<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277654">
    <dcterms:title><![CDATA[Chaucer&#039;s Miller&#039;s Tale, A 3483-6.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests on textual and etymological grounds that &quot;verye&quot;/&quot;werye&quot; in MilT 1.3485 be emended to &quot;nerye,&quot; reading the line to mean &quot;May the White Pater Noster save (us) from (the perils of the) night.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277653">
    <dcterms:title><![CDATA[Chaucer the Pilgrim.]]></dcterms:title>
    <dcterms:description><![CDATA[Distinguishes between Chaucer the poet. and Chaucer the pilgrim-narrator of CT, characterizing the &quot;persona&quot; of the latter as &quot;shy&quot; but &quot;gregarious,&quot; one who admires the &quot;values&quot; of high society, the &quot;material prosperity&quot; of the bourgeoisie, and good company--an amiable fellow able to &quot;recognize&quot; and &quot;deplore&quot; rascals, but also appreciate &quot;genuine virtue.&quot; Focuses on the comic &quot;fallible first person singular&quot; point of view in the GP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277652">
    <dcterms:title><![CDATA[The Secular Tradition in Chaucer and Jean de Meun.]]></dcterms:title>
    <dcterms:description><![CDATA[Provides background to Chaucer&#039;s &quot;championship of the secular clergy . . . and his satire of the fraternal orders,&quot; and considers how this attitude reflects a general, &quot;secular tradition,&quot; appreciative of allegorical poetry and found in works by Jean de Meun and by Chaucer, particularly NPT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277651">
    <dcterms:title><![CDATA[A Reference to Music in Chaucer&#039;s &quot;House of Fame.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Clarifies--etymologically and musicologically--that &quot;cordes&quot; mentioned in HF 696 refers to instrumental strings, not to musical chords. the latter being anachronistic in Chaucer&#039;s era.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277650">
    <dcterms:title><![CDATA[The Major Poets: English and American.]]></dcterms:title>
    <dcterms:description><![CDATA[Chronological anthology of English and American poetry, beginning with selections from Chaucer (Truth, Gent, GP 1-30, and NPT), with bottom-of-page glosses and notes. Text from F. N. Robinson&#039;s edition; preceded by a brief &quot;Note on Reading Chaucer&#039;s English.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277649">
    <dcterms:title><![CDATA[Love and Marriage in Chaucer&#039;s Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Challenges the critical &quot;platitude&quot; that love and marriage are incompatible in Chaucer. Identifies a number of instances in Chaucer&#039;s works where love and marriage clearly coincide, and argues that TC is only an &quot;apparent exception&quot; in this regard. Discusses how the plot or &quot;matière&quot; of Chaucer&#039;s poem is &quot;illicit&quot; love, but its &quot;sen,&quot; or meaning, is a celebration of virtuous, &quot;honorable&quot; love.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277648">
    <dcterms:title><![CDATA[Chaucer&#039;s &#039;Complaint of Mars.&#039;]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests intertextual connections among Hyginus&#039;s &quot;Poetica Astronomica,&quot; Boccaccio&#039;s &quot;De Genealogia Deorum,&quot; and aspects of Chaucer&#039;s Mars.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277647">
    <dcterms:title><![CDATA[Chaucer&#039;s Millers and Their Bagpipes.]]></dcterms:title>
    <dcterms:description><![CDATA[Provides historical background for Chaucer&#039;s associations of millers with bagpipes in GP 1.565 and in RvT 1.3927, assessing them as an important characterizing details--vivid, realistic, appropriate, and symbolically suggestive of lechery and gluttony.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277646">
    <dcterms:title><![CDATA[Yeats&#039; Use of Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Suggests that Chaucer&#039;s astrological references in FranT and PF, particularly the deterministic &quot;phases of the moon, &quot; the Great Year, and the depiction of Scipio, are likely to have influenced W. B. Yeats&#039; prose treatise, &quot;A Vision&quot; (1925; rev. 1937).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277645">
