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                  <text>Chaucer Bibliography Online</text>
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              <text>Easler, Jennifer Nicole.</text>
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              <text>Ph. D. Dissertation. University of Minnesota, 2022. Open access at https://conservancy.umn.edu/handle/11299/227922 (accessed November 18, 2023).</text>
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              <text> vi, 233 pp.</text>
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              <text>Troilus and Criseyde</text>
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              <text>SAC 46:320</text>
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              <text>2022</text>
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                <text>The Futility of Prophecy: Prophecy and Poetry in English Narratives of Troy.</text>
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                <text>Examines the themes of prophecy and retold narrative in premodern works about Troy by Virgil, Dares and Dictys, Chaucer (TC), Lydgate, and Shakespeare, arguing that, in various ways, they "call into question the efficacy of poetry and of knowledge, but they do so in ways that ultimately reaffirm the power and limits of both knowledge and literature."</text>
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              <text>Dumitescu, Irina.</text>
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            <elementText elementTextId="2849756">
              <text>Times Literary Supplement February 11, 2022, p. 27.</text>
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              <text>Times Literary Supplement February 11, 2022.</text>
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              <text>Troilus and Criseyde&#13;
Legend of Good Women</text>
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              <text>2022</text>
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                <text>Beyond the Girlboss.</text>
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                <text>Comments on Criseyde in TC and the protagonists of LGW as evidence of Chaucer's effort "to articulate the problem of writing about women: in the public eye, no female character is entitled to a full personality."</text>
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              <text>Booth, Naomi.</text>
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              <text>Manchester: Manchester University Press, 2021.</text>
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              <text>x, 232 pp.; 4 illus.</text>
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              <text>Heart-Stopped Transformations: Swooning in Late Medieval Literature</text>
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              <text>Troilus and Criseyde</text>
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              <text>SAC 46:318</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2849752">
              <text>2021</text>
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                <text>Swoon: A Poetics of Passing Out.</text>
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            <description>An account of the resource</description>
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                <text>Surveys literary representations of swooning from late medieval works to modern ones, assessing how the motif is "inflected and re-inflected as ideas of the body, gender, race, sexuality and sickness shift through time." After an introductory essay on theorizations of swooning and fainting, Chapter 1, "Heart-Stopped Transformations: Swooning in Late Medieval Literature," includes discussion of TC, in which swoons signify danger and transformation, with contrasts between Troilus's and Criseyde's swoons reflecting their individual vulnerabilities that comprise an anatomy of erotic love.</text>
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              <text>Alberghini, Jennifer.</text>
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              <text>Medieval Feminist Forum 57 (2022): 7-34.</text>
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              <text>Medieval Feminist Forum 57 (2022)</text>
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              <text>Troilus and Criseyde</text>
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              <text>SAC 46:317</text>
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          <elementTextContainer>
            <elementText elementTextId="2849743">
              <text>2022</text>
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            <name>Title</name>
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                <text>Calkas's Daughter: Paternal Authority and Feminine Virtue in "Troilus and Criseyde"</text>
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            <description>An account of the resource</description>
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                <text>Explores Criseyde's role as daughter in TC, Calkas's putative authority over her in marital matters, and the views of other characters concerning her ambiguous, conditional consent to her father's wishes. Treats Criseyde's "feminine virtue" and Calkas's authority over her as reflections of medieval social expectations, arguing that the appearance of Criseyde's consent is (like Calkas's authority) "performative," her means to keep her reputation intact while maintaining considerable independence.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Adamson, Christopher.</text>
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        <element elementId="98">
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              <text>Ph. D. Dissertation. Emory University, 2020.&#13;
Dissertation Abstracts International A82.06.</text>
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              <text>Dissertation Abstracts International A82.06.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2849733">
              <text>Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>SAC 46:316</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2849735">
              <text>2020</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"A Sacramental Moment": Liturgy and Time in the Victorian Reception of the Past.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2849729">
                <text>Examines "the importance of ritual in the Victorian reception of the medieval past," including discussion of TC.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>McKee, Conor.</text>
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              <text>Chaucer Review 57 (2022): 273-301.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2849724">
