Browse Items (16476 total)

Lynch, Kathryn L.   Chaucer Review 25 (1990): 1-16; 85-95.
Although PF clearly treats love and courtship, its most central or motivating problems is the relationship between choice and will or understanding. Chaucer demonstrates a more thoroughly informed engagement with contemporary philosophy than critics…

Fletcher, Alan J.   Chaucer Review 25 (1990): 110-26.
Religious hypocrisy, so crucially the key to the Pardoner's success, had for a London audience of the 1390s an urgent topicality.

Tkacz, Catherine Brown.   Chaucer Review 25 (1990): 125-37.
Chaucer prepares for Arcite's Samsonlike vow to cut his hair by drawing on the traditions of Samson as a fool for love and by reworking and adding details to the story of Boccaccio's "Teseida." Samson was commonly paired with Hercules as biblical…

Andreas, James (R).   Chaucer Review 25 (1990): 138-51.
SumT represents a genre most expressive of medieval popular concerns, the grotesque or carnivalesque. Andreas applies theories of Bakhtin.

Bowers, Bege K.   Chaucer Review 25 (1990): 152-69.
The 1989 report of the Committee on Chaucer Bibliography and Research; lists 362 Chaucer studies.

Richardson, Malcolm.   Chaucer Review 25 (1990): 17-32.
An examination of the two earliest-known owners of a CT manuscript suggests that Chaucer's secondary audience was literate, secular in its interests, urban, and word-oriented.

Benson, C. David, and Barry Windeatt.   Chaucer Review 25 (1990): 33-53.
A list of every marginal notation in every manuscript of TC.

Edwards, A. S. G.   Chaucer Review 25 (1990): 76-77.
By emending Constance's plea to the constable from "The lyf out of hir body for to twynne" to "The lyf not of hir body for to twynne," an emendation that has no support from the variant readings of the manuscripts, we can bring the line into harmony…

Edwards, A. S. G.   Chaucer Review 25 (1990): 78-79.
Editions of HF, in emending the "laugh" of line 2018 to "languisshe," confuse rather than clarify the meaning of the Eagle's advice.

Schless, Howard.   Chaucer Review 25 (1990): 80-84.
An understanding of legal terminology and of legal history clarifies two passages in KnT.

Chickering, Howell.   Chaucer Review 25 (1990): 96-109.
Since Chaucer did not indicate any punctuation, unpuctuating Chaucer can help us read Chaucer's poetry more flexibly and vivaciously.

Matheson, Lister M.   Chaucer Review 25 (1991): 171-89.
An examination of Chaucer's original family name, Malyn, casts doubt on previous claims that Chaucer's family was involved in leather making. For social and commercial reasons, Chaucer was a more acceptable surname. Chaucer used Malyn or its…

Archibald, Elizabeth.   Chaucer Review 25 (1991): 190-213.
TC is a drama of "entente," concerned more with why people do things than what they do. Chaucer uses "entente" here much more heavily than in any of his earlier works and evokes its numerous meanings. As the poem progresses, there is a "slippage of…

Camargo, Martin.   Chaucer Review 25 (1991): 214-28.
Chaucer's Pandarus is based to a certain extent on the character of Philosophy in Boethius's Consolation, and his Troilus resembles Boethius. Troilus's change during the poem can be attributed to the fact that "he has experienced the consolation of…

Frank, Hardy Long.   Chaucer Review 25 (1991): 229-37.
The Prioress's worldly graces and associations with Mary are well-suited to her esteemed position of religious and social power. Frank speculates that Chaucer chose PrT for its associations with the "cult of Notre Dame du Puy."

Correale, Robert M.   Chaucer Review 25 (1991): 238-65.
Because it contains the fewest emendations and corresponds most closely to Chaucer's MLT, the version of Les Cronicles in the MS Paris, Bibl. Nationale, Franc. 9687, fols. 1va-114va (ca. 1340-50), will serve as a base text for the Chaucer Library…

Braswell-Means, Laurel.   Chaucer Review 25 (1991): 266-75.
Discusses Chaucer's characterization of the Summoner in GP and asserts that, despite modern assumptions, it is based on the confluence of medical and astrological theories prevalent during Chaucer's time.

Zitter, Emmy Stark.   Chaucer Review 25 (1991): 277-84.
Chaucer criticizes not anti-Semitism but rather the Prioress herself. The Prioress does not believe in New Testament attitudes on accepting Jews. Despite being a nun, she is unyielding in her belief that Jews are evil.

Moore, Bruce.   Chaucer Review 25 (1991): 285-301.
Comparison of traditional rites to the feelings and actions of the characters shows that lack of structure does not mean disorder. Moore contends that there is no correlation between ritual and the outcome of KnT; in fact, a ritualistic beginning…

Fein, Susanna Greer.   Chaucer Review 25 (1991): 302-17.
Discusses herb paris as a premedieval symbol of Christ's passion and divine love, traces its development from religious to romantic sign, and explores its dual meaning in MilT.

Herman, Peter C.   Chaucer Review 25 (1991): 318-28.
According to the rules for infidelity in the Middle Ages, Phebus's wife is guilty of both adultery and high treason since she commits adultery with a person of lower birth and social class.

Grudin, Michaela Paasche.   Chaucer Review 25 (1991): 329-42.
ManT examines the kind of language by which a poet can survive. Given the historical context of Richard II's reign and the contemporary chronicle literature that warned of the necessity of suppressing one's speech, the individual must resort to…

Pelen, Marc M.   Chaucer Review 25 (1991): 343-51.
ManT is concerned with the method by which a story is told. Emphasis on the "gods' role in human marriage" restores the relationship between word and deed, a relationship important to the narrator of CT. Chaucer's numerous voices can be heard as…

Bergan, Brooke.   Chaucer Review 26 (1991): 1-16.
In KnT, Chaucer manipulates devices of genre and rhetoric to achieve a highly sophisticated subtext of opacity and of perversion of order.

Mieszkowski, Gretchen.   Chaucer Review 26 (1991): 109-32.
In contrast to the strong heroines in French romances, Criseyde is a weak, passive individual who does not act but is acted upon. Chaucer creates her this way deliberately to make her "magically attractive"--she is "lovely undefined responsiveness,"…
Output Formats

atom, dc-rdf, dcmes-xml, json, omeka-xml, rss2

Not finding what you expect? Click here for advice!