<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277008">
    <dcterms:title><![CDATA[Beer and Brewing in Medieval Culture and Contemporary Medievalism.]]></dcterms:title>
    <dcterms:description><![CDATA[Thirteen essays, an introduction by the editors, and an afterword by Ren Navarro &quot;describe alcohol consumption in the Middle Ages across much of Northern Europe, engage with the various myths employed in modern craft beer advertising and beer production, and examine how gender intersects with beer production and consumption.&quot; For two essays that pertain to Chaucer, search for Beer and Brewing in Medieval Culture and Contemporary Medievalism under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277007">
    <dcterms:title><![CDATA[Anne of Bohemia.]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates Anne of Bohemia as a figure of queenship--socially, politically, and economically-- along the way questioning arguments for claims that she was Chaucer&#039;s patron (often grounded in LGWP), treating them as probabilities rather than facts. Also comments on late medieval notions of &quot;womanhood&quot; and &quot;femininity&quot; in Chaucer&#039;s works, suggesting that he &quot;might well have written about&quot; such concepts &quot;with Anne in mind.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277006">
    <dcterms:title><![CDATA[Reasoning Rebellion and Reformation: Natural Law and the Ethics of Power and Resistance in Late Medieval English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Clarifies the &quot;centrality and complexities&quot; of political and ethical law discourse in late medieval England, showing how it is used in works by Thomas Usk and how in TC and KnT Chaucer &quot;questions the view that the natural law is an unshakeable foundation for effective resistance.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277005">
    <dcterms:title><![CDATA[On Not Being Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Contemplates the value of studying Chaucer in light of national and international calls to decenter the poet and his works, considering the history and politics of these calls, the nature of canon-making, and several instances where &quot;Chaucer&#039;s work has been reimagined in positive political ways.&quot; Advocates continued study of Chaucer because &quot;his writings and the history of their reception continue to generate new and important ways&quot; of understanding and counteracting racism, antifeminism, class bias, and binary reductionism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277004">
    <dcterms:title><![CDATA[Digitizing &quot;Studies in the Age of Chaucer.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the history of digitizing the journal SAC, commenting on the future of print journals and &quot;the overall impact of digitization on scholarly societies.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277003">
    <dcterms:title><![CDATA[Geoffrey Chaucer: Reading with Feeling.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys historical interest and recent theorization of emotion and affect produced by &#039;works, and assesses the role of books in the opening of TC (tears as ink) and in WBP (Jankyn&#039;s book) as &quot;affective, emotional objects that arouse a range of feelings in their makers and readers.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277002">
    <dcterms:title><![CDATA[Paper in Medieval England: From Pulp to Fiction.]]></dcterms:title>
    <dcterms:description><![CDATA[Rethinks the uses and &quot;affordances&quot; of paper in medieval England and on the Continent, i.e., its potentialities, manifestations, and material significations in book production and other cultural practices. Opens with an explanation of how Chaucer associates paper with Dido in LGW, 1198-202, changing his source in Virgil, and evoking emotion and majesty. Chapter 5, &quot;Paper in the Medieval Literary Imagination,&quot; focuses in part on the &quot;interplay&quot; of TC and its sources insofar as &quot;their comments on the material properties of writing-supports is evidence of paper&#039;s wider cultural acceptance.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277001">
    <dcterms:title><![CDATA[The Body Speaks in &quot;The Franklin&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the &quot;&quot;fissure between spoken utterances and the body&#039;s voice&quot; in Arveragus&#039;s burst into tears (FranT 5.1479–80), engaging the theme of truth in the Tale and the &quot;dynamic between . . . irruptions of the somatic voice and the dissociative occasions that precipitate them.&quot; Contrasts this episode with its analogue in Boccaccio&#039;s Tale of Menedon, and addresses instances of somatic speech in KnT, NPT, TC and in &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277000">