              <text>Chaucer Review 57 (2022)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2849725">
              <text>Romaunt of the Rose&#13;
Chaucerian Apocrypha&#13;
Style and Versification&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 46: 315</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2849727">
              <text>2022</text>
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                <text>Henry Bradshaw's Rhyme Tests and the Formation of the Chaucer Canon: The Glasgow "Romaunt of the Rose" and the "Tale of Gamelyn."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849721">
                <text>Contains archival evidence and unpublished papers from Henry Bradshaw. Examines Bradshaw's "rhyme tests," which he used to establish Chaucerian authorship of the "Tale of Gamelyn" and Rom, and accounts for Walter W. Skeat's sometimes incorrect results.</text>
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              <name>Title</name>
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              <text>Vercoe, Elizabeth, comp.</text>
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              <text>New York: American Composers Alliance, 2021.</text>
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              <text>Musical score; 16 pp.</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849717">
              <text>Parliament of Fowls&#13;
Recordings and Films</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849718">
              <text>SAC 46:314</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849719">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849712">
                <text>The Varieties of Amorous Experience: For Voice &amp; Piano.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849713">
                <text>Item not seen. WorldCat records indicate that this musical score includes "Qui bien aime" by Geoffrey Chaucer, i.e., the title of a French song cited in several manuscripts of PF before the roundel at PF, 680-92, here set to music, along with selections from Thomas Flatman, William Shakespeare, and Coventry Patmore.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849706">
              <text>Ni, Yun.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849707">
              <text>Chaucer Review 57 (2022): 302-20.</text>
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              <text>Parliament of Fowls</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849710">
              <text>SAC 46:313</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849711">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849704">
                <text>Natural Law and Parliamentary Election in Geoffrey Chaucer's "Parliament of Fowls."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849705">
                <text>Demonstrates that PF reflects a movement from natural law to a more subjective interpretation of individual rights and ties this transition to the crisis of "commonalty" in the late fourteenth century.</text>
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          <elementTextContainer>
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              <text>Krajník, Filip.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849698">
              <text>Paul Poplawski, ed. Studying English Literature in Context: Critical Readings (Cambridge: Cambridge University Press, 2022), pp. 27-43.</text>
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        <element elementId="112">
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              <text>Poplawski, Paul, ed. </text>
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            <elementText elementTextId="2849700">
              <text>Studying English Literature in Context: Critical Readings </text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2849701">
              <text>Parliament of Fowls&#13;
Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849702">
              <text>SAC 46:312</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849703">
              <text>2022</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849695">
                <text>The Translator as Author: The Case of Geoffrey Chaucer's "The Parliament of Fowls."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850777">
                <text>Contrasts medieval and modern ideas of authorship, focusing on how Chaucer "treated old authorities in developing his own reputation and what strategies he employed to establish a harmony among the multiple authorial voices" in PF. Proposes that, for Chaucer, authorship is defined by the "level of the author's creative input" in combination with the occasion of a work, its "original context and purpose," and its various possible audiences</text>
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  <item itemId="277164" public="1" featured="0">
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              <description>A name given to the resource</description>
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          <elementTextContainer>
            <elementText elementTextId="2849688">
              <text>Keller, Wolfram R.</text>
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        <element elementId="98">
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              <text>Cornelia Wilde and Wolfram R. Keller, eds. Perfect Harmony and Melting Strains: Transformations of Music in Early Modern Culture between Sensibility and Abstraction (Boston, Mass.: De Gruyter, 2021), pp. 11-37.</text>
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        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2849690">
              <text>Wilde, Cornelia, ed.&#13;
Keller, Wolfram R., ed.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2849691">
              <text>Perfect Harmony and Melting Strains: Transformations of Music in Early Modern Culture between Sensibility and Abstraction</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2849692">
              <text>Parliament of Fowls&#13;
House of Fame</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2849693">
              <text>SAC 46:311</text>
            </elementText>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2849694">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849686">
                <text>Disharmonic Spheres: Metapoetic Noise in Geoffrey Chaucer's "Parliament of Fowls."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849687">
                <text>Describes the background to and representations of the harmony of the spheres in PF and in HF, arguing that both poems depict the "three ventricles of the brain"--imagination, logic, and memory--and that, through parody and/or inversion, each depicts a poetics, "the cornerstone of which is disharmony rather than harmony."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2849680">
