<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277018">
    <dcterms:title><![CDATA[Reaching Readers: Textual Engagement and Personalized Learning in the Works of Christine de Pizan and Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Pizan and Chaucer &quot;used their writing to open up educational opportunities&quot; for their readers, seeking &quot;to facilitate practices of engaged reading&quot; for an expanding vernacular audience, with Chaucer modeling &quot;problematic reading strategies&quot; in CT and offering the &quot;experience of wonder&quot; in HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277017">
    <dcterms:title><![CDATA[The Clerical Proletariat and the Resurgence of Medieval English Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Demonstrates the importance and central role of the &quot;clerical proletariat&quot;--i.e., clerics who worked &quot;in liminal spaces between the ecclesiastical and lay worlds&quot;--in the proliferation of late medieval books and literature in English, with primary focus on works of William Langland, Thomas Hoccleve, John Audelay, their various precedents and legacies, and related genres and forms. Attention to Chaucer&#039;s work is generally limited to his &quot;alertness&quot; to issues of clerical employment in GP and characters such as Nicholas in MilT and Jankyn in WBP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277016">
    <dcterms:title><![CDATA[Teaching Chaucer to Linguistics Students.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers advice on how an undergraduate course focusing on Chaucer can serve the curricula of both literary and linguistics programs. Proposes several learning outcomes, and provides classroom strategies and emphases whereby linguistic and literary analysis work together.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277015">
    <dcterms:title><![CDATA[Antiracist Medievalisms: From &quot;Yellow Peril&quot; to Black Lives Matter. Leeds]]></dcterms:title>
    <dcterms:description><![CDATA[Opens with an account of teaching PrT in comparison with Patience Agbabi&#039;s adaptation of it in &quot;Telling Tales&quot; (2015), helping to introduce the goal of the entire volume: promoting resistance to racist, xenophobic, and homophobic distortions and misuses of medieval culture and medievalisms. Chapter 6, &quot;Pilgrimage: Chaucerian Poets of Color in Motion,&quot; examines the &quot;relationship between race and transit in works by Chaucerian poets of color&quot;--Agbabi, Jean &quot;Binta&quot; Breeze, Marilyn Nelson, Frank Mundo,<br />
and Ouyang Yu--in their adaptations of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277014">
    <dcterms:title><![CDATA[Literature and Class: From the Peasants&#039; Revolt to the French Revolution.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the relationship between conceptions of social class and  literary representations of them in Britain from the fourteenth to the nineteenth century. Chapter 2, &quot;Perceptions of Class in the Late Middle Ages,&quot; addresses William Langland&#039;s &quot;Piers Plowman,&quot; John Gower&#039;s &quot;Vox Clamantis, and CT, focusing on estates satire and social reality in MilT and RvT and arguing that &quot;Chaucer attributes social disarray to no single class but to a collective whole.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277013">
    <dcterms:title><![CDATA[J. K. Rowling, Chaucer&#039;s Pardoner, and the Ethics of Reading.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the Pardoner&#039;s &quot;queerness and fitness to tell a moral tale&quot; in light of ethical concerns about J. K. Rowling&#039;s &quot;public comments about trans women,&quot; suggesting pedagogical uses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277012">
    <dcterms:title><![CDATA[The Poet&#039;s &quot;Matere&quot;: Materiality, Temporality, and the Making of Literary History in Chaucer and Lydgate&#039;s Inset-Lyric Poems.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Chaucer&#039;s and Lydgate&#039;s inset lyrics for the ways that they imply &quot;a sense of poetry as an assemblage of physical materials collected from the past, and poets as the collectors and mediators of those materials.&quot; Considers aspects of BD; Lydgate&#039;s &quot;Temple of Glas&quot; and &quot;Siege of Thebes&quot;; and Cambridge University Library, MS Gg.4.27.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277011">
    <dcterms:title><![CDATA[Bridges to the Past: Orientation, Materiality, and Participatory Reading in Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Based on &quot;Sara Ahmed&#039;s phenomenological theorization of &#039;orientation&#039;,&quot; offers case studies of how &quot;the orientation(s) of medieval readers might have influenced their experience of a text,&quot; discussing the experience of reading CT in Wynkyn De Worde&#039;s 1498 edition and considering &quot;orientation as it applies to Chaucer&#039;s embodied narrative personae&quot; in works that include HF, PF, Scog, Ven, and LGWP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277010">
