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                  <text>Chaucer Bibliography Online</text>
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              <text>Schoeck, Richard J.</text>
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              <text>The Bridge: A Yearbook of Judaeo-Christian Studies 2 (1955): 239-55.</text>
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              <text>The Bridge: A Yearbook of Judaeo-Christian Studies 02 (1955)</text>
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              <text>Prioress and Her Tale</text>
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              <text>mea; 11/14/2025</text>
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              <text>1955</text>
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                <text>Chaucer's Prioress: Mercy and Tender Heart.</text>
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                <text>Argues that Chaucer's characterization of the Prioress in GP "leaves shadows of doubt" about the Prioress, along with "several kinds of uncertainty" and some "strong implications" for the audience. Further, in PrT, her "own words . . . convict her of bigotry" and oppose the "authentic mind of the Church." She is not condemned, however: "rather is the poem's objective view one of understanding pity for her."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Schoeck, R[ichard]. J. </text>
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              <text>Notes and Queries 200 (1955): 140.</text>
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              <text>Notes and Queries 200 (1955)</text>
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              <text>Chaucer's Life&#13;
House of Fame</text>
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              <text>mea; 11/14/2025</text>
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              <text>1955</text>
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                <text>Gerard Legh, Herald.</text>
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                <text>Lends authority to Gerard Legh's claims about Chaucer's status at the Inner Temple (and writing HF for a ceremony there) by adducing Legh's "standing as a heraldist."</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2851548">
              <text>Schaar, Claes.</text>
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        <element elementId="98">
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              <text>Lund: Gleerup, 1955. Rpt. 1967, with an Index.</text>
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        <element elementId="99">
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              <text>viii, 526, 16 pp.</text>
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        <element elementId="104">
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              <text>Acta Regiae Societatis Humaniorum Litterarum Lundensis, no 54.</text>
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        <element elementId="102">
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            <elementText elementTextId="2851552">
              <text>Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 11/14/2025</text>
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                <text>The Golden Mirror: Studies in Chaucer's Descriptive Technique and Its Literary Background. </text>
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                <text>Introduces the conventions of "impersonal" style based in classical rhetoric and developed in medieval rhetorical handbooks Then anatomizes the characteristics of Chaucer's descriptive techniques in relation to his "predecessors and contemporaries," assessing examples and trends throughout Chaucer's corpus of his descriptions of emotions, verbal portraits, and landscapes, with attention to structure, rhetoric, diction, and style, providing backgrounds and sources and analogues from classical, Continental, and English medieval literatures.</text>
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        <element elementId="110">
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            <elementText elementTextId="2851539">
              <text>Rosenthal, M. L., and A. J. M. Smith.</text>
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              <text>New York: Macmillan, 1955.</text>
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            <elementText elementTextId="2851541">
              <text>lxi, 756 pp.</text>
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              <text>Smith, A. J. M. </text>
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        <element elementId="102">
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              <text>Pardoner and His Tale&#13;
Style and Versification</text>
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            <elementText elementTextId="2851544">
              <text>mea; 11/14/2025</text>
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              <text>1955</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Exploring Poetry.</text>
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                <text>Introduces "the study of poetry," suitable for classroom use. A section on "Implied Argument: Irony and Ambiguity" includes a reading of PardT 6.728-33 that suggests a "profound idea wells up in this passage--the idea that we cannot conceive of bringing an end to death without at the same time destroying the principle of the life-cycle here symbolized by Mother Earth," even though Chaucer leaves ambiguous "just who the old man is." The volume also includes for further study excerpts from LGWP-F (the Balade, 249-69), the end of TC (5.1835-48, 1863-69), and the description of Alysoun in MilT 1.3221-70) .</text>
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              <text>Pratt, Robert A.</text>
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              <text>Modern Language Notes 70 (1955): 324-25.</text>
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              <text>Modern Language Notes 70 (1955)</text>
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              <text>Reeve and His Tale</text>
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              <text>mea; 11/14/2025</text>
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                <text>Chaucer and the Holy Cross of Bromholm.</text>
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                <text>Clarifies the appropriateness of Symkin's wife swearing by the "croys of Bromeholm" (RvT 1. 4286), adducing Roger of Wendover's "Flores Historiarum" and, possibly, the clerical status of the wife's father.</text>
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              <text>Patch, Howard R.</text>
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              <text>Modern Language Notes 70 (1955): 8-12.</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Second Nun and Her Tale</text>
