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              <text>Hargreaves, Henry.</text>
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              <text>Parson and His Tale&#13;
Style and Versification</text>
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                <text>Wyclif's Prose.&#13;
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                <text>Demonstrates the plain prose style of John Wyclif's sermons by comparing and contrasting five sample sermons with passages of similar length from ParsT and the "Cloud of Unknowing," considering sentence length, complexity, and clausal construction; rhetorical and indirect questions; word order; vocabulary; and features of adornment such as alliteration and repetition.</text>
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              <text>Gross, Laila.</text>
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              <text>McNeese Review 19 (1968): 16-26.</text>
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              <text>Troilus and Criseyde&#13;
Style and versification</text>
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                <text>Time and the Narrator in Chaucer's "Troilus and Criseyde."</text>
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                <text>Explores differences between the narrator's depictions of the passing of time in TC. Books 1-4 record events consecutively, with little or no inference of simultaneity of action, and Book 5 shifts abruptly to an "outside-narrator time sequence" whereby the "time streams" of the characters cross and overlap, helping to create sympathy, evoke irony, and "effectively depict the dissolution of love."</text>
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              <text>Lever, Katherine.</text>
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              <text>The Classical Journal 64 (1969): 216-18.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Background and General Criticism</text>
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                <text>Classical Scholars and Anglo-Classical Poets.</text>
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                <text>Looks at multiple examples of reference and allusion to Greek and Roman literature in works by Chaucer and Milton to contemplate ways in which these poets parallel modern classical scholars in their approach to the ancient world.</text>
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              <text>Markland, Murray F.</text>
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              <text>Modern Language Quarterly 31 (1970): 147-59.</text>
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              <text>Modern Language Quarterly 31 (1970)</text>
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              <text>Troilus and Criseyde&#13;
Chaucer's Retraction</text>
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                <text>"Troilus and Criseyde": The Inviolability of the Ending.</text>
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                <text>Examines the "shifts in point of view, authorial intrusion, changes in subject, and multiple closures" of the final seventeen stanzas of TC, reading their structure closely, and arguing that they produce an "artistic disorder, the purpose of which is to focus the reader's attention on the narrator" and contribute to his characterization as timid, doubtful, and ambivalent--an object of amusement for poet and audience alike, and also, perhaps, an explanation why Chaucer revokes TC in Ret.</text>
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              <text>Corsa, Helen Storm.</text>
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              <text>American Imago 27 (1970): 52-65.</text>
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              <text>American Imago 27 (1970)</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Dreams in 'Troilus and Criseyde."</text>
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                <text>Argues in Freudian terms that dreams in TC disclose psychological aspects of the characters. Criseyde's dream (II, 925-31), added by Chaucer to his source, Boccaccio's "Filostrato," indicates her desire for ravishment and marks her early submission to Troilus's pursuit. Troilus's two "anxiety" dreams (in Book V), especially the second--a "primal scene" nightmare--and its variations from the version in "Filostrato," "point in the direction of shaping Troilus as an Oedipal figure."</text>
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              <text>Lewis, C. S.</text>
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              <text>Cambridge: Cambridge University Press, 1964.</text>
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              <text>viii, 232 pp.</text>
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              <text>Background and General Critricism</text>
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              <text>mea; 4/23/2023</text>
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                <text>The Discarded Image: An Introduction to Medieval and Renaissance Literature.</text>
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                <text>Intellectual backgrounds to the European Middle Ages and Renaissance, with particular attention to literature, classical, and late-classical influences; the concept of the universe and the earth; human physiology and psychology; and cultural influences on modern notions and idioms. Recurrent attention to Chaucer's works and their reflections and representations of the medieval/Renaissance world view.</text>
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              <text>Sayers, Dorothy L.</text>
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              <text>Nottingham Medieval Studies 9 (1965): 15-31.</text>
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Second Nun and Her Tale&#13;
Monk and His Taale</text>
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              <text>mea; 4/23/2023</text>
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                <text>The Art of Translating Dante.</text>
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                <text>Surveys and comments on English poetic translations of Dante's "Commedia" from Chaucer to Laurence Binyon, opening with mention of the Ugolino episode from MkT (based on "Inferno" XXXIII 1-90), followed by quotation of SNP 8.36-56, calling it a "rendering of great beauty" of "Paradiso" XXXIII, 1-2, and observing Chaucer's alterations of the original.</text>
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              <text>Ackerman, Robert W.</text>
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              <text>mea; 4/23/2023</text>
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              <elementText elementTextId="2842551">
                <text>Chaucer.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2842552">
                <text>Discursive bibliography of Chaucer studies (ca. 1930-1960), with five sub-sections: Bibliographies, Editions, and the Chaucer Canon; Chaucer's Life and Times; Chaucer's English; General Critical Works; The Canterbury Tales; and Troilus and Criseyde and the Minor Works.</text>
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              <text>Schmidt, A. V. C.</text>
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              <text>Notes and Queries 212 (1967): 230-31.</text>
