucer, search for Postmodern Poetics and Queer Medievalisms: Time Mechanics under Alternative Title.

Reading CT through the lens of the postmodern text suggests certain Derridean and Bakhtinian parallels, illuminating the polysemic and polyphonic characteristics of Chaucer's text. Like the postmodernists, Chaucer tends to question authority; to…

Argues that FranT should be added to "the Chaucerian pandemic canon" for its depiction of pandemic trauma and recovery.

WBP dramatizes the emergence of the author in the late Middle Ages as a self actively engaged in creating meaning and in resisting meaning imposed on it by other discourses.

The electronic "preprints" of "Teaching Chaucer in the Nineties" revealed both the extent to which professors and students have become electronically literate and large disparities in the availability of electronic resources. Ironically, no papers…

Numerous Latin insertions on the manuscript suggest that the scribe was translating from a Latin exemplar into English. His notations indicate that he was identifying problems with translation and guarding against them when creating his final…

Summary commentary on the collection of essays, with remarks on maternal grief in PrT, ClT, MLT, and other works, especially Lydgate's "A Lamentacioun of Our Lady Maria."

Chaucer's primary representatives of aristocracy, the Knight and the Squire, reveal differing assumptions about acting within their social stations. Both exhibit confidence through linguistic security, but the Knight's epic reality and narrative…

Preface by André Crépin. In his representation of gender in its relation to power in LGW, Chaucer departs from the conservative social and literary norms of his age while appearing to adhere to those norms. Chaucer undercuts his overt…

The widow's poverty in NPT indicates the cloistered clergy's failure to practice humility, poverty, and charity. Altering his source materials, Chaucer highlights the contrast between the lifestyle of the Prioress and that of the widow and creates…

Describes various kinds of poverty in England in the second half of the fourteenth century, summarizing economic and social factors and assessing their representation in various works of literature in English and Latin across a range of genres.…

Uses "thing theory" to posit that having things conferred subjectivity upon the holder in the Middle Ages. Applies this premise as a way to read Walter's treatment of Griselda in ClT, arguing that "Poor Griselda's selfless submission grows out of a…

Argues that Chaucer raises questions in ClT about relations between poverty and the nature of the self, gauging the extent to which Griselda's agency, selflessness, and lack of "things" are factors in Walter's "inhuman" treatment of her, and asking…

Translation of CT (except PrT, Mel, and ParsT) in Romanian poetry, based on the text of W. W. Skeat, with b&w illustrations of the pilgrims and the tales by Val Munteanu. The volume reprints with new pagination the 1964 version (Bucharest: Editura…