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              <text>Orton, Daniel.</text>
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              <text>DPhil. Dissertation. University of Oxford, 2019. v, 282 pp. Dissertation Abstracts International C83.06(E). Fully accessible at https://ora.ox.ac.uk/objects/uuid:dfc9eb17-71d5-425f-a7b1-2e835310e322; abstract available via ProQuest Dissertations &amp; Theses Global.</text>
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              <text>v, 282 pp.</text>
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              <text>Dissertation Abstracts International C83.06(E).</text>
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          <name>Chaucer Subject</name>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Theories of Poetry, 1256-1400.</text>
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                <text>Surveys interrelated attitudes toward the "status and function of poetry" in thirteenth- and fourteenth-century Europe, limning poetry's exalted status in the Parisian schools and in the writings of Roger Bacon and Alberto Mussato, and exemplifying later evidence of distrust in its reliability in Gower's "Confessio Amantis" and in HF. Reads the latter as a "self-destructive riposte to the poetic self-conceptions of humanist writers like Dante" and "an important meta-poetic rejection of humanist poetic theory, denying the author any control over his work."</text>
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              <text>Al-Ibia, Salim E.</text>
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              <text>Studies in Language and Literature (Montreal) 11.1 (2015): 57-61.</text>
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              <text>Canterbury Tales--General&#13;
Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations&#13;
Shipman and His Tale</text>
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              <text>mea; 4/9/2025</text>
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                <text>Chaucer's "The Canterbury Tales": The Position of Fragment VII.</text>
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                <text>Supports the so-called "Bradshaw Shift" that recommends moving fragment VII of CT to a position just after fragment II, arguing that the move better enhances the "thematic relationship among" ShT, and the fabliaux of fragment I, MilT, and RvT.</text>
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              <text>Nafde, Aditi.</text>
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              <text>D.Phil Dissertation. University of Oxford, 2012. Dissertation Abstracts International C73.08 and C81.07(E). Fully accessible at https://ora.ox.ac.uk/objects/uuid:b2c67783-b797-494a-b792-368c14d1fe49. Abstract available via ProQuest Dissertations &amp; Theses Global.</text>
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              <text> viii, 268 pp.; 11 illus. </text>
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              <text>Dissertation Abstracts International C73.08 &#13;
Dissertation Abstracts International C81.07(E).</text>
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          <name>Chaucer Subject</name>
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              <text>Manuscripts and Textual Studies</text>
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              <text>mea; 4/6/2025</text>
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                <text>Deciphering the Manuscript Page: The "Mise-en-Page" of Chaucer, Gower, and Hoccleve Manuscripts.</text>
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                <text>Includes analysis the "mise-en-page" of twenty-four Chaucer manuscripts, including assessment of "borders, initials, paraphs, rubrics, running titles, speaker markers, glosses and notes," and arguing that--like Gower and Hoccleve manuscripts--they evince scribal attention to poetic form.</text>
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              <text>Herrold, Megan.</text>
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              <text>Ph.D. Dissertation. University of Southern California, 2018. Dissertation Abstracts International A84.12(E). Fully accessible via ProQuest Dissertations &amp; Theses.</text>
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              <text>267 pp.</text>
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            <elementText elementTextId="2850177">
              <text>Dissertation Abstracts International A84.12(E).</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2850178">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 4/3/2025</text>
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              <text>2018</text>
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                <text>Productive Misogyny in Medieval and Early Modern Literature: Women, Justice, and Social Order. </text>
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            <description>An account of the resource</description>
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                <text>Explores how Chaucer, Gower, Spenser, Shakespeare, Aemilia Lanyer, and other writers "appropriate conventionally misogynistic figures to rethink radically the ethical and political capacities of personhood, and therefore justice, in society." Includes comparison of WBT with Gower's "Tale of Florent" and "The Wedding of Sir Gawain and Dame Ragnell" to show how these loathly-lady narratives comment on the "limitations of individual autonomy in society-building" by "shunting the notion of compromised subjectivity onto women in general and the loathly lady in particular." In WBT "class conflict is pitted against gender conflict to apologize for a rapist."</text>
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              <text>Gillhammer, Cosima Clara.</text>
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              <text>Ph.D. Dissertation. University of Oxford, 2020. Dissertation Abstracts International C82.02(E). Abstract available via ProQuest Dissertations &amp; Theses. Fully accessible via https://ora.ox.ac.uk/objects/uuid:c3244a71-a6fa-4646-aeb3-9902e055a290.</text>
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              <text>2 vols.: xi, 335; i, 329; 51 illus.</text>
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              <text>Dissertation Abstracts International C82.02(E)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Manuscripts and Textual Studies&#13;
Parson and His Tale&#13;
Tale of Melibee</text>