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                <text>The Wife of Bath's Marital State.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2842544">
                <text>Using evidence from WBPT, challenges D. S. Silvia's argument (N&amp;Q 1967: 8-10; same title) that the Wife of Bath has lost interest in Jankyn and is looking for husband number six.</text>
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              <text>Notes and Queries 212 (1967): 291-92.</text>
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              <text>Monk and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Language and Word Studies</text>
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              <text>mea; 4/23/2023</text>
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            <elementText elementTextId="2842542">
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              <elementText elementTextId="2842535">
                <text>Some Readers of John Trevisa.</text>
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              <elementText elementTextId="2842536">
                <text>Identifies John of Trevisa's "Polychronicon" as the likely source for the Monk's use of "pileer" distinct from "boundes" (7.2126-27) in his account of Hercules, a distinction also made by John Lydgate in his "Troy Book." Comments on the uses of "Trophe(e)" by all three writers as well.</text>
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            <elementText elementTextId="2842529">
              <text>Harlow, Benjamin C</text>
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        <element elementId="98">
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              <text>McNeese Review 19 (1968): 36-47.</text>
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            <elementText elementTextId="2842531">
              <text>McNeese Review 19 (1968)</text>
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              <text>Canterbury Tales--General</text>
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              <text>mea; 4/23/2023</text>
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        <element elementId="114">
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            <elementText elementTextId="2842534">
              <text>1968</text>
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            <name>Title</name>
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              <elementText elementTextId="2842527">
                <text>Chaucer's Host: The Character of Harry Bailly.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2842528">
                <text>Characterizes the Host as a "delightful traveling companion," summarizing details of his GP description and of his interactions with the other pilgrims in the links between the tales. He is "sometimes pompous, often impudent, and always forceful," a presence which "provides unity and cohesion throughout" the CT.</text>
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            <elementText elementTextId="2842521">
              <text>Brodnax, Mary Margaret O'Bryan.</text>
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        <element elementId="98">
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            <elementText elementTextId="2842522">
              <text>Dissertation Abstracts International 29 (1969): 2667A.</text>
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              <text>Dissertation Abstracts International 29 (1969)</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Canterbury Tales--General</text>
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              <text>mea; 4/23/2023</text>
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            <elementText elementTextId="2842526">
              <text>1969</text>
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              <elementText elementTextId="2842519">
                <text>Medieval Analogues of "Paradise Lost."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2842520">
                <text>Concentrates on Old English poems and Middle English plays that are analogous to Milton's "Paradise Lost," but includes in an appendix "[s]some relationships with The Canterbury Tales and . . .  description of seven Middle English poetic analogues."</text>
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              <text>Shapiro, Gloria K.</text>
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        <element elementId="98">
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              <text>Chaucer Review 6 (1971): 130-41.</text>
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              <text>Chaucer Review 06 (1971)</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>mea; 4/23/2023</text>
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            <elementText elementTextId="2842518">
              <text>1971</text>
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                <text>Dame Alice as Deceptive Narrator.</text>
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              <elementText elementTextId="2842512">
                <text>Explores "important tensions" in the characterization of the Wife of Bath, interpreting the "larger subject" of WBT as the "grace of God," even though it concludes with the Wife's "irreligious" final curse. In WBP, her "masking is predictable behavior" and ultimately reveals her sufferings (especially in her fourth marriage), her awareness of her religious imperfections, and near-pathological desire to conceal her own virtues.</text>
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              <text>Gillespie, David Southard.</text>
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              <text>Ph.D. Dissertation. Michigan State University, 1971. Dissertation Abstracts International 32 (1971): 3188-89A. Fully accessible at https://d.lib.msu.edu/etd/40345; accessed April 22, 2023.</text>
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              <text>Dissertation Abstracts International 32 (1971)</text>
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Pardoner and His Tale&#13;
Troilus and Criseyde</text>
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              <text>mea; 4/23/2023</text>
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                <text>The Changing Outlook of Chaucerian England.</text>
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                <text>Historical analysis of the changes in the English world view preceding and following the Black Death of 1349, with particular attention to the art and literature up to 1385 and its "pessimism and macabre realism." Includes recurrent references to Chaucer, highlighting his concerns with death (PardT), fortune (TC), ecclesiastical satire, and the ambiguities of social class.</text>
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Monk and His Tale&#13;
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                <text>The Art of Translating Dante.</text>
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                <text>Surveys and comments on English poetic translations of Dante's "Commedia" from Chaucer to Laurence Binyon, opening with mention of the Ugolino episode from MkT (based on "Inferno" XXXIII 1-90), followed by quotation of SNP 8.36-56, calling it a "rendering of great beauty" of "Paradiso" XXXIII, 1-2, and observing Chaucer's alterations of the original.</text>
