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              <text>Schoen, Jenna.</text>
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              <text>Ph.D. Dissertation, Columbia University, 2021,&#13;
Dissertation Abstracts International A83.01(E).</text>
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              <text>Tale of Sir Thopas&#13;
Tale of Melibee</text>
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                <text>Romantic Theology: Contemplating Genre in Late Medieval England.</text>
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                <text>Explores the interplay between romance and religious poetry in late medieval English vernacular literature, and includes discussion of how, as a parody of romance, Th "primes the reader for the prudential lessons" of Mel.</text>
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              <text>Reichl, Karl.</text>
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              <text>Peter Glasner, ed. Ästhetiken der Fülle (Berlin: Schwabe, 2021), pp. 319-25.</text>
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              <text>Glasner, Peter, ed.</text>
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              <text>Ästhetiken der Fülle</text>
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Language and Word Studies</text>
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                <text>"His robe was of syklatoun": Prächtige Stoffe in den Mittelenglischen Romanzen. Ornamental oder Bedeutungsvoll?</text>
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                <text>Comments on the history and nuances of "syklatoun" as a kind of sartorial cloth used parodically in Th, a prelude to discussing the implications of clothing in "Emaré" as a popular romance.</text>
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              <text>Gordon, Stephen.</text>
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              <text>Studies in Philology 119 (2022): 191-208.</text>
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                <text>Sensory Satires and the Virtues of Herbs in Sir Thopas's Fair Forest.</text>
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                <text>Focuses on the medical effects of the herbs mentioned in Th to argue that the narrator's impetuosity demonstrates the effects of herbs he mentions in lines 760-65.</text>
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              <text>Rose, E. M.</text>
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              <text>Studies in the Age of Chaucer 44 (2022): 63-92.</text>
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              <text>Studies in the Age of Chaucer 44 (2022)</text>
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              <text>Prioress and Her Tale&#13;
Chaucer's Life</text>
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                <text>Prior to the Prioress: Chaucer's "Clergeon" in Its Original Context.</text>
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            <description>An account of the resource</description>
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                <text>Reconsiders questions of the composition and occasion of PrT (here titled "Clergeon") before Chaucer incorporated it into the CT, arguing on biographical, stylistic, and liturgical grounds that Chaucer may have originally composed the poem as early as 1383, to be performed as a "boy-bishop sermon" at Lincoln Cathedral, "recited by and to youths on the Feast of the Holy Innocents." Considers analogous materials, argues that Chaucer's work helped to spread knowledge of Hugh of Lincoln, and suggests new directions for reading PrPT.</text>
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              <text>Heng, Geraldine.</text>
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              <text>New York: Cambridge University Press, 2019.</text>
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              <text>116 pp.</text>
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              <text>Cambridge Elements: Elements in Religion and Violence</text>
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              <text>Prioress and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>England and the Jews: How Religion and Violence Created the First Racial State in the West.</text>
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                <text>Includes comparison of PrT with sources and analogues: the Anglo-Norman Hughes de Lincoln and two accounts--"The Child Slain by Jews" and "The Jewish Boy"--found in the Vernon manuscript. Analyzes the stories' various contributions to the racialization of England, arguing that PrT "conjures England as a new kind of space where Christians are a population 'ycomen of Cristen blood'--a de facto race whose time had come, in a post-expulsion land."</text>
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              <text>Staley, Lynn.</text>
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              <text>Chaucer Review 57 (2022): 190-213.</text>
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              <text>Shipman and His Tale&#13;
Style and Versification</text>
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                <text>"For yet under the yerde was the mayde": Chaucer in the House of Fiction.</text>
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                <text>Considers the young child who watches the wife and monk in ShT, arguing that Chaucer's construction of narrative perspective, which the child embodies, anticipates more modern handling of narrative perspective, including that of Henry James.</text>
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              <text>Hearst, Katherine, illus. and trans.</text>
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Facsimiles, Editions, and Translations</text>
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General Prologue to the Canterbury Tales&#13;
Ho.use of Fame</text>
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                <text>"Substaunce into Accident": Transubstantiation and Relics in Chaucer's "Pardoner's Tale."</text>
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                <text>Focuses on CT and PardT, specifically. Discusses the Pardoner's fabrication of relics and the "preposterous" transformation of "accident into substance," a reversal of the trope used in PardT, the narrative voice in both GP and PardT, and deception and fakery in HF.</text>
