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              <text>Dienstbier, Jan.</text>
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              <text>Peter Brown and Jan Čermák, eds. England and Bohemia in the Age of Chaucer (Woodbridge: Boydell &amp; Brewer, 2023), pp. 168-80; 6 b&amp;w illus.</text>
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              <text>England and Bohemia in the Age of Chaucer</text>
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              <text>Reeve and His Tale&#13;
Chaucerian Apocrypha&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 47: 129</text>
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              <text>2023</text>
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                <text>The Image of the Tapster in England and Bohemia.</text>
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                <text>Provides context for the link between death and the tapping of a barrel  in RvP, 3892-94, and for the relationship between the Pardoner and Kit the Tapster in the prologue to the "Tale of Beryn," mentioning other English analogues and describing contemporaneous visual analogues (especially wall-painting) from Bohemia and nearby central European countries.</text>
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              <text>Wallace, David.</text>
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              <text>Peter Brown and Jan Čermák, eds. England and Bohemia in the Age of Chaucer (Woodbridge: Boydell &amp; Brewer, 2023), pp. 214-37.</text>
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              <text>Brown, Peter, ed.&#13;
Čermák, Jan, ed.</text>
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              <text>England and Bohemia in the Age of Chaucer</text>
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              <text>Background and General Criticism&#13;
ABC&#13;
Legend of Good Women&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Man of Tale and Tale&#13;
Clerk and His Tale</text>
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              <text>SAC 47:105</text>
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                <text>Humility and Empire: Anne of Bohemia, Chaucer, and the Virgin Mary.</text>
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                <text>Describes cultural contact and marital negotiations among Plantagenets, Bohemians, and Viscontis as background to Anne of Bohemia's recurrent presence in Chaucer's works, often as an imperial daughter and/or mediatrix, and often reflecting "Marian dynamics," i.e., "instant transitioning from intimacy to awe." Includes analysis of portions of ABC, TC, LGW, KnT, ClT, and MLT as well as aspects of the Wilton Diptych and Latin verse elegies on Anne's tomb.</text>
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              <text>Bridges, Venetia.</text>
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              <text>Corinne Saunders and Diane Watt, eds. Women and Medieval Literary Culture: From the Early Middle Ages to the Fifteenth Century (Cambridge: Cambridge University Press, 2023), pp. 342-76.</text>
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              <text>Saunders, Corinne, ed.&#13;
Watt, Diane, ed.</text>
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              <text>Women and Medieval Literary Culture: From the Early Middle Ages to the Fifteenth Century.</text>
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              <text>Background and General Criticism</text>
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                <text>Chaucer and Gower.</text>
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                <text>Assesses the "depiction of women as ethical signifiers" in Chaucer's and Gower's writings, summarizing the "multilingual and transnational networks on which both poets draw," exploring the "ethical valences" of gender (especially feminine) in their major works, and comparing "the major female figures" they both portray: Dido, Medea, Constance, the "loathly lady," and Alcyone. Finds Chaucer to be "more adaptive" than Gower in his engagement with the "interpretative framework that limited women's power to signify."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Cooper, Helen, and Robert R. Edwards, eds.</text>
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              <text>Oxford: Oxford University Press, 2023.</text>
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              <text>546 pp.</text>
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              <text>Background and General Criticism</text>
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              <text>SAC 47:65</text>
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            <elementText elementTextId="2852878">
              <text>2023</text>
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            <name>Title</name>
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                <text>Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400.</text>
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            <description>An account of the resource</description>
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                <text>Twenty-nine essays devoted to the examination of poetry from the end of Old English verse through the Ricardian poets, including an introduction by the editors. For nine essays that pertain to Chaucer, search for Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400 under Alternative Title.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Winstead, Karen A.</text>
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            <elementText elementTextId="2852866">
              <text>Helen Cooper and Robert R. Edwards, eds. Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400 (Oxford: Oxford University Press, 2023), pp. 227-42.</text>
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              <text>Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400.</text>
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              <text>Background and General Criticism&#13;
