Russell, J. Stephen, ed.
New York and London: Garland, 1988 (for 1987).
Dedicated to the memory of Judson Boyce Allen, this collection of ten articles by various hands examines medieval allegory in terms of modern critical theory. For three essays that pertain to Chaucer, search for Allegoresis under Alternative Title.
Russell, J. Stephen.
Medieval Perspectives 1 (1988, for 1986): 65-74.
Chaucer's Dido, Emelye, and Custance differ from their respective literary ancestors. In each case, Chaucer gives to his heroine a significant speech or set of speeches that subverts the narrative in which she appears, counterpointing the dominant…
Russell, J. Stephen.
Columbus: Ohio State University Press, 1988.
Dream visions of Langland, Chaucer, and the "Pearl"-poet use "not simply a common external form but one that contains an internal, intrinsic dynamic or strategy as well"; it derives from the "skepticism and nominalism of Augustine,…
Russell, J. Stephen.
J. Stephen Russell, ed. Allegoresis: The Craft of Allegory in Medieval Literature (New York and London: Garland, 1988, for 1987), pp. 171-85.
Examines the crux in lines 1907-15 as a "seam" in Chaucer's fabrication that reveals his understanding of allegory and its appropriateness for his vision. The "disconversant dialogue" represented in these lines is "a convention of personification…
Russell, J. Stephen.
Gainesville: University Press of Florida, 1998.
Argues that medieval language theory and the arts of grammar, logic, and rhetoric inform CT. They provided Chaucer with his fundamental awareness of the slipperiness of language-its inability to represent truth and reality and its ability to distort…
Russell, J. Stephen.
Chaucer Review 33 (1998): 176-89.
By electing not to include the exact text of "O Alma Redemptoris Mater" (of which there were several versions) in PrT, Chaucer forces the audience to think through issues of verbal prayer vs. prayers of the heart that express the intent behind the…
Russell, J. Stephen.
Medieval Perspectives 23 (2008 [2011]): 85-96.
Gauges what "old age" may have meant to Chaucer and his contemporaries, especially as it relates to memory and the humours. Then comments on several old men in Chaucer's works: January in MerT, the Old Man of PardT, old men in Mel, and Egeus of TC.
Russell, John, and Ashley Brown, eds.
New York: World Publishing, 1967.
Anthologizes samples of satire from classical to modern literature, arranged by genre (Prose and Drama, Verse, Epigrams), including modernizations (by Nevill Coghill) of FrPT and SumP under Verse. The Foreward (pp. xv-xxxiv) describes the…
Russell, Nicholas.
Notes and Queries 211 (1966): 50-52.
Argues that Chaucer's characterization of the lovers in TC is marked by their relationships with public opinion, especially with that of "the impersonal mass of Trojans and Greeks" who are the "anti-characters" of the poem. As fortune turns against…
Examines illustrations as cues to engage non-professional readers of the Ellesmere manuscript and the Kelmscott Chaucer. These techniques may suggest ways of engaging present-day non-professional readers of Chaucer as well.
Rust, Martha Dana.
Cindy L. Vitto and Marcia Smith Marzec, eds. New Perspectives on Criseyde (Fairview, N.C.: Pegasus Press, 2004), pp. 111-38.
Rust describes medieval epistolary protocol and assesses three features of TC in Bodleian Library Manuscript Arch. Selden. B.24: an appended colophon, a female figure dressed in black drawn inside the first letter of the poem, and the scribal…
Rust, Martha Dana.
New York and Basingstoke: Palgrave Macmillan, 2007.
Explores relationships between texts and their paratexts in English and Scottish books produced between 1400 and 1490, considering a "variety of pre- and extralinguistic modes of interacting with and thinking through books." Examines letter-forms,…
Rust, Martha Dana.
Ph.D. Dissertation, University of California, Berkeley, 2000. Dissertation Abstracts International A62.01. Fully accessible via ProQuest Dissertations & Theses.
Studies "the bibliographic sensibility that characterized late medieval English manuscript culture," analyzing "the dialectical interaction between literary representation and its material support in a selection of late Middle English poems."…
TC indicates that love letters were written on paper in England as early as the 1380s. Uses TC to frame connection of paper with verse love epistles and their fictions.
Looks at "late medieval texts in which writing functions both verbally and pictorially," such as texts of the Passion, in which red ink in the manuscript creates a picture of Christ's blood, mentioned in ABC. TC similarly describes tearful verses,…
Rust, Martha.
Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 195-217.
Interprets red-ink underlining of lovers' and birds' names in the text of PF in Bodley 638 and Fairfax 16 as a "visual appeal to memory" that activates pedagogical frameworks of language acquisition from medieval grammar school curricula. Viewing…
Rust, Martha.
Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 98-125.
Uses the figure of Genius from Alan of Lille's "De planctu Naturae" to flesh out the role of the scribe for Chaucer and his works. Focuses on the role of the scribe not only in Chaucer's work and manuscripts, but also in contemporary scholarship, and…
Ruszkiewicz, D.
Claire Vial, ed. "A noble tale / Among us shall awake": Approches croisees des "Middle English Breton Lays" et du "Franklin's Tale" (Paris: Presses Universitaires de Paris Ouest, 2015), pp. 35-44.
Studies shifting perspectives on love, marriage, and honor in FranT and WBT.
Ruszkiewicz, Dominika.
Romanian Journal of English Studies 23 (2008): 85-96.
Interprets Troilus's failure to take action to keep Criseyde in Troy as a lack of "mesure," a courtly quality praised by troubadour poets. His lack, however, evinces the depth of his love and he, at times, "takes on the role a troubadour" by seeking…
Ruszkiewicz, Dominika.
Sylwia J. Wojciechowska and Aeddan Shaw, eds. Colossus: How Shakespeare Still Bestrides the Cultural and Literary World (Kraków: Wydawnictwo Naukowe Akademii Ignatianum, 2018), pp. 81-94.
Describes differences in the uses of personal testaments in TC (Troilus's) and in the versions of the story by Henryson (Cresseid's) and Shakespeare, focusing on Pandarus's testament in "Troilus and Cressida" and on how it reflects the influence of…
Ruszkiewicz, Dominika.
M. J. Toswell and Anna Czarnowus, eds. Medievalism in English Canadian Literature: From Richardson to Atwood (Cambridge: Brewer, 2020.), pp. 129-42
Comments on several "manifestation[s] of the medieval" in the writings of Margaret Atwood, focusing on her "response to the patriarchal standards and conventions of the courtly tradition." Identifies connections with Chaucer's motif of "enditynge,"…
Ruszkiewicz, Dominika.
Barbara Marczuk and Iwona Piechnik, eds. Discours religieux: Langages, textes, traductions (Kraków: Biblioteka Jagiellonska, 2020), pp. 305-17.
Argues that Chaucer's alterations to Boccaccio's "Filostrato" in TC, I.22–49, were influenced by liturgical "bidding prayers," and that the God-centered Boethianism of the passage works with the ending of Chaucer's poem to "frame" its recurrent…
Ruszkiewicz, Dominika.
New York: Peter Lang, 2021.
Considers relations between moral virtue and courtly love in a variety of Chaucer's works and Scottish Chaucerian works, analyzing a series of pairings--Rom and William Dunbar's "Golden Targe," Chaucer's Boethian poems and "The Kingis Quair," HF and…
