Browse Items (16479 total)

Boitani, Piero.   Denis Renevey and Christiania Whitehead, eds. Lost in Translation? (Turnhout, Belgium: Brepols, 2009), pp. 93-107.
Argues that Chaucer's adaptations of Italian literature are better regarded as intertextual rewritings than as translations, particularly in instances where he fuses materials from Dante, Petrarch, and Boccaccio. Comments on portions of TC, HF, Anel,…

Boje, Johannes Gerhardus.   Open access Ph.D. dissertation (University of Pretoria, 2019). Available at https://repository.up.ac.za/handle/2263/74353 (accessed December 1, 2021).
Reflects on "the process and outcome of an Afrikaans translation" of CT and includes a complete translation in an appendix, matching Chaucer's verse and prose, completed over the course of sixty years. The study explores translation theory and…

Boje, John, trans.   Pretoria : Hans Kirsten, 1989.
Afrikaans verse translation of GP, MilT, RvPT, WBP, PardPT, PrPT, Thop, and NPT, with introduction by H. J. Pieterse and notes.

Boje, John.   Journal of Literary Studies/Tydskrif vir Literatuurwetenskap 37 (2021): 1-19.
Clarifies pressures exerted by literary translation theories of the late twentieth century on Boje's translation of CT, focusing on the taboo against blasphemy in the target language, Afrikaans, and Chaucer's use of religious oaths.

Boker, Uwe, et al., eds.   Frankfurt am Main : Lang, 2004.
Twenty-one essays by various authors and a bibliography of Goller's publications. The essays focus on medieval romances and their reception in later traditions, German and English. For four essays pertain to Chaucer, search for Of Remembraunce the…

Boker, Uwe, Manfred Markus, and Rainer Schowerling, eds.   Stuttgart : Belser, 1989.
A collection of articles by various hands. For individual essays that pertain to Chaucer, of this volume.

Boldrini, Lucia.   Gerald Gillespie and Haun Saussey, eds. Intersections, Interferences, Interdisciplines: Literature with Other Arts (Brussels: P. I. E. Peter Lang, 2014), pp. 35–46.
Describes the "Night Lesson" chapter of James Joyce's "Finnegans Wake" and argues that it shares a number of features with Astr.

Bolens, Guillemette, and Lukas Erne, eds.   Tübingen: Narr Verlag, 2011.
Reviews notions and constructions of authorship in medieval and early modern texts, including works by Chaucer, Gower, Shakespeare, Jonson, Milton, and Marvell. For two essays that pertain to Chaucer, search for Medieval and Early Modern Authorship…

Bolens, Guillemette, and Paul Beekman Taylor.   Chaucer Review 32 (1998): 325-34.
At the beginning of BD, the Black Knight has an inaccurate conception of how chess is played. The misconception must be corrected by the narrator as the poem progresses and before the castle bell strikes midday and the game, the hunt, and the poem…

Bolens, Guillemette, and Paul Beekman Taylor.   Chaucer Review 35: 281-93, 2001.
The "remedia" for the Black Knight's loss is achieved in two parts: the "reshaping" of the Black Knight's imaginative metaphor (chess representing the art of love) and the sounding of the castle bell, which awakens the poet and "ends both hunt and…

Bolens, Guillemette.   Poetics Today 29 (2008): 309-51.
Bolens explores David Rudrum's notion of "narrative use" (fiction as a speech act that is used for a purpose) and applies it to "The Book of Sindibad," "The Seven Sages of Rome," and especially "The Tale of Beryn." Narrative use is an overt concern…

Bolens, Guillemette.   Nicole Nyffenegger and Katrin Rupp, eds. Fleshly Things and Spiritual Matters: Studies on the Medieval Body in Honour of Margaret Bridges (Newcastle upon Tyne: Cambridge Scholars, 2011), pp. 51-77.
Explores the extent to which a "literary text may disturb the social drama of gender roles by staging characters deliberately enacting their normative gender roles 'as' enacted gender roles," focusing on Kit in the Prologue to the Tale of Beryn, but…

Bolens, Guillemette.   Médiévales 61 (2011): 97-117.
Examines how Chaucer uses interactive body signs in CT to convey emotions and engage his readers in the process of understanding, focusing on his "style kinésique" and exemplifying its effects in examples drawn from SqT and MLP.