    <dcterms:title><![CDATA[From Tapsters to Beer Wenches: Women, Alcohol, and Misogyny, Then and Now.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes &quot;how English and Scottish literature and law during the fourteenth through sixteenth centuries connected the figure of the tapster to sex work, transgression, public harm, and dangerous agency over men,&quot; and traces residue of this misogyny in modern &quot;breastaurants&quot; (e.g., Hooters). Includes discussion of the &quot;Canterbury Interlude&quot; that precedes the apocryphal &quot;Tale of Beryn.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277009">
    <dcterms:title><![CDATA[Alcohol, Community, and Chaucer&#039;s Pardoner: Ale as a Populist Antidote to Alienating Avant-Gardism.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses references to ale and wine in PardPT as they reflect the Pardoner&#039;s &quot;submerged desire&quot; to bond with the Host and his simultaneous attempt to compete with Harry as leader of the pilgrimage. Argues that &quot;the metaphorical ale-stake associated with the Summoners&#039; body&quot; in GP frames the ale-stake of PardP, setting the Pardoner&#039;s &quot;conflicted masculinity&quot; in competition for and against the &quot;hyper-masculine&quot; Host, who repudiates the Pardoner&#039;s over-reaching efforts to reach and outreach him.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277008">
    <dcterms:title><![CDATA[Beer and Brewing in Medieval Culture and Contemporary Medievalism.]]></dcterms:title>
    <dcterms:description><![CDATA[Thirteen essays, an introduction by the editors, and an afterword by Ren Navarro &quot;describe alcohol consumption in the Middle Ages across much of Northern Europe, engage with the various myths employed in modern craft beer advertising and beer production, and examine how gender intersects with beer production and consumption.&quot; For two essays that pertain to Chaucer, search for Beer and Brewing in Medieval Culture and Contemporary Medievalism under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277007">
    <dcterms:title><![CDATA[Anne of Bohemia.]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates Anne of Bohemia as a figure of queenship--socially, politically, and economically-- along the way questioning arguments for claims that she was Chaucer&#039;s patron (often grounded in LGWP), treating them as probabilities rather than facts. Also comments on late medieval notions of &quot;womanhood&quot; and &quot;femininity&quot; in Chaucer&#039;s works, suggesting that he &quot;might well have written about&quot; such concepts &quot;with Anne in mind.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277006">
    <dcterms:title><![CDATA[Reasoning Rebellion and Reformation: Natural Law and the Ethics of Power and Resistance in Late Medieval English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Clarifies the &quot;centrality and complexities&quot; of political and ethical law discourse in late medieval England, showing how it is used in works by Thomas Usk and how in TC and KnT Chaucer &quot;questions the view that the natural law is an unshakeable foundation for effective resistance.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277005">
    <dcterms:title><![CDATA[On Not Being Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Contemplates the value of studying Chaucer in light of national and international calls to decenter the poet and his works, considering the history and politics of these calls, the nature of canon-making, and several instances where &quot;Chaucer&#039;s work has been reimagined in positive political ways.&quot; Advocates continued study of Chaucer because &quot;his writings and the history of their reception continue to generate new and important ways&quot; of understanding and counteracting racism, antifeminism, class bias, and binary reductionism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277004">
    <dcterms:title><![CDATA[Digitizing &quot;Studies in the Age of Chaucer.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the history of digitizing the journal SAC, commenting on the future of print journals and &quot;the overall impact of digitization on scholarly societies.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277003">
    <dcterms:title><![CDATA[Geoffrey Chaucer: Reading with Feeling.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys historical interest and recent theorization of emotion and affect produced by &#039;works, and assesses the role of books in the opening of TC (tears as ink) and in WBP (Jankyn&#039;s book) as &quot;affective, emotional objects that arouse a range of feelings in their makers and readers.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277002">
    <dcterms:title><![CDATA[Paper in Medieval England: From Pulp to Fiction.]]></dcterms:title>