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              <text>mea; 11/14/2025</text>
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                <text>Two Notes on Chaucer's "Troilus."</text>
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                <text>Suggests sources in Boccaccio's "Filostrato" for the "corounes tweyne" of TC 2.1735 (noting parallels with SNT 8.221) and for the Invocation to light in the Proem to TC 3, reinforced by several other echoes of "Filostrato."</text>
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              <text>Parker, Elinor, ed.&#13;
David, Ismar, illus.</text>
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              <text>New York: Crowell, 1955.</text>
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        <element elementId="102">
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            <elementText elementTextId="2851518">
              <text>Clerk and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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                <text>100 Poems About People.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851515">
                <text>Anthologizes a selection of poetic characterizations or descriptions of people, historical and fictional, from English poetry. Includes the GP description of the Clerk (1.285-309), in Frank Ernest Hill's 1930 translation.</text>
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              <text>Owen, Charles A., Jr.</text>
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              <text>College English 16 (1955): 226-32.</text>
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              <text>Canterbury Tales--General&#13;
Shipman and His Tale&#13;
Language and Word Studies&#13;
Style and Versification</text>
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              <text>mea; 11/14/2025</text>
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            <elementText elementTextId="2851513">
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          <element elementId="50">
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                <text>Morality as a Comic Motif in the Canterbury Tales.</text>
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            <description>An account of the resource</description>
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                <text>Identifies the "contrast between surface respectability and corrupt motive [as] the keenest source of the comedy" in ShT, and suggests that there is a pun on "cozen" and "cousin." Explores similar contrasts and other devices in CT that produce comic irony rather instead of moral assertion: suggestive imagery and juxtaposition, the "simplicity" of the CT narrator, "double exposure, first of the pilgrim, then indirectly of the futility of overt moral stricture," and self-exposing conflicts between sets of pilgrims.</text>
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              <text>Owen, Charles A., Jr.</text>
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        <element elementId="98">
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              <text>Journal of English and Germanic Philology 54 (1955): 104-10.</text>
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        <element elementId="100">
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            <elementText elementTextId="2851502">
              <text>Journal of English and Germanic Philology 54 (1955)</text>
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        <element elementId="102">
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              <text>Canterbury Tales--General&#13;
Manuscripts and Textual Studies&#13;
Merchant and His Tale</text>
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        <element elementId="109">
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              <text>mea, 11/14/2025</text>
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        <element elementId="114">
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            <elementText elementTextId="2851505">
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2851498">
                <text>The "Canterbury Tales": Early Manuscripts and Relative Popularity.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851499">
                <text>Questions Germaine Dempster's 1948 suggestions about the production of "manuscripts postulated as heads of genetic groups" and lines of descent for CT witnesses, offering several alternative explanations. Includes attention to the change of ink in the Hengwrt manuscript at MerT 4.2318, and offers surmises about the relative popularity of individual tales in early reception history.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Muscatine, Charles.</text>
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        <element elementId="98">
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              <text>Modern Language Notes 70 (1955): 169-72.</text>
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        <element elementId="100">
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              <text>Modern Language Notes 70 (1955)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2851495">
              <text>Friar and His Tale&#13;
Language and Word Studies&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 11/14/2025</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2851497">
              <text>1955</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2851490">
                <text>The Name of Chaucer's Friar.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851491">
                <text>Suggests that the Friar's name, "Huberd" (GP 1.269), "may be an ironic literary allusion, to Hubert 'l'escoufle,' the kite, a bird of prey, and a lewd cleric and confessor in the Old French poems of the 'Renart' tradition."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851484">
              <text>Morse, J. Mitchell.</text>
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          </elementTextContainer>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2851485">
              <text>Notes and Queries 200 (1955): 11.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2851486">
              <text>Notes and Queries 200 (1955)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2851487">
              <text>Clerk and His Tale&#13;
Language and Word Studies</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851488">
              <text>mea; 11/14/2025</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851489">
              <text>1955</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851482">
                <text>Chaucer: A Meaning of "Philosophye."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851483">
                <text>Considers "Of Aristotle and his commentators and disciples" to be the "most worthy" of several possible meanings of "Aristotle and his philosophye" in the description of the Clerk's books in GP 1.295.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="277312" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      </elementSetContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851476">