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                <text>An Edition of Oxford, Trinity College, MS 29.</text>
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                <text>Edits Oxford, Trinity College, MS 29, a moralized "compilation of reworked extracts from a wide range of sources, forming a history of the world beginning with the creation of man and breaking off incompletely at the time of Hannibal."  The Introduction, Volume 1, indicates that four extracts are from ParsT and one from Mel; the latter is used twice. Volume 2 is the edition itself.</text>
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              <text>Strakhov, Yelizaveta. [Strakhov, Elizaveta].</text>
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              <text>Ph.D. Dissertation. University of Pennsylvania, 2014. Dissertation Abstracts International A76.01(E). Fully accessible via ProQuest Dissertations &amp; Theses.</text>
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              <text>ix, 339 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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              <text>Background and General Criticism&#13;
Manuscripts and Textual Studies&#13;
Legend of Good Women&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>mea; 4/2/2025</text>
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              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2850154">
                <text>Politics in Translation: Language, War, and Lyric Form in Francophone Europe, 1337-1400.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850155">
                <text>Studies aesthetic and political relations between France and Francophone England during the Hundred Years' War, with particular attention to uses and politics of the "formes fixes" of lyric poetry among French writers, Chaucer, and Gower. Examines the contents of Philadelphia, University of Pennsylvania, MS Codex 902 (formerly French 15), and a wide range of French and English poems, including the poems of "Ch,"  Deschamps' praise of Chaucer, Gower's Traitie, and Chaucer's LGWP.</text>
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  <item itemId="277218" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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              <text>Wagner, Erin Kathleen.</text>
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              <text>Wagner, Erin Kathleen.  Linguam Ad Loquendum: Writing a Vernacular Identity in Medieval and Early Modern England. Ph.D. Dissertation. Ohio State University, 2015. Dissertation Abstracts International A81.12(E). Fully accessible via ProQuest Dissertations &amp; Abstracts.</text>
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          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2850149">
              <text>vii, 315 pp.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2850150">
              <text>Dissertation Abstracts International A81.12(E).</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2850151">
              <text>Manciple and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850152">
              <text>mea; 4/1/2025</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850153">
              <text>2015</text>
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          </elementTextContainer>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850145">
                <text>Linguam Ad Loquendum: Writing a Vernacular Identity in Medieval and Early Modern England.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850146">
                <text>Studies uses of and attitudes toward vernacular English in late-medieval and early modern writing, literary and religious, from Wyclif and the Lollards to Tyndale and More. Includes comparison of ManT with Gower's analogous Tale of Phebus and Cornide, finding Chaucer to be much concerned with freedom of speech than Gower is. </text>
              </elementText>
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          </element>
        </elementContainer>
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    </elementSetContainer>
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  <item itemId="277217" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850138">
              <text>Ensley, Mimi.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850139">
              <text>Ph.D. Dissertation. University of Notre Dame, 2019. Dissertation Abstracts International A81.09(E). Fully accessible via ProQuest Dissertations &amp; Theses (last accessed March 31, 2025).</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2850140">
              <text> vi, 315 pp.; illus.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850141">
              <text>Dissertation Abstracts International A81.09(E).</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850142">
              <text>Chaucer's Influence and Later Allusion&#13;
Chaucerian Apocrypha</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850143">
              <text>mea; 3/31/2025</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850144">
              <text>2019</text>
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          </elementTextContainer>
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      </elementContainer>
    </itemType>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850136">
                <text>Re-forming the Past: The Medieval Romance Book as a Dynamic Site of Memory. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850137">
                <text>Includes recurrent comments on early modern reception of Chaucer and his status as a laureate poet, with focused attention on the spurious attribution to Chaucer of the romance "Kynge Rycharde cuer du lyon" found in an annotation to the work in the "Sammelband" collection, Oxford, Bodleian Library, S.Seld.d.45.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="277216" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850128">
              <text>Elmes, Melissa Ridley.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850129">
              <text>Ph.D. Dissertation. The University of North Carolina at Greensboro, 2016. Dissertation Abstracts International A77.11(E). Fully accessible via ProQuest Dissertations &amp; Theses and at https://libres.uncg.edu/ir/listing.aspx?id=19566.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850130">
              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucerian Apocrypha</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850131">
              <text>mea; 3/31/2025</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850132">
              <text>2016</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850133">
