Browse Items (16476 total)

Collette, Carolyn P.   Chaucer Review 15 (1981): 138-50.
The Prioress' preoccupation with emotion and the diminutive reflects the 14th century's concern for a particularized and emotional style in the arts. Though her tale seems odd and inconsistent, it has a consistent sensibility which uses the…

Jacobs, Edward Craney.   Chaucer Review 15 (1981): 151-54.
Madame Eglentyne's "Amor vincit omnia," where we would expect "Caritas vincit omnia," is used for ironic effect. Since Paul defines "caritas" as the "bond of perfection," Chaucer's use of the motto to bind together the Prioress' rich beads is…

Sturgin, Michael.   Chaucer Review 15 (1981): 155-67.
The pathetic tales must been seen in connection with the Ricardian emphasis on emotionalism and the commonality of Christ's human nature and man's. The aim of the pathetic voice is not to make any sweeping statement of human experience but to…

Morse, Ruth.   Chaucer Review 15 (1981): 204-208.
Chaucer's audience would not have come to BD with our preconceptions (that the Man is John of Gaunt and that his song is personal). Rather, they would have experienced the gradual revelations as they are unfolded and would have concerned themselves…

Salemi, Joseph S.   Chaucer Review 15 (1981): 209-23.
Although the frame of TC is Boethian determinism, within it works the playful hand of Fortune (and the word "play" occurs frequently, with a variety of senses). The three major personages represent different attitudes toward freedom of choice and…

Dean, Christopher.   Chaucer Review 15 (1981): 224-26.
Middle English "beere" could mean "bear," "bier," or "pillow." The first of these is impossible in the context of TC 2.1638, but both other meanings are probably there: Pandarus ironically foreshadows Troilus's death, and he also foresees the hero…

Williams, David.   Chaucer Review 15 (1981): 227-35.
John of Arderne's "Fistula in ano" and the "Book of Quinte Essence" provide insight into the illness references in MilT.

Coletti, Theresa.   Chaucer Review 15 (1981): 236-49.
In ShT, Chaucer may have used the well-known text of Proverbs 31.10-31, which praises the valiant woman, in ironic fashion. The scriptural "mulier fortis" is praised for her "huswifery," her provision of food and clothing, her "rendering" to her…

Beidler, Peter G.   Chaucer Review 15 (1981): 250-54.
Although thought immortal and evil, the Old Man in PardT is mortal in his longing for death, and, furthermore, good, patient, and kind. Chaucer's audience might have seen a parallel with Noah, the incredibly old survivor of a worse "plague," the…

Parr, Johnstone,and Nancy Ann Holtz.   Chaucer Review 15 (1981): 255-66.
Recently computerized astrological tables permit faster and more accurate computation. Chaucer describes events that took place in 1385, but the unusual planetary configurations would undoubtedly have been predicted before that date; hence one…

Fleming, John V.   Chaucer Review 15 (1981): 287-94.
For his portrait of the Monk in GP, Chaucer probably recalled Dante "Paradiso" 21.118-20, 127-35, an encomium of Peter Damian, and Damian's own words regarding "unholy hunters, cloisterless monks, and waterless fish." "Palfrey" may be an echo of…

Ferris, Sumner.   Chaucer Review 15 (1981): 295-321.
As all five saints of PrT had Lincoln associations in Chaucer's day, so the poem was intended for Lincoln. PrT commemorates the visit to Lincoln Minster, on March 26, 1387, of Richard II, who sought by its means the political support of John…

Bornstein, Diane.   Chaucer Review 15 (1981): 322-31.
Christine de Pizan uses the Griselda tale to illustrate the virtues of patience and constancy in her "Livre de la Cite des Dames," derived from a French prose version of Philippe de Mezieres, perhaps also consulting the anonymous French prose…

Kirby, Thomas A.   Chaucer Review 15 (1981): 356-79.
A listing of current research, completed research, desiderata, and publications.

Lewis, Robert E.   Chaucer Review 15.3 (1981): 282-83.
A report of the publication schedule and membership of the Chaucer Library Committee.

Aers, David.   Chaucer Review 16 (1981): 1-17.
It has been argued that the poem exhibits multiplicity and disharmony, though the poet shows a commitment to traditional forms of culture. There is no such commitment in PF. The multiplicity of authority and the "continuous self-reflexivity" does…

Ridley, Florence H.   Chaucer Review 16 (1981): 101-106.
Chaucerians should welcome the new critical techniques, which will help them determine what it is in the words that causes us to respond as we do. The application of these methods will transcend cultural differences that separate us from Chaucer.

Phillips, Helen.   Chaucer Review 16 (1981): 107-18.
Critics differ in their assessment of the structure and the nature of the consolation in BD. Chaucer uses juxtaposition as his structural principle. The consolation is Boethian, transcending the intensity of human grief, but Chaucer insists upon…

Sklute, Larry M.   Chaucer Review 16 (1981): 119-28.
Unlike his earlier dream visions, Chaucer's PF exhibits no structural confusion. Rather, the poet poses the possibility of variable pluralisms and leaves the poem inconclusive. The narrator is relatively uninvolved in the action, which permits…

Hart, Thomas Elwood.   Chaucer Review 16 (1981): 129-70.
Numerology is an aesthetic basis for TC. The architectural metaphor of Geoffrey of Vinsauf and Euclid's theorem on proportion in triangles can be used to demostrate proportions (involving line numbers) in TC.

DiMarco, Vincent.   Chaucer Review 16 (1981): 171-80.
Hole's "Remarks on the Arabians Nights' Entertainments" contains speculations about the sources of the pear-tree motif and the magical objects in the two tales. While many of his guesses are without substantiation, he does suggest a pear-tree…

Barney, Stephen A.   Chaucer Review 16 (1981): 18-37.
The words "sodeny(ly)" and "proces" are keys to Chaucer's narrative skill. In both his serious and his comical narratives there are sudden changes in events, sudden shifts in emotions. He usually makes the sudden seem humorous, ridiculous, or…

Orme, Nicholas (I).   Chaucer Review 16 (1981): 38-59.
Chaucer's references to education are scattered, unpredictable, and peripheral except in the WBT and SqT, where the education theme is central.

Owen, Charles A.,Jr.   Chaucer Review 16 (1981): 60-75.
Chaucer shows keen awareness of children--they are not merely miniature adults--and their relationship to their parents, as is clear in GP, FranT, ManT, PrT, SumT, MkT, WBT, PhyT, ClT, and especially Astr.

Nitecki, Alicia K.   Chaucer Review 16 (1981): 76-84.
Although the major sources of the Old Man figure have long been known, the existence of the figure in alliterative and lyric poetry shows how Chaucer transforms the tradition. His Old Man is a trope for man's desire for transcendence.
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