Bowden, Betsy.
Martin Stevens and Daniel Woodward, eds. The Ellesmere Chaucer: Essays in Interpretation (San Marino, Calif.: Huntingon Library; Tokyo: Yushodo, 1995), pp. 171-204.
Surveys pilgrim protraits, ranging from Caxton's woodcuts to Blake's 1809 (1810?) engraving of "Chaucer's Canterbury Pilgrims," exploring "earlier readers' understandings of Chaucer's text (in order) to begin to distinguish those perceptions that…
Bowden, Betsy.
Translation & Literature 3:30-46, 1994.
Examines select passages of moderizations of ShT by John Markland, Henry Travers, Andrew Jackson, and William Lipscomb for how their diction, imagery, and emphases encourage us to approach the Tale as "implied performance." All four interpret and…
Bowden, Betsy.
Studies in Medievalism 11: 73-111, 2001.
The treatment of horses and horsemanship helps to contrast the "secular lightheartedness" of Thomas Stothard's 1809 painting of the Canterbury pilgrims and the "heartfelt religious fervor" William Blake sought to convey in his 1807 engraving.
Bowden defines "sentence," "sawe," and "proverbe" in relation to terms used in the French and Latin sources of Mel, comparing Mel to pedagogical proverb collections to explore Chaucer's "creative interaction with oral tradition."
Bowden, Betsy.
William K. Finley and Joseph Rosenblum, eds. Chaucer Illustrated: Five Hundred Years of the Canterbury Tales in Pictures (New Castle, Del. : Oak Knoll; London: British Library, 2003), pp. 121-90.
Reproduces and assesses various eighteenth-century depictions of CT or the Canterbury pilgrims, including Thomas Stothard's illustrations for Bell's British Poets (1782-83), the set of pilgrim portraits (here associated with John Vanderbank) in John…
Contrary to Stephen R. Reimer's crediting them to George Vertue (in Chaucer Review 41 [2006]), the drawings for the Urry portraits were executed by J. Chalmer and printed thereafter from engravings by Vertue.
Bowden, Betsy.
Susan Yager and Elise E. Morse-Gagné, eds. Interpretation and Performance: Essays for Alan Gaylord (Provo, UT: Chaucer Studio Press, 2013), pp. 33-46.
Discusses four versions of Arcite's death and focuses on the actions of the horses in each: in Boccaccio, as in Statius, divine interventions frighten the horses; Chaucer's Arcite falls due to both a god's intervention and his own pride; in Dryden,…
Bowden, Betsy.
Bethlehem, Pa.: Lehigh University Press, 2017.
Analyzes manifestations of the Wife of Bath throughout 1660-1810, in seven chapters on primarily verbal art and seven on primarily visual art. Melds methodologies from the disciplines of literature, art history, musicology, education, folklore, print…
Bowden, Muriel.
New York: Macmillan; London: Collier-Macmillan, 1967.
Reprints the original version of 1948, with a very brief second preface (half page) and appended additional material and bibliography (pp. 317-28). Throughout the reprinted text, the additional material is signaled by means of daggers included in the…
Bowen, Kerri Ann.
Dissertation Abstracts International A71.06 (2010): n.p.
Discusses CT as part of a larger consideration of patience--especially female patience--and notes that Chaucer often links patience with epistemological limits.
Bowen, Muriel.
New York: Farrar, Straus, and Co., 1964.
Introduces Chaucer's life and works to "those who are new readers" of the poet, evoking a sense of late-medieval life, especially London, Chaucer's court life, and international contexts. Explicates the tales and tellers of CT in thematic chapters,…
Bowen considers the treatment of stringed instruments in Chaucer's Latin sources, their treatment as symbols of "celebration and peace" for characters in CT, and connections between the instruments and concepts of bodies. Stringed instruments…
Bowen, Robert O.
Modern Language Notes 71.3 (1956): 165.
Connects the Clerk's uses of "heigh style/stile" in ClP 4.18 and 41 rather than reading the latter as a mistranslation of Petrarch "stylo alio" as stylo alto."
Bowen, Robert O.
Modern Language Notes 71.3 (1956): 165.
Suggests that Chaucer's dismissive reference to incest in MLP 77ff. alludes not to Gower's "Confessio Amantis" but to his own hesitation in writing a version of the "well known folk tale of the Incestuous Father," hesitating "on grounds of taste to…
Bower, Hannah.
Oxford: Oxford University Press, 2022.
Explores relations between the practical purposes of medieval medical recipes and their imaginative and aesthetic effects, focusing on how the texts of these recipes reflect their broader discursive culture, c. 1375-1500. Cites Chaucer's recurrent…
Alludes to Chaucer in the title of an essay about the poet Barrie Phillip Nichol, "On First Opening Nichol's Chaucer," and briefly characterizes CT as "a long poem that incorporates," playing on the meaning of "corpus" as "body."
The 1987 report of the Committee on Chaucer Bibliography and Research lists 354 Chaucer studies. Listings are devoted primarily to Americian Chaucerians.
