Strakhov, Elizaveta.
Medium Aevum 85.2 (2016): 236-58.
Contends that Deschamps's "Ballade to Chaucer" alludes to a poetic debate between Philippe de Vitry and Jean de le Mote, to Ovidian exile, and to a poet's oeuvre as a garden. Claims that Deschamps's emphasis on translation and use of French and…
Reviews seventeenth-century lexicographical interest in Scots dialect, and includes information about the extent to which Junius used Gavin Douglas's "Eneados" to understand Chaucer's vocabulary.
Examines the apocalyptic genre of English short-verse prophecies, which were attributed to authorities such as Merlin, Bede, and Chaucer, who existed safely in the past but often also on the margins of political and religious orthodoxy. Popular from…
Claims that Chaucer, Spenser, and Dryden may be understood as a collective devoted to the project of "reviving or supplementing destroyed, deferred, and unfulfilled stories." Demonstrates the recursive, rather than linear, relations among these…
Espie, Jeffrey George.
Dissertation Abstracts International A78.08 (2016): n.p.
Considers Spenser's perception of Chaucer as inspiration, influence, and creator whose creations have themselves been mediated by other writers and society.
Reviews canon, allusion, and literary influence in English literature. Refers to Chaucer as the head of the English canon, discusses Matthew Arnold's thoughts on Chaucer, and reveals limited attention to Chaucer in the 1909 "Harvard Classics"…
King, Andrew, and Matthew Woodcock, eds.
Cambridge: D. S. Brewer, 2016.
Presents a collection of essays that respond to and commemorate Helen Cooper's "contribution to the study of medieval and Renaissance literature, literary history and periodisation." For an essay that pertains to Chaucer, search for Medieval into…
Gillespie, Alexandra.
Andrew King and Matthew Woodcock, eds. Medieval into Renaissance: Essays for Helen Cooper (Cambridge: D. S. Brewer, 2016), pp. 15-30.
Poses questions about the "realities and complexities of authorship and literary tradition" in Gower, the "pseudo-Chaucerian" "Plowman's Tale," Spenser's "Shepheardes Calender,: and Milton's poetry. Addresses Chaucer's reception in the sixteenth…
Green, Richard Firth.
Philadelphia: University of Pennsylvania Press, 2016.
Presents (in a postscript) how Chaucer's attitudes and "amused skepticism" toward fairies influenced later writers, including Spenser and Shakespeare. Analyzes connections between historiography of early modern witch-hunts and popular superstitions…
Kears, Carl, and James Paz, eds.
London: King's College London Centre for Late Antique and Medieval Studies, 2016.
Includes essays that seek to redefine science fiction as literature that combines interests in both science and literature. Also examines the use of the medieval in modern fantasy texts. For three essays that pertain to Chaucer, search for Medieval…
Kang, Minsoo.
Carl Kears and James Paz, eds. Medieval Science Fiction (London: King's College London Centre for Late Antique and Medieval Studies, 2016.), pp. 245-61.
Explores the different attitudes toward the Middle Ages presented in science fiction and fantasy literature, while also arguing for a new subgenre called "catapunk" that depicts the Middle Ages in fuller ways. Mentions the false alchemy in CYT,…
Kears, Carl, and James Paz.
Carl Kears and James Paz, eds. Medieval Science Fiction (London: King's College London Centre for Late Antique and Medieval Studies, 2016), pp. 3-38.
Argues for a consideration of texts as "science fiction," even if they were produced before the Enlightenment, and further defines the genre to include any text that combines interests in science and fiction. Includes comparison of CYT to Shelley's…
Hannam, James.
Carl Kears and James Paz, eds. Medieval Science Fiction London: King's College London Centre for Late Antique and Medieval Studies, 2016(), pp. xv-xxv.
Defines medieval science fiction and provides a survey of types of science appearing in medieval literature, including natural philosophy (in NPT and PF), alchemy (in CYT), herb lore (in GP), and astronomy.
Knox, Philip, Mark Griffith, and William Poole.
Medium Aevum 85.1 (2016): 33-58.
Proposes that prefatory verses published in Kynaston's Latin translation of TC demonstrate a high degree of academic interest in Chaucer in seventeenth-century Oxford. Several verses praise Kynaston by criticizing Chaucer's "rudeness," but others…
Larson, Eric.
Dissertation Abstracts International A77.09 (2016): n.p.
Investigates eighteenth-century modernizations of Chaucer's work (especially CT), with an eye toward the period's political issues and a consideration of those modernizers' contributions to later scholarly apparatus.
Pastoor, Jennifer.
Dissertation Abstracts International A78.05 (2016): n.p.
Considers the use of women and their bodies as metaphorical vehicles for the consideration of Christian life, with particular attention to MLT and SNT.
Teramura, Misha.
Dissertation Abstracts International A78.12 (2016): n.p.
Considers Shakespeare's intersections with Chaucerian works (e.g., KnT and TC) with regard to the idea of plays gaining regard as literary works in and of themselves.
Contends that Cresseid's maturation in Henryson's "Testament of Cresseid" includes an evolving contemplation of free will, as one finds in Boethius and in Chaucer's depiction of Troilus in TC.
Includes essays on readings of Middle English texts, Middle English syntax, and styles of Middle English alliterative poetry. Chapter 2 concerns reading of one line in GP. Chapter 7 concerns Chaucer's use of the modal auxiliary verb ought. In…
Bellis, Joanna.
Rochester, N.Y.: D. S. Brewer, 2016.
Examines the narrative and linguistic effects of the Hundred Years War, and claims that the war functions similarly to the Conquest of 1066 as an event that shapes a relationship between word and war and emphasizes the mimetic relationship between…
Cannon, Christopher.
Oxford: Oxford University Press, 2016.
Examines the textbook practices of the medieval primary schools--the "grammar schools" or "grammatica"--as underlying the transition from Latin to English as the primary language of "literary" composition in England during the fourteenth century.…
Uses selected Arthuriana to describe the development of chivalric romance and offer a descriptive definition of the genre. Emphasizes the non-centered, unstable nature of the romance, although contrasting it with postmodernist works. Notes Chrétien…