Pasolini, Pier Paolo, dir.
Produzioni Europee Associati; Les Productions Artistes Associés, 1972.
Selections from CT adapted for film, including portions or versions of GP, MerT, CkT, MilT, WBP, RvT, PardT, SumPT, and additional ribald material. Screenplay by Pasolini. Available with sub-titles and/or dubbing in various languages, including…
Piehler, Paul.
Hudson, Québec: Golden Clarion Literary Services, 1972.
Item not seen; the WorldCat records indicate that this is a reading by Piehler of GP in Middle English. Also re-issued (1986), with the title "The General Prologue for Beginners."
Cherniavsky, Michael, and Arthur J. Slavin, eds.
Waltham, Mass.: Xerox College Publishing, 1972.
Textbook anthology for use in history classrooms, combining classical, medieval, and Renaissance sources with modern assessments of the status, activities, and treatments of people of lower classes. In a section called "Ideal Types in Traditional…
Velli, Giuseppe.
Studi e Problemi di Critica Testuale 5 (1972): 33-66.
Traces the classical and medieval sources (particularly Lucan and Boethius) of the ascent into the heavens of Arcita in Boccaccio's "Teseida," arguing that the author's efforts at historicizing classical attitudes are more than successful than…
Peeters, L.
Amsterdamer Beiträge zur Älteren Germanistik 1 (1972): 51-88.
Describes the meaning and artfulness of Walter Map's version of the "Wade" story in "De Nugis Curialium," exploring a variety of sources and analogues, including comments on Chaucer's reference to Wade in TC 3.624 and to Wade's boat in MerT 4.1424,…
Donaldson, E. Talbot
T. S. Dorsch, ed. Essays and Studies 1972: In Honour of Beatrice White. Being Volume Twenty-Five of the New Series Essays and Studies Collected for the English Association (London: John Murray; New York: Humanities, 1972), pp. 23-44.
Explores "two related but distinct aspects of Chaucer's celebrated stylistic clarity": 1) while "self-evident," it is "often more apparent than real," and 2) a "means by which" Chaucer "escapes dexterously from the danger of really being clear and…
Fleissner, R[obert] F.
Chaucer Review 8 (1973): 128-32.
Though the Wife of Bath states that she never heard "diffinicioun" upon "fyve," the number of her husbands, Chaucer was probably aware of this number's significance as a symbol of earthly love in the numerological tradition of Dante, Macrobius, the…
Scaglione, Aldo.
David Daiches and Anthony Thorlby, eds. Literature and Western Civilization, II: The Medieval World (London: Aldus, 1973), pp. 579-600.
Sketches the rise of mercantilism in medieval Europe, and details the presence of the "bourgeois spirit" in Boccaccio's "Decameron" and Chaucer's CT, evident in realism, economic motivation, and challenges to aristocratic privilege. Similar in their…
Medcalf, Stephen.
David Daiches and Anthony Thorlby, eds. Medieval World. Literature and Western Civilization, [no. 2] (London: Aldus, 1973), pp. 643-96.
Describes the emergence of "something very like a Ricardian literary movement," focusing on the ability of Langland, Chaucer, and the "Pearl" poet to accept the mundane world completely and yet remain detached from it. Connects this ability with the…
Knight, Stephen.
London: Angus and Robertson, 1973
A series of five case studies in cloxe reading that demonstrate Chaucer's skill with prosodic and rhetorical devices; includes an appendix that defines and exemplifies "figures of style" (pp. 236-42). Chapter 1 contrasts the stylistic virtuosity of…
Reads PardPT for the ways they reveal more about the Pardoner than he intends. The Old Man shows the pain of the Pardoner's "joyless existence," even though he has attempted to disguise it in his Prologue; the rioters reveal his obsession with death…
Defines clandestine marriage and describes it as a widespread and well-known phenomenon in fourteenth-century England, even though condemned by the Church. Argues that because the lovers in TC are not Christian, their love is "licit" and not…
Adkins, Lieuen, trans.
San Francisco: Bellerophon, 1973.
Parallel-column version of MilPT in Middle English [Skeat edition] and modern rhymed couplets, accompanied by numerous b&w illustrations in comic-book style by Gilbert Shelton.