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              <text>Bertonèche, Caroline. Trans. Jonathan Fruoco. </text>
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              <text>Jonathan Fruoco, ed. Polyphony and the Modern (New York Routledge, 2021), pp. 206-16.</text>
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              <text>Fruoco, Jonathan, trans.</text>
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              <text>Polyphony and the Modern</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Chaucerian Apocrypha</text>
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              <text>SAC 46:71</text>
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                <text>"Tis More Ancient Than Chaucer Himself": Keats and Romantic Polyphony.</text>
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            <description>An account of the resource</description>
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                <text>Argues that the polyphonies of John Keats's poetry (as identified by Helen Vendler) are attributable to his engagements with Chaucer's works and Chaucerian apocrypha, reflecting a particular kind of "Englishness," underpinned by travel and encounters with French and Italian literatures.</text>
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              <text>New York: Routledge, 2021.</text>
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              <text>vi, 266 pp. </text>
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              <text>Background and General Criticism</text>
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            <elementText elementTextId="2847842">
              <text>2021</text>
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                <text>Polyphony and the Modern.</text>
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                <text>Raises questions about what it means to be modern in one own's time and about polyphony (including polyphonic music, polyvocality, and literary dialogism) as an index to modernity, collecting fourteen essays on relevant topics, most of them on medieval music and literature. For three essays that pertain to Chaucer, search for Polyphony and the Modern under Alternative Title.</text>
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              <text>Keller, William R.</text>
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              <text>Eva von Contzen and James Simpson, eds. Enlistment: Lists in Medieval and Early Modern Literature (Columbus: Ohio State University Press, 2022), pp. 135-53.</text>
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              <text>Enlistment: Lists in Medieval and Early Modern Literature </text>
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              <text>Chaucer's Influence and Later Allusion&#13;
House of Fame</text>
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              <text>SAC 46:299</text>
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              <text>2022</text>
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                <text>Performing Generic Exhaustion: Implosive Households in Gavin Douglas's "Palice of Honour."</text>
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            <description>An account of the resource</description>
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                <text>Examines the role of lists, themes of order and disorder, epistemology and poetics, and tensions between household economy and monetized mercantile accretion (chremastistics) in Douglas's "Palice of Honour" as a response to similar concerns in Chaucer's HF and his other dream poems. Argues that, especially in Venus's mirror, Douglas exceeds Chaucer's concern with excessiveness and destabilizes the "genre of faculty allegory."</text>
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              <text>Contzen, Eva von.</text>
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              <text>Eva von Contzen and James Simpson, eds. Enlistment: Lists in Medieval and Early Modern Literature (Columbus: Ohio State University Press, 2022), pp. 115-34.</text>
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              <text>House of Fame&#13;
Style and Versificatioin</text>
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              <text>SAC 46:296</text>
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            <elementText elementTextId="2847824">
              <text>2022</text>
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              <text>Enlistment: Lists in Medieval and Early Modern Literature</text>
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            <name>Title</name>
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                <text>Epic Lists: The Matter of Troy and the Catalogue Form in Middle English Literature.</text>
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                <text>Uses Chaucer's list of poets of Troy in HF 1460ff. as a "vantage point" to demonstrate how epic catalogs in Middle English Troy narratives are "sites of scepticism towards established truths, questioning the Trojan War, the claims of epic, and poetry itself." Also considers these concerns in the "Seege or Batayle of Troye," the "Laud Troy Book," the "'Gest Hystoriale' of the Destruction of Troy," and John Lydgate's "Troy Book."</text>
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              <text>Simpson, James.</text>
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              <text>Eva von Contzen and James Simpson, eds. Enlistment: Lists in Medieval and Early Modern Literature (Columbus: Ohio State University Press, 2022), pp. 195-212.</text>
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              <text>Style and Versification&#13;
House of Fame</text>
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                <text>Reformation Lists: Syntax, the Sacred, and the Production of Junk.</text>