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              <text> Weidhorn, Manfred.</text>
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              <text>Studies in Philology 64 (1967): 65-82.</text>
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              <text>mea; 4/18/2023</text>
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              <text>1967</text>
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            <name>Title</name>
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              <elementText elementTextId="2842489">
                <text>The Anxiety Dream from Homer to Milton.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2842490">
                <text>Offers background and context for various kinds of "unsettling" dreams in literature, mentioning that Pertelote treats Chanticleer's "anxiety dream" in NPT 7.2882ff. "as a cryptic diagnosis [of humoral disorder] which required immediate prescription and regimen." </text>
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          <elementTextContainer>
            <elementText elementTextId="2842483">
              <text>Slade, Tony.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2842484">
              <text>Modern Language Review 64 (1969): 241-47.</text>
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        <element elementId="100">
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            <elementText elementTextId="2842485">
              <text>Modern Language Review 64 (1969)</text>
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              <text>Wife of Bath and Her Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2842487">
              <text>mea; 4/18/2023</text>
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        <element elementId="114">
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          <description/>
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            <elementText elementTextId="2842488">
              <text>1969</text>
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          <element elementId="50">
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              <elementText elementTextId="2842481">
                <text>Irony in the Wife of Bath's Tale.</text>
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            <name>Description</name>
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              <elementText elementTextId="2842482">
                <text>Treats WBT as an "expression of her personality," focusing on the "matter-of-fact" tone of the tale, its humor, and its "tolerant sexual irony." However, Chaucer undercuts "her views and reactions" ironically, particularly in the pillow lecture of gentilesse which is "commonplace and laboured," followed by a "sentimental" conclusion.</text>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2842475">
              <text>Lucas, Peter J.</text>
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        <element elementId="98">
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            <elementText elementTextId="2842476">
              <text>Medium Aevum 39 (1970): 291-300.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842477">
              <text>Medium Aevum 39 (1970)</text>
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              <text>Tale of Sir Thopas&#13;
Language and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842479">
              <text>mea; 4/18/2023</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842480">
              <text>1970</text>
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              <elementText elementTextId="2842473">
                <text>Towards an Interpretation of "Sir Launfal."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2842474">
                <text>Argues that "it may well be" that Chaucer's use of the verb "take" in Thopas 7.795 is parodic, meaning "inclination or attraction (towards)" rather than "attach oneself (to)" in a "binding relationship"--the latter sense evidently intended in "Sir Launfal."</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842467">
              <text>Hieatt, Constance B.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2842468">
              <text>Studia Neophilologica 42 (1970): 3-8.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2842469">
              <text>Studia Neophilologica 42 (1970)</text>
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              <text>Nun's Priest and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2842471">
              <text>mea; 4/18/2023</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2842472">
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              <elementText elementTextId="2842465">
                <text>The Moral of "The Nun's Priest's Tale."</text>
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              <elementText elementTextId="2842466">
                <text>Identifies nine aphoristic statements in NPT and assesses the extent to which they can be considered the "moralite" referred to by the narrator in 7.3440. Considers analogous fables and claims that Chaucer's version demonstrates "a common Chaucerian theme: that man is, by nature--although to varying extents--chronically unable to foresee the probable consequences of his own choices."</text>
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            <elementText elementTextId="2842460">
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            <elementText elementTextId="2842462">
              <text>Pardoner and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2842463">
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        <element elementId="114">
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            <elementText elementTextId="2842464">
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            <name>Title</name>
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                <text>In Defence of Lot.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2842458">
                <text>Explains that Chaucer's source for his account of Lot's incest, followed as it is by reference to Herod and the slaying of John (PardT 7.485-91), is likely to have been Peter Comestor's "Historia Libri Genesis" rather than the biblical account. Also treats Langland's accounts of Lot in "Piers Plowman."</text>
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                <text>Argues that Dante's siren of "Purgatorio" XIX is analogous to the Wife of Bath and the transformation of the loathly lady of WBT, helping to undercut the Wife's views on female sovereignty and ironically "reasserting the medieval Christian idea of the proper man-wife relationship."</text>
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              <text>mea; 4/17/2023</text>
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                <text>Compares the characterizations of Palamon and Arcite in KnT, focusing on the relative intensity of their responses to love and arguing that, rather than fortune, their actions and passions determine their outcomes. Arcite"s fall from his horse is the "only real intervention of Fate in the Tale."</text>
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                <text>Describes various disorders, discomforts, and diseases among the Canterbury pilgrims and in their tales, commenting on medieval and modern understandings of symptoms and causes.</text>
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