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              <text>Hartwell, Michael J.</text>
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              <text>Jennifer York Stock, ed. Literature Criticism from 1400 to 1800, Vol. 283 (Farmington, Mich.: Gale, 2019), pp. 85-304.</text>
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              <text>Stock, Jennifer York, ed.</text>
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              <text>Literature Criticism from 1400 to 1800, Vol. 283.</text>
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              <text>Legend of Good Women&#13;
Bibliographies, Reports, and Reference</text>
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            <elementText elementTextId="2841967">
              <text>mea; SAc 44:303</text>
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                <text>"The Legend of Good Women": Geoffrey Chaucer.</text>
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            <description>An account of the resource</description>
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                <text>Reprints seventeen critical studies of LGW published between 1904 and 2003, several excerpted from larger works. The introduction by Hartwell summarizes the plot of LGW, with little commentary on LGWP, and comments on the plots and sources of the individual legends, major themes, and critical reception. Includes a selected bibliography of Chaucer's works and editions, and annotated suggestions for further reading about LGW.</text>
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            <elementText elementTextId="2841954">
              <text>Chaudhuri, Aparna.</text>
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            <elementText elementTextId="2841955">
              <text>ELH 87, no. 4 (2020): 881-909.</text>
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            <elementText elementTextId="2841956">
              <text>ELH 87 (2020</text>
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            <elementText elementTextId="2841957">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2841958">
              <text>mea; SAC 44:302</text>
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            <elementText elementTextId="2841959">
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            <name>Title</name>
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                <text>Poetry and Power in Ovid's "Tristia" and Chaucer's "The Legend of Good Women."</text>
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                <text>Studies Ovid's "Tristia" and LGW and argues that "Ovid's literary autobiography" revealed in the "Tristia" is "assimilated and elaborated" by Chaucer in LGWP. This connection not only allows Chaucer "to convey . . . a sense of his own Ricardian, political reality" but recognizes that poetry "is always written within networks of power, simultaneously enabling and restraining, and therefore has a significant stake in the varieties of subjection that its cultural moment makes possible."</text>
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            <elementText elementTextId="2841946">
              <text>Çetiner-Öktem, Züleyha.</text>
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              <text>Interactions: Ege Journal of British and American Studies 28, nos. 1-2 (2019): 1-12.</text>
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            <elementText elementTextId="2841948">
              <text>Interactions: Ege Journal of British and American Studies 28 (2019)</text>
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            <elementText elementTextId="2841949">
              <text>Legend of Good Women</text>
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            <elementText elementTextId="2841950">
              <text>mea; SAC 44:301</text>
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              <elementText elementTextId="2841944">
                <text>Chaucer's Mythic Men in the "Legend of Good Women."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2841945">
                <text>Argues that Chaucer reformulates "mythocultural memory" in LGW when he depicts traditional male heroes as "diminished men," neither valorous nor gentle. By deconstructing the "structurally adamant images of the Greco-Roman male," the poet escapes authority, a focal concern of LGWP.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2841938">
              <text>Bugbee, John.</text>
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        <element elementId="98">
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            <elementText elementTextId="2841939">
              <text>Traditio 26 (2019): 77-89.</text>
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            <elementText elementTextId="2841940">
              <text>Traditio 26 (2019)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2841941">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2841942">
              <text>mea; SAC 44:300</text>
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        <element elementId="114">
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            <elementText elementTextId="2841943">
              <text>2019</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Attributes Chaucer's assertion of St. Augustine's "gret compassioun" for Lucrece as a rape victim (LGW, 1691) to the poets' unmediated first-hand knowledge of Book I of the "City of God," clarifying Augustine's sympathy for rape victims, arguing that critics have misread the theologian, and exploring other evidence of Chaucer's familiarity with Book I elsewhere in the legend, especially Lucrece's swoon.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2850790">
                <text>Chaucer's Lucretia and What Augustine Really Said about Rape: Two Reconsiderations.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2841930">
              <text>Rouse, Margitta.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2841931">
              <text>Nottingham Medieval Studies 64 (2020): 87-115.</text>
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            <elementText elementTextId="2841932">
              <text>Nottingham Medieval Studies 64 (2020)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2841933">
              <text>House of Fame&#13;
Chaucer's Influence and Later Allusion</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2841934">
              <text>mea; SAC 44:299</text>
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            <elementText elementTextId="2841935">
              <text>2020</text>
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            <name>Title</name>
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              <elementText elementTextId="2841928">
                <text>Dreaming of (Self-) Annihilation: Gendered Temporalities in Gavin Douglas's "Palyce of Honour."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2841929">
