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              <text>Chamberlin, Julie K.</text>
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              <text>Dissertation Abstract International A80.11 (2019): n.p</text>
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              <text>Nun's Priest and His Tale</text>
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              <text>mea; SAC 44:277</text>
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                <text>Foxes, Fables, and Felons: Animals before the Law in the Middle Ages.</text>
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            <description>An account of the resource</description>
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                <text>Argues "that medieval writers of beast literature probed the limitations and possibilities of defining legal personhood, thus exposing the boundary between humans and nonhuman animals to be not merely blurry,  but permeable." Includes discussion of NPT, investigating "issues of vocal legal authority following the 1381 Uprising in England."</text>
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              <text>Prendergast, Thomas A.</text>
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              <text>Jennifer Jahner, Emily Steiner, and Elizabeth M. Tyler, eds. Medieval Historical Writing: Britain and Ireland, 500–1500 (Cambridge: Cambridge University Press, 2019), pp. 437-49.</text>
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              <text>Jahner, Jennifer, ed.&#13;
Steiner, Emily, ed.&#13;
Tyler, Elizabeth M., ed.</text>
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              <text>Medieval Historical Writing: Britain and Ireland, 500–1500</text>
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              <text>Monk and His Tale</text>
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              <text>mea; SAC 44:275</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2841755">
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                <text>Writing in the Tragic Mode.</text>
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            <description>An account of the resource</description>
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                <text>Explores relations between medieval written depictions of tragic events in history and "fictional tragedies," commenting on a range of texts, and assessing how, in MkT, "Chaucer seems to suggest . . . that there is a difference between reporting a series of events that are tragic and writing in a tragic mode."</text>
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              <text>Laidlaw, Martin.</text>
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              <text>Victoria Blud, Diane Heath, and Einat Klafter, eds. Gender in Medieval Places, Spaces and Thresholds (London: Institute of Historical Research, University of London, 2019), pp. 107-22.</text>
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              <text>Blud, Victoria, ed.&#13;
Heath, Diane, ed.&#13;
Klafter, Einat, eds.</text>
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              <text>Gender in Medieval Places, Spaces and Thresholds</text>
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              <text>Monk and His Tale&#13;
Shipman and His Tale&#13;
Prioress and Her Tale&#13;
Tale of Sir Thopas&#13;
Nun's Priest and His Tale</text>
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              <text>mea; SAC 44:274</text>
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            <elementText elementTextId="2841746">
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                <text>"Yfallen out of heigh degree": Chaucer's Monk and Crises of Liminal Masculinities.</text>
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            <description>An account of the resource</description>
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                <text>Examines conflicts between secular and religious notions of masculinity in the Monk's description in GP and in MkPT, showing that they depict the Monk's "inability to abide by the expected behaviours of his vocation" and expose him to ridicule by the Host and other pilgrims in ShT, PrT, Th, and NPPT.</text>
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              <text>Putter, Ad.</text>
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              <text>Notes and Queries 264 (2019): 359-61.</text>
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              <text>Tale of Melibee&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 44:273</text>
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              <text>2019</text>
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                <text>An Unnoticed Manuscript Fragment of Jan van Boendale's "Melibeus" in the National Archives.</text>
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            <description>An account of the resource</description>
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                <text>Identifies and gives codicological information about Exchequer Records of the King's Remembrancer in The National Archives at Kew, E 163/22/2/24, a portion of Jan van Boendale's Dutch translation of Albertanus of Brescia's "Liber consolationis et consilii," and an analogue of Mel.&#13;
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              <text>Matlock, Wendy A.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2841725">
              <text>Chaucer Review 55, no. 4 (2020): 462-83.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2841726">
              <text>Chaucer Review 55 (2020)</text>
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              <text>Tale of Melibee&#13;
Manciple and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2841728">
              <text>mea; SAC 44:272</text>
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          <name>Date</name>
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            <elementText elementTextId="2841729">
              <text>2020</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2841722">
                <text>Ventriloquizing Mothers: Chaucer's Poetic Authority in the "Tale of Melibee" and the "Manciple's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Positions Mel and ManT as "vivid examples of Chaucer's polyphonic authority that highlight the rich network of gendered speech constituting his mature voice." Argues that Chaucer's ventriloquized women in Mel and ManT translate continental sources into English ones.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Thomas, Alfred.</text>
