<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277135">
    <dcterms:title><![CDATA[Magical Places.]]></dcterms:title>
    <dcterms:description><![CDATA[Creative non-fiction contemplation of storytelling, Chicanx identity, and spatial politics, including, in Chapter 3, &quot;Disciplines and Disciples,&quot; a brief consideration of &quot;discipline&quot; in CYT (8.1253), as it relates to alchemy, deception, storytelling, and belief.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277134">
    <dcterms:title><![CDATA[An Aspect of Chaucer&#039;s &quot;Philosophy&quot; in &quot;The Canon&#039;s Yeoman&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Contrasts the master-pupil relationships in CYT and Boethius&#039;s &quot;Consolation of Philosophy&quot; and their concepts of philosophy.  Argues that CYT ridicules the false nature of philosophy. In Japanese, with English abstract.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277133">
    <dcterms:title><![CDATA[The Yeoman&#039;s Canon: On Toxic Mentors.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores aspects of &quot;power differential and toxicity&quot; in the mentor-mentee relationship of the Canon and the Canon&#039;s Yeoman, reading CYPT as the emancipatory complaint of the latter. For a response, see Response to Micah James Goodrich and Alice Raw,&quot; SAC 44 (2022): 315-16.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277132">
    <dcterms:title><![CDATA[Response to Micah James Goodrich and Alice Raw.]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on issues of complaint and consent in two essays included in this volume of SAC, linking the medieval past with the present. Includes response to Micah James Goodrich, &quot;The Yeoman&#039;s Canon: On Toxic Mentors.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277131">
    <dcterms:title><![CDATA[The Alchemy of Failure: Combining Facts and Fictions in Chaucer&#039;s &quot;The Canon&#039;s Yeoman&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Anatomizes the theme and structures of failure in CYPT, contrasting the Canon&#039;s Yeoman and Chaucer-pilgrim as narrators, and tallying ways that failure dominates the narrative: failed science, failed rhetoric, failed comedy, failed moralizing, and failure to control self-narration.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277130">
    <dcterms:title><![CDATA[Literatures of Alchemy in Medieval and Early Modern England.]]></dcterms:title>
    <dcterms:description><![CDATA[Surveys medieval and early modern study of alchemy and writing about alchemy, with particular attention to its obscurities of language and limited potential for progress. A section called &quot;Playing with Obscurity: Chaucer&#039;s Manipulation of the &#039;Tabula chemica&#039; and the &#039;Liber de secretis naturae&#039;,&quot; treats CYPT as epitomizing &quot;the skeptical rejection of alchemical bombast . . . that could nonetheless be manipulated by those who knew the way around its language&quot;&quot; Considers Chaucer&#039;s adaptations of &quot;academic&quot; treatises on alchemy: the &quot;Tabula chemica&quot; and the &quot;Liber de secretis naturae.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277129">
    <dcterms:title><![CDATA[The Bond of Empathy in Medieval and Early Modern Literature..]]></dcterms:title>
    <dcterms:description><![CDATA[Chapter 2 focuses on free volition (as formulated by John Duns Scotus), empathy, and fraternal bonding in &quot;Amis and Amiloun&quot; and in SNT. In the latter, Valerian and Tiburce &quot;forgo political loyalties and prioritize their fraternal bond by cultivating their mutual awareness of spiritual goodness&quot;; their sensory and extrasensory experiences lead to empathetic bonding and spiritual fruition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277128">
    <dcterms:title><![CDATA[Undisciplined: Reading Affects in Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;[A]nalyzes scenes of &#039;undisciplined reading&#039; in late medieval texts: that is, scenes in which characters read without formal training and with the &#039;wrong&#039; emotions.&quot; Includes discussion of NPPT as a &quot;bungled interpretation of Marie de France&#039;s translation of Aesop,&quot; a response to MkT, and exemplification of the Host&#039;s misinterpretations.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277127">
    <dcterms:title><![CDATA[Romans 15:4 and the &quot;Canterbury Tales&quot;: A Modest Proposal Concerning Chaucer&#039;s &quot;Entente.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the end of NPT and the Bible verse Romans 15:4. Claims the verse is used to bridge the two opposing views of Chaucer&#039;s intent in his writing, attempting to unite the morally serious poet with the subversive poet.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277126">
    <dcterms:title><![CDATA[Re-Classification of the Etymology of the Nouns Appearing in Geoffrey Chaucer&#039;s &quot;Nun&#039;s Priest&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Classifies the nouns in NPT using the categories presented by an English lexicon. Considers the proportion of Latin-based nouns and Old English-based nouns in each category. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277125">
    <dcterms:title><![CDATA[On Etymology of the Nouns Appearing in Geoffrey Chaucer&#039;s &quot;Nun&#039;s Priest&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Categorizes nouns in NPT into twenty groups according to their meanings, counts the numbers of Latin-based nouns and Old English-based nouns in each category, and considers possible implications of their proportions. In Japanese.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277124">
    <dcterms:title><![CDATA[Outer Space: 100 Poems.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects 100 poems and excerpts from poems on views of outer space, including NPT, 3187–99. In Middle English with no indication of edition.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277123">
    <dcterms:title><![CDATA[&quot;Musicus animal&quot; in the &quot;Nun&#039;s Priest&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Examines music as a coequal to rhetoric and a branch of medieval philosophy to argue that Chaucer&#039;s beast fable traces and complicates three major tenets of Boethian and medieval music theory.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277122">