                <text>Argues that Gavin Douglas's construction of Honour and Venus in the "Palyce of Honour," though misogynistic, constitutes a complex allegorical response to Chaucer's model of literary renovation in the HF.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2841922">
              <text>Kertz, Lydia Yaitsky.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2841923">
              <text>Medievalia et Humanistica 45 (2020): 75-99.</text>
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            <elementText elementTextId="2841924">
              <text>Medievalia et Humanistica 45 (2020)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2841925">
              <text>House of Fame&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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          <name>Source</name>
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            <elementText elementTextId="2841926">
              <text>mea; SAC 44:298</text>
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            <elementText elementTextId="2841927">
              <text>2020</text>
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            <name>Title</name>
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              <elementText elementTextId="2841920">
                <text>Literal and Literary Ekphrasis: A Medieval Poetics.</text>
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                <text>Clarifies "two distinct modes of ekphrasis, the literal and the literary," exploring how and where they are deployed in HF (storm at sea and wall paintings of Dido and Aeneas) and in "Sir Gawain and the Green Knight" (castle description and Gawain's shield). Analysis of the two modes and their uses reveals "much about theorizations of visual language" as well as "emulation of classical models."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Keller, Wolfram R., and Margitta Rouse.</text>
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              <text>Troianalexandrina: Anuario sobre literatura medieval de materia clásica 19 (2019): 313-32.</text>
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              <text>Rouse, Margitta</text>
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              <text>Troianalexandrina: Anuario sobre literatura medieval de materia clásica 19 (2019)</text>
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          <name>Chaucer Subject</name>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 44:297</text>
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                <text>Considers the "temporal hybridity" of late medieval engagements with the matter of Troy, including discussion of the "epistemological legitimization of a poetics of innovation" in HF that extends into early modern treatments of the material, evident in Shakespeare's "Rape of Lucrece." In French; includes abstract in English.</text>
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                <text>Les antiquités concurrentes dans la transmission du mythe troyen dans l'Angleterre médiévale tardive: "La Maison de la Renommée" de Geoffrey Chaucer et "Le viol de Lucrèce" de William Shakespeare.</text>
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              <text>Griffiths, Jane.</text>
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              <text>Philip Knox, Jonathan Morton, and Daniel Reeve, eds. Medieval Thought Experiments: Poetry, Hypothesis, and Experience in the European Middle Ages (Turnhout: Brepols, 2018), pp. 121-39.</text>
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Morton, Jonathan, ed.&#13;
Reeve, Daniel, ed. </text>
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              <text>Medieval Thought Experiments: Poetry, Hypothesis, and Experience in the European Middle Ages</text>
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            <elementText elementTextId="2841908">
              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 44:296</text>
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        <element elementId="114">
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          <elementTextContainer>
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              <elementText elementTextId="2841902">
                <text>"As I kan now remembre": Memory and Making in "The House of Fame."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2841903">
                <text>Interprets HF as 'an experiment in the exercise of poetic memory and poetic composition" that "suggests that memory's anarchic associations cannot fully be controlled," in part because of differences between "the memory of things and the memory of words." Examines relations between architecture and memory in medieval rhetorical theory, uses of source materials in HF, the eagle as "animalis motiua," contrasts between the constructions of Fame (authority) and Rumor experience), and the poem's inconclusiveness.</text>
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              <description>A name given to the resource</description>
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              <text>Falk, Seb.</text>
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              <text>Medium Aevum 88, no. 2 (2019): 329-60.</text>
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            <elementText elementTextId="2841899">
              <text>Equatorie of the Planetis&#13;
Language and Word Studies&#13;
Treatise on the Astrolabe&#13;
Chaucerian Apocrypha</text>
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              <text>mea; SAC 44:295</text>
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        <element elementId="114">
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              <elementText elementTextId="2841894">
                <text>Vernacular Craft and Science in the "Equatorie of the Planetis."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2841895">
                <text>Argues that Equat exemplifies how late medieval writers blended "theoretical and practical material, exploiting the flexibility of the vernacular and moulding it to their needs." Following Kari Anne Rand, treats Equat as the work of John Westwyk rather than Chaucer, explores intertextualities between Equat and Astr, and assesses their status as works of vernacular craft--rather than science-writing. Focuses on technical vocabulary, exploring English, Latin, and Arabic diction.</text>
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              <name>Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2841888">
              <text>Weiskott, Eric.</text>
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          </elementTextContainer>
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        <element elementId="98">
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            <elementText elementTextId="2841889">
              <text>Notes and Queries 265 (2020): 12-13</text>
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            <elementText elementTextId="2841890">
