Browse Items (15422 total)

Brewer, Derek S.   Michio Kawai, ed. Language and Style in English Literature: Essays in Honour of Michio Masui. The English Association of Hiroshima (Tokyo: Eihosha, 1991), pp. 27-52.
A word list from TC 4 shows that Chaucer invented new meanings by combining previously unconnected root words; however, someone else may have introduced those roots into the language.

Ishizaka, Ko.   Michio Kawai, ed. Language and Style in English Literature: Essays in Honour of Michio Masui. The English Association of Hiroshima (Tokyo: Eihosha, 1991), pp. 277-88.
Assesses how words of specific actions--such as "sing," "dance," and "play"--operate lexically and how they can help produce a courtly atmosphere by expressing the joy of love.

Burnley, J. D.   Erik Cooper, ed. This Noble Craft . . .: Proceedings of the Xth Research Symposium of Dutch and Belgian University Teachers of Old and Middle English and Historical Linguistics, Utrecht, 19-20 January, 1989. Costerus New Series, no. 80 (Amsterdam: Rodopi, 1991), pp. 43-57.
Drawing on recent socio- and ethnolinguistic insights, Burnley examines the complex stylistic associations of commonly used language in a variety of spoken and written contexts. The structure of Chaucer's English is not neat and orderly but…

Ebi, Hisato.   Eigo Seinen (Tokyo) 137:7 (1991): 345-50.
Confronting the Latin world, Chaucer established his own theory of tragedy, which had not developed completely in the English vernacular. Ebi explores the meanings of "dite," "theatrum," and "scene," concluding that Chaucer used theater imagery to…

Kaufman, Janice Horner.   MIFLC Review 1 (1991): 58-67.
Twenty-five percent of the Old French loanwords in Rom are "new to English or used with a new English menaing'; most reflect influences of aristorcratic, secularized French romances. Includes chart of loanwords.

McIntosh, Angus, M. L. Samuels, and Margaret Laing.   Aberdeen: Aberdeen University Press, 1989.
Eighteen essays on dialects, scribes, transmission, word geography, and related topics. Only one essay has not been previously published: Margaret Laing's "Linguistic Profiles and Textual Criticism: The Translations by Richard Misyn of Rolle's…

Reichl, Karl.   Andre Crepin, ed. L'imagination medievale: Chaucer et ses contemporains (Paris: Publications de l'Association des Medievistes Anglicistes de l'Enseignement Superieur, 1991), pp. 157-76.
Surveys meanings of "ymaginacioun" and "fantasye" in Chaucer's time and discusses his exploitation of their ambivalence.

Aertsen, Henk, and Alasdair A. MacDonald, eds.   Amsterdam: VU University Press, 1990.
Nine original essays on Middle English romance offer the undergraduate reader a range of critical approaches and methodologies. The essays discuss widely studied romances such as Sir Orfeo, Sir Launfal, and particularly, Sir Gawain and the Green…

Tigges, Wim.   Henk Aertsen and Alasdair A. MacDonald, eds. Companion to Middle English Romance (Amsterdam: VU University Press, 1990), 129-51.
Examines eleven texts, dating from the late fourteenth to the early seventeenth century, that are related to the metrical romance by their metatextual commentary on one or more romance characteristics. Includes discussion of CT, particularly KnT,…

Amos, Thomas L.; Eugene A. Green; and Beverly Mayne Kienzle.   Kalamazoo. Mich.: Medieval Institute Publications, 1989.
Thirteen essays survey topics in the history of medieval preaching from the Carolingian period to the fifteenth century, two focusing on fourteenth-century lives and Christ and Wycliffism respectively.

Benson, C. David.   Susanna Freer Fein, David Raybin, and Peter C. Braeger, eds. Rebels and Rivals: The Contestive Spirit in The Canterbury Tales. Studies in Medieval Culture, no. 29 (Kalamazoo, Mich.: Medieval Institute Publications, 1991), pp. 213-21.
In 1987, an NEH-supported institute titled "Chaucer's Canterbury Tales: Medieval Contexts and Modern Responses" addressed concerns that Chaucer's poetry was disappearing from the "standard undergraduate curriculum" and discussed ways to "revivify"…

Jonassen, Frederick B.   Susanna Freer Fein, David Raybin, and Peter C. Braeger, eds. Rebels and Rivals: The Contestive Spirit in The Canterbury Tales. Studies in Medieval Culture, no. 29 (Kalamazoo, Mich.: Medieval Institute Publications, 1991), pp. 1-35.
Mikhail Bakhtin's distinction between "carnivalesque abandon and lenten mortification" and Victor Turner's distinction between liminality and "communitas" illuminate the dual nature of the pilgrimage--or of the material and the spiritual, the…

Woods, William F.   Susanna Freer Fein, David Raybin, and Peter C. Braeger, eds. Rebels and Rivals: The Contestive Spirit in The Canterbury Tales. Studies in Medieval Culture, no. 29 (Kalamazoo, Mich.: Medieval Institute Publications, 1991), pp. 37-57.
In KnT, vertical movements are associated with universal cosmic cycles, while horizontal movements are associated with social containment. As Palamon and Arcite move physically and emotionally closer to Emelye, each moves "toward either the…