              <text>Harlan-Haughey, Sarah.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849681">
              <text>Chaucer Review 57 (2022): 101-28.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2849682">
              <text>Chaucer Review 57 (2022)</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2849683">
              <text>Legend of Good Women</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849684">
              <text>SAC 46:309</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849685">
              <text>2022</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849678">
                <text>The Dragon of Love: Chaucer's Jason and the Cycle of Consumption in the "Legend of Good Women."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849679">
                <text>Focuses on Jason in LGW and other sexually predatory men, examines a number of motifs in Chaucer's version of Jason, and highlights the danger of men such as Jason who hide their behavior behind gentility.</text>
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  <item itemId="277162" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849671">
              <text>Hakman, Ekmel Emrah.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849672">
              <text>Meral Hakman, ed. Prehistoryadan günümüze kadın (Ankara: Bilgin Kültür Sanat Yayınları, 2020), pp. 391-437.</text>
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          </elementTextContainer>
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        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2849673">
              <text>Hakman, Meral, ed.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849674">
              <text>Prehistoryadan günümüze kadın</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849675">
              <text>Legend of Good Women</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849676">
              <text>SAC 46:308</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849677">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849669">
                <text>Female Goodness for Geoffrey Chaucer: Misconception or Intention?</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851794">
                <text>Briefly summarizes LGWP and assesses in detail each of the legends, arguing that, generally, Chaucer's anti-misogynistic effort fails. Although his "primary goal is to speak of good women as examples for the society and equal to men," his selection of women, his sources, his characterizations of women and men, and his ""of goodness" are fundamentally patriarchal.</text>
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  <item itemId="277161" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849662">
              <text>Allen-Goss, Lucy M.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849663">
              <text>Sarah Baechle, Carissa M. Harris, and Elizaveta Strakhov, eds. Rape Culture and Female Resistance in Late Medieval Literature: With an Edition of Middle English and Middle Scots Pastourelles (University Park: Penn State University Press, 2022), pp. 80-96.</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849664">
              <text>Baechle, Srah, ed. &#13;
Harris, Carissa M., ed.&#13;
Strakhov, Elizaveta, ed. </text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849665">
              <text>Rape Culture and Female Resistance in Late Medieval Literature: With an Edition of Middle English and Middle Scots Pastourelles</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2849666">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849667">
              <text>SAC 46:307</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849668">
              <text>2022</text>
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                <text>Dismembered Memories: Philomela in Chaucer and Gower.</text>
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                <text>Contrasts Chaucer's and Gower's Philomela stories, focusing on differences between the nuances and implications of weaving in LGW and embroidery in "Confessio Amantis," and arguing that Chaucer's version aligns better with modern understanding of "trauma-fragmented memory," speaking, and rape survival.</text>
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              <text>Nelson, Ingrid.</text>
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              <text>ELH: English Literary History 88 (2021): 551-78.</text>
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              <text>ELH: English Literary History 88 (2021)</text>
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              <text>House of Fame</text>
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              <text>SAC 46:305</text>
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        <element elementId="114">
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              <text>2021</text>
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                <text>Argues that, rooted in "medieval theory of mediated perception" and concerned with perceptual distortion, HF shows how a "sensing body" participates in an "ambient mediascape"--one that includes environmental media (air, water, architecture) as well as aesthetic media (painting, engraving, writing).</text>
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                <text>Ambient Media and Chaucer's "House of Fame."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Moll, Richard J.</text>
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        <element elementId="98">
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              <text>Studies in Philology 119 (2022): 371-404.</text>
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              <text>Studies in Philology 119 (2022)</text>
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              <text>House of Fame&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>SAC 46:304</text>
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        <element elementId="114">
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              <text>2022</text>
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                <text>The Hall of Honor: Chaucer, Hawes, and the Conclusion to Gerard Legh's "Accedens of Armory."</text>
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                <text>Shows how Legh uses the dream vision structure from HF but employs a frame of memory and "argues against Chaucer's position that fame is unrelated to deserving."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Livne, Shachar.</text>
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              <text>Studies in Philology 118 (2021): 605-30.</text>
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            <elementText elementTextId="2849636">
