Jimura, Akiyuki, and Hisayuki Sasamoto, trans. and eds.
Bulletin of the Okayama University of Science 55.B (2019): 1-20.
Translates ABC, Pity, Lady, Mars, Ven, Ros, Adam, Purse, Wom Unc, Compl d'Am, and MercB into Japanese, based on the Riverside edition, with an introduction and notes. In Japanese, with English abstract.
Tripp, Raymond P. Jr.
Bulletin of the Rocky Mountain Modern Language Association 24 (1970): 51-59.
Contends that Chaucer's adaptation in HF of Virgil's "Aeneid" "anticipates his development away from medieval conventions toward modem, psychological people."
McCann, Garth A.
Bulletin of the Rocky Mountain Modern Language Association 27 (1973): 10-16.
Reads the first three tales in CT as a gradated and "symmetrical" treatment of love that moves from the non-physical idealism of KnT to the mixture of emotion and action in MilT and on to the revenge and "physical realism" of RvT.
Johnson, William C., Jr.
Bulletin of the Rocky Mountain Modern Language Association 28.2 (1974): 57-65.
Compares the miracles in MLT with those in its source in Nicholas Trevet, arguing that by emphasizing emotion over religion Chaucer renders the narrative more powerful and humanistic.
Millichap, Joseph R
Bulletin of the Rocky Mountain Modern Language Association 28.4 (1974): 102-08.
Considers the imagery of transubstantiation and transformation in PardPT and in the GP description of the Pardoner. In traditional Christian terms, the Pardoner fails to use properly the things of the world for spiritual purposes; in terms of Jungian…
Okamoto, Hiroki.
Bulletin of the Society for Chaucer Studies 5 (2017): 3–21.
Reconsiders the role of the clerks' northern dialect in RvT as well as the Reeve's Norfolk dialect, paying particular attention to the fading of the former within the tale.
Sugito, Hisashi.
Bulletin of the Society for Chaucer Studies 7 (2019): 3-12.
Points out thematic parallels between Hoccleve's "Male regle" and PardT, such as "riot and repentance" and "misreading" of "the material and the spiritual," and argues that Hoccleve succeeds in taking in Chaucerian literary resources to make his…
Gerke, Robert S.
Bulletin of the West Virginia Association of College English Teachers 14 (1992): 23-33.
In plot and dominant ideas, PardT reflects the opposition between avarice and mercy common in the medieval vices-virtues tradition. The avaricious Pardoner lacks mercy, and the recurring notion of voluntary poverty in PardPT can be linked with mercy…
Nakao, Yoshiyuki.
Bulletin of University Education Center, Fukuyama University Studies in Higher Education 5 (2019): 3-22.
Analyzes the semantics of the use of the present tense in the narrative parts of TC using V.176-96 as an example and applying the "four-layered semantic structures (referential, textual, expressive and metalinguistic)" proposed by Fleischman (1990).…
Nakao, Yoshiyuki.
Bulletin of University Education Center, Fukuyama University Studies in Higher Education 7 (2021): 117-38.
Analyzes the structure and function of reporting verbs, such as "seyde" and "quod, "in representing speech and thought in TC from a variety of viewpoints, including syntactical position of the reporting verbs, balance of direct and indirect…
Noji, Kaoru.
Bulletin of Yamamura Women's Junior College 3 (1991): 245-62.
Explicates FranT, focusing on the characterization of Dorigen and how it reveals the "social compromises which women are conditioned to make." The "cracks in mutual understanding" between Dorigen and Arveragus also reveal how the values of women and…
Fincher, David, dir.
Burbank, Calif: New Line Cinema, 1995.
Murder-mystery action drama in which the serial killer uses the Seven Deadly Sins to organize his crimes. Includes several visual and verbal references to ParsT and CT.
Burger, Glenn D., and Holly A. Crocker.
Burger and Crocker, eds. Medieval Affect, Feeling, and Emotion (Cambridge: Cambridge University Press), pp. 1-24.
Emphasizes how this essay collection presents "an intersectional approach to what medievals call affect and what moderns call emotions," and "speaks to the 'affective turn' in contemporary literary and cultural studies." Introduction provides a close…
The eight manuscript portraits of Chaucer and the three of Hoccleve are described. Those of Chaucer in Ellesmere and Harley 4866 are possibly independent copies of a common ancestor, now lost. All other portraits of Chaucer depend on their…
Six previously published essays by individual authors, an introduction, and a conclusion look at how Chaucer addresses audiences and how contemporary audiences interpret Chaucer's works. Describes the "audience function" and traces the "effect of…
Discusses temporality and "cultural imaginings" of time in Lydgate, Hoccleve, and Chaucer. Refers to Chaucer's use of narrative and seasonal time and memory in CT, BD, PF, HF, and Astr.
Jones, Mike Rodman.
Burlington, Ver.: Ashgate, 2011.
Includes Chaucerian apocrypha, "The Plowman's Tale" and "Jack Upland," in an examination of the figure of the plowman in English early modern imagination, from "Piers Plowman" to the 1590s. Argues that there was a "highly politicized tradition of…
In a section exploring "epic masculinity" in the age of Marlowe, suggests that Chaucer's depiction of Aeneas in LGW and HF anticipates humanist "rethinking" about the hero, that Chaucer "greatly influenced" Marlowe's depiction of him in "Dido, Queen…
Examines influence of commerce and trade in CT, Gower's "Mirour de L'Omme" and "Confessio Amantis," and Hoccleve's "Male Regle" and "Regiment of Princes." Looks at social and cultural implications of how market economies affect literary narratives…