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                <text>Assesses the syntax and rhetorical/literary functions of the "open-ended list that forms part of a sentence," focusing on those composed during the "cultural revolution" at the beginning of the Reformation in sixteenth-century England, but framed by discussion of syntactical contrasts between apposition in the list in House of Rumour in HF 1951-76 and hypotaxis in the opening of Milton's "Paradise Lost" 1.1-10.</text>
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              <text>Berensmeyer, Ingo.</text>
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              <text>Eva von Contzen and James Simpson, eds. Enlistment: Lists in Medieval and Early Modern Literature (Columbus: Ohio State University Press, 2022), pp. 155-71.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Style and Versification&#13;
Knight and His Tale&#13;
Parliament of Fowls</text>
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                <text>The Epic Tree Catalogue from Chaucer to Spenser.</text>
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                <text>Focuses on the "Chaucerian tree catalogue[s]" in Philip Sidney's "Old Arcadia" and Edmund Spenser's "Faerie Queene," tracing the device as a "subtype of epic catalogue" in classical tradition and in KnT and PF, exploring its narrative, "metareferential," and "metapoetic" functions as an act of "self-insertion into the poetic tradition." Tabulates the trees, their epithets, and their significations shared by the three English poets.</text>
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              <text>Columbus: Ohio State University Press, 2022.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847798">
              <text>vii, 226 pp.</text>
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        <element elementId="104">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847799">
              <text>Interventions: New Studies in Medieval Culture</text>
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          <description/>
          <elementTextContainer>
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              <text>Simpson, James, ed.</text>
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              <text>Background and General Criticism</text>
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              <text>SAC 46:128</text>
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          <description/>
          <elementTextContainer>
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                <text>Enlistment: Lists in Medieval and Early Modern Literature.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851961">
                <text>Collects ten essays by various authors that discuss lists and listing as epistemological, rhetorical, and poetic devices, with an introduction by the editors ("Enlistment as Poetic Stratagem"), and a comprehensive index. For four essays that pertain to Chaucer, search for Enlistment: Lists in Medieval and Early Modern Literature under Alternative Title.</text>
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              <text>Hsy, Jonathan, and Candace Barrington. </text>
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              <text>David Hadbawnik, ed. Postmodern Poetics and Queer Medievalisms: Time Mechanics (Boston: De Gruyter, 2022), pp. 159-77.</text>
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              <text>Barrington, Candace.</text>
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            <elementText elementTextId="2847790">
              <text>Chaucer's Influence and Later Allusion&#13;
Man of Law and His Tale&#13;
Clerk and His Tale&#13;
Tale of Melibee</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2847792">
              <text>2022</text>
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          <elementTextContainer>
            <elementText elementTextId="2847793">
              <text>Postmodern Poetics and Queer Medievalisms: Time Mechanics</text>
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                <text>Queer Time, Queer Forms: Noir Medievalism and Patience Agbabi's "Telling Tales."</text>
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                <text>Explores how the "circular and recursive form" of Agbabi's poetic adaptations of CT in her "Telling Tales" (2015) "showcases" the "queer time of medievalism and the queer form of adaptation." Focuses on Agbabi's versions of Mel ("Unfinished Business"), ClT ("I Go Back to May 1967"), and MLT ("Joined-Up Writing").</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hadbawnik, David.</text>
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              <text>David Hadbawnik, ed. Postmodern Poetics and Queer Medievalisms: Time Mechanics (Boston: De Gruyter, 2022), pp. 179-204.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847781">
              <text>Postmodern Poetics and Queer Medievalisms: Time Mechanics</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2847782">
              <text>Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>SAC 46:78</text>
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        </element>
        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847784">
              <text>2022</text>
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                <text>Speak like a Child: Caroline Bergvall's Medievalist Trilogy.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851761">
                <text>Describes the "inbetweenedness" of language in Caroline Bergvall's poetic/performative "trilogy--"Meddle English" (2011), "Drift" (2014), and "Alisoun Sings" (2019)--including discussion of her uses of forms of "Chaucer's Middle English, as well as Old English and Old Norse." Assesses "The Host's Tale" (from "Meddle English") as a "mash-up" of Chaucer that "sets a tone "for Bergvall's "Chaucerian experiment," comparing it with the treatment of the Host in Lydgate's "Siege of Thebes."</text>
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  <item itemId="276933" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hadbawnik, David, ed.</text>