              <text>Notes and Queries 265 (2020)</text>
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        <element elementId="102">
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            <elementText elementTextId="2841891">
              <text>Book of the Duchess&#13;
Style and Versification&#13;
Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations</text>
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              <text>mea; SAC 44:294</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2841893">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2841886">
                <text>A New Conjecture for "Book of the Duchess" 1315.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851709">
                <text>Discusses previous scholarship on line 1315 of BD, and suggests that emending the line to "Gan [hym] homwarde for to ryde" brings it into conformance with the rest of this "briskly tetrametric poem."</text>
              </elementText>
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  <item itemId="276209" public="1" featured="0">
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2841880">
              <text>Bryant, Brantley L.</text>
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          </elementTextContainer>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2841881">
              <text>Isle: Interdisciplinary Studies in Literature and Environment 26 (2019): 1006-37.</text>
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            <elementText elementTextId="2841882">
              <text>Isle: Interdisciplinary Studies in Literature and Environment 26 (2019)</text>
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        <element elementId="102">
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            <elementText elementTextId="2841883">
              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2841884">
              <text>mea; SAC 44:293</text>
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            <elementText elementTextId="2841885">
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            <name>Title</name>
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              <elementText elementTextId="2841878">
                <text>The Power of Water in Geoffrey Chaucer's "The Book of the Duchess/"</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2841879">
                <text>Ecocritical examination of the depiction of the sea in the Ceyx and Alcyone episode of BD, focusing on its shorelessness, comparing it with analogous accounts and with the representation of water in John of Trevisa's "On the Properties of Things," and arguing that Chaucer's poem "is an anthropocentric elegy within a disanthropocentric frame."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841872">
              <text>Powers, Tom.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841873">
              <text>Carmina Philosophiae 26-27 (2020 for 2017–18): 1-194.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841874">
              <text>Carmina Philosophiae 26-27 (2020 for 2017-18)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2841875">
              <text>Boece&#13;
Facsimiles, Editions, and Translations</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841876">
              <text>mea; SAC 44:292</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841877">
              <text>2020&#13;
2017-2018</text>
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            <name>Title</name>
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              <elementText elementTextId="2850795">
                <text>Geoffrey Chaucer's Boece Rendered into Modern English (Facing Page: 1868 Edition-Translation).</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851893">
                <text>Presents a modern English translation of the facing-page 1868 edition of Chaucer's Bo. Claims in introduction that "this is not a work of scholarship but of love and gratitude." Adjusts "punctuation and paragraphing of the Middle English text in order to synchronize the layout" in the modern translation.</text>
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          <elementTextContainer>
            <elementText elementTextId="2841864">
              <text>White, Tom.</text>
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        <element elementId="98">
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            <elementText elementTextId="2841865">
              <text>Postmedieval 9 (2018): 444-54.</text>
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          <elementTextContainer>
            <elementText elementTextId="2841866">
              <text>Postmedieval 09 (2018)</text>
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            <elementText elementTextId="2841867">
              <text>Treatise on the Astrolabe&#13;
Manuscripts and Textual Studies</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2841868">
              <text>mea; SAC 44:291</text>
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          <elementTextContainer>
            <elementText elementTextId="2841869">
              <text>2018</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2841862">
                <text>Written in Trees.</text>
              </elementText>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851707">
                <text>Includes comments on how "Godfridus super Palladium," Astr, and "The Book of John Mandeville"--found together in Oxford, Bodleian Library, MS e Musaeo 116--share concern with "possible future[s]" and with "the role of practical or instructional information, the acquisition of knowledge, and the observable and calculable world."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2841856">
              <text>Silva, Chelsea.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2841857">
              <text>Exemplaria 30 (2018): 49-65; 3 color illus.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2841858">
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        <element elementId="102">
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            <elementText elementTextId="2841859">
              <text>Treatise on the Astrolabe&#13;
Chaucer's Influence and Later Allusion&#13;
Manuscripts and Textual Studies</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2841860">
              <text>mea; SAC 44:290</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2841861">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2841854">
                <text>Opening the Medieval Folding Almanac.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841855">
                <text>Considers the medieval folding almanac as a tool to access information, examining British Library, MS Harley 937, the prologue of which uses Astr "to explain its intention to satisfy its uneducated reader," posing Astr as a "model for its instructional content." Uses Gilles Deleuze's "formulation of the fold" to argue that folding almanacs facilitate a "restless, embodied negotiation of the space between readers, writers, and their objects."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Edwards, A. S. G.</text>
