<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277035">
    <dcterms:title><![CDATA[Chaucer, Arguing &quot;in good feyth.&quot;]]></dcterms:title>
    <dcterms:description><![CDATA[Explores Chaucer&#039;s attitude toward the Boethian notion that &quot;right reasoning alone should guarantee rhetorical success.&quot; Mirrored in Chaucer criticism and inflected by issues of gender and point of view, &quot;objectivity,&quot; effective persuasion, and literary intention are, for Chaucer, largely matters of an audience&#039;s predispositions. Assesses these concerns in Bo, WBP, ManT, TC, SNT, Mel, and PF, and comments on poststructuralist and feminist approaches to Chaucer studies.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277034">
    <dcterms:title><![CDATA[Plagues, Pandemics and Viruses: From the Plague of Athens to COVID-19.]]></dcterms:title>
    <dcterms:description><![CDATA[Introduces medical, historical, sociological, and literary aspects of various infectious human diseases, including addiction, illustrated with sidebar facts, literary examples, and photographs and reproductions. A chapter on &quot;The Black Death&quot; includes a brief life of Chaucer--with a photograph of his statue (and bas-relief of pilgrims on its plinth) in Canterbury, by Sam Holland and Lynne O&#039;Dowd, erected in 2016--and commentary on CT, especially the Pardoner and his Tale.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277033">
    <dcterms:title><![CDATA[Toward a Supreme Fiction: Dante, Chaucer and the Dream of the Rose.]]></dcterms:title>
    <dcterms:description><![CDATA[Addresses the &quot;rise of first-person fiction in the later Middle Ages,&quot; including discussion of CT, BD, and Chaucer&#039;s &quot;other dream poems.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277032">
    <dcterms:title><![CDATA[The Gift of Narrative in Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Engages several literary and anthropological theories of gifts, and addresses related motifs of reciprocity, generosity, promising, and exchange in medieval English texts, especially romances. Individual chapters assess &quot;King Horn&quot;/&quot;Horn Childe&quot; narratives, the Auchinleck manuscript and &quot;Sir Gawain and the Green Knight,&quot; KnT and TC (gifts, gender, pledging, and praying), FranT and ManT (promises, speech acts, bodies, and the unpredictability of exchange), and Lydgate&#039;s &quot;Troy Book&quot; as a narrative of gifts and as a gift book in Manchester, John Rylands Library, MS English 1.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277031">
    <dcterms:title><![CDATA[Ge.offrey Chaucer]]></dcterms:title>
    <dcterms:description><![CDATA[Part of Paravicini&#039;s three-volume study of the crusades against Lithuania undertaken by the Teutonic order, focusing on literary backgrounds to the chivalric imagination underlying the crusades. Includes evidence of tensions between crusading and courtly ideals, quoting the GP description of the Knight and passages from KnT, FranT, MkT, Th, and BD, each with German translation.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277030">
    <dcterms:title><![CDATA[Is the Audience Dead Too? Textually Constructed Audiences and Differentiated Learning in Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Explores how writers and audiences in medieval England &quot;approached textually constructed audiences,&quot; considering evidence from rhetorical theory, readers&#039; comments, and &quot;signs of adaptation undertaken by authors, correctors, and scribes.&quot; Concentrates on confessional manuals and religious instruction, but includes comments on CT and the ways it depicts &quot;narrators grappling&quot; with diverse audiences, particularly in MilP and CYT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277028">
    <dcterms:title><![CDATA[#NotAllMen: In Conversation with Lucia Akard and Samantha Katz Seal.]]></dcterms:title>
    <dcterms:description><![CDATA[Personal response to two essays concerning medieval female consent in light of a rape in London in 2021; both essays are included in this volume of &quot;Studies in the  Age of Chaucer.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277027">
    <dcterms:title><![CDATA[Medieval Disability Sourcebook: Western Europe]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes a wide array of medieval texts that pertain to disability studies, each with an introduction and apparatus by individual contributors. Entries include Historical and Medical Documents, Religious Texts, Poetry, Prose, Drama, and visual Images. The Poetry section includes Middle English editions, with notes and glosses, of MerT (Moria Fitzgibbons), MLT (Paul A. Broyles), and the GP description of the Wife of Bath, with WBPT (Tory V. Pearman). The volume includes a General Introduction by the editor and a Thematic Table of Contents.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277026">
    <dcterms:title><![CDATA[Reflections on Editing &quot;Studies in the Age of Chaucer&quot; 2007-13.]]></dcterms:title>
    <dcterms:description><![CDATA[Comments on editing SAC and offers personal and historical perspective on the journal&#039;s development.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277025">