              <text>Dissertation Abstracts International A77.11(E). </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850134">
              <text> viii, 330 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850126">
                <text>Negotiating Violence at the Feast in Medieval British Texts.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2850774">
                <text>From Elmes's abstract: "Making use of theoretical underpinnings from anthropology and history that characterize the feast as a culturally essential event and medieval violence as a rational and strategically-employed tool of constraint, coercion, and manipulation, I convert the essentially historical question of the cultural importance of feasts into a literary one by close reading feasting scenes and their aftermath in order to consider how the writers in medieval England used the motif of violence at or following the feast to illuminate, critique, and offer correction to social, political, and religious issues tied to the specific concerns of justice, loyalty, and treason within a community. Looking at texts ranging from the Anglo-Saxon epic 'Beowulf,' the Welsh 'Mabinogion,' and Latin 'Historia Regum Britanniae' to chronicle-based works by Geoffrey Chaucer and John Gower, the Middle English Arthurian romances 'Sir Gawain and the Green Knight' and Sir Thomas Malory's 'Le Morte Darthur,' the Old Norse 'Clari's Saga,' and outlaw tales of Robin Hood, Gamelyn, and Hereward the Wake, I demonstrate through a comparative approach centered on interpretation and analysis supported with contextual historical evidence that violence associated with the feast is typically presented according to genre expectations and mirrors cultural anxieties that are specific to the community in which and for which a given text was produced." Includes analysis of the "Man of Law's Tale" and its analogues, and comments on the apocryphal "Tale of Gamelyn."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="277215" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850121">
              <text>Turner, Marion.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850122">
              <text>Turner, Marion. Urban Chaucer: Fragmented Fellowships and Troubled Teleologies in Some Late Fourteenth-Century Texts. Ph.D. Dissertation. University of Oxford, 2002. Dissertation Abstracts International C70.03. Abstract available via ProQuest Dissertations &amp; Theses. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850123">
              <text>Troilus and Criseyde&#13;
Canterbury Tales--General</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850124">
              <text>mea; 3/30/2025</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850125">
              <text>2002</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850135">
              <text>Dissertation Abstracts International C70.03.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850119">
                <text>Urban Chaucer: Fragmented Fellowships and Troubled Teleologies in Some Late Fourteenth-Century Texts.&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850120">
                <text>"This thesis examines the depiction of social antagonism in certain texts written in the 1380s and 1390s, in the London area. It focuses on Chaucer, looking at 'Troilus and Criseyde' and the 'Canterbury Tales' alongside other, contemporary texts. These include Thomas Usk's 'Testament of Love,' the guild returns of 1388-89, the letters accusing three London aldermen of betraying the city in 1381, 'St. Erkenwald,' Richard Maidstone's 'Concordia,' and John Gower's 'Vox clamantis.' Most critics have assumed that Chaucer's vision of society, or of social possibility, was benign. Critics writing from diverse perspectives and in various periods, have generally agreed that Chaucer's texts promote an idea of coherence, and that the author was genial and optimistic. In contrast, I argue that Chaucer's texts depict social groups as essentially fragmentary and antagonistic, and offer no hope for social - or personal - redemption. In Troilus and Criseyde, the city, and fellowship, are shown to be debased and self-seeking; equally, the Canterbury 'compaignye' is a destructive, anti-social group. Both of these works challenge an idea of teleology by suggesting that there is no final goal for society, and both refuse to offer a sense of progress or closure."</text>
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          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="277214" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850113">
              <text>Jackson, Shirley.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850114">
              <text>New York: Farrar, Straus and Cudahy, 1958.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850115">
              <text>245 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850116">
              <text>Chaucer's Influence and Later Allusion&#13;
Knight and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850117">
              <text>mea; 3/28/2025</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850118">
              <text>1958</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850111">
                <text>The Sundial.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851997">
                <text>A novel of family tensions, centering on death, possessiveness, and the legacy of a household estate. A central image is the sundial of the title, on display in the family library. Inscribed on the sundial is a half-line quotation of KnT 1.2777: "What is this world?"</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="277213" public="1" featured="0">
    <collection collectionId="8">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850106">
              <text>McDuffie, Isaac</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850107">
              <text>Ph.D. Dissertation. Louisiana State University, 2017.&#13;
Fully accessible at https://repository.lsu.edu/gradschool_dissertations/4182/; accessed February 5, 2025.&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850108">
              <text>Style and Versification&#13;
Book of the Duchess&#13;
Parliament of Fowls&#13;
House of Fame&#13;
Troilus and Criseyde&#13;
Nun's Priest and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850109">
              <text>mea; 3/28/2025</text>
            </elementText>
          </elementTextContainer>
        </element>
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            <elementText elementTextId="2850110">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2850104">