              <text>Miller, Robert P.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851477">
              <text>Speculum 30 (1955): 180-99.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851478">
              <text>Speculum 30 (1955)</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851479">
              <text>Pardoner and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Parson and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851480">
              <text>mea; 11/14/2025</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851481">
              <text>1955</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2851474">
                <text>Chaucer's Pardoner, the Scriptural Eunuch, and the Pardoner's Tale.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851475">
                <text>Follows W. C. Curry (1926) in understanding the Pardoner to be a eunuch, and explores the Biblical and exegetical implications of this characterization, reinforced by animal imagery, and associated with the Pauline "vetus homo" (Old Man), arguing that together they convey unregenerate cupidity, pride, and spiritual danger to those who follow the path to which he leads. Includes recurrent contrasts between the Pardoner and the Parson.</text>
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  <item itemId="277311" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851468">
              <text>McDonald, Charles O.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851469">
              <text>Speculum 30 (1955): 444-57.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851470">
              <text>Speculum 30 (1955)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851471">
              <text>Parliament of Fowls&#13;
Style and Versification</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2851472">
              <text>mea; 11/14/2025</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851473">
              <text>1955</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2851466">
                <text>An Interpretation of Chaucer's "Parlement of Foules."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851467">
                <text>Shows how the theme of common profit and the figure of tolerant Nature bridge the opposing views of the love among the high- and low-class birds in PF. Other contrastive pairs in the poem--the two sides of the gate, Priapus and Venus, etc.--anticipate the idealistic and realistic attitudes of the birds.</text>
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  <item itemId="277310" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <text>Suggests that "double meaning seems deliberate" in a pun on "lecher" and "healer" in Pluto's use of "lechour" (MerT 4.2257) when he pledges to restore January's eyesight.</text>
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                <text>Chaucer's Summary of Statius' Thebaid II-XII.</text>
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                <text>Quotes, translates, and anatomizes the Latin "arguments" of the "books" found in Statius' "Thebaid" that underlie Cassandra's summary of the Statius' work in TC 5.1457-1533, with its twelve-line Latin summary interpolated in most TC manuscripts. Comments on manuscript witnesses, and shows that Chaucer used the arguments found in Statius as source material.</text>
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                <text>Suggests that a portion of Dorigen's speech in FranT (5.1541-44) has wrongly been ascribed to her by various editors, indicating why it should better be assigned to the Franklin as narrator. Also suggests that the reference to a "clerk" (Fran 5.1611) by the "philosophre" is a correct reading, despite counter-suggestions by Manly and Rickert.</text>
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Parliament of Fowls&#13;
Facsimiles, Editions, and Translations</text>
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                <text>Suggests that editors consider capitalizing "nature" in GP 1.11, arguing that Chaucer personifies Nature as "virtually the patron saint of birds" in PF.</text>
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              <text>Magill, Frank N.</text>
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              <text>New York: Salem, 1955.</text>
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Bibliographies, Reports, and Reference</text>
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                <text>Masterplots: 510 Plots in Story from the World's Fine Literature. 2 vols.</text>
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                <text>Includes (vol. 2, pp. 1030-31) a summary of the plot and main characters of TC, categorizing it as a "Chivalric romance," and praising it as an "almost perfectly constructed narrative poem" with "effective depiction of character" that "forecast[s] the shrewd observations of human nature made in" GP.</text>
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              <text>Madden, William A.</text>
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              <text>Mediaeval Studies 17 (1955): 173-84.</text>
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              <text>Canterbury Tales--General&#13;
Tale of Sir Thopas&#13;
Tale of Melibee&#13;
Chaucer's Retraction</text>
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              <elementText elementTextId="2851419">
                <text>Distinguishes medieval and modern notions of "seemliness"--a sociological concern distinct from legality and morality--and clarifies medieval ideas of linguistic, sartorial, aesthetic, and marital propriety in CT, observing a "gap" between what is "seemly" and what is "morally acceptable" concerning marriage. Explores standards of seemliness as they are reflected in Th and Mel, in the views of other tales expressed by Chaucer-narrator, and in Ret.</text>
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              <text>Lumiansky, R. M. &#13;
Thurgood, Malcolm, illus.</text>
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              <text>Austin: University of Texas Press, 1955. Rpt. with additional bibliography, 1980.</text>
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                <text>Of Sondry Folk: The Dramatic Principle in the Canterbury Tales.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851411">
                <text>Reads the CT as a sustained dramatic narrative, following the Chaucer Society order of the tales, and paying particular attention to the GP and the links among the tales. Focuses on characterization of the pilgrims, especially the Host, and their professional antagonisms, personal motives, and self-revelation. Categorizes the pilgrims by "three stages of dramatic development or three techniques of characterization: simple suiting of tale and teller; suiting of tale and teller, "plus an externally motivated dramatic situation"; and suiting of tale and teller, external dramatic motive, plus "internally motivated and extended self-revelation of which the teller is not fully aware." Includes a portrait of each character discussed, line drawings by Malcolm Thurgood.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Lisca, Peter.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2851405">