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        </element>
        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2841849">
              <text>Chaucer Review 55 (2020): 113-16.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2841850">
              <text>Chaucer Review 55 (2020)</text>
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        <element elementId="102">
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            <elementText elementTextId="2841851">
              <text>Treatise on the Astrolabe&#13;
Manuscripts and Textual Studies</text>
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        </element>
        <element elementId="109">
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            <elementText elementTextId="2841852">
              <text>mea; SAC 44:289</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2841853">
              <text>2020</text>
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          <element elementId="50">
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              <elementText elementTextId="2850797">
                <text>Another Manuscript of Chaucer's "Astrolabe"?</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851238">
                <text>Presents evidence from a "description of a manuscript of Chaucer's 'Treatise on the Astrolabe' that appeared in a sale catalogue in 1843." This description, because it doesn't correspond to any known, available copies, suggests another manuscript of Astr exists (or existed).</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2841840">
              <text>Davis, John.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2841841">
              <text>Nuncius: Journal of the Material and Visual History of Science 34 (2019): 27-68; 11 color illus.</text>
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          <elementTextContainer>
            <elementText elementTextId="2841842">
              <text>Nuncius: Journal of the Material and Visual History of Science 34 (2019)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2841843">
              <text>Treatise on the Astrolabe&#13;
Manuscripts and Textual Studies&#13;
Chaucer's Life</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2841844">
              <text>mea; SAC 44:288</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2841845">
              <text>2019</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2841838">
                <text>A Medieval English Astrolabe Now in Innsbruck, Linked to the Lancastrian Court and with a Chaucer Connection.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2850798">
                <text>Describes in detail an astrolabe--Tiroler Landesmuseum Ferdinandeum/Zeughaus, Innsbruck, inv. no. 2957, U215--and relates it to other fourteenth-and fifteenth-century English astrolabes labeled "Chaucerian" because their "strapwork" is similar to that depicted in diagrams found in manuscripts of Astr. Offers astrological and calendrical data to associate the device with the Duchy of Lancaster, and provides "circumstantial evidence" that may link it with Henry Bolingbroke and his court, including evidence from Chaucer's life and works.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2841832">
              <text>Davis, John.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841833">
              <text>Journal for the History of Astronomy 50, no. 2 (2019): 121–54; 11 color illus.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2841834">
              <text>Journal for the History of Astronomy 50 (2019)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2841835">
              <text>Treatise on the Astrolabe&#13;
Chaucer's Life</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841836">
              <text>mea; SAC 44:287</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841837">
              <text>2019</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841830">
                <text>The "Chaucerian" Astrolabe in the British Museum: A Reassessment of Its Dating and Ownership.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841831">
                <text>Offers evidence that the "Chaucerian" astrolabe in the British Museum was constructed in the early fifteenth century, perhaps for Henry Beaufort, bishop of Winchester, and provides "a scenario whereby . . . Chaucer would be exposed to astrolabes with the general design which appear" in manuscripts of Astr, in "an environment where it was being taught to children."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="276202" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841823">
              <text>Stadnik, Katarzyna.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841824">
              <text>Merja Stenroos, Martti Mäkinen, Kjetil Vikhamar Thengs, and Oliver Traxel, eds. Current Explorations in Middle English: Selected Papers from the 10th International Conference on Middle English (ICOME), University of Stavanger, Norway, 2017 (New York: Peter Lang, 2019), pp. 249-64.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841825">
              <text>Stenroos, Merja, ed,&#13;
Mäkinen, Martti, ed. &#13;
Thengs, Kjetil Vikhamar, ed.&#13;
Traxel, Oliver, ed.</text>
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        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841826">
              <text>Current Explorations in Middle English: Selected Papers from the 10th International Conference on Middle English (ICOME), University of Stavanger, Norway, 2017 </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841827">
              <text>Parson and His Tale&#13;
Style and Versification</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841828">
              <text>mea; SAC 44:286</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841829">
              <text>2019</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841821">
                <text>Metaphor as a Conceptual Device Structuring Moral Discourse: Figurative Framing in Geoffrey Chaucer's "Parson's Tale."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841822">
                <text>Adopts a "grounded approach to cognition" that combines awareness of embodiment, physical environment, and sociocultural situatedness. Discusses "selected cognitive-cultural aspects of diagrammatic iconicity" that structure ParsT and constitute a "spatialised framework on which abstract notions converged," promoting "the transmission of the cultural community's value-system." Focuses on the tree as a figural representation of knowledge, and pilgrimage as a metaphoric journey to salvation.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="276201" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841815">
              <text>Flannery, Mary C.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841816">
              <text>Studies in the Age of Chaucer 42 (2020): 1-25.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841817">
