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Chaucer's Ambiguity in Voice
Nakao, Yoshiyuki.
Osamu Imahayashi, Yoshiyuki Nakao, and Michiko Ogura, eds. Aspects of the History of the English Language and Literature: Selected Papers Read at SHELL 2009, Hiroshima (New York; Peter Lang, 2010), pp. 143-57.
Draws from TC examples of how voice contributes to ambiguity, considering how "suprasegmentals" and various phonetic and prosodic features contribute to voice.
'Rum, Ram, Ruf': Chaucer and Linguistic Whig History
Johnston, Andrew James.
Claudia Lange, Ursula Schaefer, and Göran Wolf, eds. Linguistics, Ideology, and the Discourse of Linguistic Nationalism (Frankfurt am Main: Peter Lang, 2010), pp. 37-51.
Johnston scrutinizes Chaucer's comments on alliterative poetry in ParsP, interpreting them as evidence of a power struggle in England's evolving literary field. By presenting aesthetic difference as linguistic difference, Chaucer consciously presents…
The Myth of an Oral Style in Chaucer's Poetry
Foster, Michael.
Medieval and Early Modern English Studies 18 (2010): 341-60.
It is "anachronistic to assume" that Chaucer distinguished between the "reading and hearing of his literary works." His "style is best understood as a versatile adaptation of language to suit both silent and vocalized readings."
Frances Wolfreston's Chaucer
Wiggins, Alison.
Anne Lawrence-Mathers and Phillipa Hardman, eds. Women and Writing, c.1340-c.1650: The Domestication of Print Culture ([York]: York Medieval Press, 2010), pp. 77-89.
Examines the readers' marks in an annotated copy of the 1550 Thynne edition of Chaucer's Workes (Folger STC 5074 Copy 2), identifying its century-long provenance (1578-1677) of female ownership and commenting on how notes, bracketed passages, and…
Folly
Walker, Greg.
Brian Cummings and James Simpson, eds. Cultural Reformations: Medieval and Renaissance in Literary History (New York: Oxford University Press), pp. 321-41.
Includes comments on Chaucer's combination of jest and earnest as it was admired by Thomas Heywood and Thomas More.
Rhetoric, Truth, and Lydgate's 'Troy Book'
Vankeerbergen, Bernadette C.
Dissertation Abstracts International A70.10 (2010): n.p.
Argues that Lydgate's allusions to HF are part of a larger effort to deny the accessibility of truth through language, which the author describes as a "Chaucerian poetics of ambiguity and skepticism."
The Scottish Lydgateans
Sweet, W. H. E.
Kathleen A. Bishop, ed. Standing in the Shadow of the Master? Chaucerian Influences and Interpretations (Newcastle upon Tyne: Cambridge Scholars, 2010), pp. 28-45.
Sweet examines works by William Dunbar and Robert Henryson as well as lesser-known texts to argue that, like Chaucer, Lydgate had significant influence on the development of literature in Scotland.
A Response to Candace Barrington
Sponsler, Claire.
American Literary History 22 (2010): 831-37.
Sponsler comments on the "appropriation theory" underlying Candace Barrington's analysis of a Chaucer-themed Mardi Gras pageant of 1914, raising broader questions about the ideology, methodology, and disciplinary implications of "American…
Osbern Bokenham Reads the 'Prologue' to the Legend of Good Women: The Life of St. Margaret
Spencer, Alice.
Kathleen A. Bishop, ed. Standing in the Shadow of the Master? Chaucerian Influences and Interpretations (Newcastle upon Tyne: Cambridge Scholars, 2010), pp. 160-203.
Bokenham repeatedly refers to himself as an "auctor" as a way to extricate himself from the classicizing, conventional, and paternal shadow of Chaucer.
Impersonal Constructions and Narrative Structure in Chaucer
Jimura, Akiyuki.
Osamu Imahayashi, Yoshiyuki Nakao, and Michiko Ogura, eds. Aspects of the History of the English Language and Literature: Selected Papers Read at SHELL 2009, Hiroshima (New York; Peter Lang, 2010),, pp. 93-100.
Jimura cites instances of impersonal constructions in TC and KnT in which verbs of "occurrence or happening" (e.g., "befal," "hap") are used to present important events and to suggest inevitability.
Middle English Language and Poetry
Horobin, Simon.
Corinne Saunders, ed. A Companion to Medieval Poetry (Cambridge: D. S. Brewer, 2010), pp. 181-95.
Comments on various aspects of dialect, diction, prestige, etc. in Middle English poetry, with many examples drawn from Chaucer's works.
'Heat' in Old English and in Chaucer's Creation of Metaphors of Love
Healey, Antonette diPaolo.
Osamu Imahayashi, Yoshiyuki Nakao, and Michiko Ogura, eds. Aspects of the History of the English Language and Literature: Selected Papers Read at SHELL 2009, Hiroshima (New York; Peter Lang, 2010), pp. 3-18.
The semantic field of "heat" includes emotional connotations in Old English, but Chaucer evokes new oxymoronic nuances when he uses it in Troilus's song, TC 1.400-420.