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                <text>Considers the Pardoner in PardT as an "exemplary figure" of what Walter Benjamin argues is a defining trait of modernity: the eclipse of religion's sacralizing capacities by capitalism, which, like the Pardoner's sales pitch, intensifies guilt rather than offering atonement. In this, the Pardoner is not only a prophet of modernity but its neighbor.</text>
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                <text>Guilt Historicism: Walter Benjamin's "Capitalism as Religion," Aura, and the Case of Chaucer's Pardoner.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Did Chaucer Know Livy?</text>
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                <text>Explores intertextual relations among versions of the Virginia / Virginius story (by Livy, Bersuire, Gower, and Chaucer), focusing on how the depiction of Virginia's mother in both Gower and Chaucer "offers a broader semblance of propriety by assuring Virginius's legitimate paternity," and indicates that in PhyT Chaucer "reveals how he knew his Livy" through Gower.</text>
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              <text>Essays in Medieval Studies 37 (2022)</text>
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Sources, Analogues, and Literary Studies</text>
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                <text>Contagion, Sexual Violence, and Communal Healing in Chaucer's "The Physician's Tale" and Gower's "Confessio Amantis."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849244">
                <text>Focuses on two texts that feature violence against women to examine how the violated woman functions as a tool for political change. Both Chaucer and Gower foreground the suffering that men experience in response to the violated female body, leading to communal healing and the reformation of social and political structures.</text>
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              <text>Franklin and His Tale&#13;
Chaucer's Life</text>
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                <text>The Men and Woman behind the "Franklin's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849236">
                <text>Considers FranT as a Breton lay that recalls, not ancient history, but Chaucer's recent memories of his own stays in France, tying the tale to the marital situation of Joan of Kent.</text>
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              <text>Hindrichen, Lorenz.</text>
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        <element elementId="98">
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              <text>Essays in Medieval Studies 37 (2022): 47-63.</text>
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              <text>Essays in Medieval Studies 37 (2022)</text>
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              <text>Franklin and His Tale</text>
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                <text>Postpandemic Trauma in Geoffrey Chaucer's "The Franklin's Tale.."</text>
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            <description>An account of the resource</description>
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                <text>Argues that FranT should be added to "the Chaucerian pandemic canon" for its depiction of pandemic trauma and recovery.</text>
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              <text>Kramer, Johanna.</text>
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              <text>Chaucer Review 57 (2022): 68-100.</text>
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              <text>Chaucer Review 57 (2022)</text>
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              <text>Squire and His Tale&#13;
Style and Versification</text>
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          <name>Source</name>
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              <text>SAC 46:242</text>
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              <elementText elementTextId="2849219">
                <text>Proverbial Wisdom and the Pursuit of Knowledge in the "Squire's Tale."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849220">
                <text>Highlights the utility of proverbs and offers them as a solution to the problem of knowledge in SqT. Emphasizes that proverbs provide new insights for late medieval textual cultures as a microgenre that transcends social and economic boundaries in the fourteenth century.</text>
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              <text>Kao, Wan-Chuan.</text>
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              <text>New Literary History 52 (2021): 535-61.</text>
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              <text>New Literary History 52 (2021)</text>
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              <text>Squire and His Tale</text>
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        <element elementId="114">
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                <text>In the Lap of Whiteness.</text>
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              <elementText elementTextId="2849212">
                <text>Examines the "workings of empathy" in SqT to situate it in "premodern critical race studies, reading the "falcon-Canacee-lap" formulation as "a homo-affective assemblage, an animal human thing that blurs the borders of body, object, and species," whereby, in a psychoanalytic fantasy, Canacee is "feeling like a bird feeling like a woman." Observes parallel formulations in "the greater cultural-historical racial imaginary," showing how SqT and its reception reflect and refract historical periodization, racialization, and their illusions.</text>
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              <text>Jagot, Shazia.</text>
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              <text>Studies in the Age of Chaucer 44 (2022): 27-61</text>
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            <elementText elementTextId="2849207">
              <text>Studies in the Age of Chaucer 44 (2022)</text>
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        <element elementId="102">
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            <elementText elementTextId="2849208">
              <text>Squire and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Physician and Hiss Tale</text>
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              <text>SAC 46:240</text>
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        <element elementId="114">
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              <elementText elementTextId="2849203">
                <text>Chaucer and Ibn al-Haytham (Alhacen): "Perspectiva," Arabic Mathematics, and Acts of Looking.</text>