              <text>Studies in Philology 118 (2021)</text>
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          <name>Chaucer Subject</name>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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              <text>SAC 46:303</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2849639">
              <text>2021</text>
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              <elementText elementTextId="2849632">
                <text>On Truth, "Pietà," and Reader Response to Dante's "Purgatory" 10 and Chaucer's "House of Fame 1."</text>
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              <elementText elementTextId="2850778">
                <text>Contrasts the hermeneutics of ekphrastic scenes in "Purgatorio" and HF: the viewing by Dante's viator of bas-reliefs in the first cornice of Purgatory (X.25ff.) encourages emotional detachment when searching for truth in art; Geffrey's compassion when viewing the murals on the walls of Venus's temple in HF (140ff.) "is precisely what prompts him to reject such representations and search for truth elsewhere."</text>
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            <elementText elementTextId="2849626">
              <text>Lewis, Sean Gordon.</text>
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          </elementTextContainer>
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        <element elementId="98">
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            <elementText elementTextId="2849627">
              <text>Enarratio: Publications of the Medieval Association of the Midwest 23 (2022): 52-68.</text>
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              <text>Enarratio: Publications of the Medieval Association of the Midwest 23 (2022)</text>
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          <name>Chaucer Subject</name>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations&#13;
Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 46:302</text>
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        <element elementId="114">
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            <elementText elementTextId="2849631">
              <text>2022</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Airy Bodies and Knowledge in Chaucer's "House of Fame."</text>
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            <description>An account of the resource</description>
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                <text>Examines the "embodiment of language" in HF and argues that it displays epistemological "confidence in the ability of the textual word/body to communicate accurately to the reader's imagination in a synesthetic experience." Focuses on how Chaucer (following Dante's Thomistic hylomorphism) "portrays audible speech as visible shades of the speakers" and "calls attention to the spoken word embodied in writing." Also comments on the textual history of HF in manuscripts and early print.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Kordecki, Lesley.</text>
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        <element elementId="98">
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              <text>ISLE: Interdisciplinary Studies in Literature and Environment 29 (2022): 570-82.</text>
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            <elementText elementTextId="2849620">
              <text>ISLE: Interdisciplinary Studies in Literature and Environment 29 (2022)</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2849621">
              <text>House of Fame</text>
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              <text>SAC 46:301</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2849623">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2849616">
                <text>Poetry and the Bird in Chaucer's "House of Fame."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849617">
                <text>Argues that the eagle in HF "represents poetry," manifest in its "uncanny perception," its ability to "uplift" the narrator, and its concern with sound and transformative power.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Keller, Wolfram R.</text>
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              <text>Iris Därmann and Aloys Winterling, eds. Oikonomia und Ökonomie im klassischen Griechenland: Theorie--Praxis--Transformation (Stuttgart: Franz Steiner, 2022), pp. 157-73.</text>
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              <text>Därmann, Iris, ed.&#13;
Winterling, Aloys, ed.</text>
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              <text>Oikonomia und Ökonomie im klassischen Griechenland: Theorie--Praxis--Transformation</text>
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          <name>Chaucer Subject</name>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2849614">
              <text>SAC 46:300</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2849615">
              <text>2022</text>
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              <elementText elementTextId="2849607">
                <text>Chrematistische Poetik: Mentale Haushaltsführung in Geoffrey Chaucers "Traumvisionen."</text>
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                <text>Argues that HF depicts a journey through the mental operation of using traditional classical material to generate new literature (tidings) and, in doing so, reflects aspects of late medieval understanding of psychology and economics. Crucial to the latter is a shift from the model of household maintenance to that of chresmatistic mercantile expansion, which depends upon dislocation, multiplication, even unnatural usury--in various ways analogous to imagination rather than memory.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hartmann, Jan-Peer, ed. &#13;
Johnston, Andrew James, ed.</text>
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              <text>Material Remains: Reading the Past in Medieval and Early Modern British Literature</text>
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              <text>House of Fame</text>
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        <element elementId="109">
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          <description/>
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              <text>SAC 46:298</text>
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        <element elementId="114">
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                <text>"But men seyn, 'What may ever last?'": Chaucer's "House of Fame" as a Medieval Museum.</text>