                <text>Chaucer's Divided "I": Narrative Voice and Performance Dynamics in Late Fourteenth-Century English Literature.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850105">
                <text>Argues that Chaucer's works "reflect an increasing awareness of the fragility of the author's implied voice and the dangers of misprision in a listening reception," largely an effect of the rise of English as a written language and tensions between the reading of texts and their oral performances. Addresses BD, PF, HF, TC, and NPT.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2850098">
              <text>Heartfield, Kate.</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850099">
              <text>[California]: Choice of Games, 2018.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850100">
              <text>Online resource.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2850101">
              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2850102">
              <text>mea; 2/4/2025</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2850103">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2850096">
                <text>The Road to Canterbury.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851996">
                <text>Item not seen. The WorldCat record indicates that this "continually updated," interactive  historical novel involves Chaucer and Philippa de Roet on a pilgrimage to Canterbury, with the reader joining the pilgrimage and helping to shape the plot.</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="277211" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850089">
              <text>Wilson, Herman Pledger.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2850090">
              <text>Dissertation Abstracts 16.11 (1956): 2154.</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850091">
              <text>Ph. D. Dissertation. University of Tennessee, 1956. </text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2850092">
              <text>Dissertation Abstracts 16 (1956)</text>
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        <element elementId="102">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850093">
              <text>Style and Versification&#13;
Boece&#13;
Tale of Melibee&#13;
Parson and His Tale&#13;
Treatise on the Astrolabe</text>
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        </element>
        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2850094">
              <text>1/26/2025</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850095">
              <text>1956</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850087">
                <text>Chaucer as a Prose Writer.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850088">
                <text>Identifies the "characteristics" of Chaucer's prose style in Bo, Mel,  ParT, and Astr, comparing and contrasting them, and arguing that his reputation as a prose stylist has suffered because of linguistic changes and changes in taste.</text>
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          </element>
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  <item itemId="277210" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2850080">
              <text>Tornwall, William Allen.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2850081">
              <text>Dissertation Abstracts 16.09 (1956): 1676.</text>
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        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2850082">
              <text>Ph. D. Dissertation. Louisiana State University, 1956. </text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2850083">
              <text>Dissertation Abstracts 16.09 (1956)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2850084">
              <text>Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2850085">
              <text>1/26/2025</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850086">
              <text>1956</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850078">
                <text>Studies in Chaucer's Imagery.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850079">
                <text>Ranges throughout Chaucer's corpus, exploring imagery in a wide variety of works, arranged in five chapters: "Chaucer's Imagery and the Colors of Rhetoric," "The Appropriateness of the Subject Matter in Chaucer's Imagery," "Chaucer's Treatment of Derived Imagery," "The Imagery of Chaucer's Portraits," and "Chaucer's Attitude Toward Imagery."</text>
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  <item itemId="277209" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2850071">
              <text>Schless, Howard H.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2850072">
              <text>Dissertation Abstracts 16.09 (1956): 1675.</text>
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        </element>
        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2850073">
              <text>Ph. D. Dissertation. University of Pennsylvania, 1956. </text>
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        <element elementId="100">
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            <elementText elementTextId="2850074">
              <text>Dissertation Abstracts 16 (1956)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2850075">
              <text>Sources, Analogues, and Literary Relations&#13;
Monk and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2850076">
              <text>1/26/2025</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850077">
              <text>1956</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2850069">
                <text>Chaucer and Dante: A Revaluation.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850070">
                <text>Comments on Chaucer's possible access to Dante's works before traveling to Italy in 1372, and explores the "literary relationship of the two writers," arguing that "Chaucer drew on Dante not heavily but over many years," principally for the Ugolino episode of MkT, along with "striking images" and the "lyric expression of religious adoration" found in the "Commedia," but also for the "discussion of nobleness" in "Convivio" 4.</text>
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  <item itemId="277208" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2850062">
              <text>Kleinstück, Johannes Walter.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850063">
              <text>Hamburg: Cram, de Gruyter &amp; Co., 1956.</text>
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        </element>
        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2850064">
              <text>159 pp.</text>