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                <text>Challenges the limitations of traditional source-and-analogue study, exploring resonances between SqT and the "Kitab al-Manazir" of Ibn al-Haytham /Alhacen to which it alludes (see SqT, 232–45), including discussion of mediating sources in Latin and French, especially Jean de Meun's "Roman de la Rose." Shows that aspects of Ibn al-Haytham's theory of sight--dependent upon the acts of looking and the intentions of the beholder--recur in SqT, and are also evident in KnT, PhyT, and TC, exemplifying rich intertextuality with Arabic, "Islamicate" learning in late medieval England.</text>
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              <name>Title</name>
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              <text>Fumo, Jamie C,.</text>
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              <text>Larissa Tracey ed. Medieval English and Dutch Literatures: The European Context. Essays in Honour of David F. Johnson (Woodbridge: Boydell &amp; Brewer, 2022), pp. 207-32</text>
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              <text>Tracey, Larissa, ed.</text>
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              <text>Medieval English and Dutch Literatures: The European Context. Essays in Honour of David F. Johnson</text>
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        <element elementId="102">
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              <text>Squire and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Tale of Sir Thopas</text>
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              <text>SAC 46:239</text>
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        <element elementId="114">
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2849194">
                <text>As the Chess-Set Flies: Arthurian Marvels in Chaucer's "Squire's Tale" and the "Roman van Walewein."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2849195">
                <text>Compares and contrasts SqT and the analogous Middle Dutch "Roman van Walewein," focusing on their eastern settings, treatments of marvel, and other romance conventions. Considers Chaucer's possible knowledge of Middle Dutch and "Van Walewein," observes connections with Th, and posits that Arthurian allusions in SqT may be a "nod" in the direction of Flanders.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2849188">
              <text>Bower, Hannah Louise.</text>
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        <element elementId="98">
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            <elementText elementTextId="2849189">
              <text>Chaucer Review 57 (2022): 32-67.</text>
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            <elementText elementTextId="2849190">
              <text>Chaucer Review 57 (2022)</text>
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        <element elementId="102">
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            <elementText elementTextId="2849191">
              <text>Squire and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 46:238</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849193">
              <text>2022</text>
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              <elementText elementTextId="2849186">
                <text>Restless Rewritings: The Politics of Enigma and Exposure in the "Squire's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849187">
                <text>Considers the role of spectacle in SqT, comparing the poetic strategies for inscribing spectacle to Richard Maidstone's approach in "Concordia."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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              <text>Zygogianni, Maria.</text>
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        <element elementId="98">
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            <elementText elementTextId="2849181">
              <text>Medieval Feminist Forum 58 (2022): 106-27.</text>
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              <text>Medieval Feminist Forum 58 (2022)</text>
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              <text>Merchant and His Tale&#13;
</text>
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        <element elementId="109">
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              <text>SAC 46:237</text>
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        <element elementId="114">
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            <elementText elementTextId="2849185">
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849179">
                <text>Examines May of MerT as a version of the motif of the healing woman, familiar "across medieval literary genres from romance to hagiography." The fabliau setting of the tale, however, inverts a range of "courtly and religious hierarchies" as May performs an "anti-healing miracle" and maintains control of her husband, her lover, her body, the "spaces of the tale."</text>
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              <elementText elementTextId="2850789">
                <text>"May medica": Divine Healing and the Garden in "The Merchant's Tale."</text>
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          <elementTextContainer>
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              <text>Wicher, Andrzej.</text>
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        <element elementId="98">
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            <elementText elementTextId="2849173">
              <text>Text Matters: A Journal of Literature, Theory and Culture 11 (2021): 334-52.</text>
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            <elementText elementTextId="2849174">
              <text>Text Matters: A Journal of Literature, Theory and Culture 11 (2021)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2849175">
              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          <name>Source</name>
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              <text>SAC 46:236</text>
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              <text>2021</text>
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                <text>Griselda's Afterlife, or the Relationship between Shakespeare's "The Winter's Tale, Chaucer's "The Clerk's Tale" and the "Tale of Magic."</text>
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              <elementText elementTextId="2849171">
