Bozick, Morgan M.
Chaucer Review 54.2 (2019): 162-90.
Offers a new interpretation of Wom Unc, a lyric attributed to Chaucer. Argues for different punctuation in the poem, and claims that the lady and subject of the poem is green herself rather than dressed in green, thus symbolizing May. The poem, then,…
Børch derives a poetics of reading Chaucer from Chaucer's own poetry, arguing that he frustrates "intertextual" approaches by being consistently evasive. Attention to style and content clarifies how the poetry shapes readers' responses. BD and HF…
Børch, Marianne, ed.
Odense : University Press of Southern Denmark, 2004.
Ten essays by various authors on medieval verbal and visual rhetoric, with recurrent attention to authority, glossing, and vernacularity. For three essays that pertain to Chaucer, search for Text and Voice under Alternative Title.
Views SNT as a "generic experiment" built "upon an epistemological premise whose axiomatic status was crumbling." Discusses analogical, hermeneutical, and hagiographic elements of the "Tale" as well.
ManT asserts a "repressive poetics" that challenges fiction-making in CT--especially in KnT--and at the same time rejects the validity of penitential self-examination offered by the Parson.
Børch, Marianne.
Marianne Børch, ed. Text and Voice: The Rhetoric of Authority in the Middle Ages (Odense : University Press of Southern Denmark, 2004), pp. 97-120.
Assesses Nicholas's manipulation of language and signs in MilT as Chaucer's embedded analysis of typological or analogical thinking. The references to mystery plays in MilT counterpoint the "poetics of a trickster clerk" whose manipulations embody a…
Børch, Marianne.
European Journal of English Studies 10.2 (2006): 131-48.
Børch discusses Th as an "oral romance," surveying its oral characteristics and exploring how these characteristics - when they are written - help to parody the "chivalric ethos" that underlies the genre of romance. Th also exposes for consideration…
Bracken, Christopher.
Critical Matrix: The Princeton Journal of Women, Gender, and Culture 8:1 (1994): 13-39.
Cast as a discussion among four participants (Reductio, Thea, Ceres, and Cassandra), this closet drama explores relations among power, gender, trade, religion, and their representation in MLT. The characters are, loosely, representatives of…
Bradbrook, M. C.
Aspects of Dramatic Form in the English and the Irish Renaissance: The Collected Papers of Muriel Bradbrook (Sussex: Harvester Press, 1983): 3:156-79.
Traces parallels between Marlowe's 'Hero and Leander' and TC 3.
Surveys the history and development of English drama from the Renaissance to the modern period, emphasizing "the nature and effects" of plays and performance. Includes a chapter entitled "The Dream Vision from Chaucer to Shakespeare" (pp. 61-79),…
Bradbrook, M. C.
Shakespeare Quarterly 9.3 (1958): 311-19.
Argues that "[c]ompression and inversion direct Shakespeare's use of" TC in "Troilus and Cressida," particularly, "the clear inversion of every idealistic feeling save those of Troilus is so relentless that a 'mirror image' emerges." Shakespeare…
Bradbury, Jill Marie, Geoffrey Clegg, Stephanie L. Kerschbaum,
Pamela Kincheloe, and Tonya Stremlau.
Literature Compass 16.1 (2019): n.p.
A group of "deaf/Deaf/hard of hearing scholars with wide-ranging expertise in literary studies, rhetoric, disability studies, and Deaf Studies" express "deep reservations" about Robinson's essay.
Bradbury, Nancy Mason, and Carolyn P. Collette.
Chaucer Review 43 (2009): 351-75.
Bradbury and Collette survey historical records and literary representations of clocks in works by Jean Froissart, Henry Suso, Philippe de Mézières, and Christine de Pizan. The article counters the notion that the mechanical clock caused a sudden…
In TC, Chaucer uses not only sophisticated, upper-class materials but also lower-class matter that has "moved 'upward' into the most prestigious and learned layers of medieval discourse." This "gentrification" can best be seen in Chaucer's use of…
Bradbury, Nancy Mason.
Urbana and Chicago: University of illinois Press, 1998.
Explores how Middle English metrical romances reflect "proximity to orally transmitted legends." Treats the "Tale of Gamelyn" and related outlaw ballads as "fragmentary remains of a predominantly oral tradition,"Havelock the Dane" as an early…
Bradbury, Nancy Mason.
Rosalind Field, ed. Tradition and Transformation in Medieval Romance (Cambridge: D. S. Brewer, 1999), pp. 115-24.
Argues that Chaucer's reception of native romance in TC is more positive and artistically significant than has been previously recognized. After examining the elements of metrical romance in Th and arguing that it parodies one extreme of Chaucer's…
Combining cognitive and ethnographic approaches to proverb study, Bradbury examines proverb use in Fragment 1 of CT. She explores the limitations of the cognitive theories of Richard Honeck, on the one hand, and George Lakoff and Mark Turner, on the…
Bradbury, Nancy Mason.
Studies in the Age of Chaucer 28 (2006): 237-42.
Bradbury addresses Chaucer's uses of proverbs as a "crucial" form of "quoting behavior"--a form of "soft source" important to Chaucer's art and its reception in manuscripts and early editions. Draws examples from KnT and refers to uses of proverbs in…
Uses examples from CT, TC, and the anonymous Middle English Dialogue of Solomon and Marcolf, read in a context created by Bakhtin's theory of "speech genres," to demonstrate the power of proverbs to transform the situations in which they are…
Bradbury, Nancy Mason.
Jenny Adams and Nancy Mason Bradbury, eds. Medieval Women and Their Objects (Ann Arbor: University of Michigan Press, 2017), pp. 39-55.
Considers the exchange of objects in the Zenobia/Cenobia story in MkT not as a punitive measure for pushing back on gender constructs or a validation of the Monk's blatant misogyny, but rather as a moment of empowerment.
Bradbury, Nancy.
John M. Hill, Bonnie Wheeler, and R. F. Yeager, eds. Essays on Aesthetics and Medieval Literature in Honor of Howell Chickering (Toronto: Pontifical Institute of Medieval Studies, 2014), pp. 262-90.
Discusses handcrafted production and aesthetic beauty of the Kelmscott Chaucer and responds to the question "What constitutes 'beauty' in medieval poetry?" Provides historical background on the Kelmscott Press, the relationship between William Morris…
Chaucer had the opportunity, if not any singularly discernible motive, for actually raping Cecily Chaumpaigne, stepdaughter of Alice Perrers. Alice may have been the prototype of Alice of Bath and may even have been the mother of the illegitimate…
Braddy, Haldeen.
Beryl Rowland, ed. Companion to Chaucer Studies (New York: Oxford University Press, 1979), pp. 143-59.
The French strain in Chaucer's poetry (though obviously strongest in his earlier career) pervades his "ouvre." So far as is known, however, Chaucer himself never worte an original line in that tongue.