Second Nun and Her Tale</text>
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              <text>2023</text>
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                <text>Saints' Lives and Sacred Biography.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2852864">
                <text>Traces the writing of saints' legends in poetry in the thirteenth and fourteenth centuries, highlighting the innovative approaches taken by a number of poets, including Chaucer in SNT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Windeatt, Barry.</text>
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            <elementText elementTextId="2852858">
              <text>Helen Cooper and Robert R. Edwards, eds. Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400 (Oxford: Oxford University Press, 2023), pp. 425-39.</text>
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              <text>Oxford History of Poetry in English. Volume 2, Medieval Poetry, 1100–1400.</text>
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          <name>Chaucer Subject</name>
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              <text>Canterbury Tales--General</text>
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              <text>SAC 47:106</text>
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              <text>2023</text>
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                <text>The Canterbury Tales.</text>
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                <text>Emphasizes and traces a poetic method common to the CT that Windeatt explores in terms of the tales and their openings; their emphasis on time, chance, and astrology; and the generic hybridity that defines the Tales.</text>
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              <text>Putter, Ad.</text>
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                <text>Focuses on Chaucer, Gower, and Langland, demonstrating how these poets bring together philosophical and theological ideas as they craft their poetry. Considers the innovations of Chaucer and Gower in terms of literary and poetic theory.</text>
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Canterbury Tales--General</text>
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                <text>Offers a history of the fable in Middle English poetry, with examples from several poems, including discussing four extant fables. Concludes by showing the importance of the fable to the idea of the CT as a whole.</text>
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Chaucer's Influence and Later Allusion</text>
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Squire and His Tale</text>
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2024</text>
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                <text>The Guise of Translation: The Case for Chaucer's "Oeuvre."</text>
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                <text>Argues that "contemporary critical translation theories shed light on" Chaucer's "translational environment" and identifies "a cluster of five translational actions"--"communication, transformation, transportation, hermeneutics, and liminality"--that leave traces in Chaucer's works. Then addresses SqT as it takes on "the guise of a translation, one that stretches" widely "beyond the British Isles."</text>
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              <text>Ken Seigneurie, gen. ed. A Companion to World Literature, 6 vols. Vol. 2, 601 CE to 1450, ed. Christine Chism (Chichester: Wiley and Sons, 2020), pp. 751-62.</text>
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Squire and His Tale&#13;
Facsimiles, Editions, and Translations&#13;
Chaucer's Influence and Later Allusion</text>
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        <element elementId="114">
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                <text>The Global Pilgrimage of Geoffrey Chaucer's "The Canterbury Tales."</text>
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                <text>Surveys the "global reach" of the literatures and languages that underlie the sources and settings of CT (with particular attention to SqT), and describes the multilingual, international range of translations, modernizations, adaptations, and other "creative re-writings" of Chaucer's work. Suggests that because CT "began by reconfiguring relationships among the world's people and languages, they now can be remade to similar ends, thereby allowing us to understand Chaucer as England's first global poet."</text>
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              <text>Bale, Anthony.</text>
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              <text>Studies in the Age of Chaucer 45 (2023): 1-33.</text>
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              <text>The Presidential Address. The New Chaucer Society. Twenty-Second International Congress, July 11-14, 2022, Durham University, Durham, UK.</text>
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        <element elementId="114">
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                <text>Investigates late fifteenth-century English representations of Ottoman Turks and Rhodes, assessing Caxton's first-printed indulgence (and related ones), John Kay's "Siege of Rhodes," a Paston letter, and "The Turke and Sir Gawaine" for the ways they imagine "the Turk" and relations between Latin Christendom (especially the Hospitallers) and the growing Ottoman empire. Notes Chaucer's depictions of related concerns, identifies early uses of "poet laureate" and "renegade," and assesses "news reporting" and "contemporaneity"  in late medieval media productions.</text>
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              <text>Allor, Danielle Grace.</text>
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              <text>Ph.D. dissertation (Rutgers University, 2021), Dissertation Abstracts International A83.06(E). Freely acces. sible at https://rucore.libraries.rutgers.edu/rutgers-lib/66869/ (accessed January 30, 2025).</text>
