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              <text>Brewer, D[erek], S.</text>
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              <text>Modern Language Review 49 (1954): 461-64.</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde</text>
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              <text>mea; 5/28/26</text>
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                <text>Love and Marriage in Chaucer's Poetry.</text>
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                <text>Challenges the critical "platitude" that love and marriage are incompatible in Chaucer. Identifies a number of instances in Chaucer's works where love and marriage clearly coincide, and argues that TC is only an "apparent exception" in this regard. Discusses how the plot or "matière" of Chaucer's poem is "illicit" love, but its "sen," or meaning, is a celebration of virtuous, "honorable" love.</text>
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              <text>Notes and Queries 199 (1954): 462-63.</text>
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              <text>Complaint of Mars&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Chaucer's 'Complaint of Mars.'</text>
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                <text>Suggests intertextual connections among Hyginus's "Poetica Astronomica," Boccaccio's "De Genealogia Deorum," and aspects of Chaucer's Mars.</text>
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              <text>Block, Edward A.</text>
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              <text>Speculum 29 (1954) 239-43.</text>
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              <text>Speculum 29 (1954)</text>
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              <text>Style and Versification&#13;
Miller and His Tale&#13;
Reeve and His Tale</text>
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                <text>Chaucer's Millers and Their Bagpipes.</text>
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                <text>Provides historical background for Chaucer's associations of millers with bagpipes in GP 1.565 and in RvT 1.3927, assessing them as an important characterizing details--vivid, realistic, appropriate, and symbolically suggestive of lechery and gluttony.</text>
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              <text>Blenner-Hassett, Roland</text>
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              <text>Anglia: Zeitschrift für Englische Philologie 72 (1954): 455-62.</text>
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              <text>Anglia: Zeitschrift für Englische Philologie 72 (1954)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Parliament of Fowls&#13;
Franklin and His Tale</text>
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                <text>Yeats' Use of Chaucer.</text>
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                <text>Suggests that Chaucer's astrological references in FranT and PF, particularly the deterministic "phases of the moon, " the Great Year, and the depiction of Scipio, are likely to have influenced W. B. Yeats' prose treatise, "A Vision" (1925; rev. 1937).</text>
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              <text>Ariès, Philippe.</text>
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              <text>Population (French Edition), 9, no. 4 (1954): 692-98.</text>
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              <text>Chaucer et Mme de Sévigné.</text>
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              <text>mea; 5/27/26</text>
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                <text>Deux Contributions à l'Histoire des Pratiques Contraceptives, II: Chaucer et Mme de Sévigné.</text>
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                <text>Contrasts lack of commentary on birth control in ParsT with its presence in the letters of Marie de Rabutin-Chantal, Marquise de Sévigné, arguing that Chaucer was pre-Malthusian ("prémalthusien") rather than proto-Malthusian ("protomalthusien"). Reads ParsT as a standard view of sexual activities in Chaucer's age.</text>
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              <text>Bethurum, Dorothy, ed.&#13;
Stewart, Randall Stewart, ed.</text>
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              <text>Chicago: Scott, Foresman, 1954</text>
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              <text>251 pp.</text>
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              <text>Living Masterpieces of English Literature.</text>
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              <text>Facsimiles, Editions, and Translations&#13;
General Prologue to the Canterbury Tales&#13;
Franklin and His Tale&#13;
Pardoner and His Tale&#13;
Nun's Priest and His Tale</text>
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                <text>Anthologizes a selection of works by Chaucer and by Shakespeare, with a brief general introduction to each and bottom-of-page glosses and notes. The selection from Chaucer, edited by Bethurum and based on the text by Walter W. Skeat, includes GP, NPPT, PardPT, and FranPT. This material is also included in Bethurum and Stewart's more expansive "Living Masterpieces of English Literature" (1954).</text>
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              <text>London: George G. Harrap &amp; Co, [1954]. 2d rev. ed., 1958.</text>
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              <text>208 pp.</text>
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              <text>Harrap's English Classics.</text>
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              <text>Davies, R. T.</text>
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              <text>Knight and His Tale&#13;
Facsimiles, Editions, and Translations&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>1954&#13;
1958</text>
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                <text>The Knight's Tale.</text>
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          <element elementId="41">
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                <text>Edits KnT, with an Introduction, bottom-of-page textual notes, end-of-text explanatory notes and glossary, and appendices (by R. T. Davies, reprinted), on Chaucer's language and meter, astrology and astronomy, and suggestions for further reading. The text is based on the Ellesmere manuscripts, and the Introduction includes sections on Chaucer's life and work (by R. T. Davies, reprinted), the relation of KnT to CT and its sources, and a summary of Boccaccio's "Teseide."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Baum, Paull F.</text>