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                <text>Considers possibilities of assessing material archeology in medieval literature and offers a case study concerning HF, observing connections between the brass-tablet account of Aeneas in the poem (lines 140ff.) and monumental brasses, hypothesizing Fame's palace as a medieval version of a museum, and connecting them both with the open-endedness of the poem and early modern sensibilities.</text>
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              <text>Cousins, A. D.</text>
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Derrin, Daniel,ed,</text>
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              <text>House of Fame&#13;
Facsimiles, Editions, and Translations</text>
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                <text>Pope and Chaucer: Reconstructing "The House of Fame" in the Reign of Queen Anne.</text>
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              <elementText elementTextId="2849590">
                <text>Argues that in his reworking of HF as "The Temple of Fame," Alexander Pope "comprehensively repudiates the inconclusiveness" of Chaucer's work. Where Chaucer suggests "the contradictions and confusions" of literary tradition and authority, Pope assumes authority and "almost entirely excludes hesitancy and ambiguity from his consideration."</text>
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              <text>Cossio, Andoni.</text>
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              <text>SELIM: Journal of the Spanish Society for Medieval Language and Literature 27 (2022): 166-76.</text>
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            <elementText elementTextId="2849586">
              <text>Equatorie of the Planetis&#13;
Manuscripts and Textual Studies</text>
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        <element elementId="109">
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2849588">
              <text>2022</text>
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                <text>Further Notes on J. R. R. Tolkien's Photostats of "The Equatorie of the Planetis" (MS Peterhouse 75.I).</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849582">
                <text>Identifies which folios of Cambridge, Peterhouse, MS 75.I are included (photostatic copies) in the Tolkien archive of Oxford, Bodleian Library, Tolkien VC 277, using the copies to assess Tolkien's possible assistance to Derek J. Price and R. M. Wilson in their 1955 Cambridge University Press edition of Equat and the putative attribution of Equat to Chaucer.</text>
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              <text>Cossio, Andoni.</text>
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        <element elementId="98">
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              <text>ANQ 36 (2023): 164-71.</text>
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              <text>ANQ 36 (2023)</text>
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            <elementText elementTextId="2849578">
              <text>Equatorie of the Planetis&#13;
Manuscripts and Textual Studies</text>
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        <element elementId="109">
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              <text>SAC 46:294</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2849580">
              <text>2023</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2849573">
                <text>Addenda: One Middle English Manuscript and Four Editions of Medieval Works Known to J. R. R. Tolkien and What They Reveal.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2849574">
                <text>Includes photostats of Cambridge, Peterhouse, MS 75.I (Equat) among several additions to "Section A" of Oronzo Cilli's "Tolkien's Library: An Annotated Checklist" (Edinburgh: Luna Press, 2019), and comments on Tolkien's concern with scribal corruption in Chaucer's works and his own.</text>
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  <item itemId="277149" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2849566">
              <text>Spearing, A. C.</text>
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        <element elementId="98">
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              <text>Sylvie Patron, ed. Optional-Narrator Theory (Lincoln: University of Nebraska Press, 2021), pp. 166-83.</text>
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        <element elementId="112">
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              <text>Patron, Sylvie, ed.</text>
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            <elementText elementTextId="2849569">
              <text>Optional-Narrator Theory.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2849570">
              <text>Book of the Duchess&#13;
Style and Versification</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2849571">
              <text>SAC 46:293</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2849572">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2849564">
                <text>Narrator Theory and Medieval English Narratives.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849565">
                <text>Challenges the applicability of modern narratology to medieval narratives, examining the narrating position in "King Horn" as popular romance and in BD as adaptation of a French "dit," and showing that novel-based notions of narrator-as-character do not apply. In Chaucer's case, the first-person pronouns convey "a proximal deictic," i.e., "a certain literary effect, one that is hard to define except as 'I-ness'--the sense of being a centre of experience and perception."</text>
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              <text>Reichert, Folker.</text>
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              <text>Archiv für Kulturgeschichte 104 (2022): 331-43.</text>
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              <text>Archiv für Kulturgeschichte 104 (2022)</text>
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              <text>Book of the Duchess&#13;
Language and Word Studies</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2849563">
              <text>2022</text>
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                <text>Geoffrey Chaucers "Carrenare": Zum Verhältnis von Poesie und Geographie im 14. Jahrhundert.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849557">
                <text>Examines geographical and literary backgrounds to Chaucer's use of "Carrenare" in BD, 1029, identifying it with "Caramoran" (especially as found in Marco Polo and Mandeville), and suggesting it helps to separate Blanche from the vanities of the courtly world.</text>
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