                <text>Offers "folkloric analysis" of several motifs--slaughtered wives, lost and restored children, and incest--in ClT and in "The Winter's Tale" (and other Shakespearean plays), arguing that such analysis allows us "to see these texts in connection with particular archetypal patterns that make certain crucial elements of their plots stand out in relief." The female protagonist in each plot "may . . . be said to have saved" her husband from himself.</text>
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              <text>Nixon, Jo.</text>
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              <text>Chaucer Review 57 (2022): 345-67.</text>
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              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Examines the frequent mention of Griselda's face in ClT, as compared to his sources, and simultaneously argues that Chaucer's version highlights Griselda's interiority and how she maintains her patience.</text>
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                <text>Stories Said and Not: Patience and Accommodation in the "Clerk's Tale."</text>
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              <text>Nixon, Emily Joanna.</text>
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              <text>Ph.D. Dissertation. University of Chicago, 2021, &#13;
Dissertation Abstracts International A83.04(E).</text>
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              <text>Clerk and His Tale</text>
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                <text>Patience, Exemplarity, and the Affective Didactics of Middle English Literature.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851987">
                <text>"Traces the theme of patience in Middle English verse exempla amid the proliferation of exemplary works in late medieval England to examine the sociality of feeling within narratives of individual virtue," including a chapter pertaining to ClT.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Turner, Marion.</text>
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        <element elementId="98">
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            <elementText elementTextId="2849149">
              <text>Princeton: Princeton University Press, 2022.</text>
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        <element elementId="99">
          <name>Physical Description</name>
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            <elementText elementTextId="2849150">
              <text>x, 320 pp.; 14 color illus.</text>
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        <element elementId="102">
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            <elementText elementTextId="2849151">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>SAC 46:233</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2849153">
              <text>2022</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Wife of Bath: A Biography.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851986">
                <text>Combines personal appreciation and critical analysis of the Wife of Bath as a character; Chaucer's art in creating her and WBPT; and the voluminous historical reception and impact of the Wife from early scribal glosses to international modern adaptations in poetry, drama, fiction, opera, film, children's literature, poster-art, and more. Includes commentary on source study of the Wife; cultural and socioeconomic backgrounds to her in post-plague England; close reading of passages of WBPT; and assessments of adaptations by Shakespeare, Dryden, Pope, Voltaire, Percy MacKaye, James Joyce, Vera Chapman, Caroline Bergvall, Jean "Binta" Breeze, Patience Agbabi, Zadie Smith, and more.</text>
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          <elementTextContainer>
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              <text>Strouse, A. W.</text>
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              <text>New York: Fordham University Press, 2021.</text>
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          <elementTextContainer>
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              <text>[165 pp.]</text>
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          <description/>
          <elementTextContainer>
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              <text>The Foreskin of Marriage</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>SAC 46:232</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849145">
              <text>2021</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Form and Foreskin: Medieval Narratives of Circumcision.</text>
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            <description>An account of the resource</description>
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                <text>Uses Pauline "theo-poetics of circumcision" to explore circumcision and "uncircumcision" as hermeneutic tropes, focusing on allegoresis and amplification, and analyzing queerly Augustine's Boy with a Long Foreskin" (from "De Genesi ad litteram"); "Sir Gawain and the Green Knight"; and, in Chapter 3, "The Foreskin of Marriage," WBT. Identifies medieval association of marriage and "the allegorical praeputium" in the latter and suggests that the "Wife vernacularizes and feminizes the 'Latinate praeputium' in order to circumcise the marriage plot."</text>
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              <text>Steinberg, Glenn A.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2849132">
              <text>Arthuriana 31 (2021): 3-28.</text>
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              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 46:231</text>
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        <element elementId="114">
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            <elementText elementTextId="2849136">
              <text>2021</text>
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            <name>Title</name>
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              <elementText elementTextId="2849129">
                <text>Is Ugliness Only Skin Deep? Middle English Gawain Romances and the "Wife of Bath's Tale."</text>
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                <text>Explores "the socioeconomic significance of the ugly, monstrous figures in the Gawain romances" and in WBT, arguing that Chaucer "bifurcates" the "ugly antagonist" of the romances into the "crude, social-climbing Wife . . . and the loathly lady of her tale" while amplifying criticism of the "old aristocracy" and highlighting "tensions and ugliness" among the parvenu Canterbury pilgrims.</text>
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