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              <text>Modern Language Notes 69 (1954): 551-52.</text>
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              <text>General Prologue to the Canterbury Tales&#13;
Squire and His Tale&#13;
Manuscripts and Textual Studies</text>
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              <text>mea;  5/27/2t6</text>
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                <text>Canterbury Tales A 24.</text>
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                <text>Reconsiders possible explanations for the evident inaccuracy of the number of pilgrims given in GP 1.24 as twenty-nine. Suggests two possibilities: the Squire may have been a later addition and/or the addition of the "last five pilgrims" might have been accompanied by textual error in recording the tally.</text>
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              <text>Baker, Donald Craig.</text>
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              <text>Ph.D. Dissertation. University of Oklahoma, 1954. Dissertation Abstracts International A64.11. Fully accessible via ProQuest Dissertations &amp; Theses Global (accessed May 7, 2026).</text>
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              <text>Style and Versification&#13;
Book of the Duchess&#13;
Parliament of Fowls&#13;
House of Fame&#13;
Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2854748">
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                <text>Symbol and Theme in Chaucer's Vision Poems.</text>
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              <elementText elementTextId="2854742">
                <text>Examines the imagery, symbols, and themes of BD, HF, PF, and LGW, focusing on the themes of love (courtly and spiritual) and the poet's responsibilities in depicting love, with attention to various aspects of style, form, and structure, and recurrent attention to source materials.</text>
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              <text>Prins, A. A.</text>
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              <text>English Studies 43 (1963): 165-69.</text>
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              <text>English Studies 43 (1963)</text>
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Wife of Bath and Her Tale</text>
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              <text>mea; 5/27/26</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2854733">
                <text>Loke who, what, how, when.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2854734">
                <text>Clarifies the basic meaning and history of the Middle English collocation "look who," meaning "whoever," analyzing the usage at WBT 1113 and discussing similar usages elsewhere in Chaucer, with two instances in Gower. Explains how scribal and editorial distortions of the phrase (and related ones) have been misleading, helping to account for the paucity of such phrases in NED, the predecessor of the OED.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Eisner, Sigmund.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts 15.06 (1955): 1062.</text>
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        <element elementId="100">
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              <text>Dissertation Abstracts 15 (1955)</text>
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              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 5/27/26</text>
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              <text>1955</text>
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            <name>Title</name>
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              <elementText elementTextId="2854725">
                <text>A Tale of Wonder: A Source Study of "The Wife of Bath's Tale."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854726">
                <text>Provides evidence for the "strongest possibility" that WBT "did not differ from other Arthurian tales but came to Chaucer from Ireland through Wales, Brittany, and France."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
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              <text>Southworth, James G.</text>
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        <element elementId="98">
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              <text>Oxford: Basil Blackwell, 1962.</text>
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          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854721">
              <text>xii, 96 pp.</text>
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              <text>Style and Versification&#13;
Language and Word Studies&#13;
Manuscripts and Textual Studies&#13;
Pardoner and His Tale</text>
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                <text>The Prosody of Chaucer and His Followers: Supplementary Chapters to "Verses of Cadence."</text>
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              <elementText elementTextId="2854718">
                <text>Supplements "Verses of Cadence" (1954) to reinforce arguments that Chaucer's prosody was rhythmic, not metrical, and that final -e should not be pronounced in reading Chaucer. Considers the influence on Chaucer's rhythms--in prose as well as poetry--of Ciceronian tradition, ecclesiastical oration, and the "genius of native English speech." Contrasts examples of punctuation of modern editorial punctuation of CT with manuscript markings (especially PhyT, Phy-PardL, and PardPT), and suggests that rhythmic analysis can help to clarify the chronological sequence of the composition of Chaucer's poetry.</text>
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              <text>Kuskin, William.</text>
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              <text>Notre Dame, IN: Notre Dame University Press, 2013.</text>
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              <text>xv, 278 pp.; 24 b&amp;w illus.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2854714">
              <text>Chaucer's Influence and Later Allusion&#13;
Background and General Criticism&#13;
Boece&#13;
Facsimiles, Editions, and Translations&#13;
Troilus and Criseyde&#13;
</text>
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            <elementText elementTextId="2854716">
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                <text>Recursive Origins: Writing at the Transition to Modernity.</text>