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              <text>Boston: De Gruyter, 2022. </text>
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        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847772">
              <text>vii, 211 pp.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847773">
              <text>New Queer Medievalisms, no. 2.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847774">
              <text>Background and General Criticism</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847775">
              <text>SAC 46:144</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847776">
              <text>2022</text>
            </elementText>
          </elementTextContainer>
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              <elementText elementTextId="2847768">
                <text>Postmodern Poetics and Queer Medievalisms: Time Mechanics.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847769">
                <text>Includes eight essays by various authors, an Introduction by the editor, and a comprehensive Index. For three essays that pertain to Chaucer, search for Postmodern Poetics and Queer Medievalisms: Time Mechanics under Alternative Title.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="276932" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Barrington, Candace.</text>
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              <text>David Hadbawnik, ed. Postmodern Poetics and Queer Medievalisms: Time Mechanics (Boston: De Gruyter, 2022), pp. 61-80.</text>
            </elementText>
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              <text>Postmodern Poetics and Queer Medievalisms: Time Mechanics</text>
            </elementText>
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          <description/>
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            <elementText elementTextId="2847765">
              <text>Chaucer's Influence and Laaater Allusion&#13;
Wife of Bath and Her Tale</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847766">
              <text>SAC 46:69</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847767">
              <text>2022</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>feeld Notes: Jos Charles's Chaucerian "anteseedynts."</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847761">
                <text>Assesses Jos Charles's "transpoetics" in "feeld" (2018), showing how the collection of poems capitalizes on the "historical ruptures" and other constitutive features of Middle English, mimicking its "malleability and fluidity." Also suggests that Charles's technique is analogous to medieval musical "hocket" and explores how Charles's dramatic monologue "reconceives" the Wife of Bath's  in WBT, assessing several resonances.</text>
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          </element>
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  <item itemId="276931" public="1" featured="0">
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              <text>Adaptation 15 (2022): 7-21.</text>
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              <text>Adaptation 15 (2022)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2847757">
              <text>Chaucer's Influence and Later Allusion&#13;
Recordings and Films&#13;
Facsimiles, Editions, and Translations&#13;
Man of Law and His Tale</text>
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              <text>SAC 46:86</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847759">
              <text>2022</text>
            </elementText>
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          <description/>
          <elementTextContainer>
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              <text>O'Connell, Brendan.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850710">
                <text>Explores how the 2003 BBC adaptation of MLT and Patience Agbabi's "Telling Tales" (2004) "respond to the xenophobic and imperialist ideology of the original," challenging the relationship that MLT "posits between familial and national loyalties," reconfiguring "racial, familial, and religious identity," and confronting audiences with the importance of remembering as well as interrogating the past. Links the narratives with representations of Thomas Jefferson's "role as father and forebear" and Chaucer's as "father" of English poetry.</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2850856">
                <text>"Think of All the Differences!" Mixed Marriages in Transcultural Adaptations of Chaucer's "Man of Law's Tale."</text>
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          </element>
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  </item>
  <item itemId="276930" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Perry, R. D. </text>
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          <description/>
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              <text>Jennifer Nuttall and David Watt, ed. Thomas Hoccleve: New Approaches (Cambridge: Brewer, 2022.), pp. 65-84.</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847748">
              <text>Thomas Hoccleve: New Approaches</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847749">
              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General&#13;
Canon's Yeoman and His Tale&#13;
Legend of Good Women</text>
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          <description/>
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              <text>SAC 46: 200; rev. mea 12/16/2024</text>
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              <text>2022</text>
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                <text>Hoccleve and the Logic of Incompleteness.</text>
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                <text>Assesses the "formal organising principle" of Hoccleve's "Series" in light of that of CT (and LGW). Argues that CT is "not just incomplete, but incompleteable" (citing the additivity entailed in CYP), explaining it as Chaucer's response to the conditions of the material production of his work and the inevitability of his own death. Hoccleve's "Series" is also "variable and open-ended" but its incompleteness is constrained by "the way the text presents authorship."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Myklebust, Nicholas.</text>
