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              <text>Galloway, Andrew.</text>
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                <text>Poetic and Literary Theory.</text>
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                <text>Focuses on Chaucer, Gower, and Langland, demonstrating how these poets bring together philosophical and theological ideas as they craft their poetry. Considers the innovations of Chaucer and Gower in terms of literary and poetic theory.</text>
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              <text>Dance, Richard.</text>
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                <text>The Poetic Field, I: Old and Middle English Language and Poetry.</text>
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                <text>Concentrates on the relationship between Old and Middle English poetic forms, especially during the transition from Old to Middle English, focusing on the "Soul's Address to the Body" and "The Ormulum" before concluding with a discussion of Chaucer's and the "Gawain"-poet's methods</text>
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              <text>Cannon, Christopher.</text>
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              <text>Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400.</text>
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Canterbury Tales--General</text>
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                <text>Narrative on the Margins: Tales and Fabliaux.</text>
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                <text>Offers a history of the fable in Middle English poetry, with examples from several poems, including discussing four extant fables. Concludes by showing the importance of the fable to the idea of the CT as a whole.</text>
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              <text>Boffey, Julia.</text>
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              <text>Helen Cooper and Robert R. Edwards, eds. Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400 (Oxford: Oxford University Press, 2023), pp. 457-69.</text>
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              <text>Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400.</text>
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Chaucer's Influence and Later Allusion</text>
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                <text>Reception of the Middle English Poetic Tradition.</text>
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            <description>An account of the resource</description>
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                <text>Examines the legacy and survival of fourteenth-century poetry and poetic innovations in the fifteenth century, emphasizing the influence of Chaucer and Gower, especially with regard to their shaping of the role of the poet.</text>
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              <text>Barrington, Candace.</text>
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              <text>Yearbook of English Studies 53 (2024, for 2023): 134-50.</text>
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          <name>Chaucer Subject</name>
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              <text>Background and General Criticism&#13;
Squire and His Tale</text>
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2024</text>
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                <text>The Guise of Translation: The Case for Chaucer's "Oeuvre."</text>
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            <description>An account of the resource</description>
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                <text>Argues that "contemporary critical translation theories shed light on" Chaucer's "translational environment" and identifies "a cluster of five translational actions"--"communication, transformation, transportation, hermeneutics, and liminality"--that leave traces in Chaucer's works. Then addresses SqT as it takes on "the guise of a translation, one that stretches" widely "beyond the British Isles."</text>
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              <text>Barrington, Candace.</text>
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              <text>Ken Seigneurie, gen. ed. A Companion to World Literature, 6 vols. Vol. 2, 601 CE to 1450, ed. Christine Chism (Chichester: Wiley and Sons, 2020), pp. 751-62.</text>
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              <text>Seigneurie, Ken, gen. ed.&#13;
Chism, Christine, ed.</text>
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              <text>A Companion to World Literature.</text>
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              <text>Background and General Criticism&#13;
Squire and His Tale&#13;
Facsimiles, Editions, and Translations&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>The Global Pilgrimage of Geoffrey Chaucer's "The Canterbury Tales."</text>
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                <text>Surveys the "global reach" of the literatures and languages that underlie the sources and settings of CT (with particular attention to SqT), and describes the multilingual, international range of translations, modernizations, adaptations, and other "creative re-writings" of Chaucer's work. Suggests that because CT "began by reconfiguring relationships among the world's people and languages, they now can be remade to similar ends, thereby allowing us to understand Chaucer as England's first global poet."</text>
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              <text>Bale, Anthony.</text>
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              <text>Studies in the Age of Chaucer 45 (2023): 1-33.</text>
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              <text>The Presidential Address. The New Chaucer Society. Twenty-Second International Congress, July 11-14, 2022, Durham University, Durham, UK.</text>
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                <text>Investigates late fifteenth-century English representations of Ottoman Turks and Rhodes, assessing Caxton's first-printed indulgence (and related ones), John Kay's "Siege of Rhodes," a Paston letter, and "The Turke and Sir Gawaine" for the ways they imagine "the Turk" and relations between Latin Christendom (especially the Hospitallers) and the growing Ottoman empire. Notes Chaucer's depictions of related concerns, identifies early uses of "poet laureate" and "renegade," and assesses "news reporting" and "contemporaneity"  in late medieval media productions.</text>
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              <text>Allor, Danielle Grace.</text>
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              <text>viii, 251 pp.</text>
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              <text>Dissertation Abstracts International 83 (E)</text>