    <dcterms:title><![CDATA[Beastly Bodies and Behaviors: Defining the (Un)Natural in the Long Early Modern Period.]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;[E]xplores how understandings of nonhuman animals and the environment shaped which human behaviors were labeled natural prior to the Enlightenment.&quot; Includes comments on animals, animal imagery, and environmental idealism in Form Age, MilT, and PF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277024">
    <dcterms:title><![CDATA[Female Friendship in Late Medieval Literature: Cultural Translation in Chaucer, Gower, and Malory.]]></dcterms:title>
    <dcterms:description><![CDATA[Describes depictions of affective female friendship in works by Chaucer (TC and FranT), John Gower (Albinus and Rosamund in the &quot;Confessio Amantis&quot;), and Thomas Malory (portions of &quot;Le Morte Darthur&quot;), contrasting them with source materials and attributing their relatively positive portrayals to the rise of &quot;literate activity,&quot; including patronage, among women. Assesses the circles of friends who seek to console Criseyde and Dorigen.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277023">
    <dcterms:title><![CDATA[&quot;All These Relationships between Women&quot;: Chaucer and the Bechdel Test for Female Friendship.]]></dcterms:title>
    <dcterms:description><![CDATA[Identifies three ways to illuminate female friendship in CT, disclosing &quot;identity of feeling&quot; among women (Custance, the Sultaness, and Hermengild in MLT), &quot;enclaves . . . afforded by misogynistic discourses&quot; (the Wife, her gossip, and female community in WBPT), and &quot;surprises and resistances . . . possible in the mise-en-scène of female empathy&quot; (Canacee and the falcon in SqT). Considers criteria of female friendship posed by Virginia Woolf and film-critic Alison Bechdel]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277021">
    <dcterms:title><![CDATA[Women&#039;s Friendship in Medieval Literature.]]></dcterms:title>
    <dcterms:description><![CDATA[Collects twelve essays that celebrate friendship among women in medieval literature, with an Introduction by the editors, an Afterword by Penelope Anderson, and a cumulative Index. For two essays that pertain to Chaucer, search for Women&#039;s Friendship in Medieval Literature under Alternative Title.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277020">
    <dcterms:title><![CDATA[Relational Chaucer: Intersubjective Identity and Ricoeurian Narrative Hermeneutics.]]></dcterms:title>
    <dcterms:description><![CDATA[Uses Paul Ricoeur&#039;s &quot;theory of narrative identity&quot; to explore various aspects of Chaucer&#039;s poetry, including issues of female agency in FranT, ClT, and TC; racialized narratives and white identity in CT; Chaucer&#039;s &quot;talking-animal poetry&quot;; and &quot;poetic subjectivity&quot; in his dream poems and in the Host&#039;s question to Chaucer as narrator, &quot;What man artow?&quot;, in ThP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277019">
    <dcterms:title><![CDATA[Medieval Literature and Social Politics: Studies of Cultures and Their Contexts.]]></dcterms:title>
    <dcterms:description><![CDATA[Anthologizes seventeen essays by Knight, &quot;written over several decades focused on the social and political contexts of medieval literature,&quot; three previously unpublished, one of which pertains to Chaucer: Chapter 14, &quot;Chaucer&#039;s Fabliaux and Late Medieval Structures of Feeling.&quot; It shows ways in which &quot;socio-political challenge&quot; is a &quot;key element&quot; in Chaucer&#039;s uses of the fabliau genre, assessing the forms and structures of challenge in MilT, RvT, CkT, and the apocryphal &quot;Tale of Gamelyn,&quot; with briefer comments on fabliau elements and socio-political challenge elsewhere in CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277018">
    <dcterms:title><![CDATA[Reaching Readers: Textual Engagement and Personalized Learning in the Works of Christine de Pizan and Geoffrey Chaucer.]]></dcterms:title>
    <dcterms:description><![CDATA[Argues that Pizan and Chaucer &quot;used their writing to open up educational opportunities&quot; for their readers, seeking &quot;to facilitate practices of engaged reading&quot; for an expanding vernacular audience, with Chaucer modeling &quot;problematic reading strategies&quot; in CT and offering the &quot;experience of wonder&quot; in HF.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277017">
    <dcterms:title><![CDATA[The Clerical Proletariat and the Resurgence of Medieval English Poetry.]]></dcterms:title>
    <dcterms:description><![CDATA[Demonstrates the importance and central role of the &quot;clerical proletariat&quot;--i.e., clerics who worked &quot;in liminal spaces between the ecclesiastical and lay worlds&quot;--in the proliferation of late medieval books and literature in English, with primary focus on works of William Langland, Thomas Hoccleve, John Audelay, their various precedents and legacies, and related genres and forms. Attention to Chaucer&#039;s work is generally limited to his &quot;alertness&quot; to issues of clerical employment in GP and characters such as Nicholas in MilT and Jankyn in WBP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277016">
