Browse Items (16472 total)

Animals figure prominently in BD but are more than mere symbols. Ceyx's dead body is also an "unnatural animal." The birds, horse, whelp, and hart invite, but also resist, interpretation. The juxtaposition of death and animalistic vitality evokes…

Compares the birds of PF to birds in medieval scientific texts, in sources or analogues (especially Alan de Lille's "De planctu Naturae"), and in the observable environment. Chaucer fills PF with birds known in England, classifying them by diet but…

Argues that the cuckoo-merlin dialogue in PF deconstructs the traditional human-animal binary by presenting a "fleeting realization of anthropomorphism gone awry." The cuckoo's "brood parasitism . . . resolves itself into a mode of communal profit"…

Explores anthropomorphism and the "connaturality" of human and nonhuman animals in PF and Lydgate's "Debate of the Horse, Goose, and Sheep," noting the comments of medieval and modern philosophers on the traditional animal-human binary. Lydgate's…

TC includes references to animals through frequent analogy and extended imagery, but these are often generically inappropriate. Dreams about animals are largely unexplored. Comparison of Troilus to the horse Bayard not only emphasizes the hero's…

Form Age shares thematic elements with Alexander legends, including vegetarianism and prohibitions against agriculture. In these poems humans live as, and eat as, animals do, a contrast to the mastery described in Genesis. The life described in these…

Surveys metaphysical and secular Universalist traditions in world literatures. Chapter 3, "The Literature of the Middle Ages," includes a summary of CT and argues that it depicts a "metaphysical quest" with "metaphysical and secular aspects" of a…

Analyzes how Chaucer's rhetorical constructions decenter self-disclosure and resist simplistic notions of gender in WBPT, ClT, FranT, and PhyT. Figurative or allusive speech cannot adequately represent subjectivity and desire. Chaucer's treatments of…

Chapter 5 focuses on comic uses of brutality in CT, particularly in MilT and KnT. Also addresses how Chaucer refers to torture in MLT, but rejects excessive brutality in PrT.

Examines how Lydgate's "Legend of Dan Joos" recasts the opening of GP into a representation of eternal redemption in praise of Mary in his own aureate style.

In "Turning the Other Cheek: Scatology and Its Discontents in The Miller's Tale and The Summoner's Tale," pp. 12-59, Smith uses farting in MilT and SumT to explore Chaucer's complex and refined "scatological rhetoric," a trope that has been obscured…

Explicates comparisons between lovers and animals in KnT, suggesting that Chaucer uses them to expose human folly.

Analyzes John Fletcher's and William Shakespeare's collaboration on "The Two Noble Kinsmen," an interpretation of KnT, and offers how "The Two Noble Kinsmen" represents a "meditation . . . of the vernacular literary canon," as it allegorizes the…

In MLT, Custance's first husband is the "Sowdan of Surrye," and in "Macbeth" the witches plot to scourge a shipmaster who is "to Aleppo gone." That both texts treat Syria and the northern reaches of Great Britain as complementary zones, in space as…

Interprets Custance's use of "Latyn corrupt" to the natives of Northumbria in terms of Isidore of Seville's discussion of linguistic history and suggests that MLT takes an acutely historicist view of the development of medieval Christianity,…

"Arthur and Gorlagon" and WBPT share numerous misogynist topoi as well as the plot element of a mission to understand women. The Latin romance is thus "a more significant analogue for the combined Prologue and Tale . . . than has been recognized."

Explores relations between concepts of selfhood and notions of spiritual and, especially, secular vocation in WBT, Langland's "Piers Plowman," and Gower's "Vox clamantis." The "wide scope" of late medieval applications of the Pauline notion of being…

Explores Chaucer's strategy of satire in WBPT, arguing that in its concern with interpretation and discursive insensibility it is fundamentally similar to the anti-mercantile satire of MerT, ShT, and MLT. Reads the Wife in "a London context,"…

Compares the resolutions of conflict in WBT and Gower's "Tale of Florent" and explores their methods of characterization. While Chaucer depicts characters through dialogue, argument, debate, and negotiation with other persons, Gower's characters…

Two Anglo-Latin "celibacy poems" use "quoniam" to mean the same thing that it means in WBP, prompting the question, might a "joke have been circulating among thirteenth and fourteenth century clerics, that every "quare" has its 'quoniam'?"

References to animals presented as "sentient beings" in SumT convey the friar's "spiritual weakness," perhaps reflecting oral traditions of Franciscan ideals.

Presents a version of the Griselda story from Thomas III, Marquis of Saluzzo (c. 1355-1416) in "Le chevalier errant," and analyzes how fourteenth-century audiences would have reacted to Chaucer's version in ClT. Includes a translation of Thomas's…

Argues that genre and the discourses of desire in MerT prove too strong for the narrator, who is constantly conflicted about his presentation not only of linguistic and narrative desires but also of the psychoanalytic displacements of these desires.

Interrogates post-Enlightenment understandings of shame, and argues that in FranT shame negotiates continua rather than dichotomies (men/women, courtly love/marriage, and public/private). Read in light of conduct literature, Arveragus's claims and…

Offers Richard de Fournival's "Consaus d'amours," a thirteenth-century French "art d'aimer" (art of love), as a possible source for FranT.