Browse Items (16470 total)
Sort by:
The Essential Chaucer: An Annotated Bibliography of Major Modern Studies
Allen, Mark,and John H. Fisher.
Boston: G. K. Hall, 1987.
Includes 925 conservatively selected and annotated studies written 1900-84. Cross-referenced and indexed.
A Bibliography of Chaucer, 1964-1973
Baird, Lorrayne Y.
Boston: Hall, 1977.
The bibliography includes books, articles, dissertations, reviews, reprints, and background studies. Annotations identify general, introductory, or background studies and those designed for undergraduates.
Discussions of the "Canterbury Tales."
Owen, Charles A., ed.
Boston: Heath, 1961.
An anthology of criticism, with a brief introduction (pp. vii-ix) that characterizes CT as "unique" because "no other work so fragmentary creates such an illusion of completeness." The volume reprints essays and excerpts by twenty-one writers,…
Katherine.
Seton, Anya.
Boston: Houghton Mifflin, 1954.
A romance novel of the life of Katherine Swynford, rich in psychological and historical detail. Includes a wide variety of historical characters, including Geoffrey Chaucer, Katherine's future brother-in-law, who she instinctively recognizes at their…
Selections from The Tales of Canterbury and Short Poems.
Pratt, Robert A., ed.
Boston: Houghton Mifflin, 1966.
Edits CT (excluding Mel, MkT, SNT, CYT, and Pars), along with Ros, Form Age, Adam, Buk, Purse, and Truth, following the Robinson's edition of 1957, with modification from Manly and Rickert's collations. Marginal glosses and bottom-of-page notes…
Symposium on Love
Kinney, Arthur F., Kenneth W. Kuiper, and Lynn Z. Bloom, comps.
Boston: Houghton Mifflin, 1970.
Item not seen; the WorldCat record indicates that this is a compilation of literary works and extracts from the classical era to the twentieth century, including WBT.
The Tales of Canterbury: Complete
Pratt, Robert A., ed.
Boston: Houghton Mifflin, 1974.
Edits CT, with marginal glosses, bottom-of-page notes, and an additional "Basic Glossary." The text is based on Robinson's 1957 edition, with variants explained and listed in a "Comment on the Text" (pp. 561-79). The Introduction (pp. ix-xxxiv)…
The Works of Geoffrey Chaucer. 2d ed.
Robinson, F. N., ed.
Boston: Houghton Mifflin; London: Oxford University Press, 1957.
Edits the complete works of Chaucer from various manuscripts, with end-of-volume explanatory notes, textual notes, and glossary. A general Introduction summarizes Chaucer's life, the canon and chronology of his works, his language and meter, and the…
The Atlantic Book of British and American Poetry.
Sitwell, Dame Edith, ed.
Boston: Little, Brown, 1958.
Anthologizes a wide range of selections from British and American literature--poetry, fiction, drama, and translations, with brief, appreciative introductions to individual authors and their works. Includes description of Chaucer as a "poet of…
An Introduction to Poetry.
Kennedy, X. J., ed.
Boston: Little, Brown, and Co., 1966.
A textbook designed for reading and analyzing poetry in the college classroom, with discussions of prosody, poetic devices, and genres; study questions; and an anthology of illustrative poems, including Chaucer's Purse in Middle English (p. 292) with…
History of the English Language: Selected Texts and Exercises.
Hoffman, Richard L., compiler.
Boston: Little, Brown, and Co., 1968.
Includes selections from GP (lines 1-42, 285-308, and 545-66) in Middle English, with interlinear glosses.
Renard the Fox: The Misadventures of an Epic Hero
Terry, Patricia, trans.
Boston: Northeastern University Press, 1983.
Source for NPT translated from old French.
The Legend of King Arthur in British and American Literature
Goodman, Jennifer R.
Boston: Twayne, 1987.
Includes a brief discussion of the WBT.
The "Canterbury Tales": A Literary Pilgrimage
Williams, David.
Boston: Twayne, 1987.
Introduces "Chaucer's allegorical tales as poetic play and playful poetry." In CT, Chaucer questions the nature of reality and the function of language in a complex interplay of realistic, grotesque, and sublime. Chapters deal with historical…
Geoffrey Chaucer. 2nd ed
Payne, Robert O.
Boston: Twayne/G. K. Hall, 1986.