    <dcterms:title><![CDATA[&quot;Anthophilia&quot; and the Medieval Ecologies of Grafting.]]></dcterms:title>
    <dcterms:description><![CDATA[Traces the tension between reading ecocritically and figuratively, highlighting moments of grafting in MkT and Rom, and reads these moments of horticulture more literally.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277121">
    <dcterms:title><![CDATA[Can Chaucer Write Anything Bad(ly)? Salvaging the Monk&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the vexed critical history of MkT as a possibility for engaging classroom discussion about issues of theme, aesthetics, political perspective, and critical predilection. Focuses on various approaches to the tale before and after the heyday of dramatic criticism.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277120">
    <dcterms:title><![CDATA[Romantic Theology: Contemplating Genre in Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores the interplay between romance and religious poetry in late medieval English vernacular literature, and includes discussion of how, as a parody of romance, Th &quot;primes the reader for the prudential lessons&quot; of Mel.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277119">
    <dcterms:title><![CDATA[&quot;His robe was of syklatoun&quot;: Prächtige Stoffe in den Mittelenglischen Romanzen. Ornamental oder Bedeutungsvoll?]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on the history and nuances of &quot;syklatoun&quot; as a kind of sartorial cloth used parodically in Th, a prelude to discussing the implications of clothing in &quot;Emaré&quot; as a popular romance.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277118">
    <dcterms:title><![CDATA[Sensory Satires and the Virtues of Herbs in Sir Thopas&#039;s Fair Forest.]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on the medical effects of the herbs mentioned in Th to argue that the narrator&#039;s impetuosity demonstrates the effects of herbs he mentions in lines 760-65.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277117">
    <dcterms:title><![CDATA[Prior to the Prioress: Chaucer&#039;s &quot;Clergeon&quot; in Its Original Context.]]></dcterms:title>
    <dcterms:description><![CDATA[Reconsiders questions of the composition and occasion of PrT (here titled &quot;Clergeon&quot;) before Chaucer incorporated it into the CT, arguing on biographical, stylistic, and liturgical grounds that Chaucer may have originally composed the poem as early as 1383, to be performed as a &quot;boy-bishop sermon&quot; at Lincoln Cathedral, &quot;recited by and to youths on the Feast of the Holy Innocents.&quot; Considers analogous materials, argues that Chaucer&#039;s work helped to spread knowledge of Hugh of Lincoln, and suggests new directions for reading PrPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277116">
    <dcterms:title><![CDATA[England and the Jews: How Religion and Violence Created the First Racial State in the West.]]></dcterms:title>
    <dcterms:description><![CDATA[Includes comparison of PrT with sources and analogues: the Anglo-Norman Hughes de Lincoln and two accounts--&quot;The Child Slain by Jews&quot; and &quot;The Jewish Boy&quot;--found in the Vernon manuscript. Analyzes the stories&#039; various contributions to the racialization of England, arguing that PrT &quot;conjures England as a new kind of space where Christians are a population &#039;ycomen of Cristen blood&#039;--a de facto race whose time had come, in a post-expulsion land.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277115">
    <dcterms:title><![CDATA[&quot;For yet under the yerde was the mayde&quot;: Chaucer in the House of Fiction.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the young child who watches the wife and monk in ShT, arguing that Chaucer&#039;s construction of narrative perspective, which the child embodies, anticipates more modern handling of narrative perspective, including that of Henry James.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277114">
    <dcterms:title><![CDATA[The Pardoner&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Graphic version of PardT, newly adapted and illustrated in ink and watercolor, with a calligraphic, abbreviated text in modern verse.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277113">
    <dcterms:title><![CDATA[&quot;Substaunce into Accident&quot;: Transubstantiation and Relics in Chaucer&#039;s &quot;Pardoner&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Focuses on CT and PardT, specifically. Discusses the Pardoner&#039;s fabrication of relics and the &quot;preposterous&quot; transformation of &quot;accident into substance,&quot; a reversal of the trope used in PardT, the narrative voice in both GP and PardT, and deception and fakery in HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277112">
    <dcterms:title><![CDATA[Guilt Historicism: Walter Benjamin&#039;s &quot;Capitalism as Religion,&quot; Aura, and the Case of Chaucer&#039;s Pardoner.]]></dcterms:title>
    <dcterms:description><![CDATA[Considers the Pardoner in PardT as an &quot;exemplary figure&quot; of what Walter Benjamin argues is a defining trait of modernity: the eclipse of religion&#039;s sacralizing capacities by capitalism, which, like the Pardoner&#039;s sales pitch, intensifies guilt rather than offering atonement. In this, the Pardoner is not only a prophet of modernity but its neighbor.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277111">
    <dcterms:title><![CDATA[Did Chaucer Know Livy?]]></dcterms:title>
    <dcterms:description><![CDATA[Explores intertextual relations among versions of the Virginia / Virginius story (by Livy, Bersuire, Gower, and Chaucer), focusing on how the depiction of Virginia&#039;s mother in both Gower and Chaucer &quot;offers a broader semblance of propriety by assuring Virginius&#039;s legitimate paternity,&quot; and indicates that in PhyT Chaucer &quot;reveals how he knew his Livy&quot; through Gower.]]></dcterms:description>
</rdf:Description></rdf:RDF>