    <dcterms:title><![CDATA[Deux Contributions à l&#039;Histoire des Pratiques Contraceptives, II: Chaucer et Mme de Sévigné.]]></dcterms:title>
    <dcterms:description><![CDATA[Contrasts lack of commentary on birth control in ParsT with its presence in the letters of Marie de Rabutin-Chantal, Marquise de Sévigné, arguing that Chaucer was pre-Malthusian (&quot;prémalthusien&quot;) rather than proto-Malthusian (&quot;protomalthusien&quot;). Reads ParsT as a standard view of sexual activities in Chaucer&#039;s age.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277644">
    <dcterms:title><![CDATA[Chaucer and Shakespeare: The Dramatic Vision,]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes a selection of works by Chaucer and by Shakespeare, with a brief general introduction to each and bottom-of-page glosses and notes. The selection from Chaucer, edited by Bethurum and based on the text by Walter W. Skeat, includes GP, NPPT, PardPT, and FranPT. This material is also included in Bethurum and Stewart&#039;s more expansive &quot;Living Masterpieces of English Literature&quot; (1954).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277643">
    <dcterms:title><![CDATA[The Knight&#039;s Tale.]]></dcterms:title>
    <dcterms:description><![CDATA[Edits KnT, with an Introduction, bottom-of-page textual notes, end-of-text explanatory notes and glossary, and appendices (by R. T. Davies, reprinted), on Chaucer&#039;s language and meter, astrology and astronomy, and suggestions for further reading. The text is based on the Ellesmere manuscripts, and the Introduction includes sections on Chaucer&#039;s life and work (by R. T. Davies, reprinted), the relation of KnT to CT and its sources, and a summary of Boccaccio&#039;s &quot;Teseide.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277642">
    <dcterms:title><![CDATA[Canterbury Tales A 24.]]></dcterms:title>
    <dcterms:description><![CDATA[Reconsiders possible explanations for the evident inaccuracy of the number of pilgrims given in GP 1.24 as twenty-nine. Suggests two possibilities: the Squire may have been a later addition and/or the addition of the &quot;last five pilgrims&quot; might have been accompanied by textual error in recording the tally.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277641">
    <dcterms:title><![CDATA[Symbol and Theme in Chaucer&#039;s Vision Poems.]]></dcterms:title>
    <dcterms:description><![CDATA[Examines the imagery, symbols, and themes of BD, HF, PF, and LGW, focusing on the themes of love (courtly and spiritual) and the poet&#039;s responsibilities in depicting love, with attention to various aspects of style, form, and structure, and recurrent attention to source materials.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277640">
    <dcterms:title><![CDATA[Loke who, what, how, when.]]></dcterms:title>
    <dcterms:description><![CDATA[Clarifies the basic meaning and history of the Middle English collocation &quot;look who,&quot; meaning &quot;whoever,&quot; analyzing the usage at WBT 1113 and discussing similar usages elsewhere in Chaucer, with two instances in Gower. Explains how scribal and editorial distortions of the phrase (and related ones) have been misleading, helping to account for the paucity of such phrases in NED, the predecessor of the OED.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277639">
    <dcterms:title><![CDATA[A Tale of Wonder: A Source Study of &quot;The Wife of Bath&#039;s Tale.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Provides evidence for the &quot;strongest possibility&quot; that WBT &quot;did not differ from other Arthurian tales but came to Chaucer from Ireland through Wales, Brittany, and France.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277638">
    <dcterms:title><![CDATA[The Prosody of Chaucer and His Followers: Supplementary Chapters to &quot;Verses of Cadence.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Supplements &quot;Verses of Cadence&quot; (1954) to reinforce arguments that Chaucer&#039;s prosody was rhythmic, not metrical, and that final -e should not be pronounced in reading Chaucer. Considers the influence on Chaucer&#039;s rhythms--in prose as well as poetry--of Ciceronian tradition, ecclesiastical oration, and the &quot;genius of native English speech.&quot; Contrasts examples of punctuation of modern editorial punctuation of CT with manuscript markings (especially PhyT, Phy-PardL, and PardPT), and suggests that rhythmic analysis can help to clarify the chronological sequence of the composition of Chaucer&#039;s poetry.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277637">