Cowgill, Bruce Kent.   Susanna Freer Fein, David Raybin, and Peter C. Braeger, eds. Rebels and Rivals: The Contestive Spirit in The Canterbury Tales. Studies in Medieval Culture, no. 29 (Kalamazoo, Mich.: Medieval Institute Publications, 1991), pp. 59-71.
Unlike the homogeneous portrayal of the two clerks in its two closest analogues--De Gombert et les II clercs and Le Meunier et les II clercs--RvT not only differentiates Aleyn from John but also suggests that John dominates their relationship,…

Fein, Susanna Greer.   Susanna Greer Fein, David Raybin, and Peter C. Braeger, eds. Rebels and Rivals: The Contestive Spirit in The Canterbury Tales. Studies in Medieval Culture, no. 29 (Kalamazoo, Mich.: Medieval Institute Publications, 1991), pp. 73-104.
Chaucer utilizes the medieval icons of the wheel, the stream, and the vessel to represent the life cycle, the passing of time, and an individual's "fluid allocation of vital spirits that gradually dries from cradle to grave." In RvP, the Reeve's…

Hagen, Susan K.   Susanna Freer Fein, David Raybin, and Peter C. Braeger, eds. Rebels and Rivals: The Contestive Spirit in The Canterbury Tales. Studies in Medieval Culture, no. 29 (Kalamazoo, Mich.: Medieval Institute Publications, 1991), pp. 105-24.
WBP is Chaucer's attempt to formulate a "gynocentric hermeneutic" that challenges "standard patriarchal hierarchies." Yet, WBT demonstrates the inevitable failure of the attempt since Chaucer was a product of his time, "a fourteenth-century male…

Georgianna, Linda.   Susanna Greer Fein, David Raybin, and Peter C. Braeger, eds. Rebels and Rivals: The Contestive Spirit in The Canterbury Tales. Studies in Medieval Culture, no. 29 (Kalamazoo, Mich.: Medieval Institute Publications, 1991), pp. 149-72.
In SumT, exchanges between the friar and the lord of the manor illuminate the friar's bourgeois relationship with Thomas. When Thomas "pays" the friar with a fart, and the friar appeals to the social hierarchy represented by the feudal lord of the…

Ruud, Jay.   Susanna Greer Fein, David Raybin, and Peter C. Braeger, eds. Rebels and Rivals: The Contestive Spirit in The Canterbury Tales. Studies in Medieval Culture, no. 29 (Kalamazoo, Mich.: Medieval Institute Publications, 1991), pp. 125-48.
Examines the multiple meanings of "spirit" in SumT as clarified by scriptural and patristic tradition, exposing satire of friars.

Owen, Charles A., Jr.   Susanna Greer Fein, David Raybin, and Peter C. Braeger, eds. Rebels and Rivals: The Contestive Spirit in The Canterbury Tales. Studies in Medieval Culture, no. 29 (Kalamazoo, Mich.: Medieval Institute Publications, 1991), pp. 173-88.
Unlike its two closest analogues--Mars and Anel--the falcon's lament exceeds its own generic and linguistic constraints and functions as both narrative and complaint.

Braeger, Peter C.   Susanna Greer Fein, David Raybin, and Peter C. Braeger, eds. Rebels and Rivals: The Contestive Spirit in The Canterbury Tales. Studies in Medieval Culture, no. 29 (Kalamazoo, Mich.: Medieval Institute Publications, 1991), pp. 223-26.
Abstract of an article unfinished because of the author's death, examining the more than thirty verbal contexts for "Fortune."

Raybin, David.   Susanna Freer Fein, David Raybin, and Peter C. Braeger, eds. Rebels and Rivals: The Contestive Spirit in The Canterbury Tales. Studies in Medieval Culture, no. 29 (Kalamazoo, Mich.: Medieval Institute Publications, 1991), pp. 189-212.
CYP offers an earthly perspective that counterbalances the heavenly perspective in SNT. Moreover, the structure of CYP/T affirms artistic striving for "something higher and more beautiful" while suggesting the "tendency to corruption that threatens…

Blumenfeld-Kosinski, Renate, and Timea Szell, eds.   Ithaca, N. Y: Cornell University Press, 1991.
Adopting a variety of critical approaches, the fourteen essays range from detailed analyses of religious discourse to theoretical inquiries into the forces that shaped ideas of sanctity. Essays discuss representations of sainthood in the Middle…

Sherman, Gail Berkeley.   Renate Blumenfeld-Kosinski and Timea Szell, eds. Images of Sainthood in Medieval Europe (Ithaca, N.Y.: Cornell University Press, 1991), pp. 136-60.
By allowing the pilgrims no comment on the hagiographic discourse of the faceless, feminine "Second Nonne," and by allowing the Prioress to identify with the Word and the bearer of the Word, CT interrogates the doctrines on which it rests:…

Boitani, Piero, and Anna Torti, eds.   Bury St. Edmunds, Suffolk: D. S. Brewer, 1991.
Examines theory and practice of poetics in medieval English literature, including author-centered, text-centered, and modern theoretical approaches.
For individual essays that pertain to Chaucer, search for Poetics: Theory and Practice in Medieval…

Cooper, Helen.   Piero Boitani and Anna Torti, eds. Poetics: Theory and Practice in Medieval English Literature (Bury St. Edmunds, Suffolk: D. S. Brewer, 1991), pp. 83-103.
Examines the equation of political and poetic authority in the works of Chaucer and his contemporaries. Historical romance tends to legitimize political authority and to cite poetic authority, while the fabliau pretends to chronicle true occurences…
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