    <dcterms:title><![CDATA[Voice of Authority: Free Indirect Discourse in Chaucer&#039;s General Prologue.]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates free indirect discourse in GP, focusing on Chaucer&#039;s personae, the variety of his narrative positions, and their &quot;focalisations&quot; internal and external to the diegesis of the poem. Comments on focalization in the descriptions of the Wife of Bath and the Physician, and on free indirect discourse as a &quot;sub-type&quot; of focalization in those of the Monk and the Parson.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276999">
    <dcterms:title><![CDATA[Medieval Literary Voices: Embodiment, Materiality and Performance.]]></dcterms:title>
    <dcterms:description><![CDATA[Twelve essays by various authors on the concept of &quot;voice&quot; in medieval literature, with an introduction by the editors, an appreciative tribute to David Lawton by John M. Ganim, and a comprehensive index. Generally, the essays focus on the literature of late medieval England. For two essays that pertain to Chaucer, search for Medieval Literary Voices under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276998">
    <dcterms:title><![CDATA[Emotion and the History of Rhetoric in the Middle Ages.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores emotion as a device of rhetoric from Antiquity through the fifteenth century, and describes the influence of Aristotle&#039;s &quot;Rhetoric&quot; on political, ethical, and literary discourse from the thirteenth century forward. Assesses a wide range of texts, including discussions of rhetorical handbooks, style, and emotion in Chaucer generally, and of &quot;enthymematic oratory&quot; in KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276997">
    <dcterms:title><![CDATA[Forms of Shame: Gower, Chaucer, Hoccleve.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &quot;the vernacular literature of late medieval England contributes importantly to the theorizing of psychological subjectivity and that this theorizing is connected fundamentally with the history of shame&quot;; focuses on selected works by Chaucer, John Gower, and Thomas Hoccleve.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276996">
    <dcterms:title><![CDATA[&quot;For semyvif he semed&quot;: Affective Responses to the Half-Alive Human in Middle English Literature, ca. 1350-1450.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses the concept of &quot;semyvif &quot; (half-alive) to examine &quot;Piers Plowman,&quot; the &quot;Tale of Beryn,&quot; TC, SNT, and &quot;Morte Darthur&quot; for ways that they broaden &quot;our historical understanding of disability and its conceptual range.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276995">
    <dcterms:title><![CDATA[Gower and Anglo-Latin Verse.]]></dcterms:title>
    <dcterms:description><![CDATA[Chapter 3, &quot;Gower and Estates Satire before Chaucer,&quot; includes brief mention of Chaucer in situating and analyzing Gower&#039;s uses of estates satire in his &quot;Mirour de l&#039;Omme,&quot; &quot;Vox Clamantis,&quot; and Confessio<br />
Amantis.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276994">
    <dcterms:title><![CDATA[Disability, Music, and Chaucer&#039;s Advental Bodies.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer &quot;experiments with the body-disabling power of music as a site of poetic potential,&quot; tallying how, in CT, &quot;musical performance nearly always causes narrative tension&quot; and music &quot;prosthetizes disability&quot;--&quot;advental&quot;  insofar as it is &quot;promised but always in a state of deferral.&quot;  Examines how &quot;sonic bodies inhabit crip asynchronies for purposes of poesis&quot; in the &quot;body of Echo&quot; in FranT, the &quot;lyric I&quot; in For, BD as a poem, and Troilus&#039;s body in TC.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276993">
    <dcterms:title><![CDATA[Middle English Recipes and Literary Play, 1375-1500.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores relations between the practical purposes of medieval medical recipes and their imaginative and aesthetic effects, focusing on how the texts of these recipes reflect their broader discursive culture, c. 1375-1500. Cites Chaucer&#039;s recurrent uses (often parodic) of the discourse of recipes (CYT) and of medical terms, metaphors, and similes--uses that help to clarify less well-known texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276990">