    <dcterms:title><![CDATA[Recursive Origins: Writing at the Transition to Modernity.]]></dcterms:title>
    <dcterms:description><![CDATA[Theorizes &quot;recursivity&quot;--an alternative to &quot;originality&quot;--as a trope in fifteenth- and sixteenth-century English literary history, arguing that much often considered to be &quot;original&quot; or &quot;revolutionary&quot; in modernity is better understood as remaking and reasserting literary forms that came before, especially codicological forms. Recurrent attention to Chaucer&#039;s influence, including discussion of the role of Bo in the embedded philosophy of Caxton&#039;s &quot;Boecius,&quot; the cultural impact of sixteenth-century editions of Chaucer&#039;s works (single or collected), and intertextualities among Spenser, Lydgate, and Chaucer, particularly invocations to the book (TC 5.1786-92) and lodestar imagery (TC 5.1392 and KnT 1.2059).]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277636">
    <dcterms:title><![CDATA[Middle English I: Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[A discursive review of Chaucerian scholarship and research published in 1953.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277635">
    <dcterms:title><![CDATA[Troilus en Criseyde: Gedicht door Geoffrey Chaucer omstreeks 1385.]]></dcterms:title>
    <dcterms:description><![CDATA[Translation of TC into Dutch verse, with notes and introduction.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277634">
    <dcterms:title><![CDATA[A Medieval Madwoman in the Attic: Chaucer&#039;s Wife of Bath in &quot;The Canterbury Tales.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that in &quot;attempting the pen&quot; by telling her own story, the Wife of Bath rebels against patriarchal strictures and escapes suggestions of madness that beset such rebellious women in late medieval England.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277633">
    <dcterms:title><![CDATA[Hybridity in Geoffrey Chaucer&#039;s &quot;The Canterbury Tales&quot;: Reconstructing Estate Boundaries.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes the &quot;large scale social mobility&quot; of late medieval England and argues that its modifications of traditional estates categories are reflected in CT. Uses Homi Bhabha&#039;s &quot;postcolonial concepts of hybridity, in-betweenness, third space and mimicry&quot; to explore the flexibility of the social estates of the Knight, Monk, Prioress, Franklin, and Miller. In English, with an abstract in Turkish.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277631">
    <dcterms:title><![CDATA[A Complete Rime-index to Manly &amp; Rickert&#039;s Text of &quot;The Canterbury Tales.&quot; Part One, A.]]></dcterms:title>
    <dcterms:description><![CDATA[Item not seen. Information derived from WorldCat record.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277630">
    <dcterms:title><![CDATA[Humorous Structures of English Narratives, 1200-1600.]]></dcterms:title>
    <dcterms:description><![CDATA[Tests several theories of humor--especially Victor Raskin and Salvatore Attardo&#039;s &quot;General Theory of Verbal Humor&quot; (1985) and Thomas D. Cooke&#039;s &quot;Comic Climax&quot; (1978)--for their value in analyzing Elizabethan jests and medieval fabliaux, parodies, and—as counter examples—tragedies. Focuses on narratological structures and stylistic devices in a number of texts, including Chaucer&#039;s fabliaux--MilT, RvT, SumT, MerT, and ShT--exploring how, if, and to what extent they are funny and how useful the theories are in explaining their humor.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277629">
    <dcterms:title><![CDATA[Chaucer’s Man of Law and Clerk as Rhetoricians: Narrative and Dramatic Levels of Decorum.]]></dcterms:title>
    <dcterms:description><![CDATA[Shows how MLT and ClT &quot;prove Chaucer&#039;s functional use of rhetoric for purposes of decorum,&quot; considering the characterizations of the narrators&#039;, their uses of rhetoric, and their intentions. Considers source materials, comments on the Wife of Bath, and argues for Chaucer&#039;s &quot;hitherto unrecognized achievement in decorum.&quot;]]></dcterms:description>
</rdf:Description></rdf:RDF>