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            <elementText elementTextId="2852769">
              <text>viii, 251 pp.</text>
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              <text>Dissertation Abstracts International 83 (E)</text>
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            <elementText elementTextId="2852771">
              <text>Background and General Criticism&#13;
House of Fame</text>
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              <elementText elementTextId="2852765">
                <text>Trees of Thought: Arboreal Matter and Metaphor in Late Medieval England.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2854102">
                <text>Explores "how late medieval English poets used the properties of trees, from their branching forms to their growth cycles, to negotiate literary influence and construct poetic meaning." Includes a chapter on  HF as well as one each on "Piers Plowman," "The Floure and the Leaf," and "Laureation and Vegetal Poetics" in works by John Lydgate and John Skelton.</text>
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              <text>Allen, Roland.</text>
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        <element elementId="98">
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              <text>416 pp.</text>
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              <text>Background and General Criticism&#13;
Chaucer's Life&#13;
House of Fame&#13;
Wife of Bath and Her Tale</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2852764">
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              <elementText elementTextId="2852757">
                <text>The Notebook: A History of Thinking on Paper.</text>
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                <text>Explores the history and utilities of various forms of notebook, emphasizing their commercial roots and widespread uses, claiming in a brief section that Chaucer, on his 1372/73 trip to Florence, "must have seen" there "how plentiful, and cheap, personal notebooks were," especially varieties of "zibaldoni, ricordanzi, and libri di famiglia" (all introduced and defined in a preceding section). Further claims that Chaucer's "book" in HF, 657, is his own notebook, that Jankyn's "book of wikked wyves" (WBP, 685) is a "zabaldone," and that Chaucer's personal use of notebooks must have influenced his writing.</text>
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          <elementTextContainer>
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              <text>Adler, Gillian.&#13;
Strohm, Paul.</text>
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              <text>London: Reaktion, 2023.</text>
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              <text>247 pp.; 51 color illus.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2852754">
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Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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          <elementTextContainer>
            <elementText elementTextId="2852755">
              <text>SAC 47:52</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2852756">
              <text>2023</text>
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              <elementText elementTextId="2852749">
                <text>Alle Thyng Hath Tyme: Time and Medieval Life.</text>
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          <element elementId="41">
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              <elementText elementTextId="2852750">
                <text>Reconstructs "medieval people's experience of time as continuous, discontinuous, linear, and cyclical--from creation through judgment and into eternity," clarifying concepts of aging, eternity, planetary motion, time-keeping, apocalypse, etc., evinced in material objects, philosophy, art, and literature. Includes recurrent mention of Chaucer's works, commenting on varieties of time-reckoning in CT and assessing time as a theme and narrative device in TC.</text>
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          </element>
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
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          <elementTextContainer>
            <elementText elementTextId="2852742">
              <text>Adler, Gillian.</text>
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          </elementTextContainer>
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              <text>New Century Chaucer.</text>
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              <text>Background and General Criticism&#13;
Book of the Duchess&#13;
Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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                <text>Chaucer and the Ethics of Time.</text>
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                <text>Explores how Chaucer uses the "temporality of poetic form to explore the ethics of time" in CT, BD, and TC. Connects Chaucer's poetic techniques to broader philosophical and ethical discourses of Augustine and Boethius.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Weiskott, Eric.</text>
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              <text>Notes and Queries 268 (2023): 54-55.</text>
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Language and Word Studies</text>
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                <text>Linguistic Change and Metre: A Reply.</text>
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                <text>Responds to Ad Putter, "Linguistic Change and Metre: The Demise of Adjectival Inflections and the Scansion of 'High' and 'Sly' in Chaucer, Gower and Hoccleve" (2022). Claims that the dropping of inflectional   "-e" in "high" and "sly" in poetry by Chaucer, Gower, and Hoccleve should not be understood as a linguistic shift, for it follows the "metrical subrule," whereby the inflectional "-e" is dropped when a weak adjective precedes a word with "aft stress."</text>
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              <text>Watanabe, Takuto.</text>