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                <text>Theorizes "recursivity"--an alternative to "originality"--as a trope in fifteenth- and sixteenth-century English literary history, arguing that much often considered to be "original" or "revolutionary" in modernity is better understood as remaking and reasserting literary forms that came before, especially codicological forms. Recurrent attention to Chaucer's influence, including discussion of the role of Bo in the embedded philosophy of Caxton's "Boecius," the cultural impact of sixteenth-century editions of Chaucer's works (single or collected), and intertextualities among Spenser, Lydgate, and Chaucer, particularly invocations to the book (TC 5.1786-92) and lodestar imagery (TC 5.1392 and KnT 1.2059).</text>
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              <text>Bazire, Joyce.</text>
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              <text>Year's Work in English Studies 34 (1955)</text>
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              <text>mea; 5/22/26</text>
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                <text>Middle English I: Chaucer.</text>
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                <text>A discursive review of Chaucerian scholarship and research published in 1953.</text>
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              <text>Barnouw, Adriaan J., trans.</text>
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              <text>Haarlem: H. D. Tjeenk Willink &amp; Zoon, 1955.</text>
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              <text>xvi, 304 pp.</text>
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              <text>Troilus and Criseyde&#13;
Facsimiles, Editions, and YTranslations</text>
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              <text>mea; 5/7/2026</text>
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                <text>Troilus en Criseyde: Gedicht door Geoffrey Chaucer omstreeks 1385.</text>
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                <text>Translation of TC into Dutch verse, with notes and introduction.</text>
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              <text>Yildiz, Nazan.</text>
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              <text>Frances Davies and Laura González, Madness, Women and the Power of Art (Oxford: Inter-Disciplinary Press, 2013), pp. 117-35. </text>
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              <text>Davies, Frances, ed.&#13;
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              <text>Madness, Women and the Power of Art</text>
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                <text>A Medieval Madwoman in the Attic: Chaucer's Wife of Bath in "The Canterbury Tales."</text>
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                <text>Argues that in "attempting the pen" by telling her own story, the Wife of Bath rebels against patriarchal strictures and escapes suggestions of madness that beset such rebellious women in late medieval England.</text>
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              <text>Yildiz, Nazan.</text>
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              <text>Ph.D. Dissertation. Hacettepe University, 2015. Fully accessible via https://www.academia.edu/71798123/Hybridity_in_Geoffrey_Chaucer_S_the_Canterbury_Tales_Reconstructing_Estate_Boundaries (accessed May 5, 2026).</text>
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              <text>ix, 287 pp.</text>
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                <text>Hybridity in Geoffrey Chaucer's "The Canterbury Tales": Reconstructing Estate Boundaries.</text>
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                <text>Describes the "large scale social mobility" of late medieval England and argues that its modifications of traditional estates categories are reflected in CT. Uses Homi Bhabha's "postcolonial concepts of hybridity, in-betweenness, third space and mimicry" to explore the flexibility of the social estates of the Knight, Monk, Prioress, Franklin, and Miller. In English, with an abstract in Turkish.</text>
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  <item itemId="277631" public="1" featured="0">
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              <text>Bibliographies, Reports, and Reference&#13;
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                <text>A Complete Rime-index to Manly &amp; Rickert's Text of "The Canterbury Tales." Part One, A.</text>
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                <text>Item not seen. Information derived from WorldCat record.</text>
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              <text>[ix], 329 pp.; illus.</text>
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              <text>Style and Versification&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Summoner and His Tale&#13;
Merchant and His Tale&#13;
Shipman and His Tale</text>
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                <text>Tests several theories of humor--especially Victor Raskin and Salvatore Attardo's "General Theory of Verbal Humor" (1985) and Thomas D. Cooke's "Comic Climax" (1978)--for their value in analyzing Elizabethan jests and medieval fabliaux, parodies, and—as counter examples—tragedies. Focuses on narratological structures and stylistic devices in a number of texts, including Chaucer's fabliaux--MilT, RvT, SumT, MerT, and ShT--exploring how, if, and to what extent they are funny and how useful the theories are in explaining their humor.</text>
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              <text>Ph.D. McGill University, 1968. Fully accessible via https://escholarship.mcgill.ca/downloads/mg74qp76z.pdf (accessed April 24, 2026).</text>
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              <text>241 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854649">
              <text>Style and Versification&#13;
Man of Law and His Tale&#13;
Clerk and His Tale&#13;
Wife of Bath and Her Tale</text>
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          <name>Source</name>
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          <elementTextContainer>
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              <text>mea; 4/24/2026</text>
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                <text>Chaucer’s Man of Law and Clerk as Rhetoricians: Narrative and Dramatic Levels of Decorum.</text>
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                <text>Shows how MLT and ClT "prove Chaucer's functional use of rhetoric for purposes of decorum," considering the characterizations of the narrators', their uses of rhetoric, and their intentions. Considers source materials, comments on the Wife of Bath, and argues for Chaucer's "hitherto unrecognized achievement in decorum."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wawn, Andrew Nicholas, ed.</text>
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        <element elementId="98">
