<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277095">
    <dcterms:title><![CDATA[&quot;Sche evyr desyryd mor and Mor&quot;: The Appropriation of Mercantile Language and Practice in Fifteenth to Seventeenth-Century English Women&#039;s Writing.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses briefly the Wife of Bath&#039;s use of mercantile language to help launch an assessment of such language in women&#039;s writing from Margery Kempe and the Paston women to Aphra Behn.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277094">
    <dcterms:title><![CDATA[Desiring Women: Pleasure and Power in Late Medieval English Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Studies &quot;representations of women&#039;s desire and . . . its intersections with eroticism, pleasure, and power&quot; in WBPT, Robert Henrysons&#039; &quot;Testament of Cresseid,&quot; &quot;The Book of Margery Kempe,&quot; and &quot;Sir Gawain and the Green Knight.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277093">
    <dcterms:title><![CDATA[100 Poets: Anthology.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects selections from western poets, from Homer forward, including WBP, 587–608, translated by Carey, with a brief introduction that characterizes the Wife as having a &quot;good claim to be the first feminist in literature.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277092">
    <dcterms:title><![CDATA[Becoming England: The Northumbrian Conversion in Trevet, Gower, and Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the &quot;temporally heterogeneous portrayals of an emerging sense&quot; of &quot;Engelond&quot; in the scenes of Saxon conversion in the Constance narratives of Trevet&#039;s &quot;Cronicles,&quot; Gower&#039;s &quot;Confessio Amantis,&quot; and MLT. These scenes are &quot;sites where the power of linguistic difference to form community becomes a central concern.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277091">
    <dcterms:title><![CDATA[Romance Repetitions and the Sea: Brendan, Constance, Apollonius.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &quot;repetition should be included among the family resemblances that trigger the imaginative response that signals &#039;romance&#039;.&quot; &quot; Includes discussion of MLT and the analogous accounts in Nicholas Trevet&#039;s &quot;Chronicles&quot; and John Gower&#039;s &quot;Confessio Amantis,&quot; as well as other works in which repetition signals &quot;romance.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277090">
    <dcterms:title><![CDATA[World History in the Tumultuous 1330s: A Study of Nicholas Trevet&#039;s Anglo-Norman &quot;Cronicles.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Includes comments on how study of Chaucer&#039;s and Gower&#039;s Constance narratives have affected the study and understanding of Trevet&#039;s &quot;Cronicles.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277089">
    <dcterms:title><![CDATA[Old Pies, Stray Flies, and Possibly Poisonous Parsley in the &quot;Cook&#039;s Prologue and Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explicates details in the GP description of the Cook, CkPT, and ManP, exploring their physical and moral implications for characterization, &quot;food safety&quot; in Chaucer&#039;s London, and hygiene among its victuallers--cooks, innkeepers, and manciples.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277088">
    <dcterms:title><![CDATA[[Un]Licensed Riot: Prodigality, Hypocrisy, and Guild Discourse in Chaucer&#039;s &quot;Cook&#039;s Tale&#039;.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses the social and economic dynamics of CkT and the GP descriptions of the Cook and the guildsmen, arguing that the tale &quot;indicts both the laterally mobile prodigal apprentice and the decadent hypocrisy&quot; of his master &quot;through the linked subversion of license and guild authority.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277087">
    <dcterms:title><![CDATA[Writing the North of England in the Middle Ages: Regionalism and Nationalism in Medieval English Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines &quot;the North as a regional concept in the literature of medieval England,&quot; considering a range of texts from Bede&#039;s &quot;Historia ecclesiastica gentis Anglorum&quot; to the Towneley plays. Chapter 4, &quot;Chaucer&#039;s Northern Consciousness in the &#039;Reeve&#039;s Tale&#039;,&quot; surveys the presence of northern England in CT and focuses the use of northern dialect in RvT as &quot;symptomatic of a larger engagement with the region&#039;s long-standing cultural identity as an uncanny presence in England&#039;s national story.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277086">
    <dcterms:title><![CDATA[Response to Leah Schwebel and Jennifer Alberghini.]]></dcterms:title>
    <dcterms:description><![CDATA[Responds to two essays concerned with sexual consent in medieval literature, including Leah Schwebel, &quot;Chaucer and the Fantasy of Retroactive Consent.&quot; SAC 44 (2022): 337–45. Suggests that we might read RvT &quot;as an incel revenge fantasy.&quot;<br />
]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277085">
    <dcterms:title><![CDATA[Chaucer and the Fantasy of Retroactive Consent.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores aspects of sexual consent and non-consent in RvT--particularly Malyne&#039;s romanticizing of Aleyn&#039;s assault--linking them with Augustine&#039;s comments on Lucretia in &quot;De civitate Dei,&quot; modern notions of &quot;retroactive consent,&quot; and the Chaucer life records that pertain to Cecily Chaumpaigne. For response, see Lynn Shutters&quot;Response to Leah Schwebel and Jennifer Alberghini.&quot; SAC 44 (2022): 359-60.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277084">
    <dcterms:title><![CDATA[Tolkien and Rape: Sexual Terror, Sexual Violence, and the Woman&#039;s Body in Middle-Earth.]]></dcterms:title>
    <dcterms:description><![CDATA[Connects the &quot;gendered terror&quot; of female sexuality and the &quot;evasiveness&quot; of J. R. R. Tolkien&#039;s treatment of sexual violence against women in his Middle-Earth narratives, and assesses suppression of rape in Tolkien&#039;s 1939 bowdlerized version of RvT in light of this evasiveness.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277083">