              <text>Modern Language Notes 70 (1955): 321-24.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2851406">
              <text>Modern Language Notes 70 (1955)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2851407">
              <text>General Prologue to the Canterbury Tales&#13;
Cook and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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              <text>mea; 11/14/2025</text>
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        <element elementId="114">
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            <elementText elementTextId="2851409">
              <text>1955</text>
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          <element elementId="50">
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              <elementText elementTextId="2851402">
                <text>Chaucer's Gildsmen and Their Cook.</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2852110">
                <text>Identifies satiric elements in the description of the Guildsmen in GP--stylistic jibes and social critique, including the association of them with the Cook, who is later identifiable as the historic Roger de Ware, of ill repute.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2851396">
              <text>Langenfelt, Gösta.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851397">
              <text>English Studies 36 (1955): 222-27.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851398">
              <text>English Studies 36 (1955)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2851399">
              <text>Boece&#13;
Former Age</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851400">
              <text>mea; 11/14/2025</text>
            </elementText>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851401">
              <text>1955</text>
            </elementText>
          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851394">
                <text>"The Noble Savage" until Shakespeare.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851395">
                <text>Cites Bo and quotes portions of "The Former Age" as evidence of medieval transmission of ancient ideas about "about the happy age before the coming of civilization."</text>
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            </elementTextContainer>
          </element>
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  <item itemId="277301" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851388">
              <text>Jones, George Fenwick.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851389">
              <text>Modern Language Quarterly 16 (1955): 3-15</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851390">
              <text>Modern Language Quarterly 16 (1955)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851391">
              <text>Miller and His Tale&#13;
Sources,m Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
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              <text>mea; 11/14/2025</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851393">
              <text>1955</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2851386">
                <text>Chaucer and the Medieval Miller.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851387">
                <text>Clarifies the typicality of Chaucer's Miller by identifying characteristics that "were commonly ascribed to millers in late-medieval literature." Like analogous miller's, he is "is red-haired, coarse-featured, socially ambitious, muscular, well-armed, vulgar, drunken, stupid, and dishonest; and he associates with the reeve." Despite "many individual traits and a convincing personality," the Miller "conforms to the medieval concept of what a miller should be."</text>
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          </element>
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  <item itemId="277300" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851380">
              <text>Jeffares, A Norman, ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2851381">
              <text>London, New York, and Toronto: Longmans, Green, 1955. New edition, 1960.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851382">
              <text>xxv, 463 pp.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2851383">
              <text>Fascimiles, Editions, and Translations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851384">
              <text>mea; 11/14/2025</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851385">
              <text>1955</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2851378">
                <text>Seven Centuries of Poetry: Chaucer to Dylan Thomas.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851379">
                <text>Anthologizes in chronological order poems and extracts from English poetry written in Britain, including selections from Chaucer in Middle English (pp. 5-8): "Now welcome, somer" (PF 680), "At the gate" (TC 5.1114-1183), and "The fresshe flour" (LGWP-F 115-24), no notes and few glosses.</text>
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          </element>
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  <item itemId="277299" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851372">
              <text>Hagopian, John V.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2851373">
              <text>Literature and Psychology 5 (1955): 5-11.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2851374">
              <text>Literature and Psychology 05 (1955)</text>
            </elementText>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2851375">
              <text>Troilus and Criseyde</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851376">
              <text>mea; 11/14/2025</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851377">
              <text>1955</text>
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              <elementText elementTextId="2851370">
                <text>Chaucer as Psychologist in "Troilus and Criseyde."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851371">
                <text>Assesses the characterizations of Troilus and of Criseyde in Freudian, psychological terms--Troilus as weak-willed and perhaps the "victim of an Oedipal tie to his mother"; Criseyde, strong-willed and "adept in the psychological handling of others," particularly Troilus with "his childish submission to a woman's mother-role." Focuses on "their decision to allow Criseyde to leave Troy" in TC 4.1128-1701 as evidence that the poem presents "their complex personalities and behavior patterns" in the "first psychological novel in the English language" and a depiction rather than an analysis of emotions.</text>
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