    <dcterms:title><![CDATA[Teaching Chaucer to Linguistics Students.]]></dcterms:title>
    <dcterms:description><![CDATA[Offers advice on how an undergraduate course focusing on Chaucer can serve the curricula of both literary and linguistics programs. Proposes several learning outcomes, and provides classroom strategies and emphases whereby linguistic and literary analysis work together.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277015">
    <dcterms:title><![CDATA[Antiracist Medievalisms: From &quot;Yellow Peril&quot; to Black Lives Matter. Leeds]]></dcterms:title>
    <dcterms:description><![CDATA[Opens with an account of teaching PrT in comparison with Patience Agbabi&#039;s adaptation of it in &quot;Telling Tales&quot; (2015), helping to introduce the goal of the entire volume: promoting resistance to racist, xenophobic, and homophobic distortions and misuses of medieval culture and medievalisms. Chapter 6, &quot;Pilgrimage: Chaucerian Poets of Color in Motion,&quot; examines the &quot;relationship between race and transit in works by Chaucerian poets of color&quot;--Agbabi, Jean &quot;Binta&quot; Breeze, Marilyn Nelson, Frank Mundo,<br />
and Ouyang Yu--in their adaptations of CT.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277014">
    <dcterms:title><![CDATA[Literature and Class: From the Peasants&#039; Revolt to the French Revolution.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes the relationship between conceptions of social class and  literary representations of them in Britain from the fourteenth to the nineteenth century. Chapter 2, &quot;Perceptions of Class in the Late Middle Ages,&quot; addresses William Langland&#039;s &quot;Piers Plowman,&quot; John Gower&#039;s &quot;Vox Clamantis, and CT, focusing on estates satire and social reality in MilT and RvT and arguing that &quot;Chaucer attributes social disarray to no single class but to a collective whole.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277013">
    <dcterms:title><![CDATA[J. K. Rowling, Chaucer&#039;s Pardoner, and the Ethics of Reading.]]></dcterms:title>
    <dcterms:description><![CDATA[Discusses the Pardoner&#039;s &quot;queerness and fitness to tell a moral tale&quot; in light of ethical concerns about J. K. Rowling&#039;s &quot;public comments about trans women,&quot; suggesting pedagogical uses.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277012">
    <dcterms:title><![CDATA[The Poet&#039;s &quot;Matere&quot;: Materiality, Temporality, and the Making of Literary History in Chaucer and Lydgate&#039;s Inset-Lyric Poems.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses Chaucer&#039;s and Lydgate&#039;s inset lyrics for the ways that they imply &quot;a sense of poetry as an assemblage of physical materials collected from the past, and poets as the collectors and mediators of those materials.&quot; Considers aspects of BD; Lydgate&#039;s &quot;Temple of Glas&quot; and &quot;Siege of Thebes&quot;; and Cambridge University Library, MS Gg.4.27.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277011">
    <dcterms:title><![CDATA[Bridges to the Past: Orientation, Materiality, and Participatory Reading in Late Medieval England.]]></dcterms:title>
    <dcterms:description><![CDATA[Based on &quot;Sara Ahmed&#039;s phenomenological theorization of &#039;orientation&#039;,&quot; offers case studies of how &quot;the orientation(s) of medieval readers might have influenced their experience of a text,&quot; discussing the experience of reading CT in Wynkyn De Worde&#039;s 1498 edition and considering &quot;orientation as it applies to Chaucer&#039;s embodied narrative personae&quot; in works that include HF, PF, Scog, Ven, and LGWP.]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277010">
    <dcterms:title><![CDATA[From Tapsters to Beer Wenches: Women, Alcohol, and Misogyny, Then and Now.]]></dcterms:title>
    <dcterms:description><![CDATA[Analyzes &quot;how English and Scottish literature and law during the fourteenth through sixteenth centuries connected the figure of the tapster to sex work, transgression, public harm, and dangerous agency over men,&quot; and traces residue of this misogyny in modern &quot;breastaurants&quot; (e.g., Hooters). Includes discussion of the &quot;Canterbury Interlude&quot; that precedes the apocryphal &quot;Tale of Beryn.&quot;]]></dcterms:description>
</rdf:Description><rdf:Description rdf:about="https://chaucer.lib.utsa.edu/omeka/items/show/277009">
    <dcterms:title><![CDATA[Alcohol, Community, and Chaucer&#039;s Pardoner: Ale as a Populist Antidote to Alienating Avant-Gardism.]]></dcterms:title>
    <dcterms:description><![CDATA[Assesses references to ale and wine in PardPT as they reflect the Pardoner&#039;s &quot;submerged desire&quot; to bond with the Host and his simultaneous attempt to compete with Harry as leader of the pilgrimage. Argues that &quot;the metaphorical ale-stake associated with the Summoners&#039; body&quot; in GP frames the ale-stake of PardP, setting the Pardoner&#039;s &quot;conflicted masculinity&quot; in competition for and against the &quot;hyper-masculine&quot; Host, who repudiates the Pardoner&#039;s over-reaching efforts to reach and outreach him.]]></dcterms:description>
</rdf:Description></rdf:RDF>