    <dcterms:description><![CDATA[Rethinks the uses and &quot;affordances&quot; of paper in medieval England and on the Continent, i.e., its potentialities, manifestations, and material significations in book production and other cultural practices. Opens with an explanation of how Chaucer associates paper with Dido in LGW, 1198-202, changing his source in Virgil, and evoking emotion and majesty. Chapter 5, &quot;Paper in the Medieval Literary Imagination,&quot; focuses in part on the &quot;interplay&quot; of TC and its sources insofar as &quot;their comments on the material properties of writing-supports is evidence of paper&#039;s wider cultural acceptance.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277001">
    <dcterms:title><![CDATA[The Body Speaks in &quot;The Franklin&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the &quot;&quot;fissure between spoken utterances and the body&#039;s voice&quot; in Arveragus&#039;s burst into tears (FranT 5.1479–80), engaging the theme of truth in the Tale and the &quot;dynamic between . . . irruptions of the somatic voice and the dissociative occasions that precipitate them.&quot; Contrasts this episode with its analogue in Boccaccio&#039;s Tale of Menedon, and addresses instances of somatic speech in KnT, NPT, TC and in &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277000">
    <dcterms:title><![CDATA[Voice of Authority: Free Indirect Discourse in Chaucer&#039;s General Prologue.]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates free indirect discourse in GP, focusing on Chaucer&#039;s personae, the variety of his narrative positions, and their &quot;focalisations&quot; internal and external to the diegesis of the poem. Comments on focalization in the descriptions of the Wife of Bath and the Physician, and on free indirect discourse as a &quot;sub-type&quot; of focalization in those of the Monk and the Parson.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276999">
    <dcterms:title><![CDATA[Medieval Literary Voices: Embodiment, Materiality and Performance.]]></dcterms:title>
    <dcterms:description><![CDATA[Twelve essays by various authors on the concept of &quot;voice&quot; in medieval literature, with an introduction by the editors, an appreciative tribute to David Lawton by John M. Ganim, and a comprehensive index. Generally, the essays focus on the literature of late medieval England. For two essays that pertain to Chaucer, search for Medieval Literary Voices under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276998">
    <dcterms:title><![CDATA[Emotion and the History of Rhetoric in the Middle Ages.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores emotion as a device of rhetoric from Antiquity through the fifteenth century, and describes the influence of Aristotle&#039;s &quot;Rhetoric&quot; on political, ethical, and literary discourse from the thirteenth century forward. Assesses a wide range of texts, including discussions of rhetorical handbooks, style, and emotion in Chaucer generally, and of &quot;enthymematic oratory&quot; in KnT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276997">
    <dcterms:title><![CDATA[Forms of Shame: Gower, Chaucer, Hoccleve.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &quot;the vernacular literature of late medieval England contributes importantly to the theorizing of psychological subjectivity and that this theorizing is connected fundamentally with the history of shame&quot;; focuses on selected works by Chaucer, John Gower, and Thomas Hoccleve.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276996">
    <dcterms:title><![CDATA[&quot;For semyvif he semed&quot;: Affective Responses to the Half-Alive Human in Middle English Literature, ca. 1350-1450.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses the concept of &quot;semyvif &quot; (half-alive) to examine &quot;Piers Plowman,&quot; the &quot;Tale of Beryn,&quot; TC, SNT, and &quot;Morte Darthur&quot; for ways that they broaden &quot;our historical understanding of disability and its conceptual range.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276995">
    <dcterms:title><![CDATA[Gower and Anglo-Latin Verse.]]></dcterms:title>
    <dcterms:description><![CDATA[Chapter 3, &quot;Gower and Estates Satire before Chaucer,&quot; includes brief mention of Chaucer in situating and analyzing Gower&#039;s uses of estates satire in his &quot;Mirour de l&#039;Omme,&quot; &quot;Vox Clamantis,&quot; and Confessio<br />
Amantis.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/276994">
    <dcterms:title><![CDATA[Disability, Music, and Chaucer&#039;s Advental Bodies.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Chaucer &quot;experiments with the body-disabling power of music as a site of poetic potential,&quot; tallying how, in CT, &quot;musical performance nearly always causes narrative tension&quot; and music &quot;prosthetizes disability&quot;--&quot;advental&quot;  insofar as it is &quot;promised but always in a state of deferral.&quot;  Examines how &quot;sonic bodies inhabit crip asynchronies for purposes of poesis&quot; in the &quot;body of Echo&quot; in FranT, the &quot;lyric I&quot; in For, BD as a poem, and Troilus&#039;s body in TC.]]></dcterms:description>
</rdf:Description></rdf:RDF>