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              <text>Journal of Business Administration (Kwansei Gakuin University) (2023): 133-49.</text>
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              <text>Journal of Business Administration (Kwansei Gakuin University) (2023)</text>
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              <text>Language and Word Studies</text>
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              <text>SAC47:49</text>
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            <elementText elementTextId="2852723">
              <text>2023</text>
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                <text>A Note on the Use of "Wring One's Hands" in Middle English Literature with a Focus on Middle English Romances and Chaucer's Works."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2854056">
                <text>Analyzes the expression "wring one's hands" in TC, HF, MLT, and ClT, and other Middle English romances. Focuses on frequency, associated gestures, and the gender of the person performing the action. Finds that the expression often accompanies other gestures to convey deep grief, is used more to depict women's sorrow, and plays a crucial role in advancing the narrative in scenes of grief. In Japanese.</text>
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              <text>Harris, Carissa M.</text>
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              <text>Studies in the Age of Chaucer 45 (2023): 35-72.</text>
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              <text>The Biennial Chaucer Lecture. The New Chaucer Society.  Twenty-Second International Congress, July 11-14, 2022, Durham University, Durham, UK.</text>
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            <elementText elementTextId="2852712">
              <text>Studies in the Age of Chaucer 45 (2023)</text>
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            <elementText elementTextId="2852713">
              <text>Language and Word Studies&#13;
Canterbury Tales--General</text>
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              <text>SAC 47:47</text>
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              <text>2023</text>
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                <text>Chaucer's Wenches.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2854055">
                <text>Surveys and critiques "wench" as a term and a concept in medieval English texts and explores how "Chaucer's wenches [in CT] embody the term's developing signification of intersectional disadvantage connected to age, gender, labor, reproductive capacity, and socioeconomic status." Links this signification with discourse about Black women in the American South and with the US Supreme Court's anti-abortion decision, "Dobbs v. Jackson Women's Health Organization" (June 2022).</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Phillips, Helen.</text>
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              <text>Yearbook of English Studies 53 (2024, for 2023): 36-51.</text>
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          <elementTextContainer>
            <elementText elementTextId="2852703">
              <text>Yearbook of English Studies 53 (2024, for 2023)</text>
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              <text>Style and Versification&#13;
Miiller and His Tale&#13;
Reeve and His Tale&#13;
Prioress and Her Tale&#13;
Nun's Priest and His Tale</text>
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              <text>SAC 47:46</text>
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            <elementText elementTextId="2852706">
              <text>2023&#13;
2024</text>
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          <element elementId="50">
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              <elementText elementTextId="2852699">
                <text>"Out, Harrow" and "Alas!": Chaucer, Shouts and Narrative.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Addresses shouting in Chaucer's narratives, focusing on "the hue and cry," which, "strikingly frequent," engages "with questions about the reliability of narratives, and also with problems of rape and sexual consent, misogynistic narratives and fictions of social class." Surveys cries of alarm and exclamations of misdeeds in Chaucer's works, with particular attention to NPT, MilT, RvT, and PrT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Fludernik, Monika.</text>
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              <text>Anglistik: Mitteilungen des Verbandes deutscher Anglisten 34 (2023): 77-100.</text>
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              <text>Anglistik: Mitteilungen des Verbandes deutscher Anglisten 34 (2023)</text>
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              <text>Style and Versification&#13;
Chaucer's Influence and Later Allusion&#13;
Prioress and Her Tale&#13;
Second Nun and Her Tale</text>
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              <text>SAC 47:45</text>
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            <elementText elementTextId="2852698">
              <text>2023</text>
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              <elementText elementTextId="2852691">
                <text>Narratorial Involvement in Hagiography: Chaucer, the Scottish "Legendary" and Lydgate's "Albon and Amphibalus."</text>
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            <description>An account of the resource</description>
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                <text>Uses the term "narrator" as a technical term to refer to "the contours of the narratorial functions and the textual voice as these are inscribed," focusing on "expansion of narratorial functions" in fifteenth-century English hagiography. Includes discussion of the increasing role of the "prologue or proëmium," with attention to the limits of narratorial "voice" in PrP and SNP and to Chaucer's stylistic influence on Lydgate.</text>
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