              <text>Studies in the Age of Chaucer 42 (2020)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841818">
              <text>Manciple and His Tale&#13;
Language and Word Studies&#13;
Manuscripts and Textual Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841819">
              <text>mea; SAC 44:284</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841820">
              <text>2020</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841813">
                <text>"Et cetera": Obscenity and Textual Play in the Hengwrt Manuscript.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841814">
                <text>Challenges scribal and editorial choices to use "swyve" at ManT, 256, where the Hengwrt and Ellesmere manuscripts (and two others) have some form of "et cetera," arguing that the latter is "likely an example of authorial play." Gauges the meanings, contexts, and degrees of obscenity in the variants, focusing on usage in Hengwrt and a marginal comment in Ellesmere; shows that the theme of proper speech in ManT functions as a "set-up for the joke," and discourages the emendation.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="276200" public="1" featured="0">
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              <name>Title</name>
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              <text>Schenkel, Elmar.</text>
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              <text>mea; SAC 44:283</text>
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                <text>Eine alte Reisebekanntschaft: Alchemie bei Chaucer, Balzac, und Patricia Görg.</text>
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                <text>Exemplifies the recurrent concern with alchemy in western culture and literature, including description of Chaucer's depiction of it in CYPT, along with his reputation for scientific knowledge.</text>
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              <text>Bentick, Eoin.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Alchemy and Verse in Late-Medieval England.</text>
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                <text>Studies the portrayals of alchemy and alchemists in fourteenth-and fifteenth-century English verse, including discussion of Chaucer's negative depiction of alchemy and its practitioners in CYPT, and John Gower's positive view in "Confessio Amantis."</text>
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              <text>Castro, Enrico.</text>
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              <text>Parole rubate/Purloined Letters 18 (2018): 139-61. Open access journal, at http://www.parole rubate.unipr.it/issues.php (accessed January 24, 2022).</text>
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              <text>Parole rubate 18 (2018)&#13;
Purloined Letters 18 (2018)</text>
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              <text>Second Nun and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 44:281</text>
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                <text>Sources and Analogues: the "Invocacio ad Mariam" in Chaucer's "The Second Nun's Prologue."</text>
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                <text>Identifies and comments on various parallels between lines 36 and 74 of the "Invocacio ad Mariam" in SNP and St. Bernard's praise of Mary in Dante's "Paradiso," XXXIII, treating portions of it as "free translation," although perhaps influenced by other works of Marian theology and literature.</text>
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              <text>Chaucer Review 55, no. 3 (2020): 298-316.</text>
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              <text>Nun's Priest and His Tale&#13;
Style and Versification</text>
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              <text>mea; SAC 44:280</text>
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                <text>Winking at the Nun's Priest.</text>
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          <element elementId="41">
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                <text>Argues that "through the Nun's Priest's portion of Fragment VII Chaucer navigates much of the theories of characterization found in the late medieval rhetorical treatises known as the 'artes poetriae,' or the arts of poetry," and offers "a critique of the selective mode of vision produced by medieval rhetorical theories of 'descriptio'."</text>
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              <text>Sasla, Naomi.</text>
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              <text>Literary Imagination 21, no. 1 (2019): 1-18.</text>
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              <text>Nun's Priest and His Tale&#13;
Canterbury Tales--General</text>
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              <text>mea; SAC 44:279</text>
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                <text>"The Nun's Priest's Tale: An Analysis of Thematic Structure and Reflective Structure</text>
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            <description>An account of the resource</description>
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                <text>Argues that the various parts of NPT, an "expanded fable," are unified by a thematic exploration of true and false knowledge, then identifies instances where the tale mirrors "some elements of theme, structure, and style" of other parts of CT.</text>
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              <text>Karpinski, Agnes.</text>
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              <text>Bernard Dieterle and Manfred Engel, eds. Historizing the Dream/Le rêve du point de vue historique (Würzburg: Königshausen &amp; Neumann, 2019), pp. 93-118.</text>
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              <text>Dieterle, Bernard, ed.&#13;
Engel, Manfred, ed.</text>
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              <text>Historizing the Dream&#13;
Le rêve du point de vue historique</text>
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              <text>Nun's Priest and His Tale</text>
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                <text>Dreams and Knowledge in Medieval Literary Theory: Three Comparative Examples.</text>
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                <text>Assesses relations between dreams and determinism (fate, providence, and prophecy) in three medieval narratives: Kriemhild's dream in the "Nibelungenlied," the dreams in" Der Nonne von Engeltal Büchlein von der Gnaden Überlast," and Chanticleer's dream in NPT. In the latter, physiological humoral processes counterpoint dream theories, and the philosophical implications of the tale are "relativized" by humor and "the fact that the protagonists must also be considered as natural enemies."</text>
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