Hussey, Maurice, A. C. Spearing, and James Winny.
Cambridge: Cambridge University Press, 1965.
Designed as a "not too bulky" introduction to Chaucer and his life for the Cambridge University Press series "Selected Tales of Chaucer," providing fundamental information about Chaucer's life, language, social contexts, and intellectual background,…
Winny, James, ed.
Cambridge: Cambridge University Press, 1965.
Middle English edition of WBPT, with end-of-text notes and glossary. The Introduction (pp. 1-28) discusses sources, the relation of WBP to WBT, themes, etc., with additional comments on the text and Chaucer's usage. Includes Chaucer's Gent and a…
Winny, James, ed.
Cambridge: Cambridge University Press, 1966.
Presents ClPT in Middle English (based on Robinson's 1957 edition), with notes and glossary at the end of the text, along with an appendix (pp. 91-99) that offers lines 4.813-924 of ClT in facing-page juxtaposition with one of its source texts, "Le…
Hussey, Maurice, ed.
Cambridge: Cambridge University Press, 1966.
Presents MerPT in Middle English (following Robinson's 1957 edition), with notes and glossary at the end of the text. The Introduction (pp. 1-34) comments on the GP description of the Merchant, the relations between MerT and ClT and between MerT and…
Hussey, Maurice.
Cambridge: Cambridge University Press, 1967.
Compiles more than 100 maps and images that illustrate the Chaucer's world and the imagery therein, arranged loosely around the GP descriptions of Chaucer's pilgrims, with additional topics. The accompanying text includes appreciation of Chaucer's…
Whittock, Trevor
Cambridge: Cambridge University Press, 1968.
Interpretive, evaluative, tale-by-tale reading of CT, focusing on how Chaucer's "mingling" of various styles, tones, genres, conventions, source materials, and world views come together as a unifying perspective that supersedes any one perspective .…
Robinson, Ian.
Cambridge: Cambridge University Press, 1971.
Explores what can and cannot be known about the meter and rhythm of Chaucer's verse and that of his contemporaries and followers, arguing that Chaucer employed a lively "balanced parameter" that is not heavily restricted by regularity and that should…
Winny, James, ed.
Cambridge: Cambridge University Press, 1971.
A textbook edition of MilPT in Middle English, with introduction and end-of-text notes and glossary. The Introduction (pp. 1-25) discusses the place of the Tale in the CT, its rhetoric and diction, sources and analogues, various themes,…
Robinson, Ian.
Cambridge: Cambridge University Press, 1972.
Treats Chaucer as a "great" poet and the "father" of English literature, commenting on the "wonderful" range of tones in his poetry, its relations with French and Italian works, its similarities with other late-medieval English works, and the…
Mann, Jill.
Cambridge: Cambridge University Press, 1973.
Establishes that GP is an example of the medieval literary genre of estates satire, i.e., a "satiric representation of all classes of society," based on occupation. Surveys the tradition of the genre, including works that only draw on "estates…
Schmitt, Jean-Claude.
Cambridge: Cambridge University Press, 1983.
An exemplum of Stephen of Bourbon, written sometime before 1261, reveals and condemns an odd heresy. Near Lyons, a story has gained currency of a greyhound, slain by its noble master in ill-considered haste, after it had saved the knight's infant…
Spearing, A. C.
Cambridge: Cambridge University Press, 1985.
Rewriting literary history from Chaucer to Spenser, Spearing challenges C. S. Lewis's view that Chaucer "medievalized" his Renaissance-oriented sources, especially Boccaccio and Dante.
Boitani, Piero, and Jill Mann, eds.
Cambridge: Cambridge University Press, 1986.
Contains fifteen essays designed for new readers of Chaucer. Emphasizing criticism rather than introductory studies, the contributors introduce fresh insights to encourage new readers to delve further into Chaucer's poetry. Little attention is…
Spearing, A. C.
Cambridge: Cambridge University Press, 1987.
By eclectic approaches that borrow techniques from "modern literary theory, film analysis, sociolinguistics, and social anthropology" and that use historical views of medieval ideas and practice, Spearing illuminates a number of medieval poems,…
Griffiths, Jeremy, and Derek Pearsall, eds.
Cambridge: Cambridge University Press, 1989.
Fifteen original essays on such topics as early book design, book purchasing and ownership, Caxton, and production of various kinds of books. Includes C. Paul Christianson on "Evidence for the Study of London's Late Medieval Manuscript-Book Trade,"…
Wetherbee, Winthrop.
Cambridge: Cambridge University Press, 1989.
Wetherbee's book briefly discusses Chaucer's language; the social and literary contexts of his work; the incomplete status of the text; and the reception of the tales, from Caxton, Spenser, Shakespeare, and Dryden to the editions of Skeat and…
Schmitz, Gotz.
Cambridge: Cambridge University Press, 1990.
English translation, with a new preface, of Die Frauenklage: Studies zur englischen Verserzahlung in der englischen Literature des Spatmittelalter und der Renaissance (Tubingen: Niemeyer, 1984). Investigates the relations between subject matter and…
Morse, Ruth, and Barry Windeatt,eds.
Cambridge: Cambridge University Press, 1990.
Eighteen articles by colleagues, friends, and former pupils honor Derek Brewer's retirement and serve as a tribute to his achievements in the study of medieval literature and especially of Chaucer. Responses to Chaucer and Chaucer's tradition treat…
Carruthers, Mary (J.)
Cambridge: Cambridge University Press, 1990.
In an interdisciplinary study drawing upon "modern hermeneutical theory; art history and codicology; psychology and anthropology; the histories of medicine, education, and of meditation and spirituality," Carruthers posits that "medieval culture was…
Copeland, Rita.
Cambridge: Cambridge University Press, 1991.
Traces the history and theory of vernacular translation to its roots in Latin tradition, exploring classical translation theory as a product of the academic struggle between rhetoric and grammar (or hermeneutics). Medieval translation, a kind of…
Morse, Ruth.
Cambridge: Cambridge University Press, 1991.
Medieval notions of historical and literary truth derive from classical rhetorical tradition and differ from modern, empirically based notions of factuality. Basing her argument on a description of education in rhetoric, Morse demonstrates that…