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              <text>Jennifer Nuttall and David Watt, ed. Thomas Hoccleve: New Approaches (Cambridge: Brewer, 2022.), pp. 25-46.</text>
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              <text>Thomas Hoccleve: New Approaches</text>
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              <text>Style and Versification</text>
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              <text>SAC 46:106</text>
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                <text>Historicising Hoccleve's Metre.</text>
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                <text>Argues that "because Hoccleve's metre cannot persuasively be reconciled with any known metrical system, it must be allowed its own category." Details Chaucer's metrical "template" and shows how Hoccleve varies it to create his own, although influenced by that of John Walton in his verse translation of Boethius. Hoccleve's and Walton's verse "prefigure modern iambic pentameter" more clearly than does Chaucers.</text>
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              <text>Ripplinger, Michelle.</text>
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              <text>Jennifer Nuttall and David Watt, ed. Thomas Hoccleve: New Approaches (Cambridge: Brewer, 2022.), pp. 105-23.</text>
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              <text>Thomas Hoccleve: New Approaches</text>
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Clerk and His Tale</text>
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        <element elementId="114">
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                <text>Explores Hoccleve's uses of and attitudes toward Christine de Pizan and Chaucer, focusing on Ovidian notions of female readership and how in his"Series" Hoccleve positions Pizan to "speak back to Chaucer" and "asks us to reflect on the Chaucerian defence of poetic wit and fictive play, even as we remain alert to its potential risks and limits." Comments on the apology to women" in ClT.</text>
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                <text>Hoccleve''s "Series" and the Unanticipated Woman Reader.</text>
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  <item itemId="276927" public="1" featured="0">
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              <text>Atkinson, Laurie.</text>
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              <text>Jennifer Nuttall and David Watt, ed. Thomas Hoccleve: New Approaches (Cambridge: Brewer, 2022.), pp. 85-102.</text>
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              <text>Thomas Hoccleve: New Approaches </text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 46:68</text>
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        <element elementId="114">
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            <elementText elementTextId="2847727">
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              <elementText elementTextId="2847720">
                <text>A "troubly dreme drempt al in wakynge": Hoccleve's Nearly-Dream Poem.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Shows how the "framed first-person narrative with which [Hoccleve's] "Regiment" begins is a reconfiguration rather than a straightforward rejection of Chaucer's dream poetry." While both authors use dream-vision conventions to engage previous authors and texts, Hoccleve is concerned with "contemporary political and religious discourses" and his "distinctive self-authorising strategy . . . involves both an imitation and a pointed refusal of Chaucer's dream poems," especially their effacements of their narrators' poetic skills.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Nuttall, Jennifer, and David Watt, ed.</text>
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              <text>Cambridge: Brewer, 2022.. </text>
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            <elementText elementTextId="2847715">
              <text>xiv, 254 pp.</text>
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              <text>Watt, David, ed.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 46:85</text>
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        <element elementId="114">
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            <elementText elementTextId="2847719">
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                <text>Thomas Hoccleve: New Approaches.</text>
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            <description>An account of the resource</description>
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                <text>Collects eleven essays about Hoccleve's literary works, with an Introduction by the editors and a comprehensive Index. References to Chaucer's influences on Hoccleve and Hoccleve's attitudes toward Chaucer recur throughout the volume (see the Index). For four essays with sustained attention to Chaucer, search for Thomas Hoccleve: New Approaches under Alternative Title.</text>
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  <item itemId="276925" public="1" featured="0">
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            <elementText elementTextId="2847704">
              <text>Strakhov, Elizaveta.</text>
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        <element elementId="98">
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              <text>Columbus: The Ohio State University Press, 2022.</text>
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            <elementText elementTextId="2847706">
              <text>xi, 256 pp.</text>
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        <element elementId="104">
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          <elementTextContainer>