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              <text>Cham: Palgrave Macmillan, 2019.</text>
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          <name>Physical Description</name>
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              <text>xv, 260 pp.; b&amp;w illus.</text>
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          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2841719">
              <text>Prioress and Her Tale&#13;
Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2841720">
              <text>mea; SAC 44:271</text>
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        <element elementId="114">
          <name>Date</name>
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                <text>Shakespeare, Catholicism, and the Middle Ages: Maimed Rights.</text>
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            <description>An account of the resource</description>
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                <text>Argues that Shakespeare and "his fellow dramatists . . . consciously  revived . . . non-dramatic forms of medieval culture . . . in order to challenge the new constraints placed on public dissent by Tudor and Stuart absolutism" and affirm "the power of the powerless." Includes discussion of the "continuity in Christian attitudes to Jews" in PrT, "The Merchant of Venice," and Christopher Marlowe's "The Jew of Malta," exploring their similarities in depicting "anxieties about Christian involvement in a money economy" associated with Jews.</text>
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                <text>Pets.</text>
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                <text>Reviews medieval disapproval of pet-keeping among religious personnel as evidence that companionship with animals has a long history and that medieval "pet-love" can "help us to unthink the human." Comments on pet-slayings in versions of the international "Canis legend" and, positing that the love of animals in the GP description of the Prioress is sincere, argues that it reflects a queer version of community, one that prompts us to (re)consider our own.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Ethics, Antisemitism and "The Prioress's Tale": A Reparative Approach.</text>
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                <text>Offers a psychoanalytical reparative reading of PrT, focusing on PrP, the conclusion of the tale, and various intertexts (Psalm 8; the "Alma Redemptoris Mater"; and Dante's "Purgatorio," XXXIII), unpacking interplays between utterance and intention; Mary and the "regressive fantasy of an ideal mother"; and law, mercy, antisemitism, and the Jews in the tale, who "are the properly human subjects of ethical choice."</text>
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              <text>Studies in Medieval and Renaissance Teaching 26, no. 2 (2019): 9-16.</text>
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              <text>Prioress and Her Tale&#13;
Background and General Criticism</text>
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              <text>mea; SAC 44:267</text>
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                <text>Offers a pedagogical exercise for teaching PrT in a way that provokes students' confrontation with issues of personal disgust and engagement with the tale.</text>
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                <text>Spitting Images: Embodying Theories of Disgust in "The Prioress's Tale."</text>
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              <text>Dominick, Gina A.</text>
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              <text>Exemplaria 31 (2019): 1-21.</text>
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              <text>Prioress and Her Tale</text>
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              <text>mea; SAC 44:266</text>
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                <text>"Countrefete Cheere": Kitsch, Taste, and "The Prioress's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Discusses kitsch as a "counter aesthetic" that results from a "failed dialectic of beauty and ugliness," and explores the Nazis' "Anti-Kitsch Law," Theodor Adorno's aesthetic theory, the Prioress's "countrefete cheere" and sentimentality, the gore and antisemitism of PrT, and the critical reception of the tale. Argues that PrT "exposes the form that makes . . . anti-Semitism and its stories enjoyable: the aesthetics of kitsch and death."</text>
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              <text>Taylor, Jamie.</text>
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              <text>Speculum 93 (2018): 111-21.</text>
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              <text>Shipman and His Tale&#13;
Language and Word Studies</text>
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              <text>mea; SAC 44:265</text>
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            <description>An account of the resource</description>
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                <text>Analyzes Langland's and Chaucer's uses of "tally-tale-tail" puns in "Piers Plowman" and ShT, clarifying medieval understandings of signification, polysemy, equivocation, deception, economic value, and misogyny. Unlike Lady Mede, who is trapped in a "loop of polysemous equivocations"" the merchant's  wife in ShT recognizes "the mercantile, circulatory structures that ensnare her and use[s] them to pursue her own pleasures."</text>
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                <text>Lies, Puns, Tallies: Marital and Material Deceit in Langland and Chaucer."</text>
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              <text>Scattergood, John.</text>
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              <text>Chaucer Review 55, no. 2 (2020): 236-43.</text>
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              <text>Shipman and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 44:264</text>
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                <text>Trinity College Dublin MS 347 and a Possible Source for Chaucer's "Shipman's Tale," VII 11–19.</text>