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        <element elementId="104">
          <name>Series</name>
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          <elementTextContainer>
            <elementText elementTextId="2850065">
              <text>Britannica et Americana, no. 1.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850066">
              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations&#13;
Knight and His Tale</text>
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          </elementTextContainer>
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        <element elementId="109">
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            <elementText elementTextId="2850067">
              <text>1/26/2025</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2850068">
              <text>1956</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2850060">
                <text>Chaucers Stellung in der Mittelalterlichen Literatur.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850061">
                <text>Surveys courtly virtues in Chaucer ("courtoisie," "franchise," "gentillesse," "honour," "joie," "pitie," etc.) and the vices which are grounded in pride and the pursuits of fortune. Focuses on KnT when examining the virtues and on the fabliaux for the vices, recurrently comparing Chaucer's materials with their sources. Includes a survey of courtliness in high medieval literature and a comparison of Chaucer's courtliness, humor, and humanness and those of later English writers up to and including Dickens.</text>
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          </element>
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  <item itemId="277207" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2850053">
              <text>Hazelton, Richard Marquard.</text>
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        </element>
        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2850054">
              <text>Dissertation Abstracts 16 (1956)</text>
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        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2850055">
              <text>Ph. D. Dissertation. Rutgers University, 1956. </text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2850056">
              <text>Dissertation Abstracts 16 (1956)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850057">
              <text>Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2850058">
              <text>1/16/2025</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850059">
              <text>1956</text>
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          </elementTextContainer>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850051">
                <text>Two Texts of the "Disticha Catonis" and Its Commentary, with Special Reference to Chaucer, Langland, and Gower.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850052">
                <text>Edits "two glossed texts" of the "Disticha Catonis," constructed for use by students of Chaucer, Langland, and Gower. The Introduction juxtaposes passages from their poetry with "Catonian materials" to indicate the "poets' indebtedness" to the text and the commentary that accrued to it. Texts derived from Bodleian Library, Canonici Classical MS. 72 and Lincoln Cathedral Library, MS. </text>
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              <text>Bazire, Joyce.</text>
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              <text>Year's Work in English Studies 35 (1956): 55-66.</text>
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              <text>Year's Work in English Studies 35 (1956)</text>
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              <text>Bibliographies, Reports, and Research</text>
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                <text>Middle English: Chaucer.</text>
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              <elementText elementTextId="2850036">
                <text>A discursive review of Chaucerian scholarship and research published in 1954 divided into four sections: General, CT, TC, and Other Works.</text>
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              <text>Thompson, Louis Felsinger.</text>
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              <text>Dissertation Abstracts 20.05 (1959): 1771.</text>
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              <text>Dissertation Abstracts 20 (1959)</text>
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            <elementText elementTextId="2850032">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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                <text>Artistry in Troilus and Criseyde: A Study of Chronology, Structure, Characterization, and Purpose.</text>
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              <elementText elementTextId="2850028">
                <text>Compares TC with Boccaccio's "Filostrato," arguing that Chaucer "adapted more portions" of it "than has previously been noticed," subordinating formulas, conventions, thematic concerns, and moral concerns to artful construction and "psychological realism."</text>
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              <text>Olson, Paul A.</text>
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              <text>Dissertation Abstracts 19.10 (1959): 2603.</text>
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              <text>Ph. D. Dissertation. Princeton University, 1957. </text>
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              <text>Dissertation Abstracts 19 (1959)</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Miller and His Tale&#13;
Reeve and His Tale&#13;
Manciple and His Tale&#13;
Shipman and His Tale&#13;
Merchant and His Tale</text>
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              <text>1957&#13;
1959</text>
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            <name>Title</name>
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              <elementText elementTextId="2850018">
                <text>"Le Jaloux" and History: A Study in Mediaeval Comic Convention.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2852107">
                <text>Places the medieval "Jaloux tale" in "its philosophic and historical framework," rooted in the marriage controversies of Sts. Augustine and Jerome with the Pelagians, Manichee, and Jovinians Traces the tradition in French humanists of the twelfth and thirteenth centuries, and in Chaucer's tales of deceived husbands--those of the Miller, Reeve, Manciple, Shipman, and Merchant--where they are used comically.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>McKay, Eleanor Maxine.</text>