            <elementText elementTextId="2847707">
              <text>Interventions: New Studies in Medieval Culture.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2847708">
              <text>Sources, Analogues, and Literary Relations&#13;
Legend of Good Women&#13;
Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
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            <elementText elementTextId="2847709">
              <text>SAC 46:66</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2847710">
              <text>2022</text>
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              <elementText elementTextId="2847702">
                <text>Continental England: Form, Translation, and Chaucer in the Hundred Years' War.</text>
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          <element elementId="41">
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              <elementText elementTextId="2847703">
                <text>Studies uses in late medieval England of French lyric models (formes fixes) as "reparative" translation of francophone culture, and response to linguistic and political trends and tensions of the Hundred Years War. Includes discussion of Chaucer's decision to write in English (as reflected in LGWP and in Eustace Deschamps's ballade in praise of Chaucer as a "translateur"), John Shirley's and John Lydgate's views of Chaucer as a cultural translator, and the importance of formes fixes in understanding canon formation and Chaucer as a "laurel" poet. Also discusses formes fixes in Gower's Trentham manuscript and Hoccleve's Huntington holographs.</text>
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              <text>Simpson, James.</text>
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              <text>Frank Bezner and Beate Kellner, eds. Alanus ab Insulis und das europäische Mittelalter (Paderborn: Brill, 2022), pp. 179-94.</text>
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              <text>Bezner, Frank, ed.&#13;
Kellner, Beate, ed.</text>
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              <text>Alanus ab Insulis und das europäische Mittelalter</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
House of Fame&#13;
Parliament of Fowls&#13;
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              <text>SAC 46:65</text>
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            <elementText elementTextId="2847701">
              <text>2022</text>
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                <text>Geoffrey Chaucer's Reception of Alan of Lille.</text>
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                <text>Assesses how Chaucer's references to Alain de Lille's works in HF, 985–89 and PF, 315–18 distinguish his own poetic project from the Neoplatonic ideals that Alain represents, preferring worldly tidings to the spiritual wisdom of the empyrean, and seeking "common profit," not in Ciceronian service to the state but in dedication to natural procreation. Clarifies Neoplatonic idealism (rooted in Plato's "Timaeus") and Chaucer's skeptical attitude toward it as a late medieval Aristotelian work.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hughes, Jonathan.</text>
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              <text>New York: Bloomsbury Academic, 2022.</text>
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              <text>xiv, 426 pp.; b&amp;w illus.</text>
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              <text>Soutces, Analogues, and Literary Relations&#13;
Chaucer's Life&#13;
House of Fame&#13;
Troilus and Criseyde&#13;
Monk and His Taler</text>
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              <text>SAC 46:62</text>
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              <text>2022</text>
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            <description>An account of the resource</description>
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                <text>Studies the reception of Dante in England, 1370–1450, focusing on ecclesiastical concerns about the "Divine Comedy" (DC) and literary responses to the poem and its worldview. Includes assessment of possible routes for Chaucer's initial access to DC (through travel and otherwise) and contrasts the poets' uses of the vernacular and their attitudes toward the literary legacy of Rome, especially Statius and Virgil. Reviews connections between DC and HF, TC, MkT, and other works, with an extended discussion of parallels between Criseyde and Dante's Francesca. Recurrently suggests Chaucer's role in mediating Dante's influence and emphasizes their intellectual differences.</text>
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                <text>Dante's Divine Comedy in Early Renaissance England: The Collision of Two Worlds</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Horn, Adam Tyler.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International A83.02 (E)&#13;
Ph.D. Dissertation.  Columbia University, 2021</text>
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            <elementText elementTextId="2847682">
              <text>Sources, Analogues, and Literary Relations&#13;
Parson and His Tale&#13;
Canterbury Tales--General</text>
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              <text>SAC 46:60</text>
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        <element elementId="114">
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            <elementText elementTextId="2847684">
              <text>2021</text>
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              <elementText elementTextId="2847678">
                <text>Presumption and Despair: The Figure of Bernard in Middle English Imaginative Literature.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2847679">
                <text>Argues for using "a Bernardine anagogical lens" to assess theological depth in CT and "Piers Plowman," and traces allusions and references to Bernard of Clairvaux in "Piers," ParsT, and the "Prick of Conscience.."</text>