    <dcterms:title><![CDATA[Speaking Survival: Chaucer Studies and the Discourses of Sexual Assault.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on RvT and argues that newly discovered documents allow scholars to move beyond Chaucer&#039;s individual blame and address structural issues and concerns with language describing and depicting sexual assault in late medieval texts.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277082">
    <dcterms:title><![CDATA[Emotions and War in Chaucer&#039;s &quot;Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Investigates the restless &quot;emotional movement&quot; of &quot;roaming&quot; in KnT, as expression of both confined frustration and openness to new adventures enacted by Palamon, Emelye, and Arcite. Compares Chaucer&#039;s depictions of these movements and emotions with those found in Boccaccio&#039;s &quot;Teseida,&quot; and compares Emelye&#039;s roaming with Dorigen&#039;s in FranT, Constance&#039;s in MLT, and Hypsipyle&#039;s in LGW.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277081">
    <dcterms:title><![CDATA[From Imprisonment to Liberation: Chaucer&#039;s &quot;Knight&#039;s Tale&quot; as a Multilayered Exploration of a Paradigm for Prison Life.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that the &quot;unique aspect&quot; of the depiction of imprisonment in KnT is that the &quot;only liberation that can happen is apparently at the end of this life, which is seen as a prison,&quot; hence &quot;hardly a liberation at all.&quot; Comments on Chaucer&#039;s likely knowledge of material prisons and on how the tale exerts pressure to read imprisonment allegorically.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277080">
    <dcterms:title><![CDATA[Violent Compassion in Late Medieval Writing.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the theme of knightly and royal pity (and related concepts, such as mercy, compassion, and resulting actions) in literary representations of war in a range of late medieval English texts, with particular attention to the Alliterative &quot;Morte Arthure,&quot; Malory&#039;s adaptation of it, and KnT, addressing Theseus&#039;s &quot;compassionate pity&quot; in the latter, along with its ironies and the physiology of pity as liquid.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277079">
    <dcterms:title><![CDATA[Infinite Sorrows: Catastrophic Forms in Chaucer&#039;s &quot;Knight&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses trauma theory to read KnT as a &quot;meditation on catastrophe and survival.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277078">
    <dcterms:title><![CDATA[Playing an Epic Game: Games and Genre in Boccaccio&#039;s &quot;Teseida delle nozze d&#039;Emilia.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Attends to the source relations between KnT and Boccaccio&#039;s &quot;Teseida&quot; to examine the latter in light of game theory.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277077">
    <dcterms:title><![CDATA[The Knight&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. WorldCat records indicate this is an adaptation of KnT for early readers.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277076">
    <dcterms:title><![CDATA[Intervals of Grace: Shakespeare and Chaucer&#039;s Existential Romances and the Repair of the Past.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that &#039;Augustine&#039;s theology allows us to see providence in romance as a doubled perspective that recognizes the existential smallness of individuals and their collective participatory power in a plural world,&quot; addressing KnT, ClT, and Shakespeare&#039;s &quot;Cymbeline&quot; and &quot;The Winter&#039;s Tale.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277075">
    <dcterms:title><![CDATA[The Medieval Borderline Identities: The Guildsmen in History and in Geoffrey Chaucer&#039;s &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Homi Bhabha&#039;s concepts of borderline community and mimicry (&quot;The Location of Culture&quot; [1994]) to investigate the descriptions of the guildsmen in GP, 361-78, as they relate to shifts and tensions in Chaucer&#039;s contemporary society, focusing on &quot;othering&quot; within traditional hierarchy and on sartorial mimicry. Includes historical and literary information about guildsmen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277074">
    <dcterms:title><![CDATA[Canterbury Masalları: Prolog / The Canterbury Tales: The Prologue.]]></dcterms:title>
    <dcterms:description><![CDATA[Facing-page Middle English and lineated Turkish translation of GP, with introductions to Chaucer&#039;s life, his works, and this translation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277073">
    <dcterms:title><![CDATA[Studying Chaucer through Physiognomy: A Study of Chaucer&#039;s Characters Can Lead Students to a Better Understanding of Themselves.]]></dcterms:title>
    <dcterms:description><![CDATA[Lesson plan for teaching GP in high school classes (senior level), introducing the four humors and using a personality test for students.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277072">
    <dcterms:title><![CDATA[Chaucer&#039;s General Prologue to the Canterbury Tales.]]></dcterms:title>
    <dcterms:description><![CDATA[Facing-page translation of GP into modern English iambic decasyllables; features illustrations of the pilgrims--reproductions of Caxton&#039;s woodcuts paired with original woodcut portraits--and an extensive glossary.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277071">
    <dcterms:title><![CDATA[CantApp: The General Prologue. An Edition in an App.]]></dcterms:title>
    <dcterms:description><![CDATA[Electronic edition of GP, designed for download and web access on mobile devices, based on the Hengwrt manuscript (fully reproduced in color), with hyperlinked transcription, translation, glosses and notes, and an audio performance by Lina Gibbings in Middle English. Sidebar apparatus includes a life of Chaucer; a description of GP in relation to CT; and discussions of the date of GP, the Hengwrt MS, the text of this edition, and background to the performance of GP. Contributors include Claire Pascolini-Campbell, James Robinson, Vicky Symons, and Mari Volkosh.]]></dcterms:description>
</rdf:Description></rdf:RDF>