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              <text>D.Phil. Dissertation. University of Birmingham, 1969. Fully accessible via http://etheses.bham.ac.uk//id/eprint/4469/ (accessed April 24, 2026).</text>
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              <text>iii, 602 pp.</text>
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            <elementText elementTextId="2854641">
              <text>Chaucerian Apocrypha&#13;
Facsimiles, Editions, and Translations</text>
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          <name>Source</name>
          <description/>
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              <text>mea; 4/24/2026</text>
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          <element elementId="50">
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                <text>The Plowman's Tale.</text>
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              <elementText elementTextId="2854637">
                <text>A critical edition of the "Plowman's Tale," with notes, glossary, and extensive critical commentary, including discussion of it as an example of Chaucerian apocrypha. Also includes discussion of its relation to "Piers Plowman," the "Pilgrim's Tale," Lollardy, and the English Reformation.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rowland, Beryl. </text>
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        <element elementId="98">
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            <elementText elementTextId="2854631">
              <text>Ph.D. University of British Columbia, 1962. Fully accessible via https://open.library.ubc.ca/soa/cIRcle/collections/ubctheses/831/items/1.0105748 (accessed April 24, 2026).</text>
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            <elementText elementTextId="2854632">
              <text>ii, 288 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854633">
              <text>Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854634">
              <text>mea; 4/24/2026</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854635">
              <text>1962</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2854628">
                <text>"Blyndes Bestes": Aspects of Chaucer's Animal World.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854629">
                <text>Explores the sources and meanings of Chaucer's "analogies" between animals and humans, focusing on hares, dogs, horses, wolves, and sheep, arguing that, generally, Chaucer uses them to indicate the need for humans to control their "natural passions."</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
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  <item itemId="277626" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854622">
              <text>Northcut, Mary Neal.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854623">
              <text>Ph.D. Dissertation. Texas Christian University, 1967. Abstract accessible via https://repository.tcu.edu/handle/116099117/32557 (accessed April 21, 2026).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854624">
              <text>vi, 222 pp.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854625">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854626">
              <text>mea; 4/24/2026</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854627">
              <text>1967</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854620">
                <text>Concepts of Love in Dante and Chaucer.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854621">
                <text>Describes the hierarchical, mystical, Italianate view of love that emphasizes the gentle heart, epitomized in Dante, exploring its influence on Chaucer in TC, comparing and contrasting Chaucer's lovers with Paolo and Francesca as well as Dante and Beatrice.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="277625" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854614">
              <text>Long, Clarence Edward.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854615">
              <text>Ph.D. Dissertation. University of New Mexico, 1957. Fully accessible via https://digitalrepository.unm.edu/engl_etds/248 (accessed April 24, 2026).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854616">
              <text>v, 294 pp.</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854617">
              <text>Wife of Bath and Her Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854618">
              <text>mea; 4/24/2026</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854619">
              <text>1957</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854612">
                <text>Shapeshifting and Associated Phenomena as Conventions of the Middle English Metrical Romances.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854613">
                <text>Traces the "shapeshifting motif" in English literature from "Beowulf" to the late-medieval metrical romances, focusing on the latter. Chapter five includes attention to WBT as an example of the "human-to-human type of shapeshift," along with seven other romances.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="277624" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            </element>
          </elementContainer>
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      </elementSetContainer>
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          <description/>
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            <elementText elementTextId="2854606">
              <text>Faget, Mary Ignatius.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2854607">
              <text>Ph.D. Dissertation. University of Ottawa, 1964. Fully accessible via https://ruor.uottawa.ca/items/74efbb56-2f85-40b4-9dc6-fa31ff8976f0 (accessed April 21, 2026).</text>
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        <element elementId="99">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854608">
              <text>viii, 276 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854609">
              <text>Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854610">
              <text>mea; 4/21/2026</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854611">
              <text>1964</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854604">
                <text>Similes in the Works of Chaucer.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854605">
                <text>Assesses Chaucer's uses of various kinds of similes and similetic comparisons--Homeric, epic similes; biblical "similitudes"; proverbial comparisons, Ovidian and Dantean comparisons; and more--demonstrating his variety, borrowings, and adaptations. Assesses Chaucer's techniques across various genres throughout his corpus, both poetry and prose.</text>
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