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  <item itemId="276921" public="1" featured="0">
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              <name>Title</name>
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              <text>Hirsh, John C.</text>
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        <element elementId="98">
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              <text>Modern Language Review 116 (2021): 1-14.</text>
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          <name>Journal by Volume Number</name>
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              <text>Modern Language Review 116 (2021)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Sources, Analogues, and Literary Relations&#13;
Man of Law and His Tale&#13;
Clerk and His Tale</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2847676">
              <text>2021</text>
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        <element elementId="109">
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              <text>SAC 46:59</text>
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          <element elementId="50">
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              <elementText elementTextId="2850862">
                <text>A Scotian Reading of the Man of Law's Tale and the Clerk's Tale.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851960">
                <text>Attends to "evident Scotian implications" of MLT and ClT without arguing that Chaucer read or was directly influenced by the works of John Duns Scotus. Focuses on the nature of God and voluntarism in the tales, arguing that "where Custance had to contend only with the will of God, Griselda has to confront a barely intelligible, if unmistakable, reminder of God himself" in Walter.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2847664">
              <text>Spearing, A. C.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2847665">
              <text>Anne-Katrin Federow and Kay Malcher, eds. Troja Bauen: Vormodernes Erzählen von der Antike in Comparatistischer Sicht (Heidelberg: Universitätsverlag Winter,&#13;
2021), pp. 187-202.</text>
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              <text>Troja Bauen</text>
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          <name>Chaucer Subject</name>
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              <text>Troilus and Criseyde&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 46:330</text>
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        <element elementId="114">
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            <elementText elementTextId="2847669">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2847662">
                <text>The Troy of Chaucer's "Troilus and Criseyde."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2847663">
                <text>Identifies internal "traces of uncertainty and changes of mind" in the composition process of TC, aligning them with the poem's theme of the unreliability of Boethian Fortune and challenging ideas about the supposed "planned wholeness" of TC and its putative unitary narrator. Examines ways that Chaucer's contemporary London contributes to his depiction of Troy and its culture, evident by contrast with details from Boccaccio and other sources.</text>
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  <item itemId="276919" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rouse, Margitta.</text>
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              <text>Anne-Katrin Federow and Kay Malcher, eds. Troja Bauen: Vormodernes Erzählen von der Antike in Comparatistischer Sicht (Heidelberg: Universitätsverlag Winter,&#13;
2021), pp. 203-26.</text>
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          <description/>
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              <text>Troja Bauen</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2847659">
              <text>House of Fame&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 46:306</text>
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        <element elementId="114">
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              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2847654">
                <text>Trojanische Traumtore: Elliptische Ekphrasis in Chaucers "House of Fame."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850863">
                <text>Explores ellipsis, ekphrasis, lists, allusions, and their combinations as techniques and thematic devices in HF. Focuses on "elliptical ekphrasis" of source material as axiological choice, and as a method of literary generation and renewal, with particular attention to dreaming and Virgil's "Aeneid," reading the omission of Virgil's gates of dream from Chaucer's poem as intentional and evocative.</text>
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  <item itemId="276918" public="1" featured="0">
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              <text>Germanisch Romanische Monatsschrift, no. 103.</text>
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              <text>Malcher, Kay, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847651">
              <text>Sources, Analogues, and Literary Relatioins</text>
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              <text>SAC 46: 58</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847653">
              <text>2021</text>
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          <element elementId="50">
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              <elementText elementTextId="2847644">
                <text>Troja Bauen: Vormodernes Erzählen von der Antike in Comparatistischer Sicht.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Thirteen essays by various authors on representations of Troy and the Trojan War in medieval works, with an introduction by the editors. For two essays that pertain to Chaucer, search for Troja Bauen under Alternative Title.</text>
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