Medievalism, Multilingualism, and Chaucer
Davidson, Mary Catherine.
New York: Palgrave Macmillan, 2010.
In late medieval England, "code-switching" among English, French, and Latin was linked to literacy and social prestige, not to aberrant or nonconformist behavior; code-switching was a means to articulate social identity. Chaucer distanced his…
Rich Words: Gower's 'Rime Riche' in Dramatic Action
Zarins, Kim.
Elisabeth Dutton, with John Hines and R. F. Yeager, eds. John Gower, Trilingual Poet: Language, Translation, and Tradition (Cambridge: D. S. Brewer, 2010), pp. 239-53.
Zarins assesses Gower's and Chaucer's uses of rime riche ("in which rhyme patterns appear identical but diverge in meaning"), focusing on instances in which the device lends seriousness (or mock seriousness) in characters' dialogue. Appends a partial…
The Word Pairs in Chaucer's Verse in Comparison with Those in His Prose
Tani, Akinobu.
John Ole Askedal, Ian Roberts, and Tomonori Matsushita, eds. Noam Chomsky and Language Descriptions (Philadelphia: John Benjamins, 2010), pp. 149-68.
Tani examines the word pairs or doublets in Fragment A of CT and those in Chaucer's prose texts. The pairs are used for rhyme and for generic and stylistic differentiation among verse texts.
Style
Nolan, Maura.
Brian Cummings and James Simpson, eds. Cultural Reformations: Medieval and Renaissance in Literary History (New York: Oxford University Press), pp. 396-419.
Nolan exemplifies the continuity of English versification through close metrical analyses of samples from Chaucer (Truth), Lydgate, and Wyatt. Each text "displays inherited forms at the very limits of their capacities."
Translating 'Troilus and Criseyde': Modernizing the Courtly Idiom
Windeatt, Barry.
Anglistik 21.1 (2010): 37-48.
Comments on translations/modernizations of TC from the seventeenth through the twentieth centuries. Considers modern problems with reproducing the nuances of Chaucer's courtly idiolect, particularly "courtly value words" such as "goodly," "fresshe,"…
Distribution of Infinitive Markers in Chaucer's Canterbury Tales
Trobevšek Drobnak, Frančiška.
Linguistica 50 (2010): 179-95.
Tabulates and analyzes various combinations of Middle English infinitive markers--the -e(n) ending, the particle "to," and the particle phrase "for to"--finding that they occur in no identifiable grammatical or semantic patterns of distribution in…
Language in Use
Taylor, Karla.
Susanna Fein and David Raybin, eds. Chaucer: Contemporary Approaches (University Park: Pennsylvania State University Press, 2010), pp. 99-115.
Taylor surveys the development of attention to language and linguistics in Chaucer studies, commenting on the usefulness of developments that enable increased attention to sociolinguistic uses rather than philological forms. She reads RvT as a work…
Infinitival Complementation in Chaucer: The Case of Command
Sawada, Mayumi.
Osamu Imahayashi, Yoshiyuki Nakao, and Michiko Ogura, eds. Aspects of the History of the English Language and Literature: Selected Papers Read at SHELL 2009, Hiroshima (New York; Peter Lang, 2010), pp. 131-42.
Tallies uses of "that" clauses and "to" clauses after the verb "command" in Chaucer's works, documenting their frequencies in various syntactic contexts.
The Impersonal and Personal Constructions in the Language of Chaucer
Ohno, Hideshi.
Osamu Imahayashi, Yoshiyuki Nakao, and Michiko Ogura, eds. Aspects of the History of the English Language and Literature: Selected Papers Read at SHELL 2009, Hiroshima (New York; Peter Lang, 2010), pp. 115-29.
Tabulates features of impersonal usage in Chaucer, Gower, and Langland, using a variety of verbs and commenting on the conditions of usage.
Competence, Performance, and Extra Prepositions
Nykiel, Joanna.
Journal of English Linguistics 38 (2010): 143-66.
Studies the occurrence of "extra" (doubled or mismatched) prepositions in Middle English relative and interrogative clauses and the persistence of the phenomenon in modern English. "Noncategorical" (gradient) constraints such as "preposition…
Chaucer's 'As' and the Loose Fit of Meaning
Murtaugh, Daniel M.
Chaucer Review 44 (2010): 461-70.
When used in direct discourse, "as" often functions as a "discourse particle" in a manner similar to "the multivalent 'like' that seasons the more youthful dialects of Modern English." Such words allow interlocutors to convey meanings while not…
Forgetful Muses: Reading the Author in the Text
Lancashire, Ian.
Buffalo, N.Y.: University of Toronto Press, 2010.
Explores literary composition as "cybertextuality," employing a fusion of cognitive theory, stylistic analysis, computer applications, and attribution studies. The goal is to uncover the compositional processes of writers by examining their verbal…
Stress Tests and Quality Controls: The Medieval Assay as a Test of Character
Kendrick, Laura.
Bulletin des Anglicistes Médiévistes 77 (2010): 7185.
Explores testing in Chaucer's narratives, focusing on uses of the word "assay."
