Argues that Edmund Spenser's adaptations of SqT and "Amis and Amiloun" in Book IV of "The Faerie Queene" "[embody] his theory of friendship," both in the relations and interactions among the characters and in the ways that he asserts his own place in…
Kendrick, Laura.
Bulletin des Anglicistes Medievistes 50 (1996): 37-57.
Friar Hubert practices false-seeming by faking a Francophone lisp, replacing dentals with sibilants in order to increase his social prestige and his seductiveness. Kendrick also explores why Parision French was considered "sweet".
Lavers, Norman.
College English 26 (1964): 180-87.
Argues that the main characters of ClT "have Oedipal fixations": Griselda, a masochistic form that correlates with "an incestuous quality in her relationship with her father," and Walter, a sadistic version that reverberates with the Cupid/Psyche…
Keller, Wolfram R.
Klaus Stierstorfer, ed. Anglistentag 2007 Münster: Proceedings (Trier: WVT Wissenschaftlicher Verlag Trier, 2008), pp. 385-99.
Examines John Lydgate's sources for his "Troy Book," including HF and TC, arguing that Lydgate re-invents "Britain's Trojan origins," calling into question Lancastrian imperialism and offering a "Chaucerian counter-nationhood," anchored in individual…
Sancery, Arlette.
Martine Yvernault and Sophie Cassagnes-Brouquet, eds. Frères et sœurs: Les liens adelphiques dans l'Occident antique et médiéval (Turnhout, Belgium: Brepols, 2007), pp. 221-28.
Focuses on the meaning of brotherhood in "Ipomadon," "Octavian," and Chaucer's KnT.
Crepin, Andre.
Bulletin des Anglicistes Medievistes 31 (1987): 466-76.
Argues that rhyme in English was rare only by reference to French lyrical poetry. Chaucer felt suspicious of craftsmanship for its own sake. Sophistication in rhyming is better left to those who "make in Fraunce."
Butterfield, Ardis.
A. J. Minnis, Charlotte C. Morse, and Thorlac Turville-Petre, eds. Essays on Ricardian Literature: In Honour of J. A. Burrow (Oxford: Clarendon, 1997), pp. 82-120.
Assesses aspects of the social and political exchange between France and England as background to their poetic exchange. Focuses on how lyric refrains (especially "Qui bien aimme," found in PF and elsewhere) were "common currency" between the two…
Burnley, John David.
Dieter Kastovsky and Arthur Mettinger, eds. Language Contact in the History of English (Frankfurt am Main: Lang, 2001), pp. 17-34.
Challenges "over-simple dichotomies" between English and French in late-medieval England and illustrates the "pragmatic complexity" of the use of Anglo-French texts. Assesses grammar, style, "speaker attitudes" (with reference to CT and TC), and…
Straus, Barrie Ruth.
Jacqueline Murray and Konrad Eisenbichler, eds. Desire and Sexuality in the Premodern West (Toronto; Buffalo, N.Y.; and London: University of Toronto Press, 1996), pp. 245-64.
The formel eagle in PF, Emily in KnT, and Margery Kempe seek to delay or renounce sexual activity. The eagle's blush embodies her later request to delay a choice of mate; Emily's desire to remain unmarried is marked by her desire to reject the…
Associative thinking in WBP may have drawn on the model of Aristotelian psychology and argumentation as understood in Chaucer's day. As a consequence, the Wife of Bath's voice remains more real to a modern audience than does the debate she…
Webb, Diana.
Christine Meek and Catherine Lawless, eds. Studies on Medieval and Early Modern Women: Pawns or Players? (Dublin and Portland, Ore.: Four Courts, 2003), pp. 75-89.
Webb briefly cites two CT characters: the Prioress is an unusual, but not impossible, instance of a nun on a local (as opposed to a foreign) pilgrimage; the Wife of Bath parallels several historical women who capitalized on their peripatetic…
Schoff, Rebecca Lynn.
Dissertation Abstracts International 65 (2004): 1773A
Examines the works of Chaucer, Langland, and Margery Kempe in the context of the standardization of textual discourse that accompanied the development of printed books.
O'Neill, Rosemary.