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              <text>Background and General Criticism&#13;
House of Fame</text>
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        <element elementId="114">
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                <text>Trees of Thought: Arboreal Matter and Metaphor in Late Medieval England.</text>
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                <text>Explores "how late medieval English poets used the properties of trees, from their branching forms to their growth cycles, to negotiate literary influence and construct poetic meaning." Includes a chapter on  HF as well as one each on "Piers Plowman," "The Floure and the Leaf," and "Laureation and Vegetal Poetics" in works by John Lydgate and John Skelton.</text>
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              <text>416 pp.</text>
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Chaucer's Life&#13;
House of Fame&#13;
Wife of Bath and Her Tale</text>
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                <text>The Notebook: A History of Thinking on Paper.</text>
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                <text>Explores the history and utilities of various forms of notebook, emphasizing their commercial roots and widespread uses, claiming in a brief section that Chaucer, on his 1372/73 trip to Florence, "must have seen" there "how plentiful, and cheap, personal notebooks were," especially varieties of "zibaldoni, ricordanzi, and libri di famiglia" (all introduced and defined in a preceding section). Further claims that Chaucer's "book" in HF, 657, is his own notebook, that Jankyn's "book of wikked wyves" (WBP, 685) is a "zabaldone," and that Chaucer's personal use of notebooks must have influenced his writing.</text>
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              <text>Adler, Gillian.&#13;
Strohm, Paul.</text>
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              <text>London: Reaktion, 2023.</text>
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Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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        <element elementId="114">
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          <elementTextContainer>
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                <text>Alle Thyng Hath Tyme: Time and Medieval Life.</text>
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                <text>Reconstructs "medieval people's experience of time as continuous, discontinuous, linear, and cyclical--from creation through judgment and into eternity," clarifying concepts of aging, eternity, planetary motion, time-keeping, apocalypse, etc., evinced in material objects, philosophy, art, and literature. Includes recurrent mention of Chaucer's works, commenting on varieties of time-reckoning in CT and assessing time as a theme and narrative device in TC.</text>
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            </elementTextContainer>
          </element>
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              <text>Cardiff: University of Wales Press, 2022.</text>
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              <text>Background and General Criticism&#13;
Book of the Duchess&#13;
Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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        <element elementId="114">
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                <text>Explores how Chaucer uses the "temporality of poetic form to explore the ethics of time" in CT, BD, and TC. Connects Chaucer's poetic techniques to broader philosophical and ethical discourses of Augustine and Boethius.</text>
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Language and Word Studies</text>
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          <elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2852739">
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                <text>Linguistic Change and Metre: A Reply.</text>
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              <elementText elementTextId="2852733">
                <text>Responds to Ad Putter, "Linguistic Change and Metre: The Demise of Adjectival Inflections and the Scansion of 'High' and 'Sly' in Chaucer, Gower and Hoccleve" (2022). Claims that the dropping of inflectional   "-e" in "high" and "sly" in poetry by Chaucer, Gower, and Hoccleve should not be understood as a linguistic shift, for it follows the "metrical subrule," whereby the inflectional "-e" is dropped when a weak adjective precedes a word with "aft stress."</text>
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              <text>Watanabe, Takuto.</text>
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              <text>Journal of Business Administration (Kwansei Gakuin University) (2023): 133-49.</text>
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            <elementText elementTextId="2852720">
              <text>Journal of Business Administration (Kwansei Gakuin University) (2023)</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2852723">
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                <text>A Note on the Use of "Wring One's Hands" in Middle English Literature with a Focus on Middle English Romances and Chaucer's Works."</text>
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                <text>Analyzes the expression "wring one's hands" in TC, HF, MLT, and ClT, and other Middle English romances. Focuses on frequency, associated gestures, and the gender of the person performing the action. Finds that the expression often accompanies other gestures to convey deep grief, is used more to depict women's sorrow, and plays a crucial role in advancing the narrative in scenes of grief. In Japanese.</text>
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              <text>Harris, Carissa M.</text>
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              <text>Studies in the Age of Chaucer 45 (2023): 35-72.</text>
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              <text>The Biennial Chaucer Lecture. The New Chaucer Society.  Twenty-Second International Congress, July 11-14, 2022, Durham University, Durham, UK.</text>
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              <text>Studies in the Age of Chaucer 45 (2023)</text>
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            <elementText elementTextId="2852713">
              <text>Language and Word Studies&#13;
Canterbury Tales--General</text>
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              <text>SAC 47:47</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2852715">
              <text>2023</text>
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            <name>Title</name>
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              <elementText elementTextId="2852707">
                <text>Chaucer's Wenches.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2854055">
