Browse Items (16472 total)

Ellis, Jeremy R.   Secaucus, N.J.: Carol Publishing, 1996.
A discursive lexicon of "dirty" language, sexual and scatological, including a brief section (pp. 8-14) on Chaucer's vocabulary, listing sample words and describing several scenes and examples from MilT, WBP, and elsewhere. Reprinted under the title…

Sepherd, Robert K. .   Sederi: Journal of the Spanish Society for English Renaissance Studies 4 : 229-36, 1993.
Considers Shakespeare's Cressida to be a "delicate literary graft" of the ambiguous aloofness of Chaucer's Criseyde and the "frankness personified" of Henryson's Cresseid.

Henk, Antony.   SEDERI: Spanish and Portuguese Society for English Renaissance Studies 31 (2021): 31–54.
Compares editorial decisions from a linguistic perspective in Thomas Speght's 1602 edition of Chaucer's works with Andro Hart's Middle Scots 1616 edition of John Barbour's "Brus" to assess the perception of the intelligibility of Middle Scots and its…

Havely, Nick.   Seeta Chaganti, ed. Medieval Poetics and Social Practice: Responding to the Work of Penn R. Szittya (New York: Fordham University Press, 2012), pp. 109-23.
Reads the relationship between the formel and Nature in PF in light of late medieval practices of wardship, informed by attention to "yerde" as an emblem of authority. Comments on the formel's decision not to marry and on parallels between the formel…

Doyle, Kara.   Seeta Chaganti, ed. Medieval Poetics and Social Practice: Responding to the Work of Penn R. Szittya (New York: Fordham University Press, 2012), pp. 124-42.
Reads the figure of Alceste in LGW as a "fable" of female patronage, and argues that texts such as John Metham's "Amoryus and Cleopes" and an anonymous English translation of a portion of Boccaccio's "De Mulieribus Claris" do not follow Chaucer's (or…

Sebastian, John T.   Seeta Chaganti, ed. Medieval Poetics and Social Practice: Responding to the Work of Penn R. Szittya (New York: Fordham University Press, 2012), pp. 95-108.
Looks at the public aspect of devotional poetry, referring to Chaucer and PF.

Ikegami, Tadahiro.   Seijo Bungei (Tokyo) 105 (1983): 185-96.
HF seems a transitional and occasional poem but is unfinished and experimental, under contemporary Italian literary influence.

Ikegami, Tadahiro.   Seijo Bungei (Tokyo) 105 (1983): 27-38.
Examines Chaucer's new attempt at the development of narrative in HF and his imaginative uses of classical and contemporary Italian sources.

Ikegami, Tadahiro.   Seijo Bungei (Tokyo) 99 (1982): 1-23.
Ikegami analyzes in OE and ME literature formal problems of verse and prose, narratives, manuscripts and incunabula, Latin and vernaculars, to explain the differences between medieval and modern English literature.

Tamaki, Atsuko,and Tadahiro Ikegami.   Seijo Bungei 152 (1995): 21-40.
Examines the source of ParsT and concludes that the Tale was strongly influenced by Frere Laurent's "Summe le Roy" (1279).

Tamaki, Atsuko,and Tadahiro Ikegami.   Seijo Bungei 155 (1996): 1-22.
Explores why the Parson is neither a rector nor a parish priest, examining historical contexts and speculating about Chaucer's intentions, especially as they relate to backgrounds to the "Summa de poenitentia."

Lines, Candace.   SEL 46 (2006): 1-26.
Lines argues that the idealized chivalric homosocial bonding in Surrey's poem was influenced by KnT. Eulogizing the Duke of Richmond in this way critiques the debased version of political bonds in the court of Henry VIII.

