Collins, Billy, ed., with illustrations by David Allen Sibley.
New York: Columbia University Press, 2010.
Comprises an anthology of English-language poetry about birds and bird species, with accompanying color plates. In the section concerning hawks, includes a stanza from PF (lines 330-36).
Jonassen, Frederick B.
John Marshall Law Review 43 (2009-10): 51-108.
Describes aspects of Chaucer's life that indicate that he had training in law or familiarity with it, and explores the legal language and details of GP, arguing that the Host's "responsibility for the pilgrims reflects the law of innkeeper's…
Kupfer, David C.
Library Philosophy and Practice [429] (2010): 1-24. Available at http://digitalcommons.unl.edu/libphilprac/429. Accessed January 14, 2021.
Assesses "bibliophilism" in Chaucer's works as indicators of his own access to and attitudes towards books, learning, and learning spaces or libraries. Focuses on the uses of "librarye" (Bo 1.pr.4.41 and 1.pr.5.41) as early instances in English and…
Jajdelska, Elspeth, Chris Butler, Steve Kelly, Allan McNeill, and Katie Over.
Poetics Today 31 (2010): 433-63.
Includes comments on the "feature-by-feature account" of the Prioress's face in GP 1.151-56, and suggests that "a description of this kind is less likely to produce a vivid response than one that relates the features to one another."
[Kiser, Lisa J.]
In Anthony Grafton, Glenn W. Most, and Salvatore Settis, eds. The Classical Tradition (Cambridge, Mass.: Belknap, 2010).
Encyclopedia entry that summarizes Chaucer's debt to classical tradition as source material for his plots, imaginings of the classical past, and "voicings" of classical speakers throughout his corpus. Comments on Chaucer's awareness of mediation and…
Munsterberg, Marjorie.
British Art Journal 18.1 (2010): 12-25.
Claims that writing about painting in England began with Chaucer's "definition of visual art" in PhyT 6.9ff., sketching classical and medieval background to Chaucer's description, particularly Pliny, Bartholomeus Anglicus, John Trevisa, and the Roman…
Williams, Deanne.
Kent Cartwright, ed. A Companion to Tudor Literature (Chichester: Wiley-Blackwell, 2010), pp. 213-27.
Describes the "scope and range of Tudor responses to the Middle Ages," tracing the "literary afterlife" of Chaucer, Tudor "editions and redactions" of medieval romances, and "Elizabethan dramatizations of medieval history." Poetic and editorial…
Mundo, Frank.
West Conshohocken, PA: Infinity, 2010.
Item not seen. WorldCat record indicates this collection of stories in verse emulates CT as a tale-telling contest, conducted by security guards after riots in Los Angeles.
Zuraikat, Malek.
Jordan Journal of Modern Languages and Literature 9.1 (2017): 95-105.
Assesses female silence as resistance to masculine power in KnT, arguing that the strategy is limited. In KnT women succeed when they "express their need" for male protection, but not when they oppose or resist patriarchy. Includes an abstract in…
Langdon, Alison.
Enarratio: Journal of the Medieval Association of the Midwest 17 (2010): 61-76.
Assesses ClT in comparison with its sources to argue that Chaucer's version critiques Griselda's complete submission of her will to Walter's, disclosing its ethical invalidity as lacking right reason.
Redresses neglect of medieval views in recent materialism studies, arguing that "that medieval definitions of matter, both hylomorphic and humoral, constitute their own versions of 'materialism,' versions that can help us to historicize later…
Karolides, Nicholas J., Margaret Bald, and Dawn B. Sova.
New York: Facts on File, 2011.
Originally published in 2005. Treats CT (pp. 474-77) in a section called "Literature Suppressed on Social Grounds," describing the pilgrimage and the social variety of the pilgrims, claiming that "Risqué language and sexual innuendo pervade most of…
Green Richard Firth.
Studies in the Age of Chaucer 33 (2011): 3-38.
Details of the tale of Griselda indicate that the "key to the tale's power" in the late Middle Ages is its "startling role reversal, from marchioness to chambermaid, and the fundamental questions about the marital relationship it so dramatically…
Analyzes history of emotions, phenomenology, and gender theory, and specifically discusses "feminine embodiment and the bodily expressions of love" in TC and LGW.
Allen, Mark, and Bege K. Bowers.
SAC 33 (2011): 389-461.
Continuation of SAC annual annotated bibliography (since 1975); based on contributions from an international bibliographic team, independent research, and MLA Bibliography listings. 205 items, plus listing of reviews for 82 books. Includes an author…
Boswell, Jackson Campbel.
Chaucer Review 45 (2011): 435-65.
Adding to the work both of Spurgeon in "Five Hundred Years of Chaucer Criticism and Allusion" and of the author and Holton in "Chaucer's Fame in England," this annotated bibliography presents forty-five new citations, including one to a hitherto…
Carruthers, Leo, Raeleen Chai-Elsholz, and Tatjana Silec, eds.
New York: Palgrave Macmillan, 2011.
This collection dedicated to André Crépin contains an introduction and eleven essays on different aspects of palimpsests, both in the technical and literary senses of the word. For three essays that pertain to Chaucer, search for Palimpsests and…
Bourgne, Florence.
Leo Carruthers, Raeleen Chai-Elsholz, and Tatjana Silec, eds. Palimpsests and the Literary Imagination of Medieval England (New York: Plagrave Macmillan, 2011), pp. 115-36.
Vernacular authors anxious about the fragility of texts due to the impermanence of the medium and scribal transmission called attention in their writing to forms of engraving in stone and wax. As writing habits changed, the depiction of writing…
Vial, Claire.
Leo Carruthers, Raeleen Chai-Elsholz, and Tatjana Silec, eds. Palimpsests and the Literary Imagination of Medieval England (New York: Plagrave Macmillan, 2011), pp. 175-91.
Awareness of generic ancestry offers evidence of the palimpsestuous nature of the "true" Middle English Breton lays. Reference is made to Chaucer's FranT among other so-called Breton lays.
Aloni, Gila.
Leo Carruthers, Raeleen Chai-Elsholz, and Tatjana Silec, eds. Palimpsests and the Literary Imagination of Medieval England (New York: Plagrave Macmillan, 2011), pp. 157-73..
Chaucer rewrites his source in Ovid "Metamaphorses" 6 to show the strong bond between the sisters who provide solace to each other. The same kind of bond is shown among the women who support the raped maiden in the WBT. The meaning of rape in…
Within the context of an examination of the English Renaissance, submits that the 1598 edition of Chaucer connects manuscripts and print culture, while lending Chaucerian authority and canonicity to print editions.
Facing-page poetic translation of GP, KnT, MilPT, RvPT, CkPT, WBPT, ClPT, MerPT, FranPT, PardPT, PrPT, Thop and prologues to Thop and Mel, NPPT, ParsP, and Ret. Follows Chaucer's verse forms. Includes biographical and cultural backgrounds (pp.…
Taking its editor's preface as a cue, an examination of this edition, which has heretofore been labeled a reprint of John Bell's 1782 edition, reveals that it is in fact "a considerable re-evaluation of Chaucer's works."
McGillivray, Murray.
Florilegium 27 (2011 for 2010): 159-76.
Proposes that a "computer facilitated re-spelling of a reconstructed archetype" ought to be the basis for future editions of LGW, Anel, HF, PF, and BD because the textual situations of these poems are "precarious." The reconstruction would use the…