                <text>Surveys and critiques "wench" as a term and a concept in medieval English texts and explores how "Chaucer's wenches [in CT] embody the term's developing signification of intersectional disadvantage connected to age, gender, labor, reproductive capacity, and socioeconomic status." Links this signification with discourse about Black women in the American South and with the US Supreme Court's anti-abortion decision, "Dobbs v. Jackson Women's Health Organization" (June 2022).</text>
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              <text>Phillips, Helen.</text>
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              <text>Yearbook of English Studies 53 (2024, for 2023): 36-51.</text>
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            <elementText elementTextId="2852703">
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              <text>Style and Versification&#13;
Miiller and His Tale&#13;
Reeve and His Tale&#13;
Prioress and Her Tale&#13;
Nun's Priest and His Tale</text>
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            <elementText elementTextId="2852706">
              <text>2023&#13;
2024</text>
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              <elementText elementTextId="2852699">
                <text>"Out, Harrow" and "Alas!": Chaucer, Shouts and Narrative.</text>
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                <text>Addresses shouting in Chaucer's narratives, focusing on "the hue and cry," which, "strikingly frequent," engages "with questions about the reliability of narratives, and also with problems of rape and sexual consent, misogynistic narratives and fictions of social class." Surveys cries of alarm and exclamations of misdeeds in Chaucer's works, with particular attention to NPT, MilT, RvT, and PrT.</text>
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              <text>Fludernik, Monika.</text>
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              <text>Anglistik: Mitteilungen des Verbandes deutscher Anglisten 34 (2023): 77-100.</text>
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              <text>Anglistik: Mitteilungen des Verbandes deutscher Anglisten 34 (2023)</text>
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            <elementText elementTextId="2852696">
              <text>Style and Versification&#13;
Chaucer's Influence and Later Allusion&#13;
Prioress and Her Tale&#13;
Second Nun and Her Tale</text>
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              <text>SAC 47:45</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2852698">
              <text>2023</text>
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                <text>Narratorial Involvement in Hagiography: Chaucer, the Scottish "Legendary" and Lydgate's "Albon and Amphibalus."</text>
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            <description>An account of the resource</description>
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                <text>Uses the term "narrator" as a technical term to refer to "the contours of the narratorial functions and the textual voice as these are inscribed," focusing on "expansion of narratorial functions" in fifteenth-century English hagiography. Includes discussion of the increasing role of the "prologue or proëmium," with attention to the limits of narratorial "voice" in PrP and SNP and to Chaucer's stylistic influence on Lydgate.</text>
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              <name>Title</name>
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              <text>Cannon, Christopher.</text>
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              <text>Christopher Cannon and Steven Justice, eds. The Sound of Writing (Baltimore: Johns Hopkins University Press, 2023), pp. 215-31.</text>
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              <text>Justice, Steven, ed</text>
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              <text>The Sound of Writing.</text>
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              <text>Style and Versification&#13;
Language and Word Studies</text>
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              <text>SAC 47:44</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2852690">
              <text>2023</text>
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            <description>A name given to the resource</description>
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                <text>The Phenomenology of "-e."</text>
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            <description>An account of the resource</description>
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                <text>Considers various conditions of and approaches to pronouncing--or not pronouncing--final "-e" in Chaucer's verse, arguing that "Chaucer's final "-es" are a subjective quality of his verse, a series of phonological events structured not by metrical or grammatical rule but by the feelings they produce"--a phenomenology of desire. Examines a range of examples with particular attention to "speche" in HF, 766.</text>
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              <text>Wilson, David Niall, ed.</text>
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              <text>[Hertford, N.C.]: Crossroad Press, 2023.</text>
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            <elementText elementTextId="2852679">
              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
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              <text>SAC 47:43</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2852681">
              <text>2023</text>
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                <text>The Canterbury Nightmares.</text>
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            <description>An account of the resource</description>
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                <text>Eleven tales of macabre fiction by various authors, loosely modeled on CT.</text>
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            <elementText elementTextId="2852668">
              <text>Wilson, Anna P.</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 4 (2023): 9-20.</text>
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            <elementText elementTextId="2852670">
              <text>New Chaucer Studies: Pedagogy &amp; Profession 04 (2023)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2852671">
              <text>Chaucer's Influence and Later Allusion&#13;
Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale</text>
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            <elementText elementTextId="2852673">
              <text>2023</text>
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              <elementText elementTextId="2852666">
                <text>The Wife of Bath, Fanfiction Writer: Teaching "The Seconde Tale of the Wyf of Bath."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2852667">