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            <description>An account of the resource</description>
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                <text>Offers evidence for the source for the opening of the ShT, connecting it with Gilbertus Minorita's "Dictinctiones" and its quotation of then-contemporary vernacular poetry.</text>
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              <text>Arraigada, Candela.</text>
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              <text>Mirabilia 28 (2019): 215-26.</text>
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              <text>Physician and His Tale&#13;
Wife of Bath and Her Tale</text>
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                <text>El control de los cuerpos en "The Physician's Tale" y "The Wife of Bath's Tale," de Geoffrey Chaucer (c. 1343–1400).</text>
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Franklin and His Tale</text>
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                <text>Focuses on marvels in medieval literature, and argues that medieval readers appreciated indeterminacy of the marvelous. Some attention to FranT.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Traces the struggles of Dorigen in FranT as a kind of conduct literature for wives, as Dorigen's pain in Arveragus's absence is linked to "two contemporary French conduct texts--'Le Livre du chevalier de la Tour Landry' (1371) and 'Le Mesnagier de Paris' (1394)."</text>
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Language and Word Studies</text>
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                <text>"Ycrammed ful of cloutes and of bones": Chaucer's Queer Cavities."</text>
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                <text>Traces Chaucer's uses of purses and other cavities in PardPT as sites of queer reproduction. Throughout, "locates the 'purs' as a gendered, sexualized, and economized site of social exchange."</text>
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                  <text>Chaucer Bibliography Online</text>
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                <text>Reassesses the role and value of the falcon and the mechanical horse in SqT. Demonstrates through these depictions that SqT creates "interspecies and intrasexual relationships of care outside of the gendered human norms of chivalric romance."</text>
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              <text>Petrosillo, Sara.</text>
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              <text>Medieval Feminist Forum 54, no. 1 (2018): 9-33.</text>
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              <text>mea' SAC 44:251</text>
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            <description>A name given to the resource</description>
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                <text>Flying, Hunting, Reading: Rethinking Falcon–Woman Comparisons.</text>
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            <description>An account of the resource</description>
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                <text>Observes how the "tension between control and release" in premodern falconry is "salient for feminist approaches to representations of gender when birds stand in for women's sexual bodies," exploring the implications of associations between women and hunting birds in medieval art and literature, and concluding with discussion of how a "feminist poetics" emerges from consideration of the interaction between Canacee and the falcon in SqT.</text>
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              <text>Elmes, Melissa Ridley.</text>
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              <text>Medieval Feminist Forum 54, no. 1 (2018): 50-64.</text>
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              <text>Medieval Feminist Forum 54 (2018)</text>
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              <text>Squire and His Tale&#13;
Parliament of Fowls</text>
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              <text>mea; SAC 44:250</text>
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                <text>"Compassion and Benignytee": A Reassessment of the Relationship between Canacee and the Falcon in Geoffrey Chaucer's "Squire's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Argues that the "bond" between Canacee and the falcon in SqT is "grounded in the theme of female friendship" although seen from the "avian perspective"--an "intersectional" approach that "interprets Canacee as avian, rather than the falcon as humanlike." Treats the tale as something of a "sequel" to PF, even while the Squire reveals himself to be "decidedly uncomfortable with women on an individual level."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Elias, Marcel.</text>
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              <text>Squire and His Tale&#13;
Knight and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Chaucer and Crusader Ethics: Youth, Love, and the Material World.</text>
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                <text>Shows how late medieval "anxieties over the corruption of chivalry" and criticism of the morals, motives, and conduct of crusaders" are reflected in the pairing of the GP descriptions of the Squire and Knight, and in KnT and SqT. Argues that "Chaucer's critique of crusaders is not . . . effected through the Knight, but through the Squire," evident in comparisons with romances and treatises about the crusades, including that of Henry Despenser.</text>
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              <text>Bale, Anthony, and Sebastian Sobecki, eds.</text>
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              <text>Squire and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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            <elementText elementTextId="2841559">
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                <text>Gathers secular and religious travel narratives of England &#13;
 and France. The volume is divided into three sections: critical essays; twenty-six texts, or excerpts, from narratives, including SqT; and supporting bibliographies.</text>
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