Steinberg, Glenn.   SEL 46.1 (2006): 27-42.
Steinberg examines differences between depictions of Nature in Spenser's Mutabilitie Cantos and in Chaucer's PF. For Spenser, disorder inheres in nature, while in Chaucer it results from human "pettiness and passion." Such differences remind us of…

Garrison, James D.   SEL: Studies in English Literature 21 (1981): 409-23.
Fire imagery and the theme of order in Dryden's adaptations of Homer, Ovid, Boccaccio, and Chaucer (KnT, WBT, NPT, and Parson) evince that his "Fables" centers thematically on "natural order characterized by the paradox of constant change."

McWhir, Anne.   SEL: Studies in English Literature 23 (1983): 413-23.
Explores comic allusions in John Gay's pastorals "The Shepherd's Week" and "Trivia," along the way identifying "several allusions" to Chaucer's work in "The Shepherd's Week"--allusions to the Wife of Bath's red stockings, the use of "queynte" and the…

Ryan, Francis X., SJ.   SEL: Studies in English Literature 35 (1995): 1-17.
Explores More's likely knowledge of Chaucer by examining the former's references and allusions to Chaucer, his quotations of the earlier poet, and their uses of similar proverbs.

Vaught, Jennifer C.   SEL: Studies in English Literature 41.1 (2001): 71-89.
Bakhtinian analysis of allusions in The Faerie Queene, including the allusions to PF-particularly the catalog of trees.

Gelineau, David.   SEL: Studies in English Literature 50 (2010): 557-81.
Arguing that the sequence of tales in Dryden's "Fables" is significant and meaningful, Gelineau examines a sequence of tales in which Dryden "uses the Chaucerian tales, with their Catholic love of order, to frame his critique of military brutality…

Phelan, Joseph.   SEL: Studies in English Literature 59 (2019): 855-72.
Explains how written correspondence between Arthur Hugh Clough and Francis James Child--recurrently concerned with metrical and linguistic issues--reveals influence of Clough on Child's "Observations on the Language of Chaucer"(1862); Clough's…

Yıldız, Nazan.
[Yildiz, Nazan]  
Selçuk Üniversitesi Edebiyat Fakültesi Dergisi/Selçuk University Journal of Faculty of Letters 37 (2017): 329-42.
Assesses the Franklin as a "hybrid and mimic who is caught in between the medieval acknowledged identities of the commoners and the nobility," striving upward, and searching for "for a recognisable identity" in his changing medieval society. Includes…

Yıldız, Nazan.
[Yildiz, Nazan]  
Selçuk Üniversitesi Edebiyat Fakültesi Dergisi/Selçuk University Journal of Faculty of Letters 41 (2019): 127-42.
Explores the rebelliousness and animal imagery associated with the GP Miller and Symkyn of RvT, the in-between social status of medieval millers, and depictions of millers in accounts of the Revolt of 1381, arguing that medieval millers were depicted…

Hurst, Mary L.   Selected Papers from the West Virginia Shakespeare and Renaissance Association 8 : 1-8, 1983.
Hurst argues that Shakespeare's Cressida is an "embryonic feminist"; Cressida compares favorably with Chaucer's Criseyde, who was elsewhere demeaned in subsequent accounts.

Murtaugh, Daniel M.   SELIM 10: 141-65, 2000.
Reads Theseus as a uniquely dynamic character in KnT and in CT more generally--able to "change over time in response to experience." In the course of the Tale, Theseus achieves some of the detachment and insight that characterize the Knight.

Hernández Pérez, María Beatriz.   SELIM 11 (2001-2002): 29-47.
Assesses "The Assembly of Ladies" in light of several Chaucerian techniques, particularly his use of a disarming narrative persona. The relatively straightforward female narrative persona of "Assembly" is unlike the narrator of LGW, although both…

Revard, Carter.   SELIM 11 (2001-2002): 5-26.
Proposes that "fade" is an "Anglicized form of Occitan "fado"/"fada" and therefore further evidence that the "Gawain" or "Pearl" Poet served in Aquitaine, associated with military and/or diplomatic exploits, as did Chaucer. Proposes several possible…
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