Bolens, Guillemette.   Miranda Anderson and Michael Wheeler, eds. Distributed Cognition in Medieval and Renaissance Culture (Edinburgh: Edinburgh University Press, 2019), pp. 66–85.
Exemplifies how the interactive and "enactive" process of reading details of the frame narrative of CT (GP and links between tales) prompts cognition in ways that are analogous to the "distributed cognition" of human sensorimotor operations. Focuses…

Bollard, J. K.   Leeds Studies in English 17 (1986): 41-59.
WBT, Gower's "Tale of Florent," the "Wedding of Sir Gawain and Dame Ragnell," and "The Marriage of Gawain" (from the Percy Folio) are sufficiently different from the Irish tales of the transformed hag to raise doubts about the transmission of this…

Bolton, W. F.   Modern Philology 84 (1987): 401-407.
Yearbook law reports and plea-roll law records contain information about members of Chaucer's "legal 'circle'" (p. 402) and Thomas Pynchbeck, Chaucer's prototype for the Man of Law. Legal terminology from these sources informs the portrait in both…

Bolton, W. F.   Janet Todd, ed. Gender and Literary Voice (New York and London: Holmes and Meier, 1980), pp. 54-65.
The Wife's "botched" tale is the product of her "crippled imagination," which in turn is the product of thirty years' victimization by men.

Bolton, W. F.   Language and Style 11 (1978): 201-11.
The Pardoner, making, through structure, game of his tale's morality and morality of its game, wishes the Pilgrims to play gullible churchgoers and to depose the Host, who rebuffs him. NPT's structure reveals covert anti-feminism manifesting the…

Bolton, W. F.   Chaucer Review 1.4 (1967): 217-27.
Argues that KnT is a heightened, courtly "particularization" of a fundamental aspect of the human condition: "the disorderly promptings of carnal love and their disastrous effects." Considers the imagery of the poem (Christian, Boethian, fire, and…

Bolton, W. F.   Archiv für das Studium der Neueren Sprachen und Literaturen 203 (1966): 255-62.
Describes the concern with treason in TC, identifying references to the "Troy story as a series of betrayals" and allusions to the "Troy legend" where betrayal occurs, connecting them with questions of trust and treason in a pagan world lacking faith…

Bolton, W. F.   Mediaeval Studies 24 (1962): 83-94.
Argues that the "organization and success" of MilT depends upon the "dramatic irony" of tensions between its courtly and common, sacred and profane, and realistic and fantastic elements, exploring such tensions in the signifying names of the…

Bolton, W. F., ed.   London: Barrie & Jenkins; Sphere, 1970.
Comprises eight chapters by various authors surveying English literature from the Old English period through Middle English prose. The chapter pertaining to Chaucer includes four sections: 1) a brief account of Chaucer's life (pp. 159-62), by W. F.…

Bolton, W. F.,S. S. Hussey, D. S. Brewer, and D. A. Pearsall.   W. F. Bolton, ed. The New History of Literature, Vol. I: The Middle Ages (New York: Peter Bedrick, 1986), pp. 169-266.
Introductory essays on Chaucer's life, the minor poems and the prose, TC, and CT.

Bonazzi, Nicola.   Heliotropia: Forum for Boccaccio Research and Interpretation 11 (2014): 181-97.
Traces the development of the relations between illusion and courtliness from Boccaccio to James Lasdun's story in the "The Siege," including a discussion of FranT that focuses on the "demande d'amour" that concludes the Tale.

Bond, Bruce Robert.   DAI 35.02 (1974):1087A.
Considers Chaucer's (and others') treatment of envy as a Deadly Sin as background to the Renaissance understanding of the vice, which was influenced by classical tradition as well.
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