    <dcterms:title><![CDATA[Contingent Chaucer: Experience, Time, and Modality in Chaucerian Poetics.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer is a &quot;philosophical poet&quot; who &quot;innovated a radical, anti-teleological poetics of contingency,&quot; showing how in CYT, ClT, TC, and HF he &quot;reworks his sources to articulate his vision of contingency, and contest humanist narratives of utopian perfectibility and idealistic, teleological poetics.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276988">
    <dcterms:title><![CDATA[Canterbury Tales Project Special Issue: Introduction.]]></dcterms:title>
    <dcterms:description><![CDATA[Recounts brief personal history of experience with the Canterbury Tales Project, describes scholarly inattention to the project, and introduces the five essays in this special issue. For the five essays search for Digital Medievalist 14, special issue under Journal by Volume Number.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276987">
    <dcterms:title><![CDATA[Scraping, Scribing and Shriving: The Language of Writing, Judgement and Penitence in Chaucer&#039;s &quot;Adam Scriveyn.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys critical attention to Adam and reads the poem as an exhortation to &quot;moral and professional penitence.&quot; Focuses on &quot;corect,&quot; &quot;rubbe,&quot; and &quot;scrape&quot; as scribal activities and as metaphorical links to penitential erasure in Chaucer and other works in Middle English.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276986">
    <dcterms:title><![CDATA[The Memory of Joy in &quot;Troilus and Criseyde&quot;: Identity and Emotional Temporality.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines joy in TC--looking forward to it in Books 1 and 2, experiencing it in Book 3, and remembering it in Books 4 and --as aspects of Troilus&#039;s identity and of the poem itself. Anticipated joy shapes the characterization of Troilus as a courtly lover, and the &quot;memory of joy makes the ending of the text tragic.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276985">
    <dcterms:title><![CDATA[Chaucer&#039;s Worthiest Knight: Heroic Identity in &quot;Troilus and Criseyde.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Questions how and to what extent recurrent mention of Hector in TC helps to characterize Troilus as a knight. Instances and collocations of &quot;knight,&quot; &quot;worthy,&quot; related terms, and references to Hector, generally not found in Chaucer&#039;s source text, Boccaccio&#039;s &quot;Filostrato,&quot; help to establish Troilus&#039;s &quot;archetypal&quot; knightly virtues.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276984">
    <dcterms:title><![CDATA[An Aristotelian Ideal: The Beauty and Virtue of Blanche in Chaucer&#039;s &quot;Book of the Duchess.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explicates the rhetorical, conventional, and philosophical aspects of the combination of physical beauty and moral virtue in Chaucer&#039;s portrait of Blanche in BD, &quot;a triumph of the poet&#039;s art.&quot; Clarifies similarities and differences between Chaucer&#039;s portrait and its source in Machaut&#039;s &quot;Judement du roy de Behaigne,&quot; and explains how Chaucer&#039;s idealization reflects Aristotelian and Ciceronian notions of virtue.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276983">
    <dcterms:title><![CDATA[Memory and Identity in the Medieval and Early Modern World.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects twelve essays from the 2016 conference on memory and identity, with a preface and a cumulative index. For four essays that pertain to Chaucer, search for Memory and Identity in the Medieval and Early Modern World under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276982">
    <dcterms:title><![CDATA[A Short Media History of English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Historical survey of the relations between literary texts in English and material presentation, from oral and dramatic performance through manuscripts and books, to audio, visual, and digital forms. Includes a section on key terms, a timeline, and an extensive index. A section on Chaucer emphasizes CT, and its variety and flexibility of voicing in manuscript, print, and later adaptation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276981">
    <dcterms:title><![CDATA[The Chaucerian Translator.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the &quot;Chaucerian narrator could easily and perhaps more readily be called the Chaucerian translator,&quot; observing emphasis on translation in LGWP and in Ret, assessing Chaucer&#039;s many uses of sources and approaches to translation, including satirizing mistranslation and lack of translation (e.g., in NPT), and exploring the penitential, even salvific effects of good translations in MelP, ParsT, and Ret.]]></dcterms:description>
</rdf:Description></rdf:RDF>