Although technically a "second edition," Payne's "Geoffrey Chaucer" is essentially a new book, having little in common with the first Twayne Chaucer, written by Edwin J. Howard and published in 1964. Payne's seven chapters treat Chaucer's life,…
Chaucer's 'House of Fame' and the Poetics of Inflation
Vance, Eugene.
Boundary 27.2 (1979): 17-37.
Argues that Chaucer's concerns in HF are metalinguistic by drawing an analogy between verbal inflation (high style) and monetary inflation (which was rampant in Chaucer's day). Both words and coins are arbitrary signs and mediums of exchange;…
Chaucer's 'Book of the Duchess': Did John [of Gaunt] Love Blanche [of Lancaster]?
Broughton, Bradford B.
Bradford B. Broughton, ed. Twenty-Seven to One: A Potpourri of Humanistic Material Presented to Dr. Donald Gale Stillman on the Occasion of His Retirement from Clarkson College of Technology ([Potsdam, N. Y.], 1970), pp. 71-84.
Assesses various historical documents that pertain to the marital life and legacy of John of Gaunt and Blanche of Lancaster, arguing that the evidence indicates John was dedicated to Blanche, even after her death.
Chaucer and Lydgate in Palsgrave's 'Lesclarcissement'
Stein, Gabriele.
Braj B. Kachru and Henry Kahane, eds. Cultures, Ideologies, and the Dictionary: Studies in Honor of Ladislav Zgusta (Tubingen: Niemeyer, 1995), pp. 127-39.
Examines citations of Chaucer and Lydgate in John Palsgrave's "Lesclarcissement de la langue francoyse" (1530) as indications of the dictionary-maker's efforts to record "special language use," i.e., dialectical use and varying registers.
The Derived Nominals, Gerunds, and Participles in Chaucer's English
Emonds, Joseph.
Braj B. Kachru, and others, eds. Issues in Linguistics: Papers in Honor of Henry and Renée Kahane (Urbana: University of Illinois Press, 1973), pp. 185-93.
Anatomizes Chaucer's uses of the "'ing'-morpheme," arguing that "Chaucer's dialect did not contain a gerund as a normal grammatical device" (even though examples exist) and that English "participles and derived nominal had become phonetically…
Un Trattato sull'Astrolabio.
Colombi, Giulio, and Elena Armida Olivari, ed. and trans.
Brescia: Morcelliana, 2018.
Item not seen. WorldCat record indicates that this is a translation of Astro into Italian, with an introduction. The publisher's information indicates that the volume includes an essay by Paolo Rossi on the place of the astrolabe in the history of…
Keeping up Appearances : Chaucer's Franklin and the Magic of the Breton Lay Genre
Lucas, Angela.
Brian Cosgrove, ed. Literature and the Supernatural: Essays for the Maynooth Bicentenary (Blackrock, Ireland: Columba, 1996), pp. 11-32.
Assesses FranT in light of the conventions of the genre of the Breton lay: prologue, setting, rash promise, magic, impossible task, love triangle, and love. According to Lucas, the distortion of these conventions indicates that the Franklin does not…
Enclosed Spaces
Staley, Lynn.
Brian Cummings and James Simpson, eds. Cultural Reformations: Medieval and Renaissance in Literary History (New York: Oxford University Press), pp. 113-33.
Explores the trope of England as an idealized garden/island in imagery of homes in various medieval and Renaissance works, including NPT.
Folly
Walker, Greg.
Brian Cummings and James Simpson, eds. Cultural Reformations: Medieval and Renaissance in Literary History (New York: Oxford University Press), pp. 321-41.
Includes comments on Chaucer's combination of jest and earnest as it was admired by Thomas Heywood and Thomas More.
National Histories
Butterfield, Ardis.
Brian Cummings and James Simpson, eds. Cultural Reformations: Medieval and Renaissance in Literary History (New York: Oxford University Press), pp. 33-54.
Comments on Chaucer's address to his book at the end of TC as an example of the poet's awareness of linguistic and cultural diversity.
Poetic Fame
Cooper, Helen.
Brian Cummings and James Simpson, eds. Cultural Reformations: Medieval and Renaissance in Literary History (New York: Oxford University Press), pp. 361-78.
Cooper argues that, despite his own skepticism about fame, Chaucer was the "model of fame" in fifteenth- and sixteenth-century England. Comments on Chaucer's appeal to humanists, to Protestants, and to Catholics and on Chaucer's role as "father" of…
