Browse Items (16472 total)

Shows that the bob-lines in Tho are characterized by "Bathos and vapidity," and focuses on their placement in manuscripts and the unique qualities of the first bob-line (7.793) to show that these characteristics are intentional and artful. Includes a…

Examines Chaucer's stanzaic and metrical dexterity in TC, discussing how and with what effects he bridges stanza breaks and how he creates emphasis through repetitions, rhyme pairs, caesuras, enjambment, narratorial disavowals, and shifting of climax…

Given his "frequent equivocalness" on matters of high seriousness, there is good reason to believe that Prov, a "riddling poem" (NIMEV 3914), is Chaucer's work, philologists' objections on the basis of its inaccurate "compace"/"embrace" rhyme…

Surveys attitudes toward patriotism among early English writers. According to Stanley, Criseyde's claim to Diomedes that she loves the city of Troy (TC 5. 953-57) is untrue.

Etymological and semantic exploration of "fear" and related words that indicates nuances lost in translation between early English and modern editions and adaptations; discusses two uses of "no fere" in TC (3.583 and 1144) and an emendation of "thys…

Aware that their husbands (as chosen by their families or communities) will determine the nature of their lives, women have sought to choose their own husbands, a daring assumption of sovereignty in a patriarchal society. The Wife of Bath,…

Connects the shapeless mass of flesh, which Christian baptism miraculously reforms into a baby in the Middle English romance "The King of Tars," with a bloodless mass described by Chaucer's contemporary Henry Daniel as an "elvysch cake." Claims that…

Describes the career and works of late medieval English medical writer Henry Daniel, arguing that his views on "collaboration" between "learned and lay sources" are similar to Chaucer's, and that the two writers are also "connected through their…

Analyzes the lexicon of Henry Daniel's medical treatise on urine, "Liber uricrisiarum," as it is found in Huntington, MS HM 505. Shows that often "Daniel and Chaucer share a precise vocabulary," detailing their similar uses of "piss," and tabulating…

In CT, Chaucer examines or modifies various elements of the romance genre: adventure, wonder, medieval didacticism, and love. Three narrators of the tales comically muddle the romance: Sir Thopas, the Squire, and the Franklin. KnT is Chaucer's…

Sound recording of musical stage play, with music by Richard Hill and John Hawkins, and lyrics by Nevill Coghill. The cast includes George Rose, Hermione Baddeley, Martyn Green, and others.

Includes selections from GP in translation by Nevill Coghill, set to music, and narrated by Martin Starkie: the opening of GP and the descriptions of the Knight, the "Knight's Son,", the "Nun," the "Guild," the Monk, the Wife of Bath, the Shipman,…

Sound recording of the "Smash Hot Musical Play," with music by Richard Hill and John Hawkins, lyrics by Nevill Coghill, and the "Full Cast" of the stage production, including Wilfrid Brambell, Jessie Evans, Kenneth J. Warren, and others.

Using ClT and other texts, looks at the intersection of asceticism and secular lifestyles.

An edition of the ministry and Passion section of the southern version of the "Cursor Mundi," with introduction, notes, and textual apparatus.

Staunton describes Shakespeare's allusions to Marlowe in As You Like It. Touchstone's and Rosalind's references to Troilus as a lover engage TC.

Rejects Matthew Arnold's claim that Chaucer lacked "high seriousness," commenting on the "close interrelationship between the ironist and moralist" in the older poet's works, and suggesting that, though genial in his acceptance of human variety and…

Edits "Le Bone Florence of Rome," accompanied by a facing-page translation that maintains the twelve-line, tail-rhyme stanzas of the original, with end-of-text explanatory notes, textual notes, and several appendices. Introduction includes commentary…

Provides an "anatomy of Lydgate's engagement with" ClT, documenting his "many Griseldas": muse, "haughty beloved," "antithesis of contemporary women," "exemplary spouse," woman who "falls short of being the Virgin Mary," "victim of…

Examines the righteous-woman-on-trial-motif in "The Earl of Tolous" and its relation to Susanna (Daniel 13) and to medieval romances involving the same motif. By exploiting narrative structure, shifting perspectives and the differing perceptions of…

Emphasizes Chaucer's influences on Hoccleve, paying special attention to ClT as an intertext with Hoccleve's "Letter," where Hoccleve appears rather misogynist. Yet, in the "Series," harkening back to his "Letter," Hoccleve seems to ridicule his…

Explores words and nuances associated with tragedy in Chaucer's works, describing a pair of emphases in Bo that may indicate direct study of Boethius's original rather than glosses or commentaries. Considers the extent to which the Monk may have…

Concentrates on the depiction of the Near East in MLT and other contemporary analogues, developing a ""comparative methodology for analyzing representations of the Near East that focuses on their adaptation of earlier (Anglo-)French sources and…

Steadman suggests "a possible connection between the fictional date of the poet's dream, its tripartite structure, the feast of Saint Lucy, and the Dantesque associations of Chaucer's eagle," discussing major images and motifs of the poem.

In a section called "Chaucer and Medieval Tradition" (pp. 67-114), reprints (with revisions and expansions) several previously published essays by Steadman, all of which explore iconographical or allegorical aspects of Chaucer's works. Includes the…