Sharon M. Rowley, ed. Writers, Editors, and Exemplars in Medieval English Texts (Cham: Palgrave Macmillan, 2021), pp. 101-24.
Explores marital struggles and "postnuptial renegotiation of marriage obligations" in WBPT and "The Book of Margery Kempe." Presents "contemporary feminist theories of contracts, consent, and choice" to reveal limitations of "choice" and negotiations…
Baker, Donald C.
Paul Ruggiers, ed. Editing Chaucer: The Great Tradition (Norman, Okla.: Pilgrim Books, 1984), pp. 157-69.
Summarizes Furnivall's capacious contributions to Chaucer studies (and Middle English generally), and comments that his "chief contributions" to the editing of Chaucer lie in his "selection of the texts" to print and his care with copying, printing,…
Taylor, Jerome.
Aldo Scaglione, ed. Francis Petrarch, Six Centuries Later: A Symposium. North Carolina Studies in the Romance Languages and Literatures, Symposia, no. 3 (Chapel Hill: Department of Romance Languages, University of North Carolina, 1975), pp. 364-83.
Chaucer's Clerk responds to WBT using the poetry of Petrarch, the tale of Griselda, and a spiritually improved version of Aristotelian logic.
Zangen, Britta.
Gabriele Genge, ed. Sprachformen des Körpers in Kunst und Wissenschaft. Kultur und Erkenntnis, no. 25 (Tübingen and Basel: A. Francke, 2000), pp. 244-58.
CT is startlingly antifeminist ("erschreckend frauenfeindlich") in its depiction of women and of male attitudes toward women. Recent criticism has begun to recognize this antifeminism but has not fully overcome adulation of the author.
Sharp, Michael David.
Dissertation Abstracts International 60: 1549A, 1999.
Examines the "boundaries between licit and illicit forms of homosocial desire" in communities in late-medieval England. Assesses various texts, including MkPT, FrT, and SumT.
Bremmer, Rolf H., Jr.
Studies in Medievalism 11: 37-72, 2001.
Bremmer reviews the study of Chaucer undertaken late in life by the pioneering Dutch Anglo-Saxonist Franciscus Junius, as reflected mainly in copious marginalia in Junius's copy of Speght's 1598 edition of Chaucer's Works.
Bessinger, Jess B., Jr., and Robert P. Creed, eds.
New York: New York University Press, 1965.
Includes 26 essays on Germanic, Old English, Middle English, and Renaissance literary and linguistic topics, along with a dedicatory poem, a brief Introduction, and a list of Magoun's publications between 1924 and 1964, including reviews. For two…
Wiggins, Alison.
Anne Lawrence-Mathers and Phillipa Hardman, eds. Women and Writing, c.1340-c.1650: The Domestication of Print Culture ([York]: York Medieval Press, 2010), pp. 77-89.
Examines the readers' marks in an annotated copy of the 1550 Thynne edition of Chaucer's Workes (Folger STC 5074 Copy 2), identifying its century-long provenance (1578-1677) of female ownership and commenting on how notes, bracketed passages, and…
Butterfield, Ardis.
Susanna Fein and David Raybin, eds. Chaucer: Contemporary Approaches (University Park: Pennsylvania State University Press, 2010), pp. 25-46.
Butterfield reviews traditional, generally dismissive attitudes toward "Frenchness" in Chaucer criticism and advocates a new awareness of the linguistic complexity that underlies Chaucer's uses of French models and French diction, particularly the…
Macaskill, Brian Kenneth.
Ph.D. Dissertation. University of Washington, 1989. Dissertation Abstracts International A50.08. Abstract accessible via ProQuest Dissertations and Theses Global; accessed August 24, 2025.
Item not seen. From the abstract: "this study presents the frame as a strategic locus of value in the literary text, arguing that the frame both constitutes and is constituted by an interplay between stylistic 'insides' and ideological 'outsides'. .…
Ellis, Steve.
New Medieval Literatures 7 (2005): 35-52
Virginia Woolf's discussions of Chaucer have "the effect of cutting him down to size." This effect reflects her reaction to High Modernist affection for the Middle Ages and her "subversive and anti-canonical approach to literary history."