                <text>Describes the theory and practice of a course on "Medieval Fanfiction," focusing on an adaptation of WBPT—"The Seconde Tale of the Wyf of Bath" by Beth H [sic]. Includes a sample syllabus and sample handouts. The course readings include Chaucer's original; "Sir Gawain and the Green Knight"; selections from adaptation theory; and various medieval and modern sources, analogues, and adaptations.</text>
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              <text>Warren, Nancy Bradley.</text>
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              <text>Yearbook of English Studies 53 (2024, for 2023)</text>
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Wife of Bath and Her Tale</text>
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2024</text>
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                <text>Rebellious Women: Aphra Behn's Widow Ranter and Geoffrey Chaucer's Wife of Bath.</text>
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                <text>Argues that the widow Ranter of Aphra Behn's "The Widow Ranter; or, The History of Bacon in Virginia" is "a 'reincarnation' of Chaucer's Wife of Bath in the New [W]orld." Behn's play "translates the wife . . . to colonial Virginia to negotiate both gender and class dynamics in the construction of potentially rebellious colonial identities vis-à-vis England."</text>
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              <text>Urban, Malte.</text>
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Facsimiles, Editions, and Translations&#13;
Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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        <element elementId="114">
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                <text>ReMixing Chaucer in a 21st-Century Undergraduate Classroom.</text>
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                <text>Offers "an imaginary conversation between myself and the texts that feature on a final-year Undergraduate Module that I teach in a UK university," a course called "ReMix: Chaucer in the Then and Now." The course readings feature TC, CT, Lavinia Greenlaw's "A Double Sorrow" (2014), Patience Agbabi's "Telling Tales" (2014), and the first volume of "Refugee Tales" (2016), edited by David Herd and Anna Pincus.</text>
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              <text>Ruszkiewicz, Dominika.</text>
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              <text>Studia Neophilologica 95 (2023): 47-62.</text>
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Chaucer's Influence and Later Allusion&#13;
Facsimiles, Editions, and Translations</text>
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                <text>Lavinia Greenlaw's Response to Chaucer and the Poetics of Memory.</text>
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                <text>Compares the models of memory presented by the narrators of Chaucer's TC and Lavinia Greenlaw's "A Double Sorrow," her poetic adaptation of TC published in 2014. Argues that while Chaucer's narrator uses classical models of memory that involve the process of retrieving and presenting a sequence of images to tell his story, Greenlaw's text represents memory as more personal and autobiographical. Despite their different approaches to memory and history, Chaucer and Greenlaw share a focus on investigating the relationship between memory and emotion, particularly love.</text>
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              <text>Reinbold, Lotte.</text>
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              <text>Yearbook of English Studies 53 (2024, for 2023): 115-33.</text>
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              <text>Yearbook of English Studies 53 (2024, for 2023)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Chaucerian Apocrypha</text>
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              <text>2024&#13;
2023</text>
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              <elementText elementTextId="2852634">
                <text>Legible Characters: Forgery, Authenticity, and the Making of the Canon.</text>
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            <description>An account of the resource</description>
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                <text>Explores how Alexander Pope's posing of his "Women ben ful of Ragerie" as a Chaucerian work reflects eighteenth-century concerns about literary history and authenticity and "provides us with new ways of understanding how Chaucer was read, established, and understood in the eighteenth century and beyond."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Bauer, Renate, Christine Elsweiler, Ulrike Krischke, and Kerstin Majeski, eds.</text>
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              <text>Elsweiler,Christine, ed.&#13;
Krischke, Ulrike, ed.&#13;
Majeski, Kerstin, ed.</text>
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              <text>Background and General Criticism</text>
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          <elementTextContainer>
            <elementText elementTextId="2852633">
              <text>2023</text>
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                <text>Travelling Texts--Texts Travelling: A "Gedenkschrift" in Memory of Hans Sauer.</text>
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                <text>Collects twenty-three essays by various authors in linguistic, philological, and/or medieval studies. For two essays pertaining to Chaucer, search for Travelling Texts--Texts Travelling under Alternative Title.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Markus, Manfred.</text>
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              <text>Renate Bauer, Christine Elsweiler, Ulrike Krischke, and Kerstin Majewski, eds. Travelling Texts--Texts Travelling (Munich: Utzverlag GmbH, 2023), pp. 143-64.</text>
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              <text>Travelling Texts--Texts Travelling</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Language and Word Studies</text>
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        <element elementId="114">
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              <text>2023</text>
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                <text>The Persistence of Chaucer's Lexis in Late Modern English Dialects (Based on "EDD Online").</text>
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                <text>Draws on data derived from "EDD Online"--a digitization of Joseph Wright's "English Dialect Dictionary"--to investigate "the role of Chaucer's language for 18th- and 19th-century dialects: of English, summarizing Chaucer's interests in dialects, describing his influence on lexicons across time and geography, and detailing commonalities between Chaucer's lexicon and that of County Wexford, Ireland. Clarifies the uses and utilities of "EDD Online."</text>
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