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            <elementText elementTextId="2850012">
              <text>Dissertation Abstracts 19.10 (1959): 2615-16. </text>
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          <elementTextContainer>
            <elementText elementTextId="2850013">
              <text>Ph.D. Dissertation. Emory University, 1958. </text>
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            <elementText elementTextId="2850014">
              <text>Dissertation Abstracts 19 (1959)</text>
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            <elementText elementTextId="2850015">
              <text>Troilus and Criseyde&#13;
Style and Versification</text>
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              <text>mea; 1/26/2025</text>
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            <elementText elementTextId="2850017">
              <text>1958&#13;
1959</text>
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              <elementText elementTextId="2850009">
                <text>The Clash and the Fusion of Medieval and Renaissance Elements in Chaucer's "Troilus." </text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850010">
                <text>Aligns Chaucer's style, themes, and characterization in TC with Renaissance humanism more than with medieval conventions, genres, and rhetoric, arguing that the poem anticipates the "poetry of Shakespeare's century" in its fusing realism, epic, and tragedy.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hertz, John Atlee. </text>
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              <text>Dissertation Abstracts 19.10 (1959): 2600-01.</text>
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              <text>Ph. D. Dissertation. Lehigh University 1958.</text>
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            <elementText elementTextId="2850005">
              <text>Dissertation Abstracts 19 (1959)</text>
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            <elementText elementTextId="2850006">
              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations&#13;
Parliament of Fowls&#13;
Troilus and Criseyde&#13;
Knight and His Tale</text>
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              <text>mea; 1/26/2025</text>
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1959</text>
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                <text>Chapters Toward a Study of Chaucer's Knowledge of Geography.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2850001">
                <text>Addresses "source relationships of geographical matters" in Chaucer. Chaucer's cosmography and its sources, and other "geographical matters," arguing that Chaucer "makes more frequent use of geography than do most of his contemporaries." Focuses on PF, TC, and KnT.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2849993">
              <text>Ussery, Huling Eakin, Jr.</text>
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        <element elementId="98">
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            <elementText elementTextId="2849994">
              <text>Dissertation Abstracts International 24.06 (1963): 2491.</text>
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            <elementText elementTextId="2849995">
              <text>Ph. D. Dissertation. University of Michigan, 1963.</text>
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          <elementTextContainer>
            <elementText elementTextId="2849996">
              <text>Dissertation Abstracts International 24 (1963)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2849997">
              <text>Monk and His Tale&#13;
Clerk and His Tale&#13;
Physician and His Tale</text>
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              <text>mea; 1/26/2025</text>
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            <elementText elementTextId="2849999">
              <text>1963</text>
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                <text>Chaucer's Pilgrims: Three Studies in the Real and the Ideal.</text>
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              <elementText elementTextId="2849992">
                <text>Studies "historical background" to Chaucer's Monk, Clerk, and Physician, comparing their characterizations with historical personages. Argues that the Monk is "probably either Benedictine or Cistercian," and "primarily realistic" rather than satiric. Suggests five personages upon whom the Clerk may have been modeled, and characterizes him as a "remarkable blend of the real and the ideal." Also assesses historical models for the "primarily realistic" Physician whose tale is "strikingly appropriate" to its teller.</text>
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                  <text>Chaucer Bibliography Online</text>
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    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849984">
              <text>Richardson, Lilla Janette. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849985">
              <text>Dissertation Abstracts International 24.03 (1963): 1176.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849986">
              <text>Ph. D. Dissertation. University of California, Berkeley, 1962.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849987">
              <text>Dissertation Abstracts International 24 (1963)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849988">
              <text>Style and Versification&#13;
Sources, Analogues, and Literary Relations&#13;
Friar and His Tale&#13;
Reeve and His Tal&#13;
Shipman and His Tale&#13;
Merchant and His Tale&#13;
Miller and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849989">
              <text>mea; 1/26/2025</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849990">
              <text>1963</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849982">
                <text>Irony Through Imagery: A Chaucerian Technique Studied in Relation to Sources, Analogues and the Dicta of Medieval Rhetoric.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852106">
                <text>Shows that Chaucer uses "rhetorical figures . . .  [to] produce imagery," analyzing the "use of imagery" in FrT, RvT, ShT, MerT, and MilT--in comparison with sources, where available--and focusing on how he uses imagery to  create ironic